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Color name
RGB 239 112 201

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 112 201 it is the complementary color RGB 16 143 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 112 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 112 201 shade: RGB 244 112 196, RGB 255 130 215, RGB 255 148 234, RGB 255 166 253 and RGB 255 184 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 112 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 222 94 182, RGB 205 76 163, RGB 188 58 144 and RGB 171 40 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 239 112 167, RGB 239 112 133 and RGB 239 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 239 112 235, RGB 208 112 239, RGB 174 112 239 and RGB 140 112 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 112 201 shade matches the following richer shades: RGB 239 112 201 and RGB 251 99 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 226 125 196, RGB 213 138 191, RGB 200 151 185 and RGB 188 163 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 112 201 shade: RGB 207 112 239, RGB 239 112 237, RGB 239 112 203, RGB 239 112 169 and RGB 239 112 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 112 201 shade: RGB 230 38 173, RGB 235 75 187, RGB 239 112 201, RGB 243 149 215 and RGB 247 186 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 239 173 112 and RGB 112 239 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 203 239 112 and RGB 112 203 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 239 173 112, RGB 112 239 148 and RGB 112 178 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 112 201 shade: RGB 239 112 201, RGB 239 211 112, RGB 112 239 148 and RGB 112 140 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

Complementary color

CMYK 89 / 0 / 62 / 44

HEX #108F36

RGB 16 143 54

HSL 137.95, 0.8%, 0.31%

LAB 51.86, -51.06, 37.69

 

CMYK 0 / 54 / 20 / 4

HEX #F470C4

RGB 244 112 196

HSL 321.82, 0.86%, 0.7%

LAB 65.6, 60, -19.69

 

CMYK 0 / 49 / 16 / 0

HEX #FF82D7

RGB 255 130 215

HSL 319.2, 1%, 0.75%

LAB 70.96, 57.6, -22

 

CMYK 0 / 42 / 8 / 0

HEX #FF94EA

RGB 255 148 234

HSL 311.78, 1%, 0.79%

LAB 75.06, 51.76, -26.18

 

CMYK 0 / 35 / 1 / 0

HEX #FFA6FD

RGB 255 166 253

HSL 301.35, 1%, 0.83%

LAB 79.4, 45.86, -29.82

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 58 / 18 / 13

HEX #DE5EB6

RGB 222 94 182

HSL 318.75, 0.66%, 0.62%

LAB 58.89, 59.74, -22.25

 

CMYK 0 / 63 / 20 / 20

HEX #CD4CA3

RGB 205 76 163

HSL 319.53, 0.56%, 0.55%

LAB 52.72, 60.01, -20.89

 

CMYK 0 / 69 / 23 / 26

HEX #BC3A90

RGB 188 58 144

HSL 320.31, 0.53%, 0.48%

LAB 46.62, 59.93, -19.19

 

CMYK 0 / 77 / 27 / 33

HEX #AB287D

RGB 171 40 125

HSL 321.07, 0.62%, 0.41%

LAB 40.66, 59.25, -16.99

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 53 / 30 / 6

HEX #EF70A7

RGB 239 112 167

HSL 334.02, 0.8%, 0.69%

LAB 63.94, 54.61, -5.8

 

CMYK 0 / 53 / 44 / 6

HEX #EF7085

RGB 239 112 133

HSL 350.08, 0.8%, 0.69%

LAB 63.04, 50.81, 12.37

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 53 / 2 / 6

HEX #EF70EB

RGB 239 112 235

HSL 301.89, 0.8%, 0.69%

LAB 66.47, 64.65, -40.18

 

CMYK 13 / 53 / 0 / 6

HEX #D070EF

RGB 208 112 239

HSL 285.35, 0.8%, 0.69%

LAB 62.7, 57.24, -48.6

 

CMYK 27 / 53 / 0 / 6

HEX #AE70EF

RGB 174 112 239

HSL 269.29, 0.8%, 0.69%

LAB 58.81, 48.56, -55.03

 

CMYK 41 / 53 / 0 / 6

HEX #8C70EF

RGB 140 112 239

HSL 253.23, 0.8%, 0.69%

LAB 55.48, 40.43, -60.54

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 61 / 18 / 2

HEX #FB63CE

RGB 251 99 206

HSL 317.76, 0.95%, 0.69%

LAB 64.87, 69.03, -26.34

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 45 / 13 / 11

HEX #E27DC4

RGB 226 125 196

HSL 317.82, 0.64%, 0.69%

LAB 65.61, 48.23, -19.9

 

