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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 94 247 it is the complementary color RGB 21 161 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 94 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 94 247 shade: RGB 239 94 242, RGB 255 112 255, RGB 255 130 255, RGB 255 148 255 and RGB 255 166 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 94 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 217 76 228, RGB 200 58 209, RGB 183 40 190 and RGB 166 22 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 247 94 219, RGB 247 94 177, RGB 247 94 136 and RGB 247 94 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 193 94 247, RGB 151 94 247, RGB 110 94 247 and RGB 94 94 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 94 247 shade matches the following richer shades: RGB 234 94 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 223 107 233, RGB 211 121 220, RGB 200 135 206 and RGB 189 148 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 94 247 shade: RGB 150 94 247, RGB 191 94 247, RGB 232 94 247, RGB 247 94 221 and RGB 247 94 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 94 247 shade: RGB 224 15 243, RGB 229 54 245, RGB 234 94 247, RGB 239 133 249 and RGB 244 173 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 247 109 94 and RGB 94 247 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 247 232 94 and RGB 94 247 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 247 109 94, RGB 109 247 94 and RGB 94 232 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 94 247 shade: RGB 234 94 247, RGB 247 155 94, RGB 109 247 94 and RGB 94 186 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

Complementary color

CMYK 87 / 0 / 95 / 37

HEX #15A108

RGB 21 161 8

HSL 114.9, 0.91%, 0.33%

LAB 57.72, -59.49, 57.99

 

CMYK 1 / 61 / 0 / 5

HEX #EF5EF2

RGB 239 94 242

HSL 298.78, 0.85%, 0.66%

LAB 63.97, 73.53, -47.99

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 5 / 67 / 0 / 11

HEX #D94CE4

RGB 217 76 228

HSL 295.66, 0.74%, 0.6%

LAB 57.58, 73.13, -50.5

 

CMYK 4 / 72 / 0 / 18

HEX #C83AD1

RGB 200 58 209

HSL 296.42, 0.62%, 0.52%

LAB 51.73, 72.6, -49.19

 

CMYK 4 / 79 / 0 / 25

HEX #B728BE

RGB 183 40 190

HSL 297.2, 0.65%, 0.45%

LAB 46.05, 71.4, -47.44

 

CMYK 3 / 87 / 0 / 33

HEX #A616AB

RGB 166 22 171

HSL 297.99, 0.77%, 0.38%

LAB 40.61, 69.21, -45.09

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 0 / 62 / 11 / 3

HEX #F75EDB

RGB 247 94 219

HSL 310.98, 0.91%, 0.67%

LAB 64.08, 71.88, -34.93

 

CMYK 0 / 62 / 28 / 3

HEX #F75EB1

RGB 247 94 177

HSL 327.45, 0.91%, 0.67%

LAB 62.47, 66.2, -13.59

 

CMYK 0 / 62 / 45 / 3

HEX #F75E88

RGB 247 94 136

HSL 343.53, 0.91%, 0.67%

LAB 61.27, 61.78, 8.31

 

CMYK 0 / 62 / 62 / 3

HEX #F75E5F

RGB 247 94 95

HSL 359.61, 0.91%, 0.67%

LAB 60.43, 58.59, 30.82

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 22 / 62 / 0 / 3

HEX #C15EF7

RGB 193 94 247

HSL 278.82, 0.91%, 0.67%

LAB 58.09, 63.83, -60.49

 

CMYK 39 / 62 / 0 / 3

HEX #975EF7

RGB 151 94 247

HSL 262.35, 0.91%, 0.67%

LAB 53.28, 54.77, -68.49

 

CMYK 55 / 62 / 0 / 3

HEX #6E5EF7

RGB 110 94 247

HSL 246.27, 0.91%, 0.67%

LAB 49.54, 47.08, -74.73

 

CMYK 62 / 62 / 0 / 3

HEX #5E5EF7

RGB 94 94 247

HSL 240, 0.91%, 0.67%

LAB 48.39, 44.56, -76.66

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 4 / 54 / 0 / 9

HEX #DF6BE9

RGB 223 107 233

HSL 295.24, 0.74%, 0.67%

LAB 63.41, 62.39, -44.02

 

CMYK 4 / 45 / 0 / 14

HEX #D379DC

RGB 211 121 220

HSL 294.55, 0.59%, 0.67%

LAB 63.91, 49.88, -36.11

 

