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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 165 24 it is the complementary color RGB 20 90 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 165 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 165 24 shade: RGB 240 165 19, RGB 255 183 38, RGB 255 201 57, RGB 255 219 76 and RGB 255 237 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 165 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 165 24 shade: RGB 235 165 24, RGB 218 147 5, RGB 201 129 0, RGB 184 111 0 and RGB 167 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 165 24 shade: RGB 235 165 25, RGB 235 108 25, RGB 235 52 25 and RGB 235 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 165 24 shade: RGB 235 165 25, RGB 235 221 25, RGB 191 235 25, RGB 134 235 25 and RGB 78 235 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 165 24 shade matches the following richer shades: RGB 235 165 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 165 24 shade: RGB 235 165 25, RGB 214 158 45, RGB 194 151 65, RGB 174 144 85 and RGB 154 138 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 165 24 shade: RGB 235 53 25, RGB 235 109 25, RGB 235 165 25, RGB 235 221 25 and RGB 193 235 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 165 24 shade: RGB 163 113 14, RGB 201 140 17, RGB 235 165 25, RGB 238 180 63 and RGB 241 194 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 165 24 shade: RGB 235 165 24, RGB 53 235 25 and RGB 81 25 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 165 24 shade: RGB 235 165 24, RGB 25 235 165 and RGB 165 25 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 165 24 shade: RGB 235 165 24, RGB 53 235 25, RGB 25 95 235 and RGB 207 25 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 165 24 shade: RGB 235 165 24, RGB 25 235 60, RGB 25 95 235 and RGB 235 25 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 90 / 8

HEX #EBA518

RGB 235 165 24

HSL 40.09, 0.84%, 0.51%

LAB 72.65, 15.72, 72.9

 

Complementary color

CMYK 91 / 61 / 0 / 9

HEX #145AE7

RGB 20 90 231

HSL 220.09, 0.84%, 0.49%

LAB 43.11, 34.3, -76.42

 

CMYK 0 / 31 / 92 / 6

HEX #F0A513

RGB 240 165 19

HSL 39.64, 0.88%, 0.51%

LAB 73.21, 17.78, 74.51

 

CMYK 0 / 28 / 85 / 0

HEX #FFB726

RGB 255 183 38

HSL 40.09, 1%, 0.57%

LAB 79.19, 15.05, 75.68

 

CMYK 0 / 21 / 78 / 0

HEX #FFC939

RGB 255 201 57

HSL 43.64, 1%, 0.61%

LAB 83.62, 6.26, 73.82

 

CMYK 0 / 14 / 70 / 0

HEX #FFDB4C

RGB 255 219 76

HSL 47.93, 1%, 0.65%

LAB 88.18, -2.14, 71.42

 

CMYK 0 / 7 / 63 / 0

HEX #FFED5F

RGB 255 237 95

HSL 53.25, 1%, 0.69%

LAB 92.86, -10.11, 68.75

 

CMYK 0 / 30 / 90 / 8

HEX #EBA518

RGB 235 165 24

HSL 40.09, 0.84%, 0.51%

LAB 72.65, 15.72, 72.9

 

CMYK 0 / 33 / 98 / 15

HEX #DA9305

RGB 218 147 5

HSL 40, 0.96%, 0.44%

LAB 66.35, 17.76, 70.49

 

CMYK 0 / 36 / 100 / 21

HEX #C98100

RGB 201 129 0

HSL 38.51, 1%, 0.39%

LAB 60, 20.04, 65.99

 

CMYK 0 / 40 / 100 / 28

HEX #B86F00

RGB 184 111 0

HSL 36.2, 1%, 0.36%

LAB 53.56, 22.47, 60.75

 

CMYK 0 / 44 / 100 / 35

HEX #A75D00

RGB 167 93 0

HSL 33.41, 1%, 0.33%

LAB 47.03, 24.96, 55.47

 

CMYK 0 / 30 / 89 / 8

HEX #EBA519

RGB 235 165 25

HSL 40, 0.84%, 0.51%

LAB 72.66, 15.73, 72.69

 

CMYK 0 / 54 / 89 / 8

HEX #EB6C19

RGB 235 108 25

HSL 23.71, 0.84%, 0.51%

LAB 60.3, 45.19, 63.36

 

CMYK 0 / 78 / 89 / 8

HEX #EB3419

RGB 235 52 25

HSL 7.71, 0.84%, 0.51%

LAB 52.05, 67.32, 57.35

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 30 / 89 / 8

HEX #EBA519

RGB 235 165 25

HSL 40, 0.84%, 0.51%

LAB 72.66, 15.73, 72.69

 

CMYK 0 / 6 / 89 / 8

HEX #EBDD19

RGB 235 221 25

HSL 56, 0.84%, 0.51%

LAB 86.72, -13.16, 83.55

 

CMYK 19 / 0 / 89 / 8

HEX #BFEB19

RGB 191 235 25

HSL 72.57, 0.84%, 0.51%

LAB 87.27, -37.86, 82.62

 

CMYK 43 / 0 / 89 / 8

HEX #86EB19

RGB 134 235 25

HSL 88.86, 0.84%, 0.51%

LAB 84.25, -58.33, 78.9

 

CMYK 67 / 0 / 89 / 8

HEX #4EEB19

RGB 78 235 25

HSL 104.86, 0.84%, 0.51%

LAB 82.44, -72.78, 76.64

 

CMYK 0 / 30 / 89 / 8

HEX #EBA519

RGB 235 165 25

HSL 40, 0.84%, 0.51%

LAB 72.66, 15.73, 72.69

 

CMYK 0 / 30 / 89 / 8

HEX #EBA519

RGB 235 165 25

HSL 40, 0.84%, 0.51%

LAB 72.66, 15.73, 72.69

 

