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Color name
RGB 27 89 161

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 89 161 it is the complementary color RGB 228 166 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 89 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 89 161 shade: RGB 32 89 156, RGB 49 107 175, RGB 66 125 194, RGB 83 143 213 and RGB 100 161 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 89 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 10 71 142, RGB 0 53 123, RGB 0 35 104 and RGB 0 17 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 27 53 161, RGB 37 27 161, RGB 73 27 161 and RGB 109 27 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 27 53 161 and RGB 27 27 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 89 161 shade matches the following richer shades: RGB 27 89 161 and RGB 12 88 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 42 90 146, RGB 57 91 130, RGB 73 92 115 and RGB 88 93 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 89 161 shade: RGB 27 161 161, RGB 27 125 161, RGB 27 89 161, RGB 27 54 161 and RGB 36 27 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 89 161 shade: RGB 15 50 90, RGB 21 69 126, RGB 27 89 161, RGB 33 108 196 and RGB 50 129 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 125 27 161 and RGB 143 161 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 161 27 89 and RGB 89 161 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 125 27 161, RGB 161 98 27 and RGB 63 161 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 89 161 shade: RGB 27 89 161, RGB 161 27 156, RGB 161 98 27 and RGB 27 161 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

Complementary color

CMYK 0 / 27 / 59 / 11

HEX #E4A65E

RGB 228 166 94

HSL 32.24, 0.71%, 0.63%

LAB 72.61, 15.26, 45.76

 

CMYK 79 / 43 / 0 / 39

HEX #20599C

RGB 32 89 156

HSL 212.42, 0.66%, 0.37%

LAB 37.58, 6.43, -41.72

 

CMYK 72 / 39 / 0 / 31

HEX #316BAF

RGB 49 107 175

HSL 212.38, 0.56%, 0.44%

LAB 44.61, 4.45, -41.73

 

CMYK 66 / 36 / 0 / 24

HEX #427DC2

RGB 66 125 194

HSL 212.34, 0.51%, 0.51%

LAB 51.52, 2.94, -41.73

 

CMYK 61 / 33 / 0 / 16

HEX #538FD5

RGB 83 143 213

HSL 212.31, 0.61%, 0.58%

LAB 58.31, 1.76, -41.73

 

CMYK 57 / 31 / 0 / 9

HEX #64A1E8

RGB 100 161 232

HSL 212.27, 0.74%, 0.65%

LAB 64.98, 0.81, -41.74

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 93 / 50 / 0 / 44

HEX #0A478E

RGB 10 71 142

HSL 212.27, 0.87%, 0.3%

LAB 30.7, 10.87, -44.31

 

CMYK 100 / 57 / 0 / 52

HEX #00357B

RGB 0 53 123

HSL 214.15, 1%, 0.24%

LAB 23.59, 14.77, -43.99

 

CMYK 100 / 66 / 0 / 59

HEX #002368

RGB 0 35 104

HSL 219.81, 1%, 0.2%

LAB 16.51, 19.61, -43.32

 

CMYK 100 / 80 / 0 / 67

HEX #001155

RGB 0 17 85

HSL 228, 1%, 0.17%

LAB 9.46, 24.54, -42.26

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 83 / 67 / 0 / 37

HEX #1B35A1

RGB 27 53 161

HSL 228.36, 0.71%, 0.37%

LAB 27.72, 32.13, -60.74

 

CMYK 77 / 83 / 0 / 37

HEX #251BA1

RGB 37 27 161

HSL 244.48, 0.71%, 0.37%

LAB 22.83, 47.93, -68.8

 

CMYK 55 / 83 / 0 / 37

HEX #491BA1

RGB 73 27 161

HSL 260.6, 0.71%, 0.37%

LAB 26.08, 51.25, -63.31

 

CMYK 32 / 83 / 0 / 37

HEX #6D1BA1

RGB 109 27 161

HSL 276.72, 0.71%, 0.37%

LAB 30.9, 56.34, -55.23

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 83 / 67 / 0 / 37

HEX #1B35A1

RGB 27 53 161

HSL 228.36, 0.71%, 0.37%

LAB 27.72, 32.13, -60.74

 

CMYK 83 / 83 / 0 / 37

HEX #1B1BA1

RGB 27 27 161

HSL 240, 0.71%, 0.37%

LAB 22.27, 47.37, -69.75

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 93 / 50 / 0 / 31

HEX #0C58B0

RGB 12 88 176

HSL 212.2, 0.87%, 0.37%

LAB 38.19, 13.58, -52.67

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 71 / 38 / 0 / 43

HEX #2A5A92

RGB 42 90 146

HSL 212.31, 0.55%, 0.37%

LAB 37.63, 3.31, -35.6

 

