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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 50 138 it is the complementary color RGB 15 205 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 50 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 50 138 shade: RGB 245 50 133, RGB 255 68 152, RGB 255 86 171, RGB 255 104 190 and RGB 255 122 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 50 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 50 138 shade: RGB 240 50 138, RGB 223 32 119, RGB 206 14 100, RGB 189 0 81 and RGB 172 0 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 50 138 shade: RGB 239 51 138, RGB 239 51 87 and RGB 239 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 50 138 shade: RGB 239 51 138, RGB 239 51 189, RGB 239 51 239, RGB 188 51 239 and RGB 137 51 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 50 138 shade matches the following richer shades: RGB 239 51 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 50 138 shade: RGB 239 51 138, RGB 221 68 139, RGB 204 86 141, RGB 186 104 142 and RGB 168 122 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 50 138 shade: RGB 239 51 239, RGB 239 51 189, RGB 239 51 139, RGB 239 51 88 and RGB 239 63 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 50 138 shade: RGB 193 14 97, RGB 231 17 116, RGB 239 51 138, RGB 242 89 160 and RGB 245 127 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 50 138 shade: RGB 240 50 138, RGB 239 189 51 and RGB 51 214 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 50 138 shade: RGB 240 50 138, RGB 139 239 51 and RGB 51 139 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 50 138 shade: RGB 240 50 138, RGB 239 189 51, RGB 51 239 151 and RGB 51 101 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 50 138 shade: RGB 240 50 138, RGB 233 239 51, RGB 51 239 151 and RGB 57 51 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 43 / 6

HEX #F0328A

RGB 240 50 138

HSL 332.21, 0.86%, 0.57%

LAB 54.7, 75.07, -2.53

 

Complementary color

CMYK 93 / 0 / 43 / 20

HEX #0FCD75

RGB 15 205 117

HSL 152.21, 0.86%, 0.43%

LAB 72.92, -61.91, 32.18

 

CMYK 0 / 80 / 46 / 4

HEX #F53285

RGB 245 50 133

HSL 334.46, 0.91%, 0.58%

LAB 55.47, 75.87, 1.68

 

CMYK 0 / 73 / 40 / 0

HEX #FF4498

RGB 255 68 152

HSL 333.05, 1%, 0.63%

LAB 59.58, 75.07, -3.3

 

CMYK 0 / 66 / 33 / 0

HEX #FF56AB

RGB 255 86 171

HSL 329.82, 1%, 0.67%

LAB 62.39, 70.86, -10.15

 

CMYK 0 / 59 / 25 / 0

HEX #FF68BE

RGB 255 104 190

HSL 325.83, 1%, 0.7%

LAB 65.65, 65.92, -16.07

 

CMYK 0 / 52 / 18 / 0

HEX #FF7AD1

RGB 255 122 209

HSL 320.75, 1%, 0.74%

LAB 69.31, 60.49, -21.18

 

CMYK 0 / 79 / 43 / 6

HEX #F0328A

RGB 240 50 138

HSL 332.21, 0.86%, 0.57%

LAB 54.7, 75.07, -2.53

 

CMYK 0 / 86 / 47 / 13

HEX #DF2077

RGB 223 32 119

HSL 332.67, 0.75%, 0.5%

LAB 49.56, 73.31, 1.02

 

CMYK 0 / 93 / 51 / 19

HEX #CE0E64

RGB 206 14 100

HSL 333.13, 0.87%, 0.43%

LAB 44.74, 70.53, 5.35

 

CMYK 0 / 100 / 57 / 26

HEX #BD0051

RGB 189 0 81

HSL 334.29, 1%, 0.37%

LAB 40.27, 66.64, 10.53

 

CMYK 0 / 100 / 64 / 33

HEX #AC003E

RGB 172 0 62

HSL 338.37, 1%, 0.34%

LAB 36.21, 61.46, 16.65

 

CMYK 0 / 79 / 42 / 6

HEX #EF338A

RGB 239 51 138

HSL 332.23, 0.85%, 0.57%

LAB 54.61, 74.57, -2.68

 

CMYK 0 / 79 / 64 / 6

HEX #EF3357

RGB 239 51 87

HSL 348.51, 0.85%, 0.57%

LAB 53.39, 70.85, 26.16

 

