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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 103 251 it is the complementary color RGB 17 152 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 103 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 103 251 shade: RGB 243 103 246, RGB 255 121 255, RGB 255 139 255, RGB 255 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 103 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 103 251 shade: RGB 238 103 251, RGB 221 85 232, RGB 204 67 213, RGB 187 49 194 and RGB 170 31 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 103 251 shade: RGB 237 100 251, RGB 251 100 223, RGB 251 100 183, RGB 251 100 142 and RGB 251 100 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 103 251 shade: RGB 237 100 251, RGB 197 100 251, RGB 156 100 251, RGB 116 100 251 and RGB 100 100 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 103 251 shade matches the following richer shades: RGB 237 100 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 103 251 shade: RGB 237 100 251, RGB 227 113 238, RGB 216 126 225, RGB 206 139 212 and RGB 195 152 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 103 251 shade: RGB 155 100 251, RGB 195 100 251, RGB 236 100 251, RGB 251 100 226 and RGB 251 100 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 103 251 shade: RGB 228 20 248, RGB 233 60 250, RGB 237 100 251, RGB 242 141 252 and RGB 246 181 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 103 251 shade: RGB 238 103 251, RGB 251 115 100 and RGB 100 251 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 103 251 shade: RGB 238 103 251, RGB 251 236 100 and RGB 100 251 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 103 251 shade: RGB 238 103 251, RGB 251 115 100, RGB 115 251 100 and RGB 100 236 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 103 251 shade: RGB 238 103 251, RGB 251 160 100, RGB 115 251 100 and RGB 100 190 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 59 / 0 / 2

HEX #EE67FB

RGB 238 103 251

HSL 294.73, 0.95%, 0.69%

LAB 65.63, 71.1, -50.35

 

Complementary color

CMYK 89 / 0 / 97 / 40

HEX #119804

RGB 17 152 4

HSL 114.73, 0.95%, 0.31%

LAB 54.64, -57.32, 56.04

 

CMYK 1 / 58 / 0 / 4

HEX #F367F6

RGB 243 103 246

HSL 298.74, 0.89%, 0.68%

LAB 66.07, 71.45, -46.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 5 / 59 / 0 / 2

HEX #EE67FB

RGB 238 103 251

HSL 294.73, 0.95%, 0.69%

LAB 65.63, 71.1, -50.35

 

CMYK 5 / 63 / 0 / 9

HEX #DD55E8

RGB 221 85 232

HSL 295.51, 0.76%, 0.62%

LAB 59.61, 71.24, -49.48

 

CMYK 4 / 69 / 0 / 16

HEX #CC43D5

RGB 204 67 213

HSL 296.3, 0.63%, 0.55%

LAB 53.66, 71.03, -48.37

 

CMYK 4 / 75 / 0 / 24

HEX #BB31C2

RGB 187 49 194

HSL 297.1, 0.6%, 0.48%

LAB 47.82, 70.28, -46.89

 

CMYK 3 / 82 / 0 / 31

HEX #AA1FAF

RGB 170 31 175

HSL 297.92, 0.7%, 0.4%

LAB 42.19, 68.72, -44.9

 

CMYK 6 / 60 / 0 / 2

HEX #ED64FB

RGB 237 100 251

HSL 294.44, 0.95%, 0.69%

LAB 65.03, 72.12, -51.3

 

CMYK 0 / 60 / 11 / 2

HEX #FB64DF

RGB 251 100 223

HSL 311.13, 0.95%, 0.69%

LAB 65.71, 71.07, -34.58

 

CMYK 0 / 60 / 27 / 2

HEX #FB64B7

RGB 251 100 183

HSL 327.02, 0.95%, 0.69%

LAB 64.2, 65.58, -14.36

 

CMYK 0 / 60 / 43 / 2

HEX #FB648E

RGB 251 100 142

HSL 343.31, 0.95%, 0.69%

LAB 62.99, 61.05, 7.38

 

CMYK 0 / 60 / 59 / 2

HEX #FB6466

RGB 251 100 102

HSL 359.21, 0.95%, 0.69%

LAB 62.15, 57.78, 29.19

 

CMYK 6 / 60 / 0 / 2

HEX #ED64FB

RGB 237 100 251

HSL 294.44, 0.95%, 0.69%

LAB 65.03, 72.12, -51.3

 

CMYK 22 / 60 / 0 / 2

HEX #C564FB

RGB 197 100 251

HSL 278.54, 0.95%, 0.69%

LAB 59.84, 62.77, -59.87

 

CMYK 38 / 60 / 0 / 2

HEX #9C64FB

RGB 156 100 251

HSL 262.25, 0.95%, 0.69%

LAB 55.22, 53.69, -67.54

 

CMYK 54 / 60 / 0 / 2

HEX #7464FB

RGB 116 100 251

HSL 246.36, 0.95%, 0.69%

LAB 51.6, 45.89, -73.58

 

CMYK 60 / 60 / 0 / 2

HEX #6464FB

RGB 100 100 251

HSL 240, 0.95%, 0.69%

LAB 50.44, 43.22, -75.52

 

CMYK 6 / 60 / 0 / 2

HEX #ED64FB

RGB 237 100 251

HSL 294.44, 0.95%, 0.69%

LAB 65.03, 72.12, -51.3

 

