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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 210 52 it is the complementary color RGB 17 45 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 210 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 210 52 shade: RGB 243 210 47, RGB 255 228 66, RGB 255 246 85, RGB 255 255 104 and RGB 255 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 210 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 221 192 33, RGB 204 174 14, RGB 187 156 0 and RGB 170 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 238 160 52, RGB 238 109 52, RGB 238 59 52 and RGB 238 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 216 238 52, RGB 166 238 52, RGB 115 238 52 and RGB 65 238 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 210 52 shade matches the following richer shades: RGB 238 210 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 220 198 69, RGB 203 185 87, RGB 185 173 105 and RGB 167 160 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 210 52 shade: RGB 238 108 52, RGB 238 157 52, RGB 238 207 52, RGB 219 238 52 and RGB 170 238 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 210 52 shade: RGB 192 165 15, RGB 230 198 18, RGB 238 210 52, RGB 241 218 90 and RGB 244 227 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 52 238 58 and RGB 132 52 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 52 238 207 and RGB 207 52 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 52 238 58, RGB 52 83 238 and RGB 238 52 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 210 52 shade: RGB 238 210 52, RGB 52 238 114, RGB 52 83 238 and RGB 238 52 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

Complementary color

CMYK 92 / 78 / 0 / 20

HEX #112DCB

RGB 17 45 203

HSL 230.97, 0.85%, 0.43%

LAB 30.18, 51.44, -81.66

 

CMYK 0 / 14 / 81 / 5

HEX #F3D22F

RGB 243 210 47

HSL 49.9, 0.89%, 0.57%

LAB 84.67, -3.74, 77.37

 

CMYK 0 / 11 / 74 / 0

HEX #FFE442

RGB 255 228 66

HSL 51.43, 1%, 0.63%

LAB 90.39, -7.1, 77.11

 

CMYK 0 / 4 / 67 / 0

HEX #FFF655

RGB 255 246 85

HSL 56.82, 1%, 0.67%

LAB 95.09, -15.08, 74.98

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 0 / 13 / 85 / 13

HEX #DDC021

RGB 221 192 33

HSL 50.74, 0.74%, 0.5%

LAB 77.98, -4.33, 74.52

 

CMYK 0 / 15 / 93 / 20

HEX #CCAE0E

RGB 204 174 14

HSL 50.53, 0.87%, 0.43%

LAB 71.65, -2.74, 72.45

 

CMYK 0 / 17 / 100 / 27

HEX #BB9C00

RGB 187 156 0

HSL 50.05, 1%, 0.37%

LAB 65.23, -0.93, 68.81

 

CMYK 0 / 19 / 100 / 33

HEX #AA8A00

RGB 170 138 0

HSL 48.71, 1%, 0.33%

LAB 58.72, 1.12, 63.43

RGB 170 138 0

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 0 / 33 / 78 / 7

HEX #EEA034

RGB 238 160 52

HSL 34.84, 0.85%, 0.57%

LAB 71.94, 20.37, 64.16

 

CMYK 0 / 54 / 78 / 7

HEX #EE6D34

RGB 238 109 52

HSL 18.39, 0.85%, 0.57%

LAB 61.1, 46.53, 53.83

 

CMYK 0 / 75 / 78 / 7

HEX #EE3B34

RGB 238 59 52

HSL 2.26, 0.85%, 0.57%

LAB 53.55, 66.75, 46.27

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 9 / 0 / 78 / 7

HEX #D8EE34

RGB 216 238 52

HSL 67.1, 0.85%, 0.57%

LAB 89.86, -28.53, 79.72

 

CMYK 30 / 0 / 78 / 7

HEX #A6EE34

RGB 166 238 52

HSL 83.23, 0.85%, 0.57%

LAB 86.75, -47.74, 75.76

 

CMYK 52 / 0 / 78 / 7

HEX #73EE34

RGB 115 238 52

HSL 99.68, 0.85%, 0.57%

LAB 84.51, -64.02, 72.86

 

CMYK 73 / 0 / 78 / 7

HEX #41EE34

RGB 65 238 52

HSL 115.81, 0.85%, 0.57%

LAB 83.19, -74.8, 71.15

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 0 / 10 / 69 / 14

HEX #DCC645

RGB 220 198 69

HSL 51.26, 0.68%, 0.57%

LAB 79.63, -6.49, 64.5

 