CMYK 0 / 26 / 79 / 16

HEX #D69E2D

RGB 214 158 45

HSL 40.12, 0.67%, 0.51%

LAB 68.71, 10.92, 62.74

 

CMYK 0 / 22 / 66 / 24

HEX #C29741

RGB 194 151 65

HSL 40, 0.51%, 0.51%

LAB 64.95, 6.95, 50.08

 

CMYK 0 / 17 / 51 / 32

HEX #AE9055

RGB 174 144 85

HSL 39.78, 0.35%, 0.51%

LAB 61.31, 3.65, 35.38

 

CMYK 0 / 10 / 32 / 40

HEX #9A8A69

RGB 154 138 105

HSL 40.41, 0.2%, 0.51%

LAB 58.1, 0.81, 19.9

 

CMYK 0 / 77 / 89 / 8

HEX #EB3519

RGB 235 53 25

HSL 8, 0.84%, 0.51%

LAB 52.15, 67.03, 57.42

 

CMYK 0 / 54 / 89 / 8

HEX #EB6D19

RGB 235 109 25

HSL 24, 0.84%, 0.51%

LAB 60.49, 44.7, 63.5

 

CMYK 0 / 30 / 89 / 8

HEX #EBA519

RGB 235 165 25

HSL 40, 0.84%, 0.51%

LAB 72.66, 15.73, 72.69

 

CMYK 0 / 6 / 89 / 8

HEX #EBDD19

RGB 235 221 25

HSL 56, 0.84%, 0.51%

LAB 86.72, -13.16, 83.55

 

CMYK 18 / 0 / 89 / 8

HEX #C1EB19

RGB 193 235 25

HSL 72, 0.84%, 0.51%

LAB 87.4, -37.07, 82.77

 

CMYK 0 / 31 / 91 / 36

HEX #A3710E

RGB 163 113 14

HSL 39.87, 0.84%, 0.35%

LAB 51.41, 12.12, 55.21

 

CMYK 0 / 30 / 92 / 21

HEX #C98C11

RGB 201 140 17

HSL 40.11, 0.84%, 0.43%

LAB 62.69, 14.25, 65.09

 

CMYK 0 / 30 / 89 / 8

HEX #EBA519

RGB 235 165 25

HSL 40, 0.84%, 0.51%

LAB 72.66, 15.73, 72.69

 

CMYK 0 / 24 / 74 / 7

HEX #EEB43F

RGB 238 180 63

HSL 40.11, 0.84%, 0.59%

LAB 76.79, 10.24, 64.58

 

CMYK 0 / 20 / 58 / 5

HEX #F1C265

RGB 241 194 101

HSL 39.86, 0.83%, 0.67%

LAB 80.86, 6.38, 52.38

 

CMYK 0 / 30 / 90 / 8

HEX #EBA518

RGB 235 165 24

HSL 40.09, 0.84%, 0.51%

LAB 72.65, 15.72, 72.9

 

CMYK 77 / 0 / 89 / 8

HEX #35EB19

RGB 53 235 25

HSL 112, 0.84%, 0.51%

LAB 81.97, -76.82, 76.06

 

CMYK 66 / 89 / 0 / 8

HEX #5119EB

RGB 81 25 235

HSL 256, 0.84%, 0.51%

LAB 34.89, 71.65, -92.16

 

CMYK 0 / 30 / 90 / 8

HEX #EBA518

RGB 235 165 24

HSL 40.09, 0.84%, 0.51%

LAB 72.65, 15.72, 72.9

 

CMYK 89 / 0 / 30 / 8

HEX #19EBA5

RGB 25 235 165

HSL 160, 0.84%, 0.51%

LAB 83.09, -62.37, 21.12

 

CMYK 30 / 89 / 0 / 8

HEX #A519EB

RGB 165 25 235

HSL 280, 0.84%, 0.51%

LAB 45.21, 79.82, -74.79

 

CMYK 0 / 30 / 90 / 8

HEX #EBA518

RGB 235 165 24

HSL 40.09, 0.84%, 0.51%

LAB 72.65, 15.72, 72.9

 

CMYK 77 / 0 / 89 / 8

HEX #35EB19

RGB 53 235 25

HSL 112, 0.84%, 0.51%

LAB 81.97, -76.82, 76.06

 

CMYK 89 / 60 / 0 / 8

HEX #195FEB

RGB 25 95 235

HSL 220, 0.84%, 0.51%

LAB 44.79, 32.83, -75.93

 

CMYK 12 / 89 / 0 / 8

HEX #CF19EB

RGB 207 25 235

HSL 292, 0.84%, 0.51%

LAB 51.79, 85.82, -63.8

 

CMYK 0 / 30 / 90 / 8

HEX #EBA518

RGB 235 165 24

HSL 40.09, 0.84%, 0.51%

LAB 72.65, 15.72, 72.9

 

CMYK 89 / 0 / 74 / 8

HEX #19EB3C

RGB 25 235 60

HSL 130, 0.84%, 0.51%

LAB 81.81, -77.7, 67.18

 

CMYK 89 / 60 / 0 / 8

HEX #195FEB

RGB 25 95 235

HSL 220, 0.84%, 0.51%

LAB 44.79, 32.83, -75.93

 

CMYK 0 / 89 / 15 / 8

HEX #EB19C8

RGB 235 25 200

HSL 310, 0.84%, 0.51%

LAB 54.58, 85.56, -39.13

 

Description

Color code: RGB 235 165 24 | qconv.com Color code: RGB 235 165 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 165 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 165 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 90 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 90% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Kokedamas Laprida - ...
Link: http://daumlp.com.ar

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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