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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 222 95 it is the complementary color RGB 228 33 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 222 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 222 95 shade: RGB 32 222 90, RGB 49 240 109, RGB 66 255 128, RGB 83 255 147 and RGB 100 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 222 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 10 204 76, RGB 0 186 57, RGB 0 168 38 and RGB 0 150 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 27 222 42, RGB 64 222 27, RGB 117 222 27 and RGB 169 222 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 27 222 148, RGB 27 222 200, RGB 27 191 222 and RGB 27 139 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 222 95 shade matches the following richer shades: RGB 27 222 95 and RGB 7 242 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 47 202 101, RGB 67 181 107, RGB 88 161 113 and RGB 108 141 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 222 95 shade: RGB 66 222 27, RGB 27 222 40, RGB 27 222 92, RGB 27 222 144 and RGB 27 222 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 222 95 shade: RGB 18 148 63, RGB 22 185 79, RGB 27 222 95, RGB 60 230 119 and RGB 96 235 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 27 118 222 and RGB 222 27 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 92 27 222 and RGB 222 92 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 27 118 222, RGB 222 27 157 and RGB 222 131 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 222 95 shade: RGB 27 222 95, RGB 27 59 222, RGB 222 27 157 and RGB 222 189 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

Complementary color

CMYK 0 / 86 / 30 / 11

HEX #E421A0

RGB 228 33 160

HSL 320.92, 0.78%, 0.51%

LAB 51.97, 78.19, -19.93

 

CMYK 86 / 0 / 59 / 13

HEX #20DE5A

RGB 32 222 90

HSL 138.32, 0.75%, 0.5%

LAB 78.04, -70.46, 51.47

 

CMYK 80 / 0 / 55 / 6

HEX #31F06D

RGB 49 240 109

HSL 138.85, 0.86%, 0.57%

LAB 84.01, -72.04, 49.99

 

CMYK 74 / 0 / 50 / 0

HEX #42FF80

RGB 66 255 128

HSL 139.68, 1%, 0.63%

LAB 89.03, -72.19, 47.37

 

CMYK 67 / 0 / 42 / 0

HEX #53FF93

RGB 83 255 147

HSL 142.33, 1%, 0.66%

LAB 89.61, -66.7, 39.06

 

CMYK 61 / 0 / 35 / 0

HEX #64FFA6

RGB 100 255 166

HSL 145.55, 1%, 0.7%

LAB 90.31, -60.36, 30.65

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 95 / 0 / 63 / 20

HEX #0ACC4C

RGB 10 204 76

HSL 140.41, 0.91%, 0.42%

LAB 72.08, -67.96, 50.73

 

CMYK 100 / 0 / 69 / 27

HEX #00BA39

RGB 0 186 57

HSL 138.39, 1%, 0.36%

LAB 66.07, -65.04, 52.05

 

CMYK 100 / 0 / 77 / 34

HEX #00A826

RGB 0 168 38

HSL 133.57, 1%, 0.33%

LAB 60.02, -61.42, 52.86

 

CMYK 100 / 0 / 87 / 41

HEX #009613

RGB 0 150 19

HSL 127.6, 1%, 0.29%

LAB 53.88, -57.36, 52.61

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 88 / 0 / 81 / 13

HEX #1BDE2A

RGB 27 222 42

HSL 124.62, 0.78%, 0.49%

LAB 77.66, -75.07, 68.54

 

CMYK 71 / 0 / 88 / 13

HEX #40DE1B

RGB 64 222 27

HSL 108.62, 0.78%, 0.49%

LAB 78.12, -71.28, 72.5

 

CMYK 47 / 0 / 88 / 13

HEX #75DE1B

RGB 117 222 27

HSL 92.31, 0.78%, 0.49%

LAB 79.67, -58.65, 74.44

 

CMYK 24 / 0 / 88 / 13

HEX #A9DE1B

RGB 169 222 27

HSL 76.31, 0.78%, 0.49%

LAB 82.25, -40.6, 77.64

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 88 / 0 / 33 / 13

HEX #1BDE94

RGB 27 222 148

HSL 157.23, 0.78%, 0.49%

LAB 78.82, -61.16, 24.07

 

CMYK 88 / 0 / 10 / 13

HEX #1BDEC8

RGB 27 222 200

HSL 173.23, 0.78%, 0.49%

LAB 79.98, -48.63, -1.73

 

CMYK 88 / 14 / 0 / 13

HEX #1BBFDE

RGB 27 191 222

HSL 189.54, 0.78%, 0.49%

LAB 71.4, -27.91, -26.46

 

