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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 153 148 it is the complementary color RGB 16 102 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 153 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 153 148 shade: RGB 244 153 143, RGB 255 171 162, RGB 255 189 181, RGB 255 207 200 and RGB 255 225 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 153 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 222 135 129, RGB 205 117 110, RGB 188 99 91 and RGB 171 81 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 153 148 shade: RGB 239 153 148 and RGB 239 148 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 239 177 148, RGB 239 202 148, RGB 239 226 148 and RGB 226 239 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 153 148 shade matches the following richer shades: RGB 239 153 148 and RGB 248 144 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 229 162 158, RGB 219 171 168, RGB 209 179 178 and RGB 199 188 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 153 148 shade: RGB 239 148 192, RGB 239 148 168, RGB 239 153 148, RGB 239 177 148 and RGB 239 201 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 153 148 shade: RGB 228 85 76, RGB 233 119 112, RGB 239 153 148, RGB 244 187 184 and RGB 249 221 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 216 239 148 and RGB 148 180 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 148 239 153 and RGB 153 148 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 216 239 148, RGB 148 234 239 and RGB 171 148 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 153 148 shade: RGB 239 153 148, RGB 189 239 148, RGB 148 234 239 and RGB 198 148 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

Complementary color

CMYK 85 / 5 / 0 / 58

HEX #10666B

RGB 16 102 107

HSL 183.3, 0.74%, 0.24%

LAB 39.03, -21.6, -9.71

 

CMYK 0 / 37 / 41 / 4

HEX #F4998F

RGB 244 153 143

HSL 5.94, 0.82%, 0.76%

LAB 72.23, 32.95, 19.63

 

CMYK 0 / 33 / 36 / 0

HEX #FFABA2

RGB 255 171 162

HSL 5.81, 1%, 0.82%

LAB 77.87, 29.77, 17.28

 

CMYK 0 / 26 / 29 / 0

HEX #FFBDB5

RGB 255 189 181

HSL 6.49, 1%, 0.85%

LAB 82.37, 22.68, 13.36

 

CMYK 0 / 19 / 22 / 0

HEX #FFCFC8

RGB 255 207 200

HSL 7.64, 1%, 0.89%

LAB 87.02, 15.86, 9.86

 

CMYK 0 / 12 / 14 / 0

HEX #FFE1DB

RGB 255 225 219

HSL 10, 1%, 0.93%

LAB 91.79, 9.36, 6.7

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 39 / 42 / 13

HEX #DE8781

RGB 222 135 129

HSL 3.87, 0.58%, 0.69%

LAB 65.31, 32.61, 17.46

 

CMYK 0 / 43 / 46 / 20

HEX #CD756E

RGB 205 117 110

HSL 4.42, 0.49%, 0.62%

LAB 58.81, 33.68, 18.98

 

CMYK 0 / 47 / 52 / 26

HEX #BC635B

RGB 188 99 91

HSL 4.95, 0.42%, 0.55%

LAB 52.25, 34.85, 20.73

 

CMYK 0 / 53 / 58 / 33

HEX #AB5148

RGB 171 81 72

HSL 5.45, 0.41%, 0.48%

LAB 45.65, 36.1, 22.78

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 38 / 38 / 6

HEX #EF9494

RGB 239 148 148

HSL 0, 0.74%, 0.76%

LAB 70.64, 34.25, 14.57

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 26 / 38 / 6

HEX #EFB194

RGB 239 177 148

HSL 19.12, 0.74%, 0.76%

LAB 77.24, 18.92, 23.69

 

CMYK 0 / 15 / 38 / 6

HEX #EFCA94

RGB 239 202 148

HSL 35.6, 0.74%, 0.76%

LAB 83.3, 5.76, 31.83

 

CMYK 0 / 5 / 38 / 6

HEX #EFE294

RGB 239 226 148

HSL 51.43, 0.74%, 0.76%

LAB 89.34, -6.55, 39.73

 

CMYK 5 / 0 / 38 / 6

HEX #E2EF94

RGB 226 239 148

HSL 68.57, 0.74%, 0.76%

LAB 91.7, -17.98, 42.57

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 42 / 44 / 3

HEX #F8908A

RGB 248 144 138

HSL 3.27, 0.89%, 0.76%

LAB 70.69, 38.58, 20.35

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 29 / 31 / 10

HEX #E5A29E

RGB 229 162 158

HSL 3.38, 0.58%, 0.76%

LAB 72.87, 24.31, 12.02

 