CMYK 3 / 34 / 0 / 19

HEX #C887CE

RGB 200 135 206

HSL 294.93, 0.42%, 0.67%

LAB 65.01, 36.49, -26.69

 

CMYK 2 / 23 / 0 / 25

HEX #BD94C0

RGB 189 148 192

HSL 295.91, 0.26%, 0.67%

LAB 66.37, 23.03, -16.89

 

CMYK 39 / 62 / 0 / 3

HEX #965EF7

RGB 150 94 247

HSL 261.96, 0.91%, 0.67%

LAB 53.17, 54.57, -68.66

 

CMYK 23 / 62 / 0 / 3

HEX #BF5EF7

RGB 191 94 247

HSL 278.04, 0.91%, 0.67%

LAB 57.84, 63.38, -60.9

 

CMYK 6 / 62 / 0 / 3

HEX #E85EF7

RGB 232 94 247

HSL 294.12, 0.91%, 0.67%

LAB 63.24, 72.74, -51.97

 

CMYK 0 / 62 / 11 / 3

HEX #F75EDD

RGB 247 94 221

HSL 310.2, 0.91%, 0.67%

LAB 64.16, 72.17, -35.92

 

CMYK 0 / 62 / 27 / 3

HEX #F75EB5

RGB 247 94 181

HSL 325.88, 0.91%, 0.67%

LAB 62.61, 66.69, -15.68

 

CMYK 8 / 94 / 0 / 5

HEX #E00FF3

RGB 224 15 243

HSL 295, 0.9%, 0.51%

LAB 54.72, 90.81, -63.43

 

CMYK 7 / 78 / 0 / 4

HEX #E536F5

RGB 229 54 245

HSL 294.97, 0.91%, 0.59%

LAB 57.93, 85.26, -59.35

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 4 / 47 / 0 / 2

HEX #EF85F9

RGB 239 133 249

HSL 294.83, 0.91%, 0.75%

LAB 70.85, 57.14, -41.04

 

CMYK 3 / 31 / 0 / 2

HEX #F4ADFB

RGB 244 173 251

HSL 294.62, 0.91%, 0.83%

LAB 79.66, 38.47, -28.44

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 0 / 56 / 62 / 3

HEX #F76D5E

RGB 247 109 94

HSL 5.88, 0.91%, 0.67%

LAB 62.94, 51.85, 34.55

 

CMYK 62 / 0 / 31 / 3

HEX #5EF7AA

RGB 94 247 170

HSL 149.8, 0.91%, 0.67%

LAB 87.87, -57.65, 25.3

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 0 / 6 / 62 / 3

HEX #F7E85E

RGB 247 232 94

HSL 54.12, 0.91%, 0.67%

LAB 90.91, -10.96, 66.88

 

CMYK 62 / 0 / 6 / 3

HEX #5EF7E8

RGB 94 247 232

HSL 174.12, 0.91%, 0.67%

LAB 89.27, -43.63, -4.81

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 0 / 56 / 62 / 3

HEX #F76D5E

RGB 247 109 94

HSL 5.88, 0.91%, 0.67%

LAB 62.94, 51.85, 34.55

 

CMYK 56 / 0 / 62 / 3

HEX #6DF75E

RGB 109 247 94

HSL 114.12, 0.91%, 0.67%

LAB 87.28, -65.59, 60.67

 

CMYK 62 / 6 / 0 / 3

HEX #5EE8F7

RGB 94 232 247

HSL 185.88, 0.91%, 0.67%

LAB 85.41, -32.77, -18.42

 

CMYK 5 / 62 / 0 / 3

HEX #EA5EF7

RGB 234 94 247

HSL 294.9, 0.91%, 0.67%

LAB 63.52, 73.2, -51.52

 

CMYK 0 / 37 / 62 / 3

HEX #F79B5E

RGB 247 155 94

HSL 23.92, 0.91%, 0.67%

LAB 72.25, 28.83, 45.86

 

CMYK 56 / 0 / 62 / 3

HEX #6DF75E

RGB 109 247 94

HSL 114.12, 0.91%, 0.67%

LAB 87.28, -65.59, 60.67

 

CMYK 62 / 25 / 0 / 3

HEX #5EBAF7

RGB 94 186 247

HSL 203.92, 0.91%, 0.67%

LAB 72.37, -9.48, -38.4

 

Description

Color code: RGB 234 94 247 | qconv.com Color code: RGB 234 94 247 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 94 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 94 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 62 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 62% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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