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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 36 144 it is the complementary color RGB 17 219 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 36 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 36 144 shade: RGB 243 36 139, RGB 255 54 158, RGB 255 72 177, RGB 255 90 196 and RGB 255 108 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 36 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 221 18 125, RGB 204 0 106, RGB 187 0 87 and RGB 170 0 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 238 36 90 and RGB 238 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 238 36 199, RGB 223 36 238, RGB 169 36 238 and RGB 114 36 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 36 144 shade matches the following richer shades: RGB 238 36 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 219 55 143, RGB 200 74 142, RGB 181 93 140 and RGB 162 112 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 36 144 shade: RGB 221 36 238, RGB 238 36 201, RGB 238 36 147, RGB 238 36 93 and RGB 238 36 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 36 144 shade: RGB 179 13 102, RGB 217 16 124, RGB 238 36 144, RGB 241 75 164 and RGB 244 113 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 238 167 36 and RGB 36 228 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 147 238 36 and RGB 36 147 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 238 167 36, RGB 36 238 127 and RGB 36 107 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 36 144 shade: RGB 238 36 144, RGB 238 228 36, RGB 36 238 127 and RGB 36 46 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

Complementary color

CMYK 92 / 0 / 49 / 14

HEX #11DB6F

RGB 17 219 111

HSL 147.92, 0.86%, 0.46%

LAB 77.24, -67.5, 40.68

 

CMYK 0 / 85 / 43 / 5

HEX #F3248B

RGB 243 36 139

HSL 330.14, 0.9%, 0.55%

LAB 54.22, 78.94, -3.77

 

CMYK 0 / 79 / 38 / 0

HEX #FF369E

RGB 255 54 158

HSL 328.96, 1%, 0.61%

LAB 58.38, 79.56, -8.58

 

CMYK 0 / 72 / 31 / 0

HEX #FF48B1

RGB 255 72 177

HSL 325.57, 1%, 0.64%

LAB 60.84, 76.39, -15.93

 

CMYK 0 / 65 / 23 / 0

HEX #FF5AC4

RGB 255 90 196

HSL 321.45, 1%, 0.68%

LAB 63.8, 72.33, -22.29

 

CMYK 0 / 58 / 16 / 0

HEX #FF6CD7

RGB 255 108 215

HSL 316.33, 1%, 0.71%

LAB 67.2, 67.6, -27.77

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 92 / 43 / 13

HEX #DD127D

RGB 221 18 125

HSL 328.37, 0.85%, 0.47%

LAB 48.62, 75.49, -4.07

 

CMYK 0 / 100 / 48 / 20

HEX #CC006A

RGB 204 0 106

HSL 328.82, 1%, 0.4%

LAB 44.06, 71.85, 0.56

 

CMYK 0 / 100 / 53 / 27

HEX #BB0057

RGB 187 0 87

HSL 332.09, 1%, 0.37%

LAB 40, 66.59, 6.27

 

CMYK 0 / 100 / 60 / 33

HEX #AA0044

RGB 170 0 68

HSL 336, 1%, 0.33%

LAB 35.91, 61.34, 12.27

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 85 / 62 / 7

HEX #EE245A

RGB 238 36 90

HSL 343.96, 0.86%, 0.54%

LAB 52.04, 74.23, 22.55

 

CMYK 0 / 85 / 85 / 7

HEX #EE2424

RGB 238 36 36

HSL 0, 0.86%, 0.54%

LAB 51.34, 72.19, 52.29

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 85 / 16 / 7

HEX #EE24C7

RGB 238 36 199

HSL 311.58, 0.86%, 0.54%

LAB 55.65, 84.31, -36.85

 

CMYK 6 / 85 / 0 / 7

HEX #DF24EE

RGB 223 36 238

HSL 295.54, 0.86%, 0.54%

LAB 55.2, 87.08, -59.87

 

CMYK 29 / 85 / 0 / 7

HEX #A924EE

RGB 169 36 238

HSL 279.5, 0.86%, 0.54%

LAB 46.8, 78.67, -73.86

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 75 / 35 / 14

HEX #DB378F

RGB 219 55 143

HSL 327.8, 0.69%, 0.54%

LAB 51.58, 68.9, -10.56

 

CMYK 0 / 63 / 29 / 22

HEX #C84A8E

RGB 200 74 142

HSL 327.62, 0.53%, 0.54%

LAB 50.84, 56.63, -11.4

 