CMYK 88 / 37 / 0 / 13

HEX #1B8BDE

RGB 27 139 222

HSL 205.54, 0.78%, 0.49%

LAB 56.06, 0.38, -50.43

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 97 / 0 / 63 / 5

HEX #07F259

RGB 7 242 89

HSL 140.94, 0.94%, 0.49%

LAB 84.11, -77.8, 58.75

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 77 / 0 / 50 / 21

HEX #2FCA65

RGB 47 202 101

HSL 140.9, 0.62%, 0.49%

LAB 72.08, -60.85, 39.2

 

CMYK 63 / 0 / 41 / 29

HEX #43B56B

RGB 67 181 107

HSL 141.05, 0.46%, 0.49%

LAB 65.98, -48.76, 28.44

 

CMYK 45 / 0 / 30 / 37

HEX #58A171

RGB 88 161 113

HSL 140.55, 0.29%, 0.49%

LAB 60.57, -33.88, 18.07

 

CMYK 23 / 0 / 16 / 45

HEX #6C8D77

RGB 108 141 119

HSL 140, 0.13%, 0.49%

LAB 55.65, -16.3, 7.99

 

CMYK 70 / 0 / 88 / 13

HEX #42DE1B

RGB 66 222 27

HSL 108, 0.78%, 0.49%

LAB 78.16, -70.93, 72.55

 

CMYK 88 / 0 / 82 / 13

HEX #1BDE28

RGB 27 222 40

HSL 124, 0.78%, 0.49%

LAB 77.66, -75.18, 69.05

 

CMYK 88 / 0 / 59 / 13

HEX #1BDE5C

RGB 27 222 92

HSL 140, 0.78%, 0.49%

LAB 78.02, -70.58, 50.54

 

CMYK 88 / 0 / 35 / 13

HEX #1BDE90

RGB 27 222 144

HSL 156, 0.78%, 0.49%

LAB 78.75, -61.98, 26.04

 

CMYK 88 / 0 / 12 / 13

HEX #1BDEC4

RGB 27 222 196

HSL 172, 0.78%, 0.49%

LAB 79.88, -49.7, 0.25

 

CMYK 88 / 0 / 57 / 42

HEX #12943F

RGB 18 148 63

HSL 140.77, 0.78%, 0.33%

LAB 53.67, -51.33, 35.44

 

CMYK 88 / 0 / 57 / 27

HEX #16B94F

RGB 22 185 79

HSL 140.98, 0.79%, 0.41%

LAB 66.08, -60.99, 42.46

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 74 / 0 / 48 / 10

HEX #3CE677

RGB 60 230 119

HSL 140.82, 0.77%, 0.57%

LAB 81.23, -65.94, 41.9

 

CMYK 59 / 0 / 38 / 8

HEX #60EB91

RGB 96 235 145

HSL 141.15, 0.78%, 0.65%

LAB 83.94, -57.19, 32.69

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 88 / 47 / 0 / 13

HEX #1B76DE

RGB 27 118 222

HSL 212, 0.78%, 0.49%

LAB 50.05, 13.25, -60.04

 

CMYK 0 / 88 / 82 / 13

HEX #DE1B28

RGB 222 27 40

HSL 356, 0.78%, 0.49%

LAB 47.58, 69.74, 45.69

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 59 / 88 / 0 / 13

HEX #5C1BDE

RGB 92 27 222

HSL 260, 0.78%, 0.49%

LAB 34.67, 68.69, -85.07

 

CMYK 0 / 59 / 88 / 13

HEX #DE5C1B

RGB 222 92 27

HSL 20, 0.78%, 0.49%

LAB 55.34, 47.94, 58.06

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 88 / 47 / 0 / 13

HEX #1B76DE

RGB 27 118 222

HSL 212, 0.78%, 0.49%

LAB 50.05, 13.25, -60.04

 

CMYK 0 / 88 / 29 / 13

HEX #DE1B9D

RGB 222 27 157

HSL 320, 0.78%, 0.49%

LAB 50.39, 77.6, -20.67

 

CMYK 0 / 41 / 88 / 13

HEX #DE831B

RGB 222 131 27

HSL 32, 0.78%, 0.49%

LAB 63.21, 28.32, 64.21

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE5F

RGB 27 222 95

HSL 140.92, 0.78%, 0.49%

LAB 78.05, -70.2, 49.22

 

CMYK 88 / 73 / 0 / 13

HEX #1B3BDE

RGB 27 59 222

HSL 230.15, 0.78%, 0.49%

LAB 35.27, 50.4, -84.19

 

CMYK 0 / 88 / 29 / 13

HEX #DE1B9D

RGB 222 27 157

HSL 320, 0.78%, 0.49%

LAB 50.39, 77.6, -20.67

 

CMYK 0 / 15 / 88 / 13

HEX #DEBD1B

RGB 222 189 27

HSL 49.85, 0.78%, 0.49%

LAB 77.28, -2.48, 75.3

 

Description

Color code: RGB 27 222 95 | qconv.com Color code: RGB 27 222 95 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 222 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 222 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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