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Color name
RGB 235 231 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 231 19 it is the complementary color RGB 20 24 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 231 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 231 19 shade: RGB 240 231 14, RGB 255 249 33, RGB 255 255 52, RGB 255 255 71 and RGB 255 255 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 231 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 218 213 0, RGB 201 195 0, RGB 184 177 0 and RGB 167 159 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 235 173 19, RGB 235 114 19, RGB 235 56 19 and RGB 235 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 181 235 19, RGB 122 235 19, RGB 64 235 19 and RGB 19 235 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 231 19 shade matches the following richer shades: RGB 235 231 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 215 211 39, RGB 194 192 60, RGB 173 172 81 and RGB 153 152 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 231 19 shade: RGB 235 113 19, RGB 235 170 19, RGB 235 228 19, RGB 185 235 19 and RGB 127 235 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 231 19 shade: RGB 159 156 12, RGB 197 194 16, RGB 235 231 19, RGB 238 235 57 and RGB 242 239 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 19 235 55 and RGB 141 19 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 19 235 228 and RGB 228 19 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 19 235 55, RGB 19 26 235 and RGB 235 19 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 231 19 shade: RGB 235 231 19, RGB 19 235 120, RGB 19 26 235 and RGB 235 19 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

Complementary color

CMYK 92 / 90 / 0 / 7

HEX #1418EC

RGB 20 24 236

HSL 238.89, 0.85%, 0.5%

LAB 31.48, 70, -98.49

 

CMYK 0 / 4 / 94 / 6

HEX #F0E70E

RGB 240 231 14

HSL 57.61, 0.89%, 0.5%

LAB 89.72, -16.12, 87.4

 

CMYK 0 / 2 / 87 / 0

HEX #FFF921

RGB 255 249 33

HSL 58.38, 1%, 0.56%

LAB 95.63, -18.33, 89.94

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 0 / 2 / 100 / 15

HEX #DAD500

RGB 218 213 0

HSL 58.62, 1%, 0.43%

LAB 83.18, -16.69, 82.96

 

CMYK 0 / 3 / 100 / 21

HEX #C9C300

RGB 201 195 0

HSL 58.21, 1%, 0.39%

LAB 76.95, -15.02, 77.79

 

CMYK 0 / 4 / 100 / 28

HEX #B8B100

RGB 184 177 0

HSL 57.72, 1%, 0.36%

LAB 70.62, -13.31, 72.54

 

CMYK 0 / 5 / 100 / 35

HEX #A79F00

RGB 167 159 0

HSL 57.13, 1%, 0.33%

LAB 64.17, -11.55, 67.19

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 0 / 26 / 92 / 8

HEX #EBAD13

RGB 235 173 19

HSL 42.78, 0.85%, 0.5%

LAB 74.57, 11.41, 75.26

 

CMYK 0 / 51 / 92 / 8

HEX #EB7213

RGB 235 114 19

HSL 26.39, 0.85%, 0.5%

LAB 61.43, 42.17, 65.78

 

CMYK 0 / 76 / 92 / 8

HEX #EB3813

RGB 235 56 19

HSL 10.28, 0.85%, 0.5%

LAB 52.44, 66.07, 59.72

 

CMYK 0 / 92 / 92 / 8

HEX #EB1313

RGB 235 19 19

HSL 0, 0.85%, 0.5%

LAB 49.71, 73.83, 58

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 23 / 0 / 92 / 8

HEX #B5EB13

RGB 181 235 19

HSL 75, 0.85%, 0.5%

LAB 86.65, -41.84, 82.68

 

CMYK 48 / 0 / 92 / 8

HEX #7AEB13

RGB 122 235 19

HSL 91.39, 0.85%, 0.5%

LAB 83.76, -62.13, 79.14

 

CMYK 73 / 0 / 92 / 8

HEX #40EB13

RGB 64 235 19

HSL 107.5, 0.85%, 0.5%

LAB 82.14, -75.39, 77.14

 

CMYK 92 / 0 / 86 / 8

HEX #13EB20

RGB 19 235 32

HSL 123.61, 0.85%, 0.5%

LAB 81.65, -79.59, 74.41

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 0 / 2 / 82 / 16

HEX #D7D327

RGB 215 211 39

HSL 58.64, 0.69%, 0.5%

LAB 82.48, -16.36, 76.63

 

CMYK 0 / 1 / 69 / 24

HEX #C2C03C

RGB 194 192 60

HSL 59.1, 0.53%, 0.5%

LAB 75.76, -14.93, 63.34

 

