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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 224 185 it is the complementary color RGB 17 31 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 224 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 224 185 shade: RGB 243 224 180, RGB 255 242 199, RGB 255 255 218 and RGB 255 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 224 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 221 206 166, RGB 204 188 147, RGB 187 170 128 and RGB 170 152 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 238 209 185, RGB 238 195 185 and RGB 238 185 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 237 238 185, RGB 223 238 185, RGB 209 238 185 and RGB 195 238 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 224 185 shade matches the following richer shades: RGB 238 224 185, RGB 245 227 178 and RGB 252 230 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 231 220 192, RGB 224 217 199, RGB 217 214 206 and RGB 210 210 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 224 185 shade: RGB 238 195 185, RGB 238 209 185, RGB 238 223 185, RGB 238 238 185 and RGB 223 238 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 224 185 shade: RGB 222 194 118, RGB 230 209 151, RGB 238 224 185, RGB 246 238 218 and RGB 254 253 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 188 238 185 and RGB 202 185 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 185 238 223 and RGB 223 185 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 188 238 185, RGB 185 199 238 and RGB 234 185 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 224 185 shade: RGB 238 224 185, RGB 185 238 197, RGB 185 199 238 and RGB 238 185 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

Complementary color

CMYK 76 / 56 / 0 / 73

HEX #111F46

RGB 17 31 70

HSL 224.15, 0.61%, 0.17%

LAB 12.87, 9.5, -26.32

 

CMYK 0 / 8 / 26 / 5

HEX #F3E0B4

RGB 243 224 180

HSL 41.9, 0.72%, 0.83%

LAB 89.7, -0.12, 23.94

 

CMYK 0 / 5 / 22 / 0

HEX #FFF2C7

RGB 255 242 199

HSL 46.07, 1%, 0.89%

LAB 95.53, -2.26, 22.36

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 7 / 25 / 13

HEX #DDCEA6

RGB 221 206 166

HSL 43.64, 0.45%, 0.76%

LAB 83.06, -0.99, 21.81

 

CMYK 0 / 8 / 28 / 20

HEX #CCBC93

RGB 204 188 147

HSL 43.16, 0.36%, 0.69%

LAB 76.62, -0.65, 22.83

 

CMYK 0 / 9 / 32 / 27

HEX #BBAA80

RGB 187 170 128

HSL 42.71, 0.3%, 0.62%

LAB 70.09, -0.27, 23.92

 

CMYK 0 / 11 / 36 / 33

HEX #AA986D

RGB 170 152 109

HSL 42.3, 0.26%, 0.55%

LAB 63.43, 0.19, 25.08

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 12 / 22 / 7

HEX #EED1B9

RGB 238 209 185

HSL 27.17, 0.61%, 0.83%

LAB 85.65, 6.46, 15.62

 

CMYK 0 / 18 / 22 / 7

HEX #EEC3B9

RGB 238 195 185

HSL 11.32, 0.61%, 0.83%

LAB 82.22, 13.8, 10.78

 

CMYK 0 / 22 / 22 / 7

HEX #EEB9B9

RGB 238 185 185

HSL 0, 0.61%, 0.83%

LAB 79.83, 19.09, 7.36

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 0 / 22 / 7

HEX #EDEEB9

RGB 237 238 185

HSL 61.13, 0.61%, 0.83%

LAB 92.86, -8.73, 25.63

 

CMYK 6 / 0 / 22 / 7

HEX #DFEEB9

RGB 223 238 185

HSL 76.98, 0.61%, 0.83%

LAB 91.84, -13.79, 24.05

 

CMYK 12 / 0 / 22 / 7

HEX #D1EEB9

RGB 209 238 185

HSL 92.83, 0.61%, 0.83%

LAB 90.87, -18.74, 22.57

 

CMYK 18 / 0 / 22 / 7

HEX #C3EEB9

RGB 195 238 185

HSL 108.68, 0.61%, 0.83%

LAB 89.98, -23.55, 21.19

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 7 / 27 / 4

HEX #F5E3B2

RGB 245 227 178

HSL 43.88, 0.77%, 0.83%

LAB 90.58, -1.17, 26.2

 

CMYK 0 / 9 / 32 / 1

HEX #FCE6AB

RGB 252 230 171

HSL 43.7, 0.93%, 0.83%

LAB 91.79, -0.94, 31.52

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 5 / 17 / 9

HEX #E7DCC0

RGB 231 220 192

HSL 43.08, 0.45%, 0.83%

LAB 87.96, -0.77, 15.11

 

