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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 171 34 it is the complementary color RGB 228 84 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 171 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 171 34 shade: RGB 32 171 29, RGB 49 189 48, RGB 66 207 67, RGB 83 225 86 and RGB 100 243 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 171 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 171 34 shade: RGB 27 171 34, RGB 10 153 15, RGB 0 135 0, RGB 0 117 0 and RGB 0 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 171 34 shade: RGB 26 172 33, RGB 58 172 26, RGB 98 172 26, RGB 137 172 26 and RGB 172 167 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 171 34 shade: RGB 26 172 33, RGB 26 172 73, RGB 26 172 112, RGB 26 172 151 and RGB 26 153 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 171 34 shade matches the following richer shades: RGB 26 172 33 and RGB 10 188 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 171 34 shade: RGB 26 172 33, RGB 42 155 48, RGB 59 139 62, RGB 75 123 77 and RGB 91 107 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 171 34 shade: RGB 99 172 26, RGB 60 172 26, RGB 26 172 31, RGB 26 172 70 and RGB 26 172 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 171 34 shade: RGB 15 100 19, RGB 21 136 26, RGB 26 172 33, RGB 32 207 40 and RGB 57 224 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 171 34 shade: RGB 27 171 34, RGB 26 138 172 and RGB 172 26 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 171 34 shade: RGB 27 171 34, RGB 31 26 172 and RGB 172 31 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 171 34 shade: RGB 27 171 34, RGB 26 138 172, RGB 172 26 167 and RGB 172 60 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 171 34 shade: RGB 27 171 34, RGB 26 94 172, RGB 172 26 167 and RGB 172 104 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 80 / 33

HEX #1BAB22

RGB 27 171 34

HSL 122.92, 0.73%, 0.39%

LAB 61.2, -60.74, 55.35

 

Complementary color

CMYK 0 / 63 / 3 / 11

HEX #E454DD

RGB 228 84 221

HSL 302.92, 0.73%, 0.61%

LAB 59.94, 71.45, -42.73

 

CMYK 81 / 0 / 83 / 33

HEX #20AB1D

RGB 32 171 29

HSL 118.73, 0.71%, 0.39%

LAB 61.24, -60.46, 56.85

 

CMYK 74 / 0 / 75 / 26

HEX #31BD30

RGB 49 189 48

HSL 119.57, 0.59%, 0.46%

LAB 67.47, -62.41, 57.01

 

CMYK 68 / 0 / 68 / 19

HEX #42CF43

RGB 66 207 67

HSL 120.43, 0.59%, 0.54%

LAB 73.67, -63.71, 56.43

 

CMYK 63 / 0 / 62 / 12

HEX #53E156

RGB 83 225 86

HSL 121.27, 0.7%, 0.6%

LAB 79.82, -64.55, 55.47

 

CMYK 59 / 0 / 57 / 5

HEX #64F369

RGB 100 243 105

HSL 122.1, 0.86%, 0.67%

LAB 85.92, -65.07, 54.32

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB22

RGB 27 171 34

HSL 122.92, 0.73%, 0.39%

LAB 61.2, -60.74, 55.35

 

CMYK 93 / 0 / 90 / 40

HEX #0A990F

RGB 10 153 15

HSL 122.1, 0.88%, 0.32%

LAB 54.95, -57.79, 54.45

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 85 / 0 / 81 / 33

HEX #1AAC21

RGB 26 172 33

HSL 122.88, 0.74%, 0.39%

LAB 61.51, -61.2, 55.95

 

CMYK 66 / 0 / 85 / 33

HEX #3AAC1A

RGB 58 172 26

HSL 106.85, 0.74%, 0.39%

LAB 62.07, -56.53, 58.57

 

CMYK 43 / 0 / 85 / 33

HEX #62AC1A

RGB 98 172 26

HSL 90.41, 0.74%, 0.39%

LAB 63.49, -45.35, 60.37

 

CMYK 20 / 0 / 85 / 33

HEX #89AC1A

RGB 137 172 26

HSL 74.38, 0.74%, 0.39%

LAB 65.67, -30.58, 63.12

 

CMYK 0 / 3 / 85 / 33

HEX #ACA71A

RGB 172 167 26

HSL 57.95, 0.74%, 0.39%

LAB 66.89, -13.03, 65.21

 

CMYK 85 / 0 / 81 / 33

HEX #1AAC21

RGB 26 172 33

HSL 122.88, 0.74%, 0.39%

LAB 61.51, -61.2, 55.95

 

CMYK 85 / 0 / 58 / 33

HEX #1AAC49

RGB 26 172 73

HSL 139.32, 0.74%, 0.39%

LAB 61.83, -57.23, 40.29

 

CMYK 85 / 0 / 35 / 33

HEX #1AAC70

RGB 26 172 112

HSL 155.34, 0.74%, 0.39%

LAB 62.42, -50.33, 20.88

 

CMYK 85 / 0 / 12 / 33

HEX #1AAC97

RGB 26 172 151

HSL 171.37, 0.74%, 0.39%

LAB 63.31, -40.71, 0.59

 

CMYK 85 / 11 / 0 / 33

HEX #1A99AC

RGB 26 153 172

HSL 187.81, 0.74%, 0.39%

LAB 58.02, -25.35, -19.15

 

CMYK 85 / 0 / 81 / 33

HEX #1AAC21

RGB 26 172 33

HSL 122.88, 0.74%, 0.39%

LAB 61.51, -61.2, 55.95

 

CMYK 95 / 0 / 90 / 26

HEX #0ABC13

RGB 10 188 19

HSL 123.03, 0.9%, 0.39%

LAB 66.58, -67.62, 63.74

 

