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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 149 153 it is the complementary color RGB 17 106 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 149 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 149 153 shade: RGB 243 149 148, RGB 255 167 167, RGB 255 185 186, RGB 255 203 205 and RGB 255 221 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 149 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 149 153 shade: RGB 238 149 153, RGB 221 131 134, RGB 204 113 115, RGB 187 95 96 and RGB 170 77 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 149 153 shade: RGB 237 149 153 and RGB 237 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 149 153 shade: RGB 237 149 153, RGB 237 149 177, RGB 237 149 201, RGB 237 149 224 and RGB 226 149 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 149 153 shade matches the following richer shades: RGB 237 149 153 and RGB 247 139 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 149 153 shade: RGB 237 149 153, RGB 227 159 162, RGB 218 169 171, RGB 208 179 180 and RGB 198 189 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 149 153 shade: RGB 237 149 201, RGB 237 149 177, RGB 237 149 154, RGB 237 168 149 and RGB 237 192 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 149 153 shade: RGB 226 78 85, RGB 232 114 119, RGB 237 149 153, RGB 243 185 187 and RGB 249 220 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 149 153 shade: RGB 238 149 153, RGB 224 237 149 and RGB 149 189 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 149 153 shade: RGB 238 149 153, RGB 154 237 149 and RGB 149 154 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 149 153 shade: RGB 238 149 153, RGB 224 237 149, RGB 149 237 233 and RGB 162 149 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 149 153 shade: RGB 238 149 153, RGB 198 237 149, RGB 149 237 233 and RGB 189 149 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 36 / 7

HEX #EE9599

RGB 238 149 153

HSL 357.3, 0.72%, 0.76%

LAB 70.85, 33.94, 12.08

 

Complementary color

CMYK 84 / 0 / 4 / 58

HEX #116A66

RGB 17 106 102

HSL 177.3, 0.72%, 0.24%

LAB 40.22, -25.22, -4.86

 

CMYK 0 / 39 / 39 / 5

HEX #F39594

RGB 243 149 148

HSL 0.63, 0.8%, 0.77%

LAB 71.34, 35.21, 15.63

 

CMYK 0 / 35 / 35 / 0

HEX #FFA7A7

RGB 255 167 167

HSL 0, 1%, 0.83%

LAB 77.09, 32.45, 13.47

 

CMYK 0 / 27 / 27 / 0

HEX #FFB9BA

RGB 255 185 186

HSL 359.14, 1%, 0.86%

LAB 81.57, 25.44, 9.53

 

CMYK 0 / 20 / 20 / 0

HEX #FFCBCD

RGB 255 203 205

HSL 357.69, 1%, 0.9%

LAB 86.2, 18.68, 6.02

 

CMYK 0 / 13 / 12 / 0

HEX #FFDDE0

RGB 255 221 224

HSL 354.71, 1%, 0.93%

LAB 90.94, 12.21, 2.86

 

CMYK 0 / 37 / 36 / 7

HEX #EE9599

RGB 238 149 153

HSL 357.3, 0.72%, 0.76%

LAB 70.85, 33.94, 12.08

 

CMYK 0 / 41 / 39 / 13

HEX #DD8386

RGB 221 131 134

HSL 358, 0.57%, 0.69%

LAB 64.42, 34.9, 13.38

 

CMYK 0 / 45 / 44 / 20

HEX #CC7173

RGB 204 113 115

HSL 358.68, 0.47%, 0.62%

LAB 57.93, 35.94, 14.86

 

CMYK 0 / 49 / 49 / 27

HEX #BB5F60

RGB 187 95 96

HSL 359.35, 0.4%, 0.55%

LAB 51.37, 37.04, 16.58

 

CMYK 0 / 55 / 55 / 33

HEX #AA4D4D

RGB 170 77 77

HSL 0, 0.38%, 0.48%

LAB 44.79, 38.19, 18.61

 

CMYK 0 / 37 / 35 / 7

HEX #ED9599

RGB 237 149 153

HSL 357.27, 0.71%, 0.76%

LAB 70.73, 33.57, 11.89

 

CMYK 0 / 37 / 37 / 7

HEX #ED9595

RGB 237 149 149

HSL 0, 0.71%, 0.76%

LAB 70.64, 33.1, 13.99

 

CMYK 0 / 37 / 35 / 7

HEX #ED9599

RGB 237 149 153

HSL 357.27, 0.71%, 0.76%

LAB 70.73, 33.57, 11.89

 

CMYK 0 / 37 / 25 / 7

HEX #ED95B1

RGB 237 149 177

HSL 340.91, 0.71%, 0.76%

LAB 71.33, 36.68, -0.58

 

CMYK 0 / 37 / 15 / 7

HEX #ED95C9

RGB 237 149 201

HSL 324.55, 0.71%, 0.76%

LAB 72.04, 40.23, -12.84

 

CMYK 0 / 37 / 5 / 7

HEX #ED95E0

RGB 237 149 224

HSL 308.86, 0.71%, 0.76%

LAB 72.81, 44.01, -24.34

 

CMYK 5 / 37 / 0 / 7

HEX #E295ED

RGB 226 149 237

HSL 292.5, 0.71%, 0.76%

LAB 72.08, 42.97, -32.69

 

CMYK 0 / 37 / 35 / 7

HEX #ED9599

RGB 237 149 153

HSL 357.27, 0.71%, 0.76%

LAB 70.73, 33.57, 11.89

 

CMYK 0 / 44 / 42 / 3

HEX #F78B90

RGB 247 139 144

HSL 357.22, 0.87%, 0.76%

LAB 69.65, 41.39, 15.56

 

CMYK 0 / 37 / 35 / 7

HEX #ED9599

RGB 237 149 153

HSL 357.27, 0.71%, 0.76%

LAB 70.73, 33.57, 11.89

 

