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Color name
RGB 238 78 43

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 78 43 it is the complementary color RGB 17 177 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 78 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 78 43 shade: RGB 243 78 38, RGB 255 96 57, RGB 255 114 76, RGB 255 132 95 and RGB 255 150 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 78 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 78 43 shade: RGB 238 78 43, RGB 221 60 24, RGB 204 42 5, RGB 187 24 0 and RGB 170 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 78 43 shade: RGB 237 77 42 and RGB 237 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 78 43 shade: RGB 237 77 42, RGB 237 130 42, RGB 237 182 42, RGB 237 235 42 and RGB 187 237 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 78 43 shade matches the following richer shades: RGB 237 77 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 78 43 shade: RGB 237 77 42, RGB 219 89 61, RGB 200 101 79, RGB 182 113 98 and RGB 163 125 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 78 43 shade: RGB 237 42 114, RGB 237 42 62, RGB 237 75 42, RGB 237 127 42 and RGB 237 179 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 78 43 shade: RGB 183 45 14, RGB 221 54 17, RGB 237 77 42, RGB 240 109 80 and RGB 243 141 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 78 43 shade: RGB 238 78 43, RGB 166 237 42 and RGB 42 88 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 78 43 shade: RGB 238 78 43, RGB 42 237 75 and RGB 75 42 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 78 43 shade: RGB 238 78 43, RGB 166 237 42, RGB 42 205 237 and RGB 114 42 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 78 43 shade: RGB 238 78 43, RGB 107 237 42, RGB 42 205 237 and RGB 172 42 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

Complementary color

CMYK 92 / 17 / 0 / 17

HEX #11B1D4

RGB 17 177 212

HSL 190.77, 0.85%, 0.45%

LAB 66.76, -24.68, -28.12

 

CMYK 0 / 68 / 84 / 5

HEX #F34E26

RGB 243 78 38

HSL 11.71, 0.9%, 0.55%

LAB 56.73, 61.33, 56.34

 

CMYK 0 / 62 / 78 / 0

HEX #FF6039

RGB 255 96 57

HSL 11.82, 1%, 0.61%

LAB 61.59, 58.6, 52.84

 

CMYK 0 / 55 / 70 / 0

HEX #FF724C

RGB 255 114 76

HSL 12.74, 1%, 0.65%

LAB 64.82, 51.37, 46.74

 

CMYK 0 / 48 / 63 / 0

HEX #FF845F

RGB 255 132 95

HSL 13.88, 1%, 0.69%

LAB 68.45, 43.76, 41.05

 

CMYK 0 / 41 / 55 / 0

HEX #FF9672

RGB 255 150 114

HSL 15.32, 1%, 0.72%

LAB 72.42, 36, 35.88

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 0 / 73 / 89 / 13

HEX #DD3C18

RGB 221 60 24

HSL 10.96, 0.8%, 0.48%

LAB 50.3, 60.61, 55.26

 

CMYK 0 / 79 / 98 / 20

HEX #CC2A05

RGB 204 42 5

HSL 11.16, 0.95%, 0.41%

LAB 44.95, 60.86, 56.24

 

CMYK 0 / 87 / 100 / 27

HEX #BB1800

RGB 187 24 0

HSL 7.7, 1%, 0.37%

LAB 39.95, 60.26, 53.65

 

CMYK 0 / 96 / 100 / 33

HEX #AA0600

RGB 170 6 0

HSL 2.12, 1%, 0.33%

LAB 35.35, 58.37, 49.55

 

CMYK 0 / 68 / 82 / 7

HEX #ED4D2A

RGB 237 77 42

HSL 10.77, 0.84%, 0.55%

LAB 55.56, 59.87, 53.13

 

CMYK 0 / 82 / 82 / 7

HEX #ED2A2A

RGB 237 42 42

HSL 0, 0.84%, 0.55%

LAB 51.64, 70.78, 49.53

 

CMYK 0 / 68 / 82 / 7

HEX #ED4D2A

RGB 237 77 42

HSL 10.77, 0.84%, 0.55%

LAB 55.56, 59.87, 53.13

 

CMYK 0 / 45 / 82 / 7

HEX #ED822A

RGB 237 130 42

HSL 27.08, 0.84%, 0.55%

LAB 65.07, 35.36, 61.63

 

CMYK 0 / 23 / 82 / 7

HEX #EDB62A

RGB 237 182 42

HSL 43.08, 0.84%, 0.55%

LAB 77.06, 8.01, 72.02

 

CMYK 0 / 1 / 82 / 7

HEX #EDEB2A

RGB 237 235 42

HSL 59.38, 0.84%, 0.55%

LAB 90.59, -18.82, 83.47

 

CMYK 21 / 0 / 82 / 7

HEX #BBED2A

RGB 187 237 42

HSL 75.38, 0.84%, 0.55%

LAB 87.63, -39.86, 79.55

 

CMYK 0 / 68 / 82 / 7

HEX #ED4D2A

RGB 237 77 42

HSL 10.77, 0.84%, 0.55%

LAB 55.56, 59.87, 53.13

 