CMYK 6 / 60 / 0 / 2

HEX #ED64FB

RGB 237 100 251

HSL 294.44, 0.95%, 0.69%

LAB 65.03, 72.12, -51.3

 

CMYK 5 / 53 / 0 / 7

HEX #E371EE

RGB 227 113 238

HSL 294.72, 0.79%, 0.69%

LAB 65.21, 61.54, -43.93

 

CMYK 4 / 44 / 0 / 12

HEX #D87EE1

RGB 216 126 225

HSL 294.55, 0.62%, 0.69%

LAB 65.72, 49.71, -36.04

 

CMYK 3 / 34 / 0 / 17

HEX #CE8BD4

RGB 206 139 212

HSL 295.07, 0.46%, 0.69%

LAB 66.78, 37.37, -27.26

 

CMYK 2 / 24 / 0 / 22

HEX #C398C7

RGB 195 152 199

HSL 294.89, 0.3%, 0.69%

LAB 68.15, 24.18, -18.03

 

CMYK 38 / 60 / 0 / 2

HEX #9B64FB

RGB 155 100 251

HSL 261.85, 0.95%, 0.69%

LAB 55.12, 53.48, -67.71

 

CMYK 22 / 60 / 0 / 2

HEX #C364FB

RGB 195 100 251

HSL 277.75, 0.95%, 0.69%

LAB 59.6, 62.32, -60.27

 

CMYK 6 / 60 / 0 / 2

HEX #EC64FB

RGB 236 100 251

HSL 294.04, 0.95%, 0.69%

LAB 64.89, 71.89, -51.53

 

CMYK 0 / 60 / 10 / 2

HEX #FB64E2

RGB 251 100 226

HSL 309.93, 0.95%, 0.69%

LAB 65.84, 71.52, -36.05

 

CMYK 0 / 60 / 26 / 2

HEX #FB64B9

RGB 251 100 185

HSL 326.23, 0.95%, 0.69%

LAB 64.26, 65.83, -15.39

 

CMYK 8 / 92 / 0 / 3

HEX #E414F8

RGB 228 20 248

HSL 294.74, 0.94%, 0.53%

LAB 55.86, 91.7, -64.36

 

CMYK 7 / 76 / 0 / 2

HEX #E93CFA

RGB 233 60 250

HSL 294.63, 0.95%, 0.61%

LAB 59.4, 85.2, -59.75

 

CMYK 6 / 60 / 0 / 2

HEX #ED64FB

RGB 237 100 251

HSL 294.44, 0.95%, 0.69%

LAB 65.03, 72.12, -51.3

 

CMYK 4 / 44 / 0 / 1

HEX #F28DFC

RGB 242 141 252

HSL 294.59, 0.95%, 0.77%

LAB 72.86, 54.56, -39.51

 

CMYK 3 / 28 / 0 / 1

HEX #F6B5FD

RGB 246 181 253

HSL 294.17, 0.95%, 0.85%

LAB 81.69, 35.25, -26.39

 

CMYK 5 / 59 / 0 / 2

HEX #EE67FB

RGB 238 103 251

HSL 294.73, 0.95%, 0.69%

LAB 65.63, 71.1, -50.35

 

CMYK 0 / 54 / 60 / 2

HEX #FB7364

RGB 251 115 100

HSL 5.96, 0.95%, 0.69%

LAB 64.72, 50.85, 33.59

 

CMYK 60 / 0 / 30 / 2

HEX #64FBAF

RGB 100 251 175

HSL 149.8, 0.95%, 0.69%

LAB 89.3, -57.12, 24.73

 

CMYK 5 / 59 / 0 / 2

HEX #EE67FB

RGB 238 103 251

HSL 294.73, 0.95%, 0.69%

LAB 65.63, 71.1, -50.35

 

CMYK 0 / 6 / 60 / 2

HEX #FBEC64

RGB 251 236 100

HSL 54.04, 0.95%, 0.69%

LAB 92.32, -10.93, 65.99

 

CMYK 60 / 0 / 6 / 2

HEX #64FBEC

RGB 100 251 236

HSL 174.04, 0.95%, 0.69%

LAB 90.67, -43.4, -4.8

 

CMYK 5 / 59 / 0 / 2

HEX #EE67FB

RGB 238 103 251

HSL 294.73, 0.95%, 0.69%

LAB 65.63, 71.1, -50.35

 

CMYK 0 / 54 / 60 / 2

HEX #FB7364

RGB 251 115 100

HSL 5.96, 0.95%, 0.69%

LAB 64.72, 50.85, 33.59

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 60 / 6 / 0 / 2

HEX #64ECFB

RGB 100 236 251

HSL 185.96, 0.95%, 0.69%

LAB 86.83, -32.57, -18.36

 

CMYK 5 / 59 / 0 / 2

HEX #EE67FB

RGB 238 103 251

HSL 294.73, 0.95%, 0.69%

LAB 65.63, 71.1, -50.35

 

CMYK 0 / 36 / 60 / 2

HEX #FBA064

RGB 251 160 100

HSL 23.84, 0.95%, 0.69%

LAB 73.91, 28.22, 44.92

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 60 / 24 / 0 / 2

HEX #64BEFB

RGB 100 190 251

HSL 204.24, 0.95%, 0.69%

LAB 73.87, -9.33, -38.2

 

Description

Color code: RGB 238 103 251 | qconv.com Color code: RGB 238 103 251 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 103 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 103 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 59 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 59% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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