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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 73 242 it is the complementary color RGB 20 182 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 73 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 73 242 shade: RGB 240 73 237, RGB 255 91 255, RGB 255 109 255, RGB 255 127 255 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 73 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 218 55 223, RGB 201 37 204, RGB 184 19 185 and RGB 167 1 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 242 73 203, RGB 242 73 158, RGB 242 73 112 and RGB 242 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 189 73 242, RGB 144 73 242, RGB 99 73 242 and RGB 73 73 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 73 242 shade matches the following richer shades: RGB 235 73 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 221 89 226, RGB 206 105 211, RGB 192 120 195 and RGB 177 136 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 73 242 shade: RGB 144 73 242, RGB 189 73 242, RGB 233 73 242, RGB 242 73 205 and RGB 242 73 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 73 242 shade: RGB 210 15 218, RGB 231 35 239, RGB 235 73 242, RGB 239 112 245 and RGB 243 150 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 242 99 73 and RGB 73 242 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 242 233 73 and RGB 73 242 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 242 99 73, RGB 82 242 73 and RGB 73 217 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 73 242 shade: RGB 235 73 242, RGB 242 149 73, RGB 82 242 73 and RGB 73 166 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

Complementary color

CMYK 89 / 0 / 93 / 29

HEX #14B60D

RGB 20 182 13

HSL 117.51, 0.87%, 0.38%

LAB 64.67, -65.51, 63.1

 

CMYK 0 / 70 / 1 / 6

HEX #F049ED

RGB 240 73 237

HSL 301.08, 0.85%, 0.61%

LAB 61.14, 80.61, -49.68

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 2 / 75 / 0 / 13

HEX #DA37DF

RGB 218 55 223

HSL 298.21, 0.72%, 0.55%

LAB 55.04, 79.42, -51.72

 

CMYK 1 / 82 / 0 / 20

HEX #C925CC

RGB 201 37 204

HSL 298.92, 0.69%, 0.47%

LAB 49.62, 77.75, -49.68

 

CMYK 1 / 90 / 0 / 27

HEX #B813B9

RGB 184 19 185

HSL 299.64, 0.81%, 0.4%

LAB 44.46, 75.06, -47.03

 

CMYK 0 / 99 / 1 / 35

HEX #A701A6

RGB 167 1 166

HSL 300.36, 0.99%, 0.33%

LAB 39.56, 71.31, -43.76

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 0 / 70 / 16 / 5

HEX #F249CB

RGB 242 73 203

HSL 313.85, 0.87%, 0.62%

LAB 59.85, 76.11, -32.53

 

CMYK 0 / 70 / 35 / 5

HEX #F2499E

RGB 242 73 158

HSL 329.82, 0.87%, 0.62%

LAB 58.14, 70.62, -9.18

 

CMYK 0 / 70 / 54 / 5

HEX #F24970

RGB 242 73 112

HSL 346.15, 0.87%, 0.62%

LAB 56.89, 66.42, 16.1

 

CMYK 0 / 70 / 70 / 5

HEX #F24949

RGB 242 73 73

HSL 0, 0.87%, 0.62%

LAB 56.21, 64.07, 37.9

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 22 / 70 / 0 / 5

HEX #BD49F2

RGB 189 73 242

HSL 281.18, 0.87%, 0.62%

LAB 54.02, 70.98, -64.27

 

CMYK 40 / 70 / 0 / 5

HEX #9049F2

RGB 144 73 242

HSL 265.21, 0.87%, 0.62%

LAB 48.39, 62.54, -73.66

 

CMYK 59 / 70 / 0 / 5

HEX #6349F2

RGB 99 73 242

HSL 249.23, 0.87%, 0.62%

LAB 43.99, 55.5, -81.04

 

CMYK 70 / 70 / 0 / 5

HEX #4949F2

RGB 73 73 242

HSL 240, 0.87%, 0.62%

LAB 42.14, 52.41, -84.14

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 2 / 61 / 0 / 11

HEX #DD59E2

RGB 221 89 226

HSL 297.81, 0.7%, 0.62%

LAB 59.9, 68.58, -45.68

 

CMYK 2 / 50 / 0 / 17

HEX #CE69D3

RGB 206 105 211

HSL 297.17, 0.55%, 0.62%

LAB 59.82, 54.8, -37.49

 