CMYK 0 / 49 / 23 / 29

HEX #B55D8C

RGB 181 93 140

HSL 327.95, 0.37%, 0.54%

LAB 51.32, 41.34, -9.77

 

CMYK 0 / 31 / 14 / 36

HEX #A2708B

RGB 162 112 139

HSL 327.6, 0.21%, 0.54%

LAB 53.1, 24.04, -6.78

 

CMYK 7 / 85 / 0 / 7

HEX #DD24EE

RGB 221 36 238

HSL 294.95, 0.86%, 0.54%

LAB 54.87, 86.74, -60.41

 

CMYK 0 / 85 / 16 / 7

HEX #EE24C9

RGB 238 36 201

HSL 310.99, 0.86%, 0.54%

LAB 55.74, 84.56, -37.85

 

CMYK 0 / 85 / 38 / 7

HEX #EE2493

RGB 238 36 147

HSL 327.03, 0.86%, 0.54%

LAB 53.54, 78.53, -9.65

 

CMYK 0 / 85 / 61 / 7

HEX #EE245D

RGB 238 36 93

HSL 343.07, 0.86%, 0.54%

LAB 52.1, 74.4, 20.82

 

CMYK 0 / 85 / 83 / 7

HEX #EE2428

RGB 238 36 40

HSL 358.81, 0.86%, 0.54%

LAB 51.37, 72.28, 50.36

 

CMYK 0 / 93 / 43 / 30

HEX #B30D66

RGB 179 13 102

HSL 327.83, 0.86%, 0.38%

LAB 39.29, 64.57, -4.51

 

CMYK 0 / 93 / 43 / 15

HEX #D9107C

RGB 217 16 124

HSL 327.76, 0.86%, 0.46%

LAB 47.72, 74.75, -4.87

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 69 / 32 / 5

HEX #F14BA4

RGB 241 75 164

HSL 327.83, 0.86%, 0.62%

LAB 58.43, 70.31, -12.27

 

CMYK 0 / 54 / 25 / 4

HEX #F471B7

RGB 244 113 183

HSL 327.94, 0.86%, 0.7%

LAB 65.33, 57.76, -12.76

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 30 / 85 / 7

HEX #EEA724

RGB 238 167 36

HSL 38.91, 0.86%, 0.54%

LAB 73.51, 16.19, 70.79

 

CMYK 85 / 4 / 0 / 7

HEX #24E4EE

RGB 36 228 238

HSL 182.97, 0.86%, 0.54%

LAB 82.93, -39.92, -17.51

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 38 / 0 / 85 / 7

HEX #93EE24

RGB 147 238 36

HSL 87.03, 0.86%, 0.54%

LAB 85.75, -54.94, 78.4

 

CMYK 85 / 38 / 0 / 7

HEX #2493EE

RGB 36 147 238

HSL 207.03, 0.86%, 0.54%

LAB 59.36, 2.21, -54.07

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 30 / 85 / 7

HEX #EEA724

RGB 238 167 36

HSL 38.91, 0.86%, 0.54%

LAB 73.51, 16.19, 70.79

 

CMYK 85 / 0 / 47 / 7

HEX #24EE7F

RGB 36 238 127

HSL 147.03, 0.86%, 0.54%

LAB 83.47, -69.92, 40.79

 

CMYK 85 / 55 / 0 / 7

HEX #246BEE

RGB 36 107 238

HSL 218.91, 0.86%, 0.54%

LAB 48.34, 26.94, -71.81

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 0 / 4 / 85 / 7

HEX #EEE424

RGB 238 228 36

HSL 57.03, 0.86%, 0.54%

LAB 88.82, -15.14, 83.33

 

CMYK 85 / 0 / 47 / 7

HEX #24EE7F

RGB 36 238 127

HSL 147.03, 0.86%, 0.54%

LAB 83.47, -69.92, 40.79

 

CMYK 85 / 81 / 0 / 7

HEX #242EEE

RGB 36 46 238

HSL 237.03, 0.86%, 0.54%

LAB 35.01, 62.61, -93.74

 

Description

Color code: RGB 238 36 144 | qconv.com Color code: RGB 238 36 144 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 36 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 36 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 39% 7% C M Y K

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Provide designers and agencies with accurate color values.

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