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Color name
RGB 27 145 98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 145 98 it is the complementary color RGB 228 110 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 145 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 145 98 shade: RGB 32 145 93, RGB 49 163 112, RGB 66 181 131, RGB 83 199 150 and RGB 100 217 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 145 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 145 98 shade: RGB 27 145 98, RGB 10 127 79, RGB 0 109 60, RGB 0 91 41 and RGB 0 73 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 145 98 shade: RGB 26 146 98, RGB 26 146 66, RGB 26 146 34, RGB 51 146 26 and RGB 83 146 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 145 98 shade: RGB 26 146 98, RGB 26 146 131, RGB 26 129 146, RGB 26 97 146 and RGB 26 65 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 145 98 shade matches the following richer shades: RGB 26 146 98 and RGB 12 160 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 145 98 shade: RGB 26 146 98, RGB 40 132 96, RGB 54 118 93, RGB 68 104 90 and RGB 82 90 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 145 98 shade: RGB 26 146 34, RGB 26 146 66, RGB 26 146 98, RGB 26 146 130 and RGB 26 130 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 145 98 shade: RGB 14 76 51, RGB 20 111 75, RGB 26 146 98, RGB 33 181 122 and RGB 40 215 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 145 98 shade: RGB 27 145 98, RGB 26 50 146 and RGB 146 50 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 145 98 shade: RGB 27 145 98, RGB 98 26 146 and RGB 146 98 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 145 98 shade: RGB 27 145 98, RGB 26 50 146, RGB 146 26 74 and RGB 146 122 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 145 98 shade: RGB 27 145 98, RGB 38 26 146, RGB 146 26 74 and RGB 134 146 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 32 / 43

HEX #1B9162

RGB 27 145 98

HSL 156.1, 0.69%, 0.34%

LAB 53.35, -42.74, 16.26

 

Complementary color

CMYK 0 / 52 / 31 / 11

HEX #E46E9D

RGB 228 110 157

HSL 336.1, 0.69%, 0.66%

LAB 61.72, 50.77, -3.52

 

CMYK 78 / 0 / 36 / 43

HEX #20915D

RGB 32 145 93

HSL 152.39, 0.64%, 0.35%

LAB 53.33, -43.23, 19.05

 

CMYK 70 / 0 / 31 / 36

HEX #31A370

RGB 49 163 112

HSL 153.16, 0.54%, 0.42%

LAB 59.9, -43.88, 17.51

 

CMYK 64 / 0 / 28 / 29

HEX #42B583

RGB 66 181 131

HSL 153.91, 0.47%, 0.48%

LAB 66.4, -44.2, 16.13

 

CMYK 58 / 0 / 25 / 22

HEX #53C796

RGB 83 199 150

HSL 154.66, 0.51%, 0.55%

LAB 72.82, -44.32, 14.88

 

CMYK 54 / 0 / 22 / 15

HEX #64D9A9

RGB 100 217 169

HSL 155.38, 0.61%, 0.62%

LAB 79.16, -44.32, 13.74

 

CMYK 81 / 0 / 32 / 43

HEX #1B9162

RGB 27 145 98

HSL 156.1, 0.69%, 0.34%

LAB 53.35, -42.74, 16.26

 

CMYK 92 / 0 / 38 / 50

HEX #0A7F4F

RGB 10 127 79

HSL 155.38, 0.85%, 0.27%

LAB 46.72, -41.4, 18

 

CMYK 100 / 0 / 45 / 57

HEX #006D3C

RGB 0 109 60

HSL 153.03, 1%, 0.21%

LAB 40.02, -39.29, 19.99

 

CMYK 100 / 0 / 55 / 64

HEX #005B29

RGB 0 91 41

HSL 147.03, 1%, 0.18%

LAB 33.23, -36.24, 22.17

 

CMYK 100 / 0 / 70 / 71

HEX #004916

RGB 0 73 22

HSL 138.08, 1%, 0.14%

LAB 26.22, -32.76, 24.26

 