CMYK 0 / 3 / 11 / 12

HEX #E0D9C7

RGB 224 217 199

HSL 43.2, 0.29%, 0.83%

LAB 86.8, -0.64, 9.71

 

CMYK 0 / 1 / 5 / 15

HEX #D9D6CE

RGB 217 214 206

HSL 43.64, 0.13%, 0.83%

LAB 85.66, -0.38, 4.3

 

CMYK 1 / 1 / 0 / 16

HEX #D2D2D5

RGB 210 210 213

HSL 240, 0.03%, 0.83%

LAB 84.28, 0.55, -1.49

 

CMYK 0 / 18 / 22 / 7

HEX #EEC3B9

RGB 238 195 185

HSL 11.32, 0.61%, 0.83%

LAB 82.22, 13.8, 10.78

 

CMYK 0 / 12 / 22 / 7

HEX #EED1B9

RGB 238 209 185

HSL 27.17, 0.61%, 0.83%

LAB 85.65, 6.46, 15.62

 

CMYK 0 / 6 / 22 / 7

HEX #EEDFB9

RGB 238 223 185

HSL 43.02, 0.61%, 0.83%

LAB 89.14, -0.78, 20.5

 

CMYK 0 / 0 / 22 / 7

HEX #EEEEB9

RGB 238 238 185

HSL 60, 0.61%, 0.83%

LAB 92.94, -8.37, 25.74

 

CMYK 6 / 0 / 22 / 7

HEX #DFEEB9

RGB 223 238 185

HSL 76.98, 0.61%, 0.83%

LAB 91.84, -13.79, 24.05

 

CMYK 0 / 13 / 47 / 13

HEX #DEC276

RGB 222 194 118

HSL 43.85, 0.61%, 0.67%

LAB 79.28, 0.03, 41.72

 

CMYK 0 / 9 / 34 / 10

HEX #E6D197

RGB 230 209 151

HSL 44.05, 0.61%, 0.75%

LAB 84.31, -1.03, 31.47

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 3 / 11 / 4

HEX #F6EEDA

RGB 246 238 218

HSL 42.86, 0.61%, 0.91%

LAB 94.23, -0.62, 10.63

 

CMYK 0 / 0 / 1 / 0

HEX #FEFDFB

RGB 254 253 251

HSL 40, 0.6%, 0.99%

LAB 99.33, -0.01, 1.06

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 21 / 0 / 22 / 7

HEX #BCEEB9

RGB 188 238 185

HSL 116.6, 0.61%, 0.83%

LAB 89.55, -25.89, 20.54

 

CMYK 15 / 22 / 0 / 7

HEX #CAB9EE

RGB 202 185 238

HSL 259.25, 0.61%, 0.83%

LAB 78.13, 16.27, -24.14

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 22 / 0 / 6 / 7

HEX #B9EEDF

RGB 185 238 223

HSL 163.02, 0.61%, 0.83%

LAB 90.23, -19.85, 1.73

 

CMYK 6 / 22 / 0 / 7

HEX #DFB9EE

RGB 223 185 238

HSL 283.02, 0.61%, 0.83%

LAB 79.93, 22.95, -21.23

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 21 / 0 / 22 / 7

HEX #BCEEB9

RGB 188 238 185

HSL 116.6, 0.61%, 0.83%

LAB 89.55, -25.89, 20.54

 

CMYK 22 / 16 / 0 / 7

HEX #B9C7EE

RGB 185 199 238

HSL 224.15, 0.61%, 0.83%

LAB 80.37, 3.45, -20.86

 

CMYK 2 / 22 / 0 / 7

HEX #EAB9EE

RGB 234 185 238

HSL 295.47, 0.61%, 0.83%

LAB 80.94, 26.51, -19.61

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 22 / 0 / 17 / 7

HEX #B9EEC5

RGB 185 238 197

HSL 133.58, 0.61%, 0.83%

LAB 89.62, -24.79, 14.4

 

CMYK 22 / 16 / 0 / 7

HEX #B9C7EE

RGB 185 199 238

HSL 224.15, 0.61%, 0.83%

LAB 80.37, 3.45, -20.86

 

CMYK 0 / 22 / 5 / 7

HEX #EEB9E1

RGB 238 185 225

HSL 314.72, 0.61%, 0.83%

LAB 80.91, 25.49, -12.63

 

Description

Color code: RGB 238 224 185 | qconv.com Color code: RGB 238 224 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 224 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 224 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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