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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 215 60 it is the complementary color RGB 20 40 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 215 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 215 60 shade: RGB 240 215 55, RGB 255 233 74, RGB 255 251 93, RGB 255 255 112 and RGB 255 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 215 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 215 60 shade: RGB 235 215 60, RGB 218 197 41, RGB 201 179 22, RGB 184 161 3 and RGB 167 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 215 60 shade: RGB 234 214 61, RGB 234 168 61, RGB 234 121 61, RGB 234 74 61 and RGB 234 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 215 60 shade: RGB 234 214 61, RGB 207 234 61, RGB 160 234 61, RGB 114 234 61 and RGB 67 234 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 215 60 shade matches the following richer shades: RGB 234 214 61 and RGB 251 228 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 215 60 shade: RGB 234 214 61, RGB 217 201 78, RGB 199 188 95, RGB 182 174 113 and RGB 165 161 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 215 60 shade: RGB 234 121 61, RGB 234 168 61, RGB 234 214 61, RGB 208 234 61 and RGB 162 234 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 215 60 shade: RGB 193 173 20, RGB 230 206 24, RGB 234 214 61, RGB 238 222 98 and RGB 242 230 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 215 60 shade: RGB 235 215 60, RGB 61 234 75 and RGB 145 61 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 215 60 shade: RGB 235 215 60, RGB 61 234 214 and RGB 214 61 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 215 60 shade: RGB 235 215 60, RGB 61 234 75, RGB 61 81 234 and RGB 234 61 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 215 60 shade: RGB 235 215 60, RGB 61 234 127, RGB 61 81 234 and RGB 234 61 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 74 / 8

HEX #EBD73C

RGB 235 215 60

HSL 53.14, 0.81%, 0.58%

LAB 85.3, -9.19, 73.71

 

Complementary color

CMYK 90 / 79 / 0 / 24

HEX #1428C3

RGB 20 40 195

HSL 233.14, 0.81%, 0.42%

LAB 28.4, 51.54, -79.92

 

CMYK 0 / 10 / 77 / 6

HEX #F0D737

RGB 240 215 55

HSL 51.89, 0.86%, 0.58%

LAB 85.71, -7.28, 75.84

 

CMYK 0 / 9 / 71 / 0

HEX #FFE94A

RGB 255 233 74

HSL 52.71, 1%, 0.65%

LAB 91.7, -9.24, 75.61

 

CMYK 0 / 2 / 64 / 0

HEX #FFFB5D

RGB 255 251 93

HSL 58.52, 1%, 0.68%

LAB 96.43, -17.06, 73.31

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 9 / 74 / 8

HEX #EBD73C

RGB 235 215 60

HSL 53.14, 0.81%, 0.58%

LAB 85.3, -9.19, 73.71

 

CMYK 0 / 10 / 81 / 15

HEX #DAC529

RGB 218 197 41

HSL 52.88, 0.71%, 0.51%

LAB 79.04, -7.98, 73.28

 

CMYK 0 / 11 / 89 / 21

HEX #C9B316

RGB 201 179 22

HSL 52.63, 0.8%, 0.44%

LAB 72.7, -6.55, 71.83

 

CMYK 0 / 13 / 98 / 28

HEX #B8A103

RGB 184 161 3

HSL 52.38, 0.97%, 0.37%

LAB 66.28, -4.91, 69.02

 

CMYK 0 / 14 / 100 / 35

HEX #A78F00

RGB 167 143 0

HSL 51.38, 1%, 0.33%

LAB 59.76, -2.99, 64.03

 

CMYK 0 / 9 / 74 / 8

HEX #EAD63D

RGB 234 214 61

HSL 53.06, 0.8%, 0.58%

LAB 84.96, -9.07, 73.02

 

CMYK 0 / 28 / 74 / 8

HEX #EAA83D

RGB 234 168 61

HSL 37.11, 0.8%, 0.58%

LAB 73.44, 14.8, 61.94

 