CMYK 82 / 0 / 33 / 43

HEX #1A9262

RGB 26 146 98

HSL 156, 0.7%, 0.34%

LAB 53.66, -43.26, 16.69

 

CMYK 82 / 0 / 55 / 43

HEX #1A9242

RGB 26 146 66

HSL 140, 0.7%, 0.34%

LAB 53.14, -49.36, 33.31

 

CMYK 82 / 0 / 77 / 43

HEX #1A9222

RGB 26 146 34

HSL 124, 0.7%, 0.34%

LAB 52.83, -53.07, 47.22

 

CMYK 65 / 0 / 82 / 43

HEX #33921A

RGB 51 146 26

HSL 107.5, 0.7%, 0.34%

LAB 53.32, -49.13, 50.5

 

CMYK 43 / 0 / 82 / 43

HEX #53921A

RGB 83 146 26

HSL 91.5, 0.7%, 0.34%

LAB 54.52, -39.72, 52.06

 

CMYK 82 / 0 / 33 / 43

HEX #1A9262

RGB 26 146 98

HSL 156, 0.7%, 0.34%

LAB 53.66, -43.26, 16.69

 

CMYK 82 / 0 / 10 / 43

HEX #1A9283

RGB 26 146 131

HSL 172.5, 0.7%, 0.34%

LAB 54.47, -34.73, -1.01

 

CMYK 82 / 12 / 0 / 43

HEX #1A8192

RGB 26 129 146

HSL 188.5, 0.7%, 0.34%

LAB 49.49, -21.64, -17.17

 

CMYK 82 / 34 / 0 / 43

HEX #1A6192

RGB 26 97 146

HSL 204.5, 0.7%, 0.34%

LAB 39.32, -3.27, -32.96

 

CMYK 82 / 55 / 0 / 43

HEX #1A4192

RGB 26 65 146

HSL 220.5, 0.7%, 0.34%

LAB 29.6, 17.94, -48.52

 

CMYK 82 / 0 / 33 / 43

HEX #1A9262

RGB 26 146 98

HSL 156, 0.7%, 0.34%

LAB 53.66, -43.26, 16.69

 

CMYK 93 / 0 / 37 / 37

HEX #0CA065

RGB 12 160 101

HSL 156.08, 0.86%, 0.34%

LAB 58.19, -49.15, 21.14

 

CMYK 82 / 0 / 33 / 43

HEX #1A9262

RGB 26 146 98

HSL 156, 0.7%, 0.34%

LAB 53.66, -43.26, 16.69

 

CMYK 70 / 0 / 27 / 48

HEX #288460

RGB 40 132 96

HSL 156.52, 0.53%, 0.34%

LAB 49.25, -35.85, 11.77

 

CMYK 54 / 0 / 21 / 54

HEX #36765D

RGB 54 118 93

HSL 156.56, 0.37%, 0.34%

LAB 44.99, -27.02, 7.6

 

CMYK 35 / 0 / 13 / 59

HEX #44685A

RGB 68 104 90

HSL 156.67, 0.21%, 0.34%

LAB 41.01, -16.31, 3.8

 

CMYK 9 / 0 / 3 / 65

HEX #525A57

RGB 82 90 87

HSL 157.5, 0.05%, 0.34%

LAB 37.47, -3.8, 0.65

 

CMYK 82 / 0 / 77 / 43

HEX #1A9222

RGB 26 146 34

HSL 124, 0.7%, 0.34%

LAB 52.83, -53.07, 47.22

 

CMYK 82 / 0 / 55 / 43

HEX #1A9242

RGB 26 146 66

HSL 140, 0.7%, 0.34%

LAB 53.14, -49.36, 33.31

 

CMYK 82 / 0 / 33 / 43

HEX #1A9262

RGB 26 146 98

HSL 156, 0.7%, 0.34%

LAB 53.66, -43.26, 16.69

 

CMYK 82 / 0 / 11 / 43

HEX #1A9282

RGB 26 146 130

HSL 172, 0.7%, 0.34%

LAB 54.44, -35.01, -0.47

 

