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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 28 35 it is the complementary color RGB 19 227 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 28 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 28 35 shade: RGB 241 28 30, RGB 255 46 49, RGB 255 64 68, RGB 255 82 87 and RGB 255 100 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 28 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 219 10 16, RGB 202 0 0, RGB 185 0 0 and RGB 168 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 28 35 shade: RGB 236 28 35 and RGB 236 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 236 28 91, RGB 236 28 147, RGB 236 28 203 and RGB 213 28 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 28 35 shade matches the following richer shades: RGB 236 28 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 216 48 54, RGB 197 68 72, RGB 177 87 90 and RGB 157 107 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 28 35 shade: RGB 236 28 149, RGB 236 28 94, RGB 236 28 38, RGB 236 73 28 and RGB 236 129 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 28 35 shade: RGB 168 13 18, RGB 207 16 23, RGB 236 28 35, RGB 239 66 72 and RGB 242 104 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 205 236 28 and RGB 28 122 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 38 236 28 and RGB 28 38 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 205 236 28, RGB 28 236 226 and RGB 59 28 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 28 35 shade: RGB 236 28 35, RGB 143 236 28, RGB 28 236 226 and RGB 122 28 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

Complementary color

CMYK 92 / 0 / 3 / 11

HEX #13E3DC

RGB 19 227 220

HSL 177.98, 0.85%, 0.48%

LAB 81.97, -45.56, -9.42

 

CMYK 0 / 88 / 88 / 5

HEX #F11C1E

RGB 241 28 30

HSL 359.44, 0.88%, 0.53%

LAB 51.41, 74.27, 55.35

 

CMYK 0 / 82 / 81 / 0

HEX #FF2E31

RGB 255 46 49

HSL 359.14, 1%, 0.59%

LAB 55.52, 74.89, 50.86

 

CMYK 0 / 75 / 73 / 0

HEX #FF4044

RGB 255 64 68

HSL 358.74, 1%, 0.63%

LAB 57.41, 70.71, 42.68

 

CMYK 0 / 68 / 66 / 0

HEX #FF5257

RGB 255 82 87

HSL 358.27, 1%, 0.66%

LAB 59.87, 65.46, 34.94

 

CMYK 0 / 61 / 58 / 0

HEX #FF646A

RGB 255 100 106

HSL 357.68, 1%, 0.7%

LAB 62.86, 59.37, 27.95

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 0 / 95 / 93 / 14

HEX #DB0A10

RGB 219 10 16

HSL 358.28, 0.91%, 0.45%

LAB 46.06, 70.7, 55.17

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

RGB 185 0 0

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

RGB 168 0 0

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 0 / 88 / 88 / 7

HEX #EC1C1C

RGB 236 28 28

HSL 0, 0.85%, 0.52%

LAB 50.39, 72.96, 55.01

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 0 / 88 / 61 / 7

HEX #EC1C5B

RGB 236 28 91

HSL 341.83, 0.85%, 0.52%

LAB 51.17, 75.2, 20.73

 

CMYK 0 / 88 / 38 / 7

HEX #EC1C93

RGB 236 28 147

HSL 325.67, 0.85%, 0.52%

LAB 52.7, 79.44, -10.96

 

CMYK 0 / 88 / 14 / 7

HEX #EC1CCB

RGB 236 28 203

HSL 309.52, 0.85%, 0.52%

LAB 55.05, 85.72, -40.12

 

CMYK 10 / 88 / 0 / 7

HEX #D51CEC

RGB 213 28 236

HSL 293.37, 0.85%, 0.52%

LAB 52.99, 86.47, -62.39

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 0 / 78 / 75 / 15

HEX #D83036

RGB 216 48 54

HSL 357.86, 0.68%, 0.52%

LAB 48.23, 63.72, 38.26

 

CMYK 0 / 65 / 63 / 23

HEX #C54448

RGB 197 68 72

HSL 358.14, 0.53%, 0.52%

LAB 47.59, 51.58, 26.13

 

CMYK 0 / 51 / 49 / 31

HEX #B1575A

RGB 177 87 90

HSL 358, 0.37%, 0.52%

LAB 48.14, 36.86, 15.49

 