CMYK 0 / 30 / 29 / 11

HEX #E39FA2

RGB 227 159 162

HSL 357.35, 0.55%, 0.76%

LAB 72.05, 25.7, 8.62

 

CMYK 0 / 22 / 22 / 15

HEX #DAA9AB

RGB 218 169 171

HSL 357.55, 0.4%, 0.76%

LAB 73.69, 18.25, 5.89

 

CMYK 0 / 14 / 13 / 18

HEX #D0B3B4

RGB 208 179 180

HSL 357.93, 0.24%, 0.76%

LAB 75.42, 10.58, 3.34

 

CMYK 0 / 5 / 5 / 22

HEX #C6BDBD

RGB 198 189 189

HSL 0, 0.07%, 0.76%

LAB 77.33, 3.16, 1.12

 

CMYK 0 / 37 / 15 / 7

HEX #ED95C9

RGB 237 149 201

HSL 324.55, 0.71%, 0.76%

LAB 72.04, 40.23, -12.84

 

CMYK 0 / 37 / 25 / 7

HEX #ED95B1

RGB 237 149 177

HSL 340.91, 0.71%, 0.76%

LAB 71.33, 36.68, -0.58

 

CMYK 0 / 37 / 35 / 7

HEX #ED959A

RGB 237 149 154

HSL 356.59, 0.71%, 0.76%

LAB 70.76, 33.69, 11.37

 

CMYK 0 / 29 / 37 / 7

HEX #EDA895

RGB 237 168 149

HSL 12.95, 0.71%, 0.76%

LAB 74.94, 23.04, 19.96

 

CMYK 0 / 19 / 37 / 7

HEX #EDC095

RGB 237 192 149

HSL 29.32, 0.71%, 0.76%

LAB 80.67, 10.33, 27.76

 

CMYK 0 / 65 / 62 / 11

HEX #E24E55

RGB 226 78 85

HSL 357.16, 0.72%, 0.6%

LAB 54.32, 57.76, 28.06

 

CMYK 0 / 51 / 49 / 9

HEX #E87277

RGB 232 114 119

HSL 357.46, 0.72%, 0.68%

LAB 62.1, 46.07, 18.93

 

CMYK 0 / 37 / 35 / 7

HEX #ED9599

RGB 237 149 153

HSL 357.27, 0.71%, 0.76%

LAB 70.73, 33.57, 11.89

 

CMYK 0 / 24 / 23 / 5

HEX #F3B9BB

RGB 243 185 187

HSL 357.93, 0.71%, 0.84%

LAB 80.37, 21.21, 7.12

 

CMYK 0 / 12 / 11 / 2

HEX #F9DCDD

RGB 249 220 221

HSL 357.93, 0.71%, 0.92%

LAB 90.11, 10.16, 3.17

 

CMYK 0 / 37 / 36 / 7

HEX #EE9599

RGB 238 149 153

HSL 357.3, 0.72%, 0.76%

LAB 70.85, 33.94, 12.08

 

CMYK 5 / 0 / 37 / 7

HEX #E0ED95

RGB 224 237 149

HSL 68.86, 0.71%, 0.76%

LAB 91.05, -17.64, 41.2

 

CMYK 37 / 20 / 0 / 7

HEX #95BDED

RGB 149 189 237

HSL 212.73, 0.71%, 0.76%

LAB 75.39, -1.7, -28.12

 

CMYK 0 / 37 / 36 / 7

HEX #EE9599

RGB 238 149 153

HSL 357.3, 0.72%, 0.76%

LAB 70.85, 33.94, 12.08

 

CMYK 35 / 0 / 37 / 7

HEX #9AED95

RGB 154 237 149

HSL 116.59, 0.71%, 0.76%

LAB 86.8, -42.11, 34.87

 

CMYK 37 / 35 / 0 / 7

HEX #959AED

RGB 149 154 237

HSL 236.59, 0.71%, 0.76%

LAB 66.22, 17.88, -42.34

 

CMYK 0 / 37 / 36 / 7

HEX #EE9599

RGB 238 149 153

HSL 357.3, 0.72%, 0.76%

LAB 70.85, 33.94, 12.08

 

CMYK 5 / 0 / 37 / 7

HEX #E0ED95

RGB 224 237 149

HSL 68.86, 0.71%, 0.76%

LAB 91.05, -17.64, 41.2

 

CMYK 37 / 0 / 2 / 7

HEX #95EDE9

RGB 149 237 233

HSL 177.27, 0.71%, 0.76%

LAB 88.37, -27.28, -6.43

 

CMYK 32 / 37 / 0 / 7

HEX #A295ED

RGB 162 149 237

HSL 248.86, 0.71%, 0.76%

LAB 65.97, 24.25, -42.66

 

CMYK 0 / 37 / 36 / 7

HEX #EE9599

RGB 238 149 153

HSL 357.3, 0.72%, 0.76%

LAB 70.85, 33.94, 12.08

 

CMYK 16 / 0 / 37 / 7

HEX #C6ED95

RGB 198 237 149

HSL 86.59, 0.71%, 0.76%

LAB 89.27, -27.25, 38.56

 

CMYK 37 / 0 / 2 / 7

HEX #95EDE9

RGB 149 237 233

HSL 177.27, 0.71%, 0.76%

LAB 88.37, -27.28, -6.43

 

CMYK 20 / 37 / 0 / 7

HEX #BD95ED

RGB 189 149 237

HSL 267.27, 0.71%, 0.76%

LAB 68.33, 31.93, -38.79

 

Description

Color code: RGB 238 149 153 | qconv.com Color code: RGB 238 149 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 149 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 149 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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