CMYK 0 / 1 / 53 / 32

HEX #ADAC51

RGB 173 172 81

HSL 59.35, 0.36%, 0.5%

LAB 68.74, -12.17, 46.26

 

CMYK 0 / 1 / 34 / 40

HEX #999865

RGB 153 152 101

HSL 58.85, 0.2%, 0.5%

LAB 61.8, -7.82, 27.02

 

CMYK 0 / 52 / 92 / 8

HEX #EB7113

RGB 235 113 19

HSL 26.11, 0.85%, 0.5%

LAB 61.24, 42.66, 65.64

 

CMYK 0 / 28 / 92 / 8

HEX #EBAA13

RGB 235 170 19

HSL 41.94, 0.85%, 0.5%

LAB 73.84, 12.99, 74.73

 

CMYK 0 / 3 / 92 / 8

HEX #EBE413

RGB 235 228 19

HSL 58.06, 0.85%, 0.5%

LAB 88.54, -16.69, 85.79

 

CMYK 21 / 0 / 92 / 8

HEX #B9EB13

RGB 185 235 19

HSL 73.89, 0.85%, 0.5%

LAB 86.89, -40.3, 82.97

 

CMYK 46 / 0 / 92 / 8

HEX #7FEB13

RGB 127 235 19

HSL 90, 0.85%, 0.5%

LAB 83.95, -60.63, 79.38

 

CMYK 0 / 2 / 92 / 38

HEX #9F9C0C

RGB 159 156 12

HSL 58.78, 0.86%, 0.34%

LAB 62.65, -13.4, 64.08

 

CMYK 0 / 2 / 92 / 23

HEX #C5C210

RGB 197 194 16

HSL 59.01, 0.85%, 0.42%

LAB 76.37, -16.07, 75.49

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 0 / 1 / 76 / 7

HEX #EEEB39

RGB 238 235 57

HSL 59.01, 0.84%, 0.58%

LAB 90.73, -17.93, 79.72

 

CMYK 0 / 1 / 61 / 5

HEX #F2EF5F

RGB 242 239 95

HSL 58.78, 0.85%, 0.66%

LAB 92.33, -16.36, 67.87

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 92 / 0 / 77 / 8

HEX #13EB37

RGB 19 235 55

HSL 130, 0.85%, 0.5%

LAB 81.75, -78.38, 68.68

 

CMYK 40 / 92 / 0 / 8

HEX #8D13EB

RGB 141 19 235

HSL 273.89, 0.85%, 0.5%

LAB 41.42, 77.97, -81.14

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 92 / 0 / 3 / 8

HEX #13EBE4

RGB 19 235 228

HSL 178.06, 0.85%, 0.5%

LAB 84.56, -46.73, -9.79

 

CMYK 3 / 92 / 0 / 8

HEX #E413EB

RGB 228 19 235

HSL 298.06, 0.85%, 0.5%

LAB 55.03, 89.85, -58.41

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 92 / 0 / 77 / 8

HEX #13EB37

RGB 19 235 55

HSL 130, 0.85%, 0.5%

LAB 81.75, -78.38, 68.68

 

CMYK 92 / 89 / 0 / 8

HEX #131AEB

RGB 19 26 235

HSL 238.06, 0.85%, 0.5%

LAB 31.52, 69.12, -97.86

 

CMYK 0 / 92 / 15 / 8

HEX #EB13C7

RGB 235 19 199

HSL 310, 0.85%, 0.5%

LAB 54.29, 86.14, -39.01

 

CMYK 0 / 2 / 92 / 8

HEX #EBE713

RGB 235 231 19

HSL 58.89, 0.85%, 0.5%

LAB 89.33, -18.15, 86.39

 

CMYK 92 / 0 / 49 / 8

HEX #13EB78

RGB 19 235 120

HSL 148.06, 0.85%, 0.5%

LAB 82.33, -71.12, 42.71

 

CMYK 92 / 89 / 0 / 8

HEX #131AEB

RGB 19 26 235

HSL 238.06, 0.85%, 0.5%

LAB 31.52, 69.12, -97.86

 

CMYK 0 / 92 / 43 / 8

HEX #EB1386

RGB 235 19 134

HSL 328.06, 0.85%, 0.5%

LAB 51.67, 79.23, -4.72

 

Description

Color code: RGB 235 231 19 | qconv.com Color code: RGB 235 231 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 231 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 231 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 92 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 92% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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