CMYK 0 / 32 / 31 / 38

HEX #9D6B6D

RGB 157 107 109

HSL 357.6, 0.2%, 0.52%

LAB 50.44, 20.27, 6.98

 

CMYK 0 / 88 / 37 / 7

HEX #EC1C95

RGB 236 28 149

HSL 325.1, 0.85%, 0.52%

LAB 52.77, 79.63, -12.05

 

CMYK 0 / 88 / 60 / 7

HEX #EC1C5E

RGB 236 28 94

HSL 340.96, 0.85%, 0.52%

LAB 51.23, 75.37, 18.99

 

CMYK 0 / 88 / 84 / 7

HEX #EC1C26

RGB 236 28 38

HSL 357.12, 0.85%, 0.52%

LAB 50.46, 73.15, 50.39

 

CMYK 0 / 69 / 88 / 7

HEX #EC491C

RGB 236 73 28

HSL 12.98, 0.85%, 0.52%

LAB 54.74, 60.76, 58.28

 

CMYK 0 / 45 / 88 / 7

HEX #EC811C

RGB 236 129 28

HSL 29.13, 0.85%, 0.52%

LAB 64.66, 35.14, 65.86

 

CMYK 0 / 92 / 89 / 34

HEX #A80D12

RGB 168 13 18

HSL 358.06, 0.86%, 0.35%

LAB 35.31, 57.19, 41.86

 

CMYK 0 / 92 / 89 / 19

HEX #CF1017

RGB 207 16 23

HSL 357.8, 0.86%, 0.44%

LAB 43.8, 67.13, 49.63

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 0 / 72 / 70 / 6

HEX #EF4248

RGB 239 66 72

HSL 357.92, 0.84%, 0.6%

LAB 54.78, 65.56, 36.64

 

CMYK 0 / 57 / 55 / 5

HEX #F2686D

RGB 242 104 109

HSL 357.83, 0.84%, 0.68%

LAB 61.55, 53.47, 24.15

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 13 / 0 / 88 / 7

HEX #CDEC1C

RGB 205 236 28

HSL 68.94, 0.85%, 0.52%

LAB 88.47, -32.7, 83.5

 

CMYK 88 / 48 / 0 / 7

HEX #1C7AEC

RGB 28 122 236

HSL 212.88, 0.85%, 0.52%

LAB 52.09, 16.18, -64.62

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 84 / 0 / 88 / 7

HEX #26EC1C

RGB 38 236 28

HSL 117.12, 0.85%, 0.52%

LAB 82.1, -78.66, 75.6

 

CMYK 88 / 84 / 0 / 7

HEX #1C26EC

RGB 28 38 236

HSL 237.12, 0.85%, 0.52%

LAB 33.33, 65.25, -95.41

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 13 / 0 / 88 / 7

HEX #CDEC1C

RGB 205 236 28

HSL 68.94, 0.85%, 0.52%

LAB 88.47, -32.7, 83.5

 

CMYK 88 / 0 / 4 / 7

HEX #1CECE2

RGB 28 236 226

HSL 177.12, 0.85%, 0.52%

LAB 84.86, -47.35, -8.3

 

CMYK 75 / 88 / 0 / 7

HEX #3B1CEC

RGB 59 28 236

HSL 248.94, 0.85%, 0.52%

LAB 33.6, 69.9, -94.92

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 39 / 0 / 88 / 7

HEX #8FEC1C

RGB 143 236 28

HSL 86.83, 0.85%, 0.52%

LAB 84.95, -55.72, 79.16

 

CMYK 88 / 0 / 4 / 7

HEX #1CECE2

RGB 28 236 226

HSL 177.12, 0.85%, 0.52%

LAB 84.86, -47.35, -8.3

 

CMYK 48 / 88 / 0 / 7

HEX #7A1CEC

RGB 122 28 236

HSL 267.12, 0.85%, 0.52%

LAB 39.62, 74.44, -84.75

 

Description

Color code: RGB 236 28 35 | qconv.com Color code: RGB 236 28 35 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 28 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 28 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 85 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 85% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Where great ideas ar...
Link: http://www.damongo.com

48% - 디자인스팟
Link: http://www.designspot.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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