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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 242 47 it is the complementary color RGB 228 13 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 242 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 242 47 shade: RGB 32 242 42, RGB 49 255 61, RGB 66 255 80, RGB 83 255 99 and RGB 100 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 242 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 242 47 shade: RGB 27 242 47, RGB 10 224 28, RGB 0 206 9, RGB 0 188 0 and RGB 0 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 242 47 shade: RGB 28 241 48, RGB 66 241 28, RGB 123 241 28, RGB 181 241 28 and RGB 238 241 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 242 47 shade: RGB 28 241 48, RGB 28 241 105, RGB 28 241 163, RGB 28 241 220 and RGB 28 205 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 242 47 shade matches the following richer shades: RGB 28 241 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 242 47 shade: RGB 28 241 48, RGB 47 222 64, RGB 67 203 79, RGB 86 183 95 and RGB 106 164 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 242 47 shade: RGB 124 241 28, RGB 67 241 28, RGB 28 241 46, RGB 28 241 103 and RGB 28 241 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 242 47 shade: RGB 10 177 25, RGB 12 216 31, RGB 28 241 48, RGB 67 244 83 and RGB 106 246 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 242 47 shade: RGB 27 242 47, RGB 28 181 241 and RGB 241 28 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 242 47 shade: RGB 27 242 47, RGB 46 28 241 and RGB 241 46 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 242 47 shade: RGB 27 242 47, RGB 28 181 241, RGB 241 28 224 and RGB 241 88 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 242 47 shade: RGB 27 242 47, RGB 28 117 241, RGB 241 28 224 and RGB 241 152 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 81 / 5

HEX #1BF22F

RGB 27 242 47

HSL 125.58, 0.89%, 0.53%

LAB 83.94, -80.34, 73.05

 

Complementary color

CMYK 0 / 94 / 9 / 11

HEX #E40DD0

RGB 228 13 208

HSL 305.58, 0.89%, 0.47%

LAB 53.32, 86.62, -45.81

 

CMYK 87 / 0 / 83 / 5

HEX #20F22A

RGB 32 242 42

HSL 122.86, 0.89%, 0.54%

LAB 83.95, -80.25, 74.33

 

CMYK 81 / 0 / 76 / 0

HEX #31FF3D

RGB 49 255 61

HSL 123.5, 1%, 0.6%

LAB 88.21, -81.28, 73.23

 

CMYK 74 / 0 / 69 / 0

HEX #42FF50

RGB 66 255 80

HSL 124.44, 1%, 0.63%

LAB 88.57, -77.75, 67.27

 

CMYK 67 / 0 / 61 / 0

HEX #53FF63

RGB 83 255 99

HSL 125.58, 1%, 0.66%

LAB 89.05, -73.22, 60.39

 

CMYK 61 / 0 / 54 / 0

HEX #64FF76

RGB 100 255 118

HSL 126.97, 1%, 0.7%

LAB 89.64, -67.74, 52.9

 

CMYK 89 / 0 / 81 / 5

HEX #1BF22F

RGB 27 242 47

HSL 125.58, 0.89%, 0.53%

LAB 83.94, -80.34, 73.05

 

CMYK 96 / 0 / 88 / 12

HEX #0AE01C

RGB 10 224 28

HSL 125.05, 0.91%, 0.46%

LAB 78.15, -77.15, 72.1

 

CMYK 100 / 0 / 96 / 19

HEX #00CE09

RGB 0 206 9

HSL 122.62, 1%, 0.4%

LAB 72.34, -73.21, 69.9

 

CMYK 100 / 0 / 100 / 26

HEX #00BC00

RGB 0 188 0

HSL 120, 1%, 0.37%

LAB 66.49, -68.54, 66.15

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 88 / 0 / 80 / 5

HEX #1CF130

RGB 28 241 48

HSL 125.63, 0.88%, 0.53%

LAB 83.64, -79.95, 72.51

 