CMYK 0 / 48 / 74 / 8

HEX #EA793D

RGB 234 121 61

HSL 20.81, 0.8%, 0.58%

LAB 62.93, 39.44, 51.28

 

CMYK 0 / 68 / 74 / 8

HEX #EA4A3D

RGB 234 74 61

HSL 4.51, 0.8%, 0.58%

LAB 54.79, 60.68, 42.55

 

CMYK 0 / 74 / 74 / 8

HEX #EA3D3D

RGB 234 61 61

HSL 0, 0.8%, 0.58%

LAB 53.13, 65.26, 40.71

 

CMYK 0 / 9 / 74 / 8

HEX #EAD63D

RGB 234 214 61

HSL 53.06, 0.8%, 0.58%

LAB 84.96, -9.07, 73.02

 

CMYK 12 / 0 / 74 / 8

HEX #CFEA3D

RGB 207 234 61

HSL 69.36, 0.8%, 0.58%

LAB 88.18, -29.91, 75.32

 

CMYK 32 / 0 / 74 / 8

HEX #A0EA3D

RGB 160 234 61

HSL 85.66, 0.8%, 0.58%

LAB 85.33, -47.76, 71.59

 

CMYK 51 / 0 / 74 / 8

HEX #72EA3D

RGB 114 234 61

HSL 101.62, 0.8%, 0.58%

LAB 83.32, -62.33, 68.94

 

CMYK 71 / 0 / 74 / 8

HEX #43EA3D

RGB 67 234 61

HSL 117.92, 0.8%, 0.58%

LAB 82.04, -72.67, 67.26

 

CMYK 0 / 9 / 74 / 8

HEX #EAD63D

RGB 234 214 61

HSL 53.06, 0.8%, 0.58%

LAB 84.96, -9.07, 73.02

 

CMYK 0 / 9 / 83 / 2

HEX #FBE42B

RGB 251 228 43

HSL 53.37, 0.96%, 0.58%

LAB 89.94, -9.52, 83.16

 

CMYK 0 / 9 / 74 / 8

HEX #EAD63D

RGB 234 214 61

HSL 53.06, 0.8%, 0.58%

LAB 84.96, -9.07, 73.02

 

CMYK 0 / 7 / 64 / 15

HEX #D9C94E

RGB 217 201 78

HSL 53.09, 0.65%, 0.58%

LAB 80.22, -8.78, 61.37

 

CMYK 0 / 6 / 52 / 22

HEX #C7BC5F

RGB 199 188 95

HSL 53.65, 0.48%, 0.58%

LAB 75.41, -8.39, 47.89

 

CMYK 0 / 4 / 38 / 29

HEX #B6AE71

RGB 182 174 113

HSL 53.04, 0.32%, 0.58%

LAB 70.46, -6.26, 32.35

 

CMYK 0 / 2 / 21 / 35

HEX #A5A182

RGB 165 161 130

HSL 53.14, 0.16%, 0.58%

LAB 65.83, -3.82, 16.7

 

CMYK 0 / 48 / 74 / 8

HEX #EA793D

RGB 234 121 61

HSL 20.81, 0.8%, 0.58%

LAB 62.93, 39.44, 51.28

 

CMYK 0 / 28 / 74 / 8

HEX #EAA83D

RGB 234 168 61

HSL 37.11, 0.8%, 0.58%

LAB 73.44, 14.8, 61.94

 

CMYK 0 / 9 / 74 / 8

HEX #EAD63D

RGB 234 214 61

HSL 53.06, 0.8%, 0.58%

LAB 84.96, -9.07, 73.02

 

CMYK 11 / 0 / 74 / 8

HEX #D0EA3D

RGB 208 234 61

HSL 69.02, 0.8%, 0.58%

LAB 88.25, -29.51, 75.41

 

CMYK 31 / 0 / 74 / 8

HEX #A2EA3D

RGB 162 234 61

HSL 84.97, 0.8%, 0.58%

LAB 85.44, -47.05, 71.73

 

