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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 148 50 it is the complementary color RGB 15 107 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 148 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 148 50 shade: RGB 245 148 45, RGB 255 166 64, RGB 255 184 83, RGB 255 202 102 and RGB 255 220 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 148 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 148 50 shade: RGB 240 148 50, RGB 223 130 31, RGB 206 112 12, RGB 189 94 0 and RGB 172 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 148 50 shade: RGB 239 148 51, RGB 239 97 51 and RGB 239 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 148 50 shade: RGB 239 148 51, RGB 239 199 51, RGB 229 239 51, RGB 178 239 51 and RGB 127 239 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 148 50 shade matches the following richer shades: RGB 239 148 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 148 50 shade: RGB 239 148 51, RGB 221 147 68, RGB 204 147 86, RGB 186 146 104 and RGB 168 146 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 148 50 shade: RGB 239 51 57, RGB 239 95 51, RGB 239 145 51, RGB 239 195 51 and RGB 233 239 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 148 50 shade: RGB 193 106 14, RGB 231 128 17, RGB 239 148 51, RGB 242 168 89 and RGB 245 188 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 148 50 shade: RGB 240 148 50, RGB 107 239 51 and RGB 69 51 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 148 50 shade: RGB 240 148 50, RGB 51 239 145 and RGB 145 51 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 148 50 shade: RGB 240 148 50, RGB 107 239 51, RGB 51 145 239 and RGB 183 51 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 148 50 shade: RGB 240 148 50, RGB 51 239 51, RGB 51 145 239 and RGB 239 51 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 79 / 6

HEX #F09432

RGB 240 148 50

HSL 30.95, 0.86%, 0.57%

LAB 69.42, 27.47, 62.67

 

Complementary color

CMYK 93 / 48 / 0 / 20

HEX #0F6BCD

RGB 15 107 205

HSL 210.95, 0.86%, 0.43%

LAB 45.67, 12.97, -57.45

 

CMYK 0 / 40 / 82 / 4

HEX #F5942D

RGB 245 148 45

HSL 30.9, 0.91%, 0.57%

LAB 70.02, 29.36, 65.3

 

CMYK 0 / 35 / 75 / 0

HEX #FFA640

RGB 255 166 64

HSL 32.04, 1%, 0.63%

LAB 75.39, 24.75, 63.45

 

CMYK 0 / 28 / 67 / 0

HEX #FFB853

RGB 255 184 83

HSL 35.23, 1%, 0.66%

LAB 79.71, 16.25, 59.77

 

CMYK 0 / 21 / 60 / 0

HEX #FFCA66

RGB 255 202 102

HSL 39.22, 1%, 0.7%

LAB 84.2, 8.05, 56.12

 

CMYK 0 / 14 / 53 / 0

HEX #FFDC79

RGB 255 220 121

HSL 44.33, 1%, 0.74%

LAB 88.84, 0.24, 52.62

 

CMYK 0 / 38 / 79 / 6

HEX #F09432

RGB 240 148 50

HSL 30.95, 0.86%, 0.57%

LAB 69.42, 27.47, 62.67

 

CMYK 0 / 42 / 86 / 13

HEX #DF821F

RGB 223 130 31

HSL 30.94, 0.76%, 0.5%

LAB 63.14, 29.36, 63.02

 

CMYK 0 / 46 / 94 / 19

HEX #CE700C

RGB 206 112 12

HSL 30.93, 0.89%, 0.43%

LAB 56.82, 31.46, 62.13

 

CMYK 0 / 50 / 100 / 26

HEX #BD5E00

RGB 189 94 0

HSL 29.84, 1%, 0.37%

LAB 50.48, 33.76, 59.2

 

CMYK 0 / 56 / 100 / 33

HEX #AC4C00

RGB 172 76 0

HSL 26.51, 1%, 0.34%

LAB 44.15, 36.14, 54.13

 

CMYK 0 / 38 / 79 / 6

HEX #EF9433

RGB 239 148 51

HSL 30.96, 0.85%, 0.57%

LAB 69.31, 27.09, 62.13

 

CMYK 0 / 59 / 79 / 6

HEX #EF6133

RGB 239 97 51

HSL 14.68, 0.85%, 0.57%

LAB 59.1, 52.43, 52.39

 

CMYK 0 / 79 / 79 / 6

HEX #EF3333

RGB 239 51 51

HSL 0, 0.85%, 0.57%

LAB 52.9, 69.33, 46.2

 

CMYK 0 / 38 / 79 / 6

HEX #EF9433

RGB 239 148 51

HSL 30.96, 0.85%, 0.57%

LAB 69.31, 27.09, 62.13

 

CMYK 0 / 17 / 79 / 6

HEX #EFC733

RGB 239 199 51

HSL 47.23, 0.85%, 0.57%

LAB 81.53, 0.31, 73.29

 

CMYK 4 / 0 / 79 / 6

HEX #E5EF33

RGB 229 239 51

HSL 63.19, 0.85%, 0.57%

LAB 91.07, -23.76, 81.42

 

CMYK 26 / 0 / 79 / 6

HEX #B2EF33

RGB 178 239 51

HSL 79.47, 0.85%, 0.57%

LAB 87.7, -43.82, 77.14

 

CMYK 47 / 0 / 79 / 6

HEX #7FEF33

RGB 127 239 51

HSL 95.74, 0.85%, 0.57%

LAB 85.24, -61.02, 73.98

 

CMYK 0 / 38 / 79 / 6

HEX #EF9433

RGB 239 148 51

HSL 30.96, 0.85%, 0.57%

LAB 69.31, 27.09, 62.13

 