CMYK 73 / 0 / 88 / 5

HEX #42F11C

RGB 66 241 28

HSL 109.3, 0.88%, 0.53%

LAB 84.05, -76.6, 77.42

 

CMYK 49 / 0 / 88 / 5

HEX #7BF11C

RGB 123 241 28

HSL 93.24, 0.88%, 0.53%

LAB 85.61, -63.79, 79.37

 

CMYK 25 / 0 / 88 / 5

HEX #B5F11C

RGB 181 241 28

HSL 76.9, 0.88%, 0.53%

LAB 88.36, -44.27, 82.78

 

CMYK 1 / 0 / 88 / 5

HEX #EEF11C

RGB 238 241 28

HSL 60.85, 0.88%, 0.53%

LAB 92.21, -21.59, 87.48

 

CMYK 88 / 0 / 80 / 5

HEX #1CF130

RGB 28 241 48

HSL 125.63, 0.88%, 0.53%

LAB 83.64, -79.95, 72.51

 

CMYK 88 / 0 / 56 / 5

HEX #1CF169

RGB 28 241 105

HSL 141.69, 0.88%, 0.53%

LAB 84.06, -74.67, 51.81

 

CMYK 88 / 0 / 32 / 5

HEX #1CF1A3

RGB 28 241 163

HSL 158.03, 0.88%, 0.53%

LAB 84.9, -64.8, 24.63

 

CMYK 88 / 0 / 9 / 5

HEX #1CF1DC

RGB 28 241 220

HSL 174.08, 0.88%, 0.53%

LAB 86.17, -51.11, -3.21

 

CMYK 88 / 15 / 0 / 5

HEX #1CCDF1

RGB 28 205 241

HSL 190.14, 0.88%, 0.53%

LAB 76.23, -28.59, -29.31

 

CMYK 88 / 0 / 80 / 5

HEX #1CF130

RGB 28 241 48

HSL 125.63, 0.88%, 0.53%

LAB 83.64, -79.95, 72.51

 

CMYK 88 / 0 / 80 / 5

HEX #1CF130

RGB 28 241 48

HSL 125.63, 0.88%, 0.53%

LAB 83.64, -79.95, 72.51

 

CMYK 79 / 0 / 71 / 13

HEX #2FDE40

RGB 47 222 64

HSL 125.83, 0.73%, 0.53%

LAB 78, -71.63, 62.01

 

CMYK 67 / 0 / 61 / 20

HEX #43CB4F

RGB 67 203 79

HSL 125.29, 0.57%, 0.53%

LAB 72.54, -60.93, 50.15

 

CMYK 53 / 0 / 48 / 28

HEX #56B75F

RGB 86 183 95

HSL 125.57, 0.4%, 0.53%

LAB 67.03, -47.05, 36.1

 

CMYK 35 / 0 / 32 / 36

HEX #6AA46F

RGB 106 164 111

HSL 125.17, 0.24%, 0.53%

LAB 62.31, -30.12, 21.68

 

CMYK 49 / 0 / 88 / 5

HEX #7CF11C

RGB 124 241 28

HSL 92.96, 0.88%, 0.53%

LAB 85.64, -63.5, 79.42

 

CMYK 72 / 0 / 88 / 5

HEX #43F11C

RGB 67 241 28

HSL 109.01, 0.88%, 0.53%

LAB 84.06, -76.44, 77.45

 

CMYK 88 / 0 / 81 / 5

HEX #1CF12E

RGB 28 241 46

HSL 125.07, 0.88%, 0.53%

LAB 83.63, -80.06, 73.03

 

CMYK 88 / 0 / 57 / 5

HEX #1CF167

RGB 28 241 103

HSL 141.13, 0.88%, 0.53%

LAB 84.04, -74.93, 52.68

 

CMYK 88 / 0 / 34 / 5

HEX #1CF1A0

RGB 28 241 160

HSL 157.18, 0.88%, 0.53%

LAB 84.84, -65.42, 26.09

 

