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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 234 138 it is the complementary color RGB 17 21 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 234 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 234 138 shade: RGB 243 234 133, RGB 255 252 152, RGB 255 255 171, RGB 255 255 190 and RGB 255 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 234 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 221 216 119, RGB 204 198 100, RGB 187 180 81 and RGB 170 162 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 238 207 138, RGB 238 180 138, RGB 238 153 138 and RGB 238 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 215 238 138, RGB 188 238 138, RGB 161 238 138 and RGB 138 238 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 234 138 shade matches the following richer shades: RGB 238 234 138 and RGB 249 244 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 227 224 149, RGB 216 214 160, RGB 206 204 171 and RGB 195 194 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 234 138 shade: RGB 238 180 138, RGB 238 206 138, RGB 238 233 138, RGB 216 238 138 and RGB 190 238 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 234 138 shade: RGB 228 221 66, RGB 233 228 102, RGB 238 234 138, RGB 243 240 175 and RGB 248 247 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 138 238 153 and RGB 193 138 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 138 238 233 and RGB 233 138 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 138 238 153, RGB 138 143 238 and RGB 238 138 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 234 138 shade: RGB 238 234 138, RGB 138 238 183, RGB 138 143 238 and RGB 238 138 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

Complementary color

CMYK 85 / 82 / 0 / 54

HEX #111575

RGB 17 21 117

HSL 237.6, 0.75%, 0.26%

LAB 15.17, 35.27, -53.97

 

CMYK 0 / 4 / 45 / 5

HEX #F3EA85

RGB 243 234 133

HSL 55.09, 0.82%, 0.74%

LAB 91.5, -10.51, 49.89

 

CMYK 0 / 1 / 40 / 0

HEX #FFFC98

RGB 255 252 152

HSL 58.25, 1%, 0.8%

LAB 97.29, -12.87, 48.16

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 0 / 2 / 46 / 13

HEX #DDD877

RGB 221 216 119

HSL 57.06, 0.6%, 0.67%

LAB 84.9, -11.55, 48.14

 

CMYK 0 / 3 / 51 / 20

HEX #CCC664

RGB 204 198 100

HSL 56.54, 0.5%, 0.6%

LAB 78.55, -11.03, 49.3

 

CMYK 0 / 4 / 57 / 27

HEX #BBB451

RGB 187 180 81

HSL 56.04, 0.44%, 0.53%

LAB 72.1, -10.41, 50.42

 

CMYK 0 / 5 / 64 / 33

HEX #AAA23E

RGB 170 162 62

HSL 55.56, 0.47%, 0.45%

LAB 65.54, -9.66, 51.38

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 0 / 13 / 42 / 7

HEX #EECF8A

RGB 238 207 138

HSL 41.4, 0.75%, 0.74%

LAB 84.3, 1.69, 38.25

 

CMYK 0 / 24 / 42 / 7

HEX #EEB48A

RGB 238 180 138

HSL 25.2, 0.75%, 0.74%

LAB 77.67, 15.83, 29.58

 

CMYK 0 / 36 / 42 / 7

HEX #EE998A

RGB 238 153 138

HSL 9, 0.75%, 0.74%

LAB 71.42, 30.14, 21.15

 

CMYK 0 / 42 / 42 / 7

HEX #EE8A8A

RGB 238 138 138

HSL 0, 0.75%, 0.74%

LAB 68.16, 37.99, 16.67

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 10 / 0 / 42 / 7

HEX #D7EE8A

RGB 215 238 138

HSL 73.8, 0.75%, 0.74%

LAB 90.52, -22.76, 45.79

 

CMYK 21 / 0 / 42 / 7

HEX #BCEE8A

RGB 188 238 138

HSL 90, 0.75%, 0.74%

LAB 88.77, -32.67, 43.22

 

CMYK 32 / 0 / 42 / 7

HEX #A1EE8A

RGB 161 238 138

HSL 106.2, 0.75%, 0.74%

LAB 87.27, -41.89, 41

 

CMYK 42 / 0 / 40 / 7

HEX #8AEE8E

RGB 138 238 142

HSL 122.4, 0.75%, 0.74%

LAB 86.26, -48.38, 37.51

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 0 / 2 / 49 / 2

HEX #F9F480

RGB 249 244 128

HSL 57.52, 0.91%, 0.74%

LAB 94.48, -13.54, 55.97

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 0 / 1 / 34 / 11

HEX #E3E095

RGB 227 224 149

HSL 57.69, 0.58%, 0.74%

LAB 87.88, -10.06, 37.14

 