CMYK 56 / 30 / 0 / 49

HEX #395B82

RGB 57 91 130

HSL 212.05, 0.39%, 0.37%

LAB 37.78, -0.1, -25.6

 

CMYK 37 / 20 / 0 / 55

HEX #495C73

RGB 73 92 115

HSL 212.86, 0.22%, 0.37%

LAB 38.39, -1.03, -15.38

 

CMYK 12 / 7 / 0 / 61

HEX #585D64

RGB 88 93 100

HSL 215, 0.06%, 0.37%

LAB 39.28, -0.37, -4.68

 

CMYK 83 / 0 / 0 / 37

HEX #1BA1A1

RGB 27 161 161

HSL 180, 0.71%, 0.37%

LAB 60.16, -32.71, -9.69

 

CMYK 83 / 22 / 0 / 37

HEX #1B7DA1

RGB 27 125 161

HSL 196.12, 0.71%, 0.37%

LAB 48.85, -14.1, -26.92

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 83 / 66 / 0 / 37

HEX #1B36A1

RGB 27 54 161

HSL 227.91, 0.71%, 0.37%

LAB 27.97, 31.46, -60.33

 

CMYK 78 / 83 / 0 / 37

HEX #241BA1

RGB 36 27 161

HSL 244.03, 0.71%, 0.37%

LAB 22.77, 47.87, -68.9

 

CMYK 83 / 44 / 0 / 65

HEX #0F325A

RGB 15 50 90

HSL 212, 0.71%, 0.21%

LAB 20.52, 3.74, -27.59

 

CMYK 83 / 45 / 0 / 51

HEX #15457E

RGB 21 69 126

HSL 212.57, 0.71%, 0.29%

LAB 29.21, 6.42, -36.77

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 83 / 45 / 0 / 23

HEX #216CC4

RGB 33 108 196

HSL 212.39, 0.71%, 0.45%

LAB 45.68, 9.94, -52.24

 

CMYK 77 / 41 / 0 / 14

HEX #3281DC

RGB 50 129 220

HSL 212.12, 0.71%, 0.53%

LAB 53.54, 7.64, -53.29

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 22 / 83 / 0 / 37

HEX #7D1BA1

RGB 125 27 161

HSL 283.88, 0.71%, 0.37%

LAB 33.39, 59.01, -51.07

 

CMYK 11 / 0 / 83 / 37

HEX #8FA11B

RGB 143 161 27

HSL 68.06, 0.71%, 0.37%

LAB 62.85, -22.66, 60.61

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 0 / 83 / 45 / 37

HEX #A11B59

RGB 161 27 89

HSL 332.24, 0.71%, 0.37%

LAB 36.14, 56.37, -1.27

 

CMYK 45 / 0 / 83 / 37

HEX #59A11B

RGB 89 161 27

HSL 92.24, 0.71%, 0.37%

LAB 59.61, -43.85, 56.51

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 22 / 83 / 0 / 37

HEX #7D1BA1

RGB 125 27 161

HSL 283.88, 0.71%, 0.37%

LAB 33.39, 59.01, -51.07

 

CMYK 0 / 39 / 83 / 37

HEX #A1621B

RGB 161 98 27

HSL 31.79, 0.71%, 0.37%

LAB 47.48, 20.06, 47.83

 

CMYK 61 / 0 / 83 / 37

HEX #3FA11B

RGB 63 161 27

HSL 103.88, 0.71%, 0.37%

LAB 58.63, -51.51, 55.25

 

CMYK 83 / 45 / 0 / 37

HEX #1B59A1

RGB 27 89 161

HSL 212.24, 0.71%, 0.37%

LAB 37.75, 7.89, -44.44

 

CMYK 0 / 83 / 3 / 37

HEX #A11B9C

RGB 161 27 156

HSL 302.24, 0.71%, 0.37%

LAB 39.18, 64.88, -38.42

 

CMYK 0 / 39 / 83 / 37

HEX #A1621B

RGB 161 98 27

HSL 31.79, 0.71%, 0.37%

LAB 47.48, 20.06, 47.83

 

CMYK 83 / 0 / 81 / 37

HEX #1BA11F

RGB 27 161 31

HSL 121.79, 0.71%, 0.37%

LAB 57.87, -57.88, 53.11

 

Description

Color code: RGB 27 89 161 | qconv.com Color code: RGB 27 89 161 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 89 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 89 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 45 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 45% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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