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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 211 154 it is the complementary color RGB 16 44 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 211 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 211 154 shade: RGB 244 211 149, RGB 255 229 168, RGB 255 247 187, RGB 255 255 206 and RGB 255 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 211 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 211 154 shade: RGB 239 211 154, RGB 222 193 135, RGB 205 175 116, RGB 188 157 97 and RGB 171 139 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 211 154 shade: RGB 239 210 153, RGB 239 187 153, RGB 239 164 153 and RGB 239 153 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 211 154 shade: RGB 239 210 153, RGB 239 234 153, RGB 221 239 153, RGB 198 239 153 and RGB 174 239 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 211 154 shade matches the following richer shades: RGB 239 210 153 and RGB 248 214 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 211 154 shade: RGB 239 210 153, RGB 229 207 163, RGB 220 204 172, RGB 210 201 182 and RGB 201 198 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 211 154 shade: RGB 239 164 153, RGB 239 187 153, RGB 239 210 153, RGB 239 233 153 and RGB 222 239 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 211 154 shade: RGB 228 179 82, RGB 233 195 117, RGB 239 210 153, RGB 244 226 189 and RGB 250 241 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 211 154 shade: RGB 239 211 154, RGB 164 239 153 and RGB 176 153 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 211 154 shade: RGB 239 211 154, RGB 153 239 210 and RGB 210 153 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 211 154 shade: RGB 239 211 154, RGB 164 239 153, RGB 153 182 239 and RGB 227 153 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 211 154 shade: RGB 239 211 154, RGB 153 239 167, RGB 153 182 239 and RGB 239 153 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 36 / 6

HEX #EFD39A

RGB 239 211 154

HSL 40.24, 0.73%, 0.77%

LAB 85.64, 1.78, 31.83

 

Complementary color

CMYK 84 / 56 / 0 / 60

HEX #102C65

RGB 16 44 101

HSL 220.24, 0.73%, 0.23%

LAB 19.44, 13.02, -36.57

 

CMYK 0 / 14 / 39 / 4

HEX #F4D395

RGB 244 211 149

HSL 39.16, 0.81%, 0.77%

LAB 86, 3.16, 34.96

 

CMYK 0 / 10 / 34 / 0

HEX #FFE5A8

RGB 255 229 168

HSL 42.07, 1%, 0.83%

LAB 91.74, 0.35, 33.03

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7BB

RGB 255 247 187

HSL 52.94, 1%, 0.87%

LAB 96.56, -6.37, 29.88

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 12 / 36 / 6

HEX #EFD39A

RGB 239 211 154

HSL 40.24, 0.73%, 0.77%

LAB 85.64, 1.78, 31.83

 

CMYK 0 / 13 / 39 / 13

HEX #DEC187

RGB 222 193 135

HSL 40, 0.57%, 0.7%

LAB 79.28, 2.31, 33

 

CMYK 0 / 15 / 43 / 20

HEX #CDAF74

RGB 205 175 116

HSL 39.78, 0.47%, 0.63%

LAB 72.83, 2.92, 34.23

 

CMYK 0 / 16 / 48 / 26

HEX #BC9D61

RGB 188 157 97

HSL 39.56, 0.4%, 0.56%

LAB 66.27, 3.63, 35.53

 

CMYK 0 / 19 / 54 / 33

HEX #AB8B4E

RGB 171 139 78

HSL 39.35, 0.37%, 0.49%

LAB 59.59, 4.48, 36.89

 

CMYK 0 / 12 / 36 / 6

HEX #EFD299

RGB 239 210 153

HSL 39.77, 0.73%, 0.77%

LAB 85.37, 2.18, 31.99

 

CMYK 0 / 22 / 36 / 6

HEX #EFBB99

RGB 239 187 153

HSL 23.72, 0.73%, 0.77%

LAB 79.72, 14.21, 24.39

 

CMYK 0 / 31 / 36 / 6

HEX #EFA499

RGB 239 164 153

HSL 7.67, 0.73%, 0.77%

LAB 74.32, 26.4, 16.95

 

CMYK 0 / 36 / 36 / 6

HEX #EF9999

RGB 239 153 153

HSL 0, 0.73%, 0.77%

LAB 71.85, 32.21, 13.5

 

CMYK 0 / 12 / 36 / 6

HEX #EFD299

RGB 239 210 153

HSL 39.77, 0.73%, 0.77%

LAB 85.37, 2.18, 31.99

 

CMYK 0 / 2 / 36 / 6

HEX #EFEA99

RGB 239 234 153

HSL 56.51, 0.73%, 0.77%

LAB 91.46, -10, 39.97

 

CMYK 8 / 0 / 36 / 6

HEX #DDEF99

RGB 221 239 153

HSL 72.56, 0.73%, 0.77%

LAB 91.42, -19.27, 39.66

 

CMYK 17 / 0 / 36 / 6

HEX #C6EF99

RGB 198 239 153

HSL 88.6, 0.73%, 0.77%

LAB 89.88, -27.68, 37.36

 

CMYK 27 / 0 / 36 / 6

HEX #AEEF99

RGB 174 239 153

HSL 105.35, 0.73%, 0.77%

LAB 88.46, -35.97, 35.24

 

CMYK 0 / 12 / 36 / 6

HEX #EFD299

RGB 239 210 153

HSL 39.77, 0.73%, 0.77%

LAB 85.37, 2.18, 31.99

 

CMYK 0 / 14 / 42 / 3

HEX #F8D690

RGB 248 214 144

HSL 40.38, 0.88%, 0.77%

LAB 87.03, 2.65, 38.91

 

CMYK 0 / 12 / 36 / 6

HEX #EFD299

RGB 239 210 153

HSL 39.77, 0.73%, 0.77%

LAB 85.37, 2.18, 31.99

 