CMYK 85 / 0 / 81 / 33

HEX #1AAC21

RGB 26 172 33

HSL 122.88, 0.74%, 0.39%

LAB 61.51, -61.2, 55.95

 

CMYK 73 / 0 / 69 / 39

HEX #2A9B30

RGB 42 155 48

HSL 123.19, 0.57%, 0.39%

LAB 56.24, -52.37, 45.35

 

CMYK 58 / 0 / 55 / 45

HEX #3B8B3E

RGB 59 139 62

HSL 122.25, 0.4%, 0.39%

LAB 51.55, -40.97, 33.61

 

CMYK 39 / 0 / 37 / 52

HEX #4B7B4D

RGB 75 123 77

HSL 122.5, 0.24%, 0.39%

LAB 47.23, -26.52, 20.16

 

CMYK 15 / 0 / 14 / 58

HEX #5B6B5C

RGB 91 107 92

HSL 123.75, 0.08%, 0.39%

LAB 43.53, -9.25, 6.4

 

CMYK 42 / 0 / 85 / 33

HEX #63AC1A

RGB 99 172 26

HSL 90, 0.74%, 0.39%

LAB 63.53, -45.01, 60.43

 

CMYK 65 / 0 / 85 / 33

HEX #3CAC1A

RGB 60 172 26

HSL 106.03, 0.74%, 0.39%

LAB 62.12, -56.1, 58.63

 

CMYK 85 / 0 / 82 / 33

HEX #1AAC1F

RGB 26 172 31

HSL 122.05, 0.74%, 0.39%

LAB 61.5, -61.32, 56.52

 

CMYK 85 / 0 / 59 / 33

HEX #1AAC46

RGB 26 172 70

HSL 138.08, 0.74%, 0.39%

LAB 61.8, -57.63, 41.67

 

CMYK 85 / 0 / 37 / 33

HEX #1AAC6D

RGB 26 172 109

HSL 154.11, 0.74%, 0.39%

LAB 62.36, -50.96, 22.43

 

CMYK 85 / 0 / 81 / 61

HEX #0F6413

RGB 15 100 19

HSL 122.82, 0.74%, 0.23%

LAB 36.49, -40.5, 36.46

 

CMYK 85 / 0 / 81 / 47

HEX #15881A

RGB 21 136 26

HSL 122.61, 0.73%, 0.31%

LAB 49.3, -51.08, 46.49

 

CMYK 85 / 0 / 81 / 33

HEX #1AAC21

RGB 26 172 33

HSL 122.88, 0.74%, 0.39%

LAB 61.51, -61.2, 55.95

 

CMYK 85 / 0 / 81 / 19

HEX #20CF28

RGB 32 207 40

HSL 122.74, 0.73%, 0.47%

LAB 72.95, -70.51, 64.71

 

CMYK 75 / 0 / 71 / 12

HEX #39E041

RGB 57 224 65

HSL 122.87, 0.73%, 0.55%

LAB 78.79, -70.82, 62.51

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB22

RGB 27 171 34

HSL 122.92, 0.73%, 0.39%

LAB 61.2, -60.74, 55.35

 

CMYK 85 / 20 / 0 / 33

HEX #1A8AAC

RGB 26 138 172

HSL 193.97, 0.74%, 0.39%

LAB 53.36, -17.46, -26.31

 

CMYK 0 / 85 / 53 / 33

HEX #AC1A50

RGB 172 26 80

HSL 337.81, 0.74%, 0.39%

LAB 38, 58.72, 7.48

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB22

RGB 27 171 34

HSL 122.92, 0.73%, 0.39%

LAB 61.2, -60.74, 55.35

 

CMYK 82 / 85 / 0 / 33

HEX #1F1AAC

RGB 31 26 172

HSL 242.05, 0.74%, 0.39%

LAB 23.7, 51.43, -74.03

 

CMYK 0 / 82 / 85 / 33

HEX #AC1F1A

RGB 172 31 26

HSL 2.05, 0.74%, 0.39%

LAB 37.53, 54.75, 40.04

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB22

RGB 27 171 34

HSL 122.92, 0.73%, 0.39%

LAB 61.2, -60.74, 55.35

 

CMYK 85 / 20 / 0 / 33

HEX #1A8AAC

RGB 26 138 172

HSL 193.97, 0.74%, 0.39%

LAB 53.36, -17.46, -26.31

 

CMYK 0 / 85 / 3 / 33

HEX #AC1AA7

RGB 172 26 167

HSL 302.05, 0.74%, 0.39%

LAB 41.69, 68.94, -40.91

 

CMYK 0 / 65 / 85 / 33

HEX #AC3C1A

RGB 172 60 26

HSL 13.97, 0.74%, 0.39%

LAB 41.34, 44.26, 43.44

 

CMYK 84 / 0 / 80 / 33

HEX #1BAB22

RGB 27 171 34

HSL 122.92, 0.73%, 0.39%

LAB 61.2, -60.74, 55.35

 

CMYK 85 / 45 / 0 / 33

HEX #1A5EAC

RGB 26 94 172

HSL 212.05, 0.74%, 0.39%

LAB 39.92, 8.92, -47.5

 

CMYK 0 / 85 / 3 / 33

HEX #AC1AA7

RGB 172 26 167

HSL 302.05, 0.74%, 0.39%

LAB 41.69, 68.94, -40.91

 

CMYK 0 / 40 / 85 / 33

HEX #AC681A

RGB 172 104 26

HSL 32.05, 0.74%, 0.39%

LAB 50.39, 21.53, 51.31

 

Description

Color code: RGB 27 171 34 | qconv.com Color code: RGB 27 171 34 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 171 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 171 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 80 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 80% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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