CMYK 0 / 35 / 10 / 16

HEX #D58ABF

RGB 213 138 191

HSL 317.6, 0.47%, 0.69%

LAB 66.58, 36.4, -15.76

 

CMYK 0 / 25 / 8 / 22

HEX #C897B9

RGB 200 151 185

HSL 318.37, 0.31%, 0.69%

LAB 67.96, 23.85, -10.48

 

CMYK 0 / 13 / 4 / 26

HEX #BCA3B4

RGB 188 163 180

HSL 319.2, 0.16%, 0.69%

LAB 69.6, 12.1, -5.39

 

CMYK 13 / 53 / 0 / 6

HEX #CF70EF

RGB 207 112 239

HSL 284.88, 0.8%, 0.69%

LAB 62.58, 56.98, -48.8

 

CMYK 0 / 53 / 1 / 6

HEX #EF70ED

RGB 239 112 237

HSL 300.94, 0.8%, 0.69%

LAB 66.56, 64.98, -41.15

 

CMYK 0 / 53 / 15 / 6

HEX #EF70CB

RGB 239 112 203

HSL 317.01, 0.8%, 0.69%

LAB 65.16, 59.55, -24.36

 

CMYK 0 / 53 / 29 / 6

HEX #EF70A9

RGB 239 112 169

HSL 333.07, 0.8%, 0.69%

LAB 64, 54.86, -6.85

 

CMYK 0 / 53 / 44 / 6

HEX #EF7087

RGB 239 112 135

HSL 349.13, 0.8%, 0.69%

LAB 63.08, 51.01, 11.28

 

CMYK 0 / 83 / 25 / 10

HEX #E626AD

RGB 230 38 173

HSL 317.81, 0.79%, 0.53%

LAB 53.2, 79.13, -25.68

 

CMYK 0 / 68 / 20 / 8

HEX #EB4BBB

RGB 235 75 187

HSL 318, 0.8%, 0.61%

LAB 58.3, 71.57, -25.86

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 39 / 12 / 5

HEX #F395D7

RGB 243 149 215

HSL 317.87, 0.8%, 0.77%

LAB 73.19, 44.42, -18.76

 

CMYK 0 / 25 / 7 / 3

HEX #F7BAE5

RGB 247 186 229

HSL 317.7, 0.79%, 0.85%

LAB 82.14, 28.66, -12.85

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 28 / 53 / 6

HEX #EFAD70

RGB 239 173 112

HSL 28.82, 0.8%, 0.69%

LAB 75.7, 17.47, 40.67

 

CMYK 53 / 0 / 6 / 6

HEX #70EFE0

RGB 112 239 224

HSL 172.91, 0.8%, 0.69%

LAB 87.27, -38.82, -3.5

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 15 / 0 / 53 / 6

HEX #CBEF70

RGB 203 239 112

HSL 77.01, 0.8%, 0.69%

LAB 89.67, -30.37, 56.79

 

CMYK 53 / 15 / 0 / 6

HEX #70CBEF

RGB 112 203 239

HSL 197.01, 0.8%, 0.69%

LAB 77.51, -17.4, -26.1

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 28 / 53 / 6

HEX #EFAD70

RGB 239 173 112

HSL 28.82, 0.8%, 0.69%

LAB 75.7, 17.47, 40.67

 

CMYK 53 / 0 / 38 / 6

HEX #70EF94

RGB 112 239 148

HSL 137.01, 0.8%, 0.69%

LAB 85.66, -54.68, 33.55

 

CMYK 53 / 26 / 0 / 6

HEX #70B2EF

RGB 112 178 239

HSL 208.82, 0.8%, 0.69%

LAB 70.54, -4.07, -36.86

 

CMYK 0 / 53 / 16 / 6

HEX #EF70C9

RGB 239 112 201

HSL 317.95, 0.8%, 0.69%

LAB 65.09, 59.25, -23.35

 

CMYK 0 / 12 / 53 / 6

HEX #EFD370

RGB 239 211 112

HSL 46.77, 0.8%, 0.69%

LAB 85.05, -2.37, 52.04

 

CMYK 53 / 0 / 38 / 6

HEX #70EF94

RGB 112 239 148

HSL 137.01, 0.8%, 0.69%

LAB 85.66, -54.68, 33.55

 

CMYK 53 / 41 / 0 / 6

HEX #708CEF

RGB 112 140 239

HSL 226.77, 0.8%, 0.69%

LAB 60.28, 17.74, -52.99

 

Description

Color code: RGB 239 112 201 | qconv.com Color code: RGB 239 112 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 112 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 112 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 16 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 16% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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