CMYK 0 / 10 / 29 / 10

HEX #E5CFA3

RGB 229 207 163

HSL 40, 0.56%, 0.77%

LAB 83.93, 1.12, 24.69

 

CMYK 0 / 7 / 22 / 14

HEX #DCCCAC

RGB 220 204 172

HSL 40, 0.41%, 0.77%

LAB 82.58, 0.52, 17.98

 

CMYK 0 / 4 / 13 / 18

HEX #D2C9B6

RGB 210 201 182

HSL 40.71, 0.24%, 0.77%

LAB 81.21, -0.07, 10.61

 

CMYK 0 / 1 / 5 / 21

HEX #C9C6BF

RGB 201 198 191

HSL 42, 0.08%, 0.77%

LAB 79.94, -0.21, 3.86

 

CMYK 0 / 31 / 36 / 6

HEX #EFA499

RGB 239 164 153

HSL 7.67, 0.73%, 0.77%

LAB 74.32, 26.4, 16.95

 

CMYK 0 / 22 / 36 / 6

HEX #EFBB99

RGB 239 187 153

HSL 23.72, 0.73%, 0.77%

LAB 79.72, 14.21, 24.39

 

CMYK 0 / 12 / 36 / 6

HEX #EFD299

RGB 239 210 153

HSL 39.77, 0.73%, 0.77%

LAB 85.37, 2.18, 31.99

 

CMYK 0 / 3 / 36 / 6

HEX #EFE999

RGB 239 233 153

HSL 55.81, 0.73%, 0.77%

LAB 91.2, -9.5, 39.64

 

CMYK 7 / 0 / 36 / 6

HEX #DEEF99

RGB 222 239 153

HSL 71.86, 0.73%, 0.77%

LAB 91.49, -18.9, 39.76

 

CMYK 0 / 21 / 64 / 11

HEX #E4B352

RGB 228 179 82

HSL 39.86, 0.73%, 0.61%

LAB 75.66, 7.55, 55

 

CMYK 0 / 16 / 50 / 9

HEX #E9C375

RGB 233 195 117

HSL 40.34, 0.73%, 0.69%

LAB 80.54, 3.88, 44

 

CMYK 0 / 12 / 36 / 6

HEX #EFD299

RGB 239 210 153

HSL 39.77, 0.73%, 0.77%

LAB 85.37, 2.18, 31.99

 

CMYK 0 / 7 / 23 / 4

HEX #F4E2BD

RGB 244 226 189

HSL 40.36, 0.71%, 0.85%

LAB 90.46, 0.45, 20.33

 

CMYK 0 / 4 / 10 / 2

HEX #FAF1E0

RGB 250 241 224

HSL 39.23, 0.72%, 0.93%

LAB 95.42, 0.2, 9.27

 

CMYK 0 / 12 / 36 / 6

HEX #EFD39A

RGB 239 211 154

HSL 40.24, 0.73%, 0.77%

LAB 85.64, 1.78, 31.83

 

CMYK 31 / 0 / 36 / 6

HEX #A4EF99

RGB 164 239 153

HSL 112.33, 0.73%, 0.77%

LAB 87.93, -39.24, 34.44

 

CMYK 26 / 36 / 0 / 6

HEX #B099EF

RGB 176 153 239

HSL 256.05, 0.73%, 0.77%

LAB 68.2, 26.41, -40.19

 

CMYK 0 / 12 / 36 / 6

HEX #EFD39A

RGB 239 211 154

HSL 40.24, 0.73%, 0.77%

LAB 85.64, 1.78, 31.83

 

CMYK 36 / 0 / 12 / 6

HEX #99EFD2

RGB 153 239 210

HSL 159.77, 0.73%, 0.77%

LAB 88.52, -32.27, 5.84

 

CMYK 12 / 36 / 0 / 6

HEX #D299EF

RGB 210 153 239

HSL 279.77, 0.73%, 0.77%

LAB 71.36, 36.4, -35.02

 

CMYK 0 / 12 / 36 / 6

HEX #EFD39A

RGB 239 211 154

HSL 40.24, 0.73%, 0.77%

LAB 85.64, 1.78, 31.83

 

CMYK 31 / 0 / 36 / 6

HEX #A4EF99

RGB 164 239 153

HSL 112.33, 0.73%, 0.77%

LAB 87.93, -39.24, 34.44

 

CMYK 36 / 24 / 0 / 6

HEX #99B6EF

RGB 153 182 239

HSL 219.77, 0.73%, 0.77%

LAB 73.84, 3.72, -31.56

 

CMYK 5 / 36 / 0 / 6

HEX #E399EF

RGB 227 153 239

HSL 291.63, 0.73%, 0.77%

LAB 73.12, 41.54, -32.16

 

CMYK 0 / 12 / 36 / 6

HEX #EFD39A

RGB 239 211 154

HSL 40.24, 0.73%, 0.77%

LAB 85.64, 1.78, 31.83

 

CMYK 36 / 0 / 30 / 6

HEX #99EFA7

RGB 153 239 167

HSL 129.77, 0.73%, 0.77%

LAB 87.63, -40.43, 26.84

 

CMYK 36 / 24 / 0 / 6

HEX #99B6EF

RGB 153 182 239

HSL 219.77, 0.73%, 0.77%

LAB 73.84, 3.72, -31.56

 

CMYK 0 / 36 / 6 / 6

HEX #EF99E0

RGB 239 153 224

HSL 310.47, 0.73%, 0.77%

LAB 73.88, 42.56, -22.69

 

Description

Color code: RGB 239 211 154 | qconv.com Color code: RGB 239 211 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 211 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 211 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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