CMYK 0 / 38 / 79 / 6

HEX #EF9433

RGB 239 148 51

HSL 30.96, 0.85%, 0.57%

LAB 69.31, 27.09, 62.13

 

CMYK 0 / 33 / 69 / 13

HEX #DD9344

RGB 221 147 68

HSL 30.98, 0.69%, 0.57%

LAB 67.02, 20.86, 51.81

 

CMYK 0 / 28 / 58 / 20

HEX #CC9356

RGB 204 147 86

HSL 31.02, 0.54%, 0.57%

LAB 65.26, 14.87, 40.4

 

CMYK 0 / 22 / 44 / 27

HEX #BA9268

RGB 186 146 104

HSL 30.73, 0.37%, 0.57%

LAB 63.34, 9.54, 27.99

 

CMYK 0 / 13 / 27 / 34

HEX #A8927A

RGB 168 146 122

HSL 31.3, 0.21%, 0.57%

LAB 61.9, 4.42, 15.76

 

CMYK 0 / 79 / 76 / 6

HEX #EF3339

RGB 239 51 57

HSL 358.09, 0.85%, 0.57%

LAB 52.96, 69.52, 43.01

 

CMYK 0 / 60 / 79 / 6

HEX #EF5F33

RGB 239 95 51

HSL 14.04, 0.85%, 0.57%

LAB 58.76, 53.32, 52.06

 

CMYK 0 / 39 / 79 / 6

HEX #EF9133

RGB 239 145 51

HSL 30, 0.85%, 0.57%

LAB 68.64, 28.66, 61.51

 

CMYK 0 / 18 / 79 / 6

HEX #EFC333

RGB 239 195 51

HSL 45.96, 0.85%, 0.57%

LAB 80.53, 2.37, 72.39

 

CMYK 3 / 0 / 79 / 6

HEX #E9EF33

RGB 233 239 51

HSL 61.91, 0.85%, 0.57%

LAB 91.37, -22.12, 81.8

 

CMYK 0 / 45 / 93 / 24

HEX #C16A0E

RGB 193 106 14

HSL 30.84, 0.86%, 0.41%

LAB 53.68, 29.24, 58.65

 

CMYK 0 / 45 / 93 / 9

HEX #E78011

RGB 231 128 17

HSL 31.12, 0.86%, 0.49%

LAB 63.73, 33.45, 67.56

 

CMYK 0 / 38 / 79 / 6

HEX #EF9433

RGB 239 148 51

HSL 30.96, 0.85%, 0.57%

LAB 69.31, 27.09, 62.13

 

CMYK 0 / 31 / 63 / 5

HEX #F2A859

RGB 242 168 89

HSL 30.98, 0.85%, 0.65%

LAB 74.57, 19.64, 50.89

 

CMYK 0 / 23 / 48 / 4

HEX #F5BC7F

RGB 245 188 127

HSL 31.02, 0.86%, 0.73%

LAB 80.13, 13.3, 38.66

 

CMYK 0 / 38 / 79 / 6

HEX #F09432

RGB 240 148 50

HSL 30.95, 0.86%, 0.57%

LAB 69.42, 27.47, 62.67

 

CMYK 55 / 0 / 79 / 6

HEX #6BEF33

RGB 107 239 51

HSL 102.13, 0.85%, 0.57%

LAB 84.53, -66.53, 73.07

 

CMYK 71 / 79 / 0 / 6

HEX #4533EF

RGB 69 51 239

HSL 245.74, 0.85%, 0.57%

LAB 37.6, 62.44, -89.96

 

CMYK 0 / 38 / 79 / 6

HEX #F09432

RGB 240 148 50

HSL 30.95, 0.86%, 0.57%

LAB 69.42, 27.47, 62.67

 

CMYK 79 / 0 / 39 / 6

HEX #33EF91

RGB 51 239 145

HSL 150, 0.85%, 0.57%

LAB 84.22, -65.76, 32.89

 

CMYK 39 / 79 / 0 / 6

HEX #9133EF

RGB 145 51 239

HSL 270, 0.85%, 0.57%

LAB 45.11, 71.03, -77.33

 

CMYK 0 / 38 / 79 / 6

HEX #F09432

RGB 240 148 50

HSL 30.95, 0.86%, 0.57%

LAB 69.42, 27.47, 62.67

 

CMYK 55 / 0 / 79 / 6

HEX #6BEF33

RGB 107 239 51

HSL 102.13, 0.85%, 0.57%

LAB 84.53, -66.53, 73.07

 

CMYK 79 / 39 / 0 / 6

HEX #3391EF

RGB 51 145 239

HSL 210, 0.85%, 0.57%

LAB 59.15, 5.06, -54.94

 

CMYK 23 / 79 / 0 / 6

HEX #B733EF

RGB 183 51 239

HSL 282.13, 0.85%, 0.57%

LAB 50.3, 76.98, -68.65

 

CMYK 0 / 38 / 79 / 6

HEX #F09432

RGB 240 148 50

HSL 30.95, 0.86%, 0.57%

LAB 69.42, 27.47, 62.67

 

CMYK 79 / 0 / 79 / 6

HEX #33EF33

RGB 51 239 51

HSL 120, 0.85%, 0.57%

LAB 83.27, -77.08, 71.43

 

CMYK 79 / 39 / 0 / 6

HEX #3391EF

RGB 51 145 239

HSL 210, 0.85%, 0.57%

LAB 59.15, 5.06, -54.94

 

CMYK 0 / 79 / 0 / 6

HEX #EF33EF

RGB 239 51 239

HSL 300, 0.85%, 0.57%

LAB 58.93, 86.91, -54.32

 

Description

Color code: RGB 240 148 50 | qconv.com Color code: RGB 240 148 50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 148 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 148 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 79 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 79% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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