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Color name
RGB 237 99 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 99 78 it is the complementary color RGB 18 156 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 99 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 99 78 shade: RGB 242 99 73, RGB 255 117 92, RGB 255 135 111, RGB 255 153 130 and RGB 255 171 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 99 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 220 81 59, RGB 203 63 40, RGB 186 45 21 and RGB 169 27 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 99 78 shade: RGB 237 99 78 and RGB 237 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 237 142 78, RGB 237 185 78, RGB 237 228 78 and RGB 204 237 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 99 78 shade matches the following richer shades: RGB 237 99 78 and RGB 253 88 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 221 111 94, RGB 206 122 109, RGB 190 134 125 and RGB 174 145 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 99 78 shade: RGB 237 78 144, RGB 237 78 102, RGB 237 97 78, RGB 237 139 78 and RGB 237 181 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 99 78 shade: RGB 212 46 21, RGB 233 66 41, RGB 237 99 78, RGB 241 132 116 and RGB 244 165 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 187 237 78 and RGB 78 123 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 78 237 97 and RGB 97 78 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 187 237 78, RGB 78 219 237 and RGB 128 78 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 99 78 shade: RGB 237 99 78, RGB 139 237 78, RGB 78 219 237 and RGB 176 78 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

Complementary color

CMYK 90 / 12 / 0 / 31

HEX #129CB1

RGB 18 156 177

HSL 187.92, 0.82%, 0.38%

LAB 59.05, -25.72, -20.42

 

CMYK 0 / 59 / 70 / 5

HEX #F26349

RGB 242 99 73

HSL 9.23, 0.87%, 0.62%

LAB 60.14, 53.49, 42.47

 

CMYK 0 / 54 / 64 / 0

HEX #FF755C

RGB 255 117 92

HSL 9.2, 1%, 0.68%

LAB 65.56, 50.83, 39.14

 

CMYK 0 / 47 / 56 / 0

HEX #FF876F

RGB 255 135 111

HSL 10, 1%, 0.72%

LAB 69.28, 43.37, 33.48

 

CMYK 0 / 40 / 49 / 0

HEX #FF9982

RGB 255 153 130

HSL 11.04, 1%, 0.75%

LAB 73.32, 35.81, 28.44

 

CMYK 0 / 33 / 42 / 0

HEX #FFAB95

RGB 255 171 149

HSL 12.45, 1%, 0.79%

LAB 77.61, 28.32, 23.94

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 63 / 73 / 14

HEX #DC513B

RGB 220 81 59

HSL 8.2, 0.7%, 0.55%

LAB 53.4, 53.15, 41.42

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F28

RGB 203 63 40

HSL 8.47, 0.67%, 0.48%

LAB 47.5, 54.11, 44.34

 

CMYK 0 / 76 / 89 / 27

HEX #BA2D15

RGB 186 45 21

HSL 8.73, 0.8%, 0.41%

LAB 41.8, 54.68, 47.12

 

CMYK 0 / 84 / 99 / 34

HEX #A91B02

RGB 169 27 2

HSL 8.98, 0.98%, 0.34%

LAB 36.41, 54.5, 49.13

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 40 / 67 / 7

HEX #ED8E4E

RGB 237 142 78

HSL 24.15, 0.82%, 0.62%

LAB 67.95, 30.65, 48.58

 

CMYK 0 / 22 / 67 / 7

HEX #EDB94E

RGB 237 185 78

HSL 40.38, 0.82%, 0.62%

LAB 78.02, 7.94, 59.61

 

CMYK 0 / 4 / 67 / 7

HEX #EDE44E

RGB 237 228 78

HSL 56.6, 0.82%, 0.62%

LAB 88.94, -13.99, 70.92

 

CMYK 14 / 0 / 67 / 7

HEX #CCED4E

RGB 204 237 78

HSL 72.45, 0.82%, 0.62%

LAB 88.9, -31.6, 70.09

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 65 / 75 / 1

HEX #FD583E

RGB 253 88 62

HSL 8.17, 0.98%, 0.62%

LAB 60.08, 61.39, 48.69

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 50 / 57 / 13

HEX #DD6F5E

RGB 221 111 94

HSL 8.03, 0.65%, 0.62%

LAB 59.48, 41.46, 29.36

 

CMYK 0 / 41 / 47 / 19

HEX #CE7A6D

RGB 206 122 109

HSL 8.04, 0.5%, 0.62%

LAB 60.02, 31.3, 21.21

 