CMYK 0 / 22 / 23 / 14

HEX #DBABA8

RGB 219 171 168

HSL 3.53, 0.41%, 0.76%

LAB 74.2, 17.1, 8.28

 

CMYK 0 / 14 / 15 / 18

HEX #D1B3B2

RGB 209 179 178

HSL 1.94, 0.25%, 0.76%

LAB 75.46, 10.62, 4.5

 

CMYK 0 / 6 / 6 / 22

HEX #C7BCBC

RGB 199 188 188

HSL 0, 0.09%, 0.76%

LAB 77.12, 3.87, 1.38

 

CMYK 0 / 38 / 20 / 6

HEX #EF94C0

RGB 239 148 192

HSL 330.99, 0.74%, 0.76%

LAB 71.78, 40.05, -8.22

 

CMYK 0 / 38 / 30 / 6

HEX #EF94A8

RGB 239 148 168

HSL 346.81, 0.74%, 0.76%

LAB 71.12, 36.7, 4.14

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 26 / 38 / 6

HEX #EFB194

RGB 239 177 148

HSL 19.12, 0.74%, 0.76%

LAB 77.24, 18.92, 23.69

 

CMYK 0 / 16 / 38 / 6

HEX #EFC994

RGB 239 201 148

HSL 34.95, 0.74%, 0.76%

LAB 83.05, 6.28, 31.5

 

CMYK 0 / 63 / 67 / 11

HEX #E4554C

RGB 228 85 76

HSL 3.55, 0.74%, 0.6%

LAB 55.6, 54.98, 34.89

 

CMYK 0 / 49 / 52 / 9

HEX #E97770

RGB 233 119 112

HSL 3.47, 0.73%, 0.68%

LAB 63.08, 43.33, 24.25

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 0 / 23 / 25 / 4

HEX #F4BBB8

RGB 244 187 184

HSL 3, 0.73%, 0.84%

LAB 80.87, 20.09, 9.46

 

CMYK 0 / 11 / 12 / 2

HEX #F9DDDC

RGB 249 221 220

HSL 2.07, 0.71%, 0.92%

LAB 90.33, 9.48, 4.01

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 10 / 0 / 38 / 6

HEX #D8EF94

RGB 216 239 148

HSL 75.16, 0.74%, 0.76%

LAB 90.99, -21.73, 41.52

 

CMYK 38 / 25 / 0 / 6

HEX #94B4EF

RGB 148 180 239

HSL 218.9, 0.74%, 0.76%

LAB 73, 3.49, -32.88

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 38 / 0 / 36 / 6

HEX #94EF99

RGB 148 239 153

HSL 123.3, 0.74%, 0.76%

LAB 87.16, -44.19, 33.27

 

CMYK 36 / 38 / 0 / 6

HEX #9994EF

RGB 153 148 239

HSL 243.3, 0.74%, 0.76%

LAB 65.11, 22.91, -45.17

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 10 / 0 / 38 / 6

HEX #D8EF94

RGB 216 239 148

HSL 75.16, 0.74%, 0.76%

LAB 90.99, -21.73, 41.52

 

CMYK 38 / 2 / 0 / 6

HEX #94EAEF

RGB 148 234 239

HSL 183.3, 0.74%, 0.76%

LAB 87.67, -24.66, -10.63

 

CMYK 28 / 38 / 0 / 6

HEX #AB94EF

RGB 171 148 239

HSL 255.16, 0.74%, 0.76%

LAB 66.57, 27.81, -42.76

 

CMYK 0 / 36 / 38 / 6

HEX #EF9994

RGB 239 153 148

HSL 3.3, 0.74%, 0.76%

LAB 71.74, 31.63, 16.11

 

CMYK 21 / 0 / 38 / 6

HEX #BDEF94

RGB 189 239 148

HSL 92.97, 0.74%, 0.76%

LAB 89.25, -31.52, 38.92

 

CMYK 38 / 2 / 0 / 6

HEX #94EAEF

RGB 148 234 239

HSL 183.3, 0.74%, 0.76%

LAB 87.67, -24.66, -10.63

 

CMYK 17 / 38 / 0 / 6

HEX #C694EF

RGB 198 148 239

HSL 272.97, 0.74%, 0.76%

LAB 69.05, 35.56, -38.71

 

Description

Color code: RGB 239 153 148 | qconv.com Color code: RGB 239 153 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 153 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 153 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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