CMYK 82 / 11 / 0 / 43

HEX #1A8292

RGB 26 130 146

HSL 188, 0.7%, 0.34%

LAB 49.81, -22.17, -16.68

 

CMYK 82 / 0 / 33 / 70

HEX #0E4C33

RGB 14 76 51

HSL 155.81, 0.69%, 0.18%

LAB 28.12, -26.01, 9.49

 

CMYK 82 / 0 / 32 / 56

HEX #146F4B

RGB 20 111 75

HSL 156.26, 0.69%, 0.26%

LAB 41.26, -34.82, 12.92

 

CMYK 82 / 0 / 33 / 43

HEX #1A9262

RGB 26 146 98

HSL 156, 0.7%, 0.34%

LAB 53.66, -43.26, 16.69

 

CMYK 82 / 0 / 33 / 29

HEX #21B57A

RGB 33 181 122

HSL 156.08, 0.69%, 0.42%

LAB 65.57, -50.96, 19.77

 

CMYK 81 / 0 / 33 / 16

HEX #28D791

RGB 40 215 145

HSL 156, 0.69%, 0.5%

LAB 76.74, -58.22, 22.82

 

CMYK 81 / 0 / 32 / 43

HEX #1B9162

RGB 27 145 98

HSL 156.1, 0.69%, 0.34%

LAB 53.35, -42.74, 16.26

 

CMYK 82 / 66 / 0 / 43

HEX #1A3292

RGB 26 50 146

HSL 228, 0.7%, 0.34%

LAB 25.49, 28.27, -55.22

 

CMYK 0 / 66 / 82 / 43

HEX #92321A

RGB 146 50 26

HSL 12, 0.7%, 0.34%

LAB 34.94, 39.25, 35.79

 

CMYK 81 / 0 / 32 / 43

HEX #1B9162

RGB 27 145 98

HSL 156.1, 0.69%, 0.34%

LAB 53.35, -42.74, 16.26

 

CMYK 33 / 82 / 0 / 43

HEX #621A92

RGB 98 26 146

HSL 276, 0.7%, 0.34%

LAB 27.87, 51.52, -51.05

 

CMYK 0 / 33 / 82 / 43

HEX #92621A

RGB 146 98 26

HSL 36, 0.7%, 0.34%

LAB 45.53, 13.21, 45.72

 

CMYK 81 / 0 / 32 / 43

HEX #1B9162

RGB 27 145 98

HSL 156.1, 0.69%, 0.34%

LAB 53.35, -42.74, 16.26

 

CMYK 82 / 66 / 0 / 43

HEX #1A3292

RGB 26 50 146

HSL 228, 0.7%, 0.34%

LAB 25.49, 28.27, -55.22

 

CMYK 0 / 82 / 49 / 43

HEX #921A4A

RGB 146 26 74

HSL 336, 0.7%, 0.34%

LAB 32.58, 51.23, 2.93

 

CMYK 0 / 16 / 82 / 43

HEX #927A1A

RGB 146 122 26

HSL 48, 0.7%, 0.34%

LAB 51.96, -0.56, 51.48

 

CMYK 81 / 0 / 32 / 43

HEX #1B9162

RGB 27 145 98

HSL 156.1, 0.69%, 0.34%

LAB 53.35, -42.74, 16.26

 

CMYK 74 / 82 / 0 / 43

HEX #261A92

RGB 38 26 146

HSL 246, 0.7%, 0.34%

LAB 20.93, 43.79, -62.72

 

CMYK 0 / 82 / 49 / 43

HEX #921A4A

RGB 146 26 74

HSL 336, 0.7%, 0.34%

LAB 32.58, 51.23, 2.93

 

CMYK 8 / 0 / 82 / 43

HEX #86921A

RGB 134 146 26

HSL 66, 0.7%, 0.34%

LAB 57.75, -19.04, 56.17

 

Description

Color code: RGB 27 145 98 | qconv.com Color code: RGB 27 145 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 145 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 145 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 32 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 32% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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