CMYK 2 / 38 / 0 / 24

HEX #C078C3

RGB 192 120 195

HSL 297.6, 0.38%, 0.62%

LAB 60.41, 39.98, -27.66

 

CMYK 1 / 24 / 0 / 30

HEX #B188B3

RGB 177 136 179

HSL 297.21, 0.22%, 0.62%

LAB 61.84, 23.13, -16.55

 

CMYK 40 / 70 / 0 / 5

HEX #9049F2

RGB 144 73 242

HSL 265.21, 0.87%, 0.62%

LAB 48.39, 62.54, -73.66

 

CMYK 22 / 70 / 0 / 5

HEX #BD49F2

RGB 189 73 242

HSL 281.18, 0.87%, 0.62%

LAB 54.02, 70.98, -64.27

 

CMYK 4 / 70 / 0 / 5

HEX #E949F2

RGB 233 73 242

HSL 296.8, 0.87%, 0.62%

LAB 60.34, 79.93, -53.8

 

CMYK 0 / 70 / 15 / 5

HEX #F249CD

RGB 242 73 205

HSL 313.14, 0.87%, 0.62%

LAB 59.93, 76.38, -33.53

 

CMYK 0 / 70 / 34 / 5

HEX #F249A0

RGB 242 73 160

HSL 329.11, 0.87%, 0.62%

LAB 58.21, 70.83, -10.25

 

CMYK 4 / 93 / 0 / 15

HEX #D20FDA

RGB 210 15 218

HSL 297.64, 0.87%, 0.46%

LAB 50.81, 84.85, -55.71

 

CMYK 3 / 85 / 0 / 6

HEX #E723EF

RGB 231 35 239

HSL 297.65, 0.86%, 0.54%

LAB 56.51, 88.75, -58.26

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 2 / 54 / 0 / 4

HEX #EF70F5

RGB 239 112 245

HSL 297.29, 0.87%, 0.7%

LAB 66.92, 66.35, -44.99

 

CMYK 2 / 39 / 0 / 3

HEX #F396F7

RGB 243 150 247

HSL 297.53, 0.86%, 0.78%

LAB 74.56, 49.39, -34.14

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 0 / 59 / 70 / 5

HEX #F26349

RGB 242 99 73

HSL 9.23, 0.87%, 0.62%

LAB 60.14, 53.49, 42.47

 

CMYK 70 / 0 / 31 / 5

HEX #49F2A6

RGB 73 242 166

HSL 153.02, 0.87%, 0.62%

LAB 85.84, -60.02, 24.49

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 0 / 4 / 70 / 5

HEX #F2E949

RGB 242 233 73

HSL 56.8, 0.87%, 0.62%

LAB 90.61, -14.64, 74.54

 

CMYK 70 / 0 / 4 / 5

HEX #49F2E9

RGB 73 242 233

HSL 176.8, 0.87%, 0.62%

LAB 87.39, -44.16, -8.15

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 0 / 59 / 70 / 5

HEX #F26349

RGB 242 99 73

HSL 9.23, 0.87%, 0.62%

LAB 60.14, 53.49, 42.47

 

CMYK 66 / 0 / 70 / 5

HEX #52F249

RGB 82 242 73

HSL 116.8, 0.87%, 0.62%

LAB 84.88, -71.63, 66.07

 

CMYK 70 / 10 / 0 / 5

HEX #49D9F2

RGB 73 217 242

HSL 188.88, 0.87%, 0.62%

LAB 80.43, -30.09, -23.36

 

CMYK 3 / 70 / 0 / 5

HEX #EB49F2

RGB 235 73 242

HSL 297.51, 0.87%, 0.62%

LAB 60.64, 80.35, -53.31

 

CMYK 0 / 38 / 70 / 5

HEX #F29549

RGB 242 149 73

HSL 26.98, 0.87%, 0.62%

LAB 70.07, 28.73, 53.51

 

CMYK 66 / 0 / 70 / 5

HEX #52F249

RGB 82 242 73

HSL 116.8, 0.87%, 0.62%

LAB 84.88, -71.63, 66.07

 

CMYK 70 / 31 / 0 / 5

HEX #49A6F2

RGB 73 166 242

HSL 206.98, 0.87%, 0.62%

LAB 65.83, -3.38, -45.97

 

Description

Color code: RGB 235 73 242 | qconv.com Color code: RGB 235 73 242 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 73 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 73 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 70 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 70% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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