CMYK 0 / 29 / 34 / 25

HEX #BE867D

RGB 190 134 125

HSL 8.31, 0.33%, 0.62%

LAB 61.2, 20.29, 13.43

 

CMYK 0 / 17 / 19 / 32

HEX #AE918D

RGB 174 145 141

HSL 7.27, 0.17%, 0.62%

LAB 62.65, 10.22, 6.18

 

CMYK 0 / 67 / 39 / 7

HEX #ED4E90

RGB 237 78 144

HSL 335.09, 0.82%, 0.62%

LAB 57.53, 65.96, -1.98

 

CMYK 0 / 67 / 57 / 7

HEX #ED4E66

RGB 237 78 102

HSL 350.94, 0.82%, 0.62%

LAB 56.5, 62.35, 21.31

 

CMYK 0 / 59 / 67 / 7

HEX #ED614E

RGB 237 97 78

HSL 7.17, 0.82%, 0.62%

LAB 59.07, 52.9, 38.3

 

CMYK 0 / 41 / 67 / 7

HEX #ED8B4E

RGB 237 139 78

HSL 23.02, 0.82%, 0.62%

LAB 67.29, 32.21, 47.84

 

CMYK 0 / 24 / 67 / 7

HEX #EDB54E

RGB 237 181 78

HSL 38.87, 0.82%, 0.62%

LAB 77.04, 10.04, 58.56

 

CMYK 0 / 78 / 90 / 17

HEX #D42E15

RGB 212 46 21

HSL 7.85, 0.82%, 0.46%

LAB 46.98, 62.26, 53.23

 

CMYK 0 / 72 / 82 / 9

HEX #E94229

RGB 233 66 41

HSL 7.81, 0.81%, 0.54%

LAB 53.36, 62.63, 51.33

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 45 / 52 / 5

HEX #F18474

RGB 241 132 116

HSL 7.68, 0.82%, 0.7%

LAB 66.87, 40.07, 27.24

 

CMYK 0 / 32 / 37 / 4

HEX #F4A599

RGB 244 165 153

HSL 7.91, 0.81%, 0.78%

LAB 75.1, 27.75, 18.13

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 21 / 0 / 67 / 7

HEX #BBED4E

RGB 187 237 78

HSL 78.87, 0.82%, 0.62%

LAB 87.82, -38.14, 68.63

 

CMYK 67 / 48 / 0 / 7

HEX #4E7BED

RGB 78 123 237

HSL 223.02, 0.82%, 0.62%

LAB 53.92, 21.14, -62.15

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 67 / 0 / 59 / 7

HEX #4EED61

RGB 78 237 97

HSL 127.17, 0.82%, 0.62%

LAB 83.47, -68.38, 54.85

 

CMYK 59 / 67 / 0 / 7

HEX #614EED

RGB 97 78 237

HSL 247.17, 0.82%, 0.62%

LAB 44.38, 51.04, -77.58

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 21 / 0 / 67 / 7

HEX #BBED4E

RGB 187 237 78

HSL 78.87, 0.82%, 0.62%

LAB 87.82, -38.14, 68.63

 

CMYK 67 / 8 / 0 / 7

HEX #4EDBED

RGB 78 219 237

HSL 186.79, 0.82%, 0.62%

LAB 80.96, -31.84, -19.89

 

CMYK 46 / 67 / 0 / 7

HEX #804EED

RGB 128 78 237

HSL 258.87, 0.82%, 0.62%

LAB 47.17, 56.03, -72.91

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 41 / 0 / 67 / 7

HEX #8BED4E

RGB 139 237 78

HSL 96.98, 0.82%, 0.62%

LAB 85.31, -54.9, 65.24

 

CMYK 67 / 8 / 0 / 7

HEX #4EDBED

RGB 78 219 237

HSL 186.79, 0.82%, 0.62%

LAB 80.96, -31.84, -19.89

 

CMYK 26 / 67 / 0 / 7

HEX #B04EED

RGB 176 78 237

HSL 276.98, 0.82%, 0.62%

LAB 52.72, 65.26, -63.65

 

Description

Color code: RGB 237 99 78 | qconv.com Color code: RGB 237 99 78 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 99 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 99 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 67% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Samsung Apps | Samsu...
Link: http://apps.samsung.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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