CMYK 0 / 1 / 26 / 15

HEX #D8D6A0

RGB 216 214 160

HSL 57.86, 0.42%, 0.74%

LAB 84.6, -7.81, 27

 

CMYK 0 / 1 / 17 / 19

HEX #CECCAB

RGB 206 204 171

HSL 56.57, 0.26%, 0.74%

LAB 81.43, -4.82, 16.72

 

CMYK 0 / 1 / 7 / 24

HEX #C3C2B5

RGB 195 194 181

HSL 55.71, 0.1%, 0.74%

LAB 78.18, -1.96, 6.65

 

CMYK 0 / 24 / 42 / 7

HEX #EEB48A

RGB 238 180 138

HSL 25.2, 0.75%, 0.74%

LAB 77.67, 15.83, 29.58

 

CMYK 0 / 13 / 42 / 7

HEX #EECE8A

RGB 238 206 138

HSL 40.8, 0.75%, 0.74%

LAB 84.05, 2.21, 37.93

 

CMYK 0 / 2 / 42 / 7

HEX #EEE98A

RGB 238 233 138

HSL 57, 0.75%, 0.74%

LAB 90.91, -11.48, 46.65

 

CMYK 9 / 0 / 42 / 7

HEX #D8EE8A

RGB 216 238 138

HSL 73.2, 0.75%, 0.74%

LAB 90.59, -22.38, 45.9

 

CMYK 20 / 0 / 42 / 7

HEX #BEEE8A

RGB 190 238 138

HSL 88.8, 0.75%, 0.74%

LAB 88.89, -31.96, 43.4

 

CMYK 0 / 3 / 71 / 11

HEX #E4DD42

RGB 228 221 66

HSL 57.41, 0.75%, 0.58%

LAB 86.31, -14.85, 72.42

 

CMYK 0 / 2 / 56 / 9

HEX #E9E466

RGB 233 228 102

HSL 57.71, 0.75%, 0.66%

LAB 88.81, -14.12, 60.83

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 0 / 1 / 28 / 5

HEX #F3F0AF

RGB 243 240 175

HSL 57.35, 0.74%, 0.82%

LAB 93.65, -8.85, 31.87

 

CMYK 0 / 0 / 15 / 3

HEX #F8F7D3

RGB 248 247 211

HSL 58.38, 0.73%, 0.9%

LAB 96.48, -5.54, 17.45

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 42 / 0 / 36 / 7

HEX #8AEE99

RGB 138 238 153

HSL 129, 0.75%, 0.74%

LAB 86.43, -46.67, 32.23

 

CMYK 19 / 42 / 0 / 7

HEX #C18AEE

RGB 193 138 238

HSL 273, 0.75%, 0.74%

LAB 66.28, 39.36, -42.53

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 42 / 0 / 2 / 7

HEX #8AEEE9

RGB 138 238 233

HSL 177, 0.75%, 0.74%

LAB 88.18, -30.47, -6.77

 

CMYK 2 / 42 / 0 / 7

HEX #E98AEE

RGB 233 138 238

HSL 297, 0.75%, 0.74%

LAB 70.65, 50.93, -35.39

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 42 / 0 / 36 / 7

HEX #8AEE99

RGB 138 238 153

HSL 129, 0.75%, 0.74%

LAB 86.43, -46.67, 32.23

 

CMYK 42 / 40 / 0 / 7

HEX #8A8FEE

RGB 138 143 238

HSL 237, 0.75%, 0.74%

LAB 62.69, 21.68, -48.5

 

CMYK 0 / 42 / 6 / 7

HEX #EE8ADF

RGB 238 138 223

HSL 309, 0.75%, 0.74%

LAB 70.65, 49.79, -27.09

 

CMYK 0 / 2 / 42 / 7

HEX #EEEA8A

RGB 238 234 138

HSL 57.6, 0.75%, 0.74%

LAB 91.17, -11.98, 46.97

 

CMYK 42 / 0 / 23 / 7

HEX #8AEEB7

RGB 138 238 183

HSL 147, 0.75%, 0.74%

LAB 86.98, -41.33, 17.61

 

CMYK 42 / 40 / 0 / 7

HEX #8A8FEE

RGB 138 143 238

HSL 237, 0.75%, 0.74%

LAB 62.69, 21.68, -48.5

 

CMYK 0 / 42 / 19 / 7

HEX #EE8AC1

RGB 238 138 193

HSL 327, 0.75%, 0.74%

LAB 69.61, 45.02, -12.02

 

Description

Color code: RGB 238 234 138 | qconv.com Color code: RGB 238 234 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 234 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 234 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 42 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 42% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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