CMYK 0 / 68 / 82 / 7

HEX #ED4D2A

RGB 237 77 42

HSL 10.77, 0.84%, 0.55%

LAB 55.56, 59.87, 53.13

 

CMYK 0 / 59 / 72 / 14

HEX #DB593D

RGB 219 89 61

HSL 10.63, 0.69%, 0.55%

LAB 54.6, 49.34, 41.62

 

CMYK 0 / 50 / 61 / 22

HEX #C8654F

RGB 200 101 79

HSL 10.91, 0.52%, 0.55%

LAB 54.19, 37.46, 30.48

 

CMYK 0 / 38 / 46 / 29

HEX #B67162

RGB 182 113 98

HSL 10.71, 0.37%, 0.55%

LAB 54.7, 25.58, 19.8

 

CMYK 0 / 23 / 29 / 36

HEX #A37D74

RGB 163 125 116

HSL 11.49, 0.2%, 0.55%

LAB 55.8, 13.37, 10.58

 

CMYK 0 / 82 / 52 / 7

HEX #ED2A72

RGB 237 42 114

HSL 337.85, 0.84%, 0.55%

LAB 52.81, 74.27, 9.07

 

CMYK 0 / 82 / 74 / 7

HEX #ED2A3E

RGB 237 42 62

HSL 353.85, 0.84%, 0.55%

LAB 51.85, 71.39, 38.85

 

CMYK 0 / 68 / 82 / 7

HEX #ED4B2A

RGB 237 75 42

HSL 10.15, 0.84%, 0.55%

LAB 55.28, 60.64, 52.87

 

CMYK 0 / 46 / 82 / 7

HEX #ED7F2A

RGB 237 127 42

HSL 26.15, 0.84%, 0.55%

LAB 64.44, 36.9, 61.08

 

CMYK 0 / 24 / 82 / 7

HEX #EDB32A

RGB 237 179 42

HSL 42.15, 0.84%, 0.55%

LAB 76.32, 9.59, 71.39

 

CMYK 0 / 75 / 92 / 28

HEX #B72D0E

RGB 183 45 14

HSL 11.01, 0.86%, 0.39%

LAB 41.18, 53.62, 49.15

 

CMYK 0 / 76 / 92 / 13

HEX #DD3611

RGB 221 54 17

HSL 10.88, 0.86%, 0.47%

LAB 49.56, 62.48, 57.2

 

CMYK 0 / 68 / 82 / 7

HEX #ED4D2A

RGB 237 77 42

HSL 10.77, 0.84%, 0.55%

LAB 55.56, 59.87, 53.13

 

CMYK 0 / 55 / 67 / 6

HEX #F06D50

RGB 240 109 80

HSL 10.88, 0.84%, 0.63%

LAB 61.69, 48.52, 40.44

 

CMYK 0 / 42 / 51 / 5

HEX #F38D77

RGB 243 141 119

HSL 10.65, 0.84%, 0.71%

LAB 69.07, 36.47, 28.53

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 30 / 0 / 82 / 7

HEX #A6ED2A

RGB 166 237 42

HSL 81.85, 0.84%, 0.55%

LAB 86.43, -47.71, 78.04

 

CMYK 82 / 63 / 0 / 7

HEX #2A58ED

RGB 42 88 237

HSL 225.85, 0.84%, 0.55%

LAB 43.63, 39.01, -78.93

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 82 / 0 / 68 / 7

HEX #2AED4B

RGB 42 237 75

HSL 130.15, 0.84%, 0.55%

LAB 82.68, -75.69, 62.82

 

CMYK 68 / 82 / 0 / 7

HEX #4B2AED

RGB 75 42 237

HSL 250.15, 0.84%, 0.55%

LAB 36.49, 66.18, -90.65

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 30 / 0 / 82 / 7

HEX #A6ED2A

RGB 166 237 42

HSL 81.85, 0.84%, 0.55%

LAB 86.43, -47.71, 78.04

 

CMYK 82 / 14 / 0 / 7

HEX #2ACDED

RGB 42 205 237

HSL 189.85, 0.84%, 0.55%

LAB 76.23, -28.99, -27.14

 

CMYK 52 / 82 / 0 / 7

HEX #722AED

RGB 114 42 237

HSL 262.15, 0.84%, 0.55%

LAB 40.16, 69.75, -84.46

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 55 / 0 / 82 / 7

HEX #6BED2A

RGB 107 237 42

HSL 100, 0.84%, 0.55%

LAB 83.89, -66.27, 74.82

 

CMYK 82 / 14 / 0 / 7

HEX #2ACDED

RGB 42 205 237

HSL 189.85, 0.84%, 0.55%

LAB 76.23, -28.99, -27.14

 

CMYK 27 / 82 / 0 / 7

HEX #AC2AED

RGB 172 42 237

HSL 280, 0.84%, 0.55%

LAB 47.68, 77.41, -71.85

 

Description

Color code: RGB 238 78 43 | qconv.com Color code: RGB 238 78 43 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 78 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 78 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 82% 7% C M Y K

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