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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 121 187 it is the complementary color RGB 20 134 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 121 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 121 187 shade: RGB 240 121 182, RGB 255 139 201, RGB 255 157 220, RGB 255 175 239 and RGB 255 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 121 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 218 103 168, RGB 201 85 149, RGB 184 67 130 and RGB 167 49 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 235 121 156, RGB 235 121 126 and RGB 235 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 235 121 217, RGB 221 121 235, RGB 191 121 235 and RGB 160 121 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 121 187 shade matches the following richer shades: RGB 235 121 187 and RGB 247 109 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 222 134 185, RGB 210 146 183, RGB 197 159 181 and RGB 185 171 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 121 187 shade: RGB 221 121 235, RGB 235 121 218, RGB 235 121 187, RGB 235 121 157 and RGB 235 121 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 121 187 shade: RGB 224 50 151, RGB 229 85 169, RGB 235 121 187, RGB 240 157 205 and RGB 245 193 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 235 191 121 and RGB 121 233 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 187 235 121 and RGB 121 187 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 235 191 121, RGB 121 235 169 and RGB 121 165 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 121 187 shade: RGB 235 121 187, RGB 235 225 121, RGB 121 235 169 and RGB 121 131 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

Complementary color

CMYK 85 / 0 / 49 / 47

HEX #148644

RGB 20 134 68

HSL 145.26, 0.74%, 0.3%

LAB 49.03, -45.38, 27.15

 

CMYK 0 / 50 / 24 / 6

HEX #F079B6

RGB 240 121 182

HSL 329.24, 0.8%, 0.71%

LAB 66.2, 52.58, -10.94

 

CMYK 0 / 45 / 21 / 0

HEX #FF8BC9

RGB 255 139 201

HSL 327.93, 1%, 0.77%

LAB 72.19, 51.19, -12.39

 

CMYK 0 / 38 / 14 / 0

HEX #FF9DDC

RGB 255 157 220

HSL 321.43, 1%, 0.81%

LAB 76.4, 44.97, -16.51

 

CMYK 0 / 31 / 6 / 0

HEX #FFAFEF

RGB 255 175 239

HSL 312, 1%, 0.84%

LAB 80.82, 38.77, -20.12

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 53 / 23 / 15

HEX #DA67A8

RGB 218 103 168

HSL 326.09, 0.61%, 0.63%

LAB 59.37, 52.39, -13.51

 

CMYK 0 / 58 / 26 / 21

HEX #C95595

RGB 201 85 149

HSL 326.9, 0.52%, 0.56%

LAB 53.04, 52.98, -12.22

 

CMYK 0 / 64 / 29 / 28

HEX #B84382

RGB 184 67 130

HSL 327.69, 0.47%, 0.49%

LAB 46.73, 53.36, -10.63

 

CMYK 0 / 71 / 34 / 35

HEX #A7316F

RGB 167 49 111

HSL 328.47, 0.55%, 0.42%

LAB 40.51, 53.35, -8.6

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 49 / 34 / 8

HEX #EB799C

RGB 235 121 156

HSL 341.58, 0.74%, 0.7%

LAB 64.75, 47.59, 1.6

 

CMYK 0 / 49 / 46 / 8

HEX #EB797E

RGB 235 121 126

HSL 357.37, 0.74%, 0.7%

LAB 64.03, 44.33, 17.66

 

CMYK 0 / 49 / 49 / 8

HEX #EB7979

RGB 235 121 121

HSL 0, 0.74%, 0.7%

LAB 63.93, 43.86, 20.35

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 49 / 8 / 8

HEX #EB79D9

RGB 235 121 217

HSL 309.47, 0.74%, 0.7%

LAB 66.78, 56.32, -29.75

 

CMYK 6 / 49 / 0 / 8

HEX #DD79EB

RGB 221 121 235

HSL 292.63, 0.74%, 0.7%

LAB 65.78, 55.51, -41.43

 

CMYK 19 / 49 / 0 / 8

HEX #BF79EB

RGB 191 121 235

HSL 276.84, 0.74%, 0.7%

LAB 62.3, 47.3, -47.15

 

CMYK 32 / 49 / 0 / 8

HEX #A079EB

RGB 160 121 235

HSL 260.53, 0.74%, 0.7%

LAB 59.11, 39.12, -52.41

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 56 / 23 / 3

HEX #F76DBD

RGB 247 109 189

HSL 325.22, 0.9%, 0.7%

LAB 65.27, 61.28, -16.2

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 40 / 17 / 13

HEX #DE86B9

RGB 222 134 185

HSL 325.23, 0.57%, 0.7%

LAB 66.58, 40.56, -12.29

 