CMYK 94 / 0 / 86 / 31

HEX #0AB119

RGB 10 177 25

HSL 125.39, 0.89%, 0.37%

LAB 62.99, -64.28, 59.37

 

CMYK 94 / 0 / 86 / 15

HEX #0CD81F

RGB 12 216 31

HSL 125.59, 0.89%, 0.45%

LAB 75.63, -74.79, 69.29

 

CMYK 88 / 0 / 80 / 5

HEX #1CF130

RGB 28 241 48

HSL 125.63, 0.88%, 0.53%

LAB 83.64, -79.95, 72.51

 

CMYK 73 / 0 / 66 / 4

HEX #43F453

RGB 67 244 83

HSL 125.42, 0.89%, 0.61%

LAB 85.26, -73.95, 62.6

 

CMYK 57 / 0 / 52 / 4

HEX #6AF677

RGB 106 246 119

HSL 125.57, 0.89%, 0.69%

LAB 87.15, -63.07, 49.46

 

CMYK 89 / 0 / 81 / 5

HEX #1BF22F

RGB 27 242 47

HSL 125.58, 0.89%, 0.53%

LAB 83.94, -80.34, 73.05

 

CMYK 88 / 25 / 0 / 5

HEX #1CB5F1

RGB 28 181 241

HSL 196.9, 0.88%, 0.53%

LAB 69.22, -16.32, -40.17

 

CMYK 0 / 88 / 60 / 5

HEX #F11C60

RGB 241 28 96

HSL 340.85, 0.88%, 0.53%

LAB 52.26, 76.69, 19.32

 

CMYK 89 / 0 / 81 / 5

HEX #1BF22F

RGB 27 242 47

HSL 125.58, 0.89%, 0.53%

LAB 83.94, -80.34, 73.05

 

CMYK 81 / 88 / 0 / 5

HEX #2E1CF1

RGB 46 28 241

HSL 245.07, 0.88%, 0.53%

LAB 33.48, 70.72, -97.97

 

CMYK 0 / 81 / 88 / 5

HEX #F12E1C

RGB 241 46 28

HSL 5.07, 0.88%, 0.53%

LAB 52.66, 70.64, 57.14

 

CMYK 89 / 0 / 81 / 5

HEX #1BF22F

RGB 27 242 47

HSL 125.58, 0.89%, 0.53%

LAB 83.94, -80.34, 73.05

 

CMYK 88 / 25 / 0 / 5

HEX #1CB5F1

RGB 28 181 241

HSL 196.9, 0.88%, 0.53%

LAB 69.22, -16.32, -40.17

 

CMYK 0 / 88 / 7 / 5

HEX #F11CE0

RGB 241 28 224

HSL 304.79, 0.88%, 0.53%

LAB 56.99, 89.4, -48.95

 

CMYK 0 / 63 / 88 / 5

HEX #F1581C

RGB 241 88 28

HSL 16.9, 0.88%, 0.53%

LAB 57.81, 56.46, 60.97

 

CMYK 89 / 0 / 81 / 5

HEX #1BF22F

RGB 27 242 47

HSL 125.58, 0.89%, 0.53%

LAB 83.94, -80.34, 73.05

 

CMYK 88 / 51 / 0 / 5

HEX #1C75F1

RGB 28 117 241

HSL 214.93, 0.88%, 0.53%

LAB 51.06, 21.24, -69.07

 

CMYK 0 / 88 / 7 / 5

HEX #F11CE0

RGB 241 28 224

HSL 304.79, 0.88%, 0.53%

LAB 56.99, 89.4, -48.95

 

CMYK 0 / 37 / 88 / 5

HEX #F1981C

RGB 241 152 28

HSL 34.93, 0.88%, 0.53%

LAB 70.34, 25.2, 70.53

 

Description

Color code: RGB 27 242 47 | qconv.com Color code: RGB 27 242 47 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 242 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 242 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 81 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 81% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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