CMYK 0 / 10 / 90 / 24

HEX #C1AD14

RGB 193 173 20

HSL 53.06, 0.81%, 0.42%

LAB 70.37, -6.99, 70.05

 

CMYK 0 / 10 / 90 / 10

HEX #E6CE18

RGB 230 206 24

HSL 53.01, 0.81%, 0.5%

LAB 82.4, -7.79, 80.16

 

CMYK 0 / 9 / 74 / 8

HEX #EAD63D

RGB 234 214 61

HSL 53.06, 0.8%, 0.58%

LAB 84.96, -9.07, 73.02

 

CMYK 0 / 7 / 59 / 7

HEX #EEDE62

RGB 238 222 98

HSL 53.14, 0.8%, 0.66%

LAB 87.63, -9.39, 61.37

 

CMYK 0 / 5 / 44 / 5

HEX #F2E687

RGB 242 230 135

HSL 53.27, 0.8%, 0.74%

LAB 90.42, -8.72, 47.57

 

CMYK 0 / 9 / 74 / 8

HEX #EBD73C

RGB 235 215 60

HSL 53.14, 0.81%, 0.58%

LAB 85.3, -9.19, 73.71

 

CMYK 74 / 0 / 68 / 8

HEX #3DEA4B

RGB 61 234 75

HSL 124.86, 0.8%, 0.58%

LAB 82.03, -72.47, 62.2

 

CMYK 38 / 74 / 0 / 8

HEX #913DEA

RGB 145 61 234

HSL 269.13, 0.8%, 0.58%

LAB 46.04, 66.06, -72.98

 

CMYK 0 / 9 / 74 / 8

HEX #EBD73C

RGB 235 215 60

HSL 53.14, 0.81%, 0.58%

LAB 85.3, -9.19, 73.71

 

CMYK 74 / 0 / 9 / 8

HEX #3DEAD6

RGB 61 234 214

HSL 173.06, 0.8%, 0.58%

LAB 84.33, -47.16, -2.72

 

CMYK 9 / 74 / 0 / 8

HEX #D63DEA

RGB 214 61 234

HSL 293.06, 0.8%, 0.58%

LAB 55.66, 78.65, -56.97

 

CMYK 0 / 9 / 74 / 8

HEX #EBD73C

RGB 235 215 60

HSL 53.14, 0.81%, 0.58%

LAB 85.3, -9.19, 73.71

 

CMYK 74 / 0 / 68 / 8

HEX #3DEA4B

RGB 61 234 75

HSL 124.86, 0.8%, 0.58%

LAB 82.03, -72.47, 62.2

 

CMYK 74 / 65 / 0 / 8

HEX #3D51EA

RGB 61 81 234

HSL 233.06, 0.8%, 0.58%

LAB 42.49, 43.89, -79.09

 

CMYK 0 / 74 / 6 / 8

HEX #EA3DDC

RGB 234 61 220

HSL 304.86, 0.8%, 0.58%

LAB 58.03, 80.49, -45.11

 

CMYK 0 / 9 / 74 / 8

HEX #EBD73C

RGB 235 215 60

HSL 53.14, 0.81%, 0.58%

LAB 85.3, -9.19, 73.71

 

CMYK 74 / 0 / 46 / 8

HEX #3DEA7F

RGB 61 234 127

HSL 142.89, 0.8%, 0.58%

LAB 82.58, -65.91, 39.72

 

CMYK 74 / 65 / 0 / 8

HEX #3D51EA

RGB 61 81 234

HSL 233.06, 0.8%, 0.58%

LAB 42.49, 43.89, -79.09

 

CMYK 0 / 74 / 28 / 8

HEX #EA3DA8

RGB 234 61 168

HSL 322.89, 0.8%, 0.58%

LAB 55.74, 73.61, -18.78

 

Description

Color code: RGB 235 215 60 | qconv.com Color code: RGB 235 215 60 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 215 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 215 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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