CMYK 0 / 30 / 13 / 18

HEX #D292B7

RGB 210 146 183

HSL 325.31, 0.42%, 0.7%

LAB 67.78, 29.73, -9.52

 

CMYK 0 / 19 / 8 / 23

HEX #C59FB5

RGB 197 159 181

HSL 325.26, 0.25%, 0.7%

LAB 69.47, 17.69, -6.04

 

CMYK 0 / 8 / 3 / 27

HEX #B9ABB3

RGB 185 171 179

HSL 325.71, 0.09%, 0.7%

LAB 71.35, 6.47, -2.29

 

CMYK 6 / 49 / 0 / 8

HEX #DD79EB

RGB 221 121 235

HSL 292.63, 0.74%, 0.7%

LAB 65.78, 55.51, -41.43

 

CMYK 0 / 49 / 7 / 8

HEX #EB79DA

RGB 235 121 218

HSL 308.95, 0.74%, 0.7%

LAB 66.82, 56.49, -30.24

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 49 / 33 / 8

HEX #EB799D

RGB 235 121 157

HSL 341.05, 0.74%, 0.7%

LAB 64.78, 47.71, 1.07

 

CMYK 0 / 49 / 46 / 8

HEX #EB797F

RGB 235 121 127

HSL 356.84, 0.74%, 0.7%

LAB 64.05, 44.43, 17.12

 

CMYK 0 / 78 / 33 / 12

HEX #E03297

RGB 224 50 151

HSL 325.17, 0.74%, 0.54%

LAB 52.25, 72.45, -14.24

 

CMYK 0 / 63 / 26 / 10

HEX #E555A9

RGB 229 85 169

HSL 325, 0.73%, 0.62%

LAB 58.06, 63.81, -15.92

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 35 / 15 / 6

HEX #F09DCD

RGB 240 157 205

HSL 325.3, 0.73%, 0.78%

LAB 74.22, 37.67, -11.75

 

CMYK 0 / 21 / 9 / 4

HEX #F5C1DF

RGB 245 193 223

HSL 325.38, 0.72%, 0.86%

LAB 83.38, 23.27, -7.81

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 19 / 49 / 8

HEX #EBBF79

RGB 235 191 121

HSL 36.84, 0.74%, 0.7%

LAB 79.79, 7.15, 41.09

 

CMYK 49 / 1 / 0 / 8

HEX #79E9EB

RGB 121 233 235

HSL 181.05, 0.74%, 0.7%

LAB 86.18, -31.43, -10.87

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 20 / 0 / 49 / 8

HEX #BBEB79

RGB 187 235 121

HSL 85.26, 0.74%, 0.7%

LAB 87.66, -33.59, 49.99

 

CMYK 49 / 20 / 0 / 8

HEX #79BBEB

RGB 121 187 235

HSL 205.26, 0.74%, 0.7%

LAB 73.29, -8.14, -30.4

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 19 / 49 / 8

HEX #EBBF79

RGB 235 191 121

HSL 36.84, 0.74%, 0.7%

LAB 79.79, 7.15, 41.09

 

CMYK 49 / 0 / 28 / 8

HEX #79EBA9

RGB 121 235 169

HSL 145.26, 0.74%, 0.7%

LAB 85.17, -47.1, 22.24

 

CMYK 49 / 30 / 0 / 8

HEX #79A5EB

RGB 121 165 235

HSL 216.84, 0.74%, 0.7%

LAB 67.26, 4.02, -39.75

 

CMYK 0 / 49 / 20 / 8

HEX #EB79BB

RGB 235 121 187

HSL 325.26, 0.74%, 0.7%

LAB 65.69, 51.7, -14.59

 

CMYK 0 / 4 / 49 / 8

HEX #EBE179

RGB 235 225 121

HSL 54.74, 0.74%, 0.7%

LAB 88.4, -10.29, 51.68

 

CMYK 49 / 0 / 28 / 8

HEX #79EBA9

RGB 121 235 169

HSL 145.26, 0.74%, 0.7%

LAB 85.17, -47.1, 22.24

 

CMYK 49 / 44 / 0 / 8

HEX #7983EB

RGB 121 131 235

HSL 234.74, 0.74%, 0.7%

LAB 58.32, 23.83, -53.86

 

Description

Color code: RGB 235 121 187 | qconv.com Color code: RGB 235 121 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 121 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 121 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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