CMYK 0 / 9 / 57 / 20

HEX #CBB957

RGB 203 185 87

HSL 50.69, 0.53%, 0.57%

LAB 74.88, -5.81, 51.16

 

CMYK 0 / 6 / 43 / 27

HEX #B9AD69

RGB 185 173 105

HSL 51, 0.36%, 0.57%

LAB 70.33, -5.39, 36.41

 

CMYK 0 / 4 / 26 / 35

HEX #A7A07B

RGB 167 160 123

HSL 50.45, 0.2%, 0.57%

LAB 65.58, -3.52, 20.25

 

CMYK 0 / 55 / 78 / 7

HEX #EE6C34

RGB 238 108 52

HSL 18.06, 0.85%, 0.57%

LAB 60.91, 47.01, 53.64

 

CMYK 0 / 34 / 78 / 7

HEX #EE9D34

RGB 238 157 52

HSL 33.87, 0.85%, 0.57%

LAB 71.24, 21.96, 63.51

 

CMYK 0 / 13 / 78 / 7

HEX #EECF34

RGB 238 207 52

HSL 50, 0.85%, 0.57%

LAB 83.47, -4.18, 74.68

 

CMYK 8 / 0 / 78 / 7

HEX #DBEE34

RGB 219 238 52

HSL 66.13, 0.85%, 0.57%

LAB 90.07, -27.32, 80

 

CMYK 29 / 0 / 78 / 7

HEX #AAEE34

RGB 170 238 52

HSL 81.94, 0.85%, 0.57%

LAB 86.97, -46.29, 76.03

 

CMYK 0 / 14 / 92 / 25

HEX #C0A50F

RGB 192 165 15

HSL 50.85, 0.86%, 0.41%

LAB 68.13, -3.3, 69.13

 

CMYK 0 / 14 / 92 / 10

HEX #E6C612

RGB 230 198 18

HSL 50.94, 0.85%, 0.49%

LAB 80.32, -3.81, 79.49

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 0 / 10 / 63 / 5

HEX #F1DA5A

RGB 241 218 90

HSL 50.86, 0.84%, 0.65%

LAB 86.79, -6.67, 63.97

 

CMYK 0 / 7 / 48 / 4

HEX #F4E380

RGB 244 227 128

HSL 51.21, 0.84%, 0.73%

LAB 89.73, -7.09, 50.14

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 78 / 0 / 76 / 7

HEX #34EE3A

RGB 52 238 58

HSL 121.94, 0.85%, 0.57%

LAB 83.01, -76.23, 69.1

 

CMYK 45 / 78 / 0 / 7

HEX #8434EE

RGB 132 52 238

HSL 265.81, 0.85%, 0.57%

LAB 43.56, 68.59, -79.37

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 78 / 0 / 13 / 7

HEX #34EECF

RGB 52 238 207

HSL 170, 0.85%, 0.57%

LAB 85.19, -51.58, 2.21

 

CMYK 13 / 78 / 0 / 7

HEX #CF34EE

RGB 207 52 238

HSL 290, 0.85%, 0.57%

LAB 53.91, 80.66, -62.07

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 78 / 0 / 76 / 7

HEX #34EE3A

RGB 52 238 58

HSL 121.94, 0.85%, 0.57%

LAB 83.01, -76.23, 69.1

 

CMYK 78 / 65 / 0 / 7

HEX #3453EE

RGB 52 83 238

HSL 230, 0.85%, 0.57%

LAB 42.9, 43.24, -80.68

 

CMYK 0 / 78 / 3 / 7

HEX #EE34E8

RGB 238 52 232

HSL 301.94, 0.85%, 0.57%

LAB 58.47, 85.45, -51.14

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 78 / 0 / 52 / 7

HEX #34EE72

RGB 52 238 114

HSL 140, 0.85%, 0.57%

LAB 83.49, -70.37, 47.06

 

CMYK 78 / 65 / 0 / 7

HEX #3453EE

RGB 52 83 238

HSL 230, 0.85%, 0.57%

LAB 42.9, 43.24, -80.68

 

CMYK 0 / 78 / 26 / 7

HEX #EE34B0

RGB 238 52 176

HSL 320, 0.85%, 0.57%

LAB 55.85, 78.02, -23.22

 

Description

Color code: RGB 238 210 52 | qconv.com Color code: RGB 238 210 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 210 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 210 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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