CMYK 0 / 79 / 79 / 6

HEX #EF3333

RGB 239 51 51

HSL 0, 0.85%, 0.57%

LAB 52.9, 69.33, 46.2

 

CMYK 0 / 79 / 42 / 6

HEX #EF338A

RGB 239 51 138

HSL 332.23, 0.85%, 0.57%

LAB 54.61, 74.57, -2.68

 

CMYK 0 / 79 / 21 / 6

HEX #EF33BD

RGB 239 51 189

HSL 315.96, 0.85%, 0.57%

LAB 56.48, 80.06, -29.78

 

CMYK 0 / 79 / 0 / 6

HEX #EF33EF

RGB 239 51 239

HSL 300, 0.85%, 0.57%

LAB 58.93, 86.91, -54.32

 

CMYK 21 / 79 / 0 / 6

HEX #BC33EF

RGB 188 51 239

HSL 283.72, 0.85%, 0.57%

LAB 51.03, 77.82, -67.44

 

CMYK 43 / 79 / 0 / 6

HEX #8933EF

RGB 137 51 239

HSL 267.45, 0.85%, 0.57%

LAB 44.12, 69.89, -78.99

 

CMYK 0 / 79 / 42 / 6

HEX #EF338A

RGB 239 51 138

HSL 332.23, 0.85%, 0.57%

LAB 54.61, 74.57, -2.68

 

CMYK 0 / 79 / 42 / 6

HEX #EF338A

RGB 239 51 138

HSL 332.23, 0.85%, 0.57%

LAB 54.61, 74.57, -2.68

 

CMYK 0 / 69 / 37 / 13

HEX #DD448B

RGB 221 68 139

HSL 332.16, 0.69%, 0.57%

LAB 53.35, 64.65, -5.49

 

CMYK 0 / 58 / 31 / 20

HEX #CC568D

RGB 204 86 141

HSL 332.03, 0.54%, 0.57%

LAB 53.4, 52.41, -6.9

 

CMYK 0 / 44 / 24 / 27

HEX #BA688E

RGB 186 104 142

HSL 332.2, 0.37%, 0.57%

LAB 54.34, 37.57, -6.38

 

CMYK 0 / 27 / 15 / 34

HEX #A87A8F

RGB 168 122 143

HSL 332.61, 0.21%, 0.57%

LAB 56.31, 21.25, -4.27

 

CMYK 0 / 79 / 0 / 6

HEX #EF33EF

RGB 239 51 239

HSL 300, 0.85%, 0.57%

LAB 58.93, 86.91, -54.32

 

CMYK 0 / 79 / 21 / 6

HEX #EF33BD

RGB 239 51 189

HSL 315.96, 0.85%, 0.57%

LAB 56.48, 80.06, -29.78

 

CMYK 0 / 79 / 42 / 6

HEX #EF338B

RGB 239 51 139

HSL 331.91, 0.85%, 0.57%

LAB 54.64, 74.66, -3.24

 

CMYK 0 / 79 / 63 / 6

HEX #EF3358

RGB 239 51 88

HSL 348.19, 0.85%, 0.57%

LAB 53.41, 70.91, 25.58

 

CMYK 0 / 74 / 79 / 6

HEX #EF3F33

RGB 239 63 51

HSL 3.83, 0.85%, 0.57%

LAB 54.18, 65.75, 47.5

 

CMYK 0 / 93 / 50 / 24

HEX #C10E61

RGB 193 14 97

HSL 332.18, 0.86%, 0.41%

LAB 42.02, 67.27, 2.98

 

CMYK 0 / 93 / 50 / 9

HEX #E71174

RGB 231 17 116

HSL 332.24, 0.86%, 0.49%

LAB 50.28, 77.12, 4.08

 

CMYK 0 / 79 / 42 / 6

HEX #EF338A

RGB 239 51 138

HSL 332.23, 0.85%, 0.57%

LAB 54.61, 74.57, -2.68

 

CMYK 0 / 63 / 34 / 5

HEX #F259A0

RGB 242 89 160

HSL 332.16, 0.85%, 0.65%

LAB 60.39, 64.81, -6.99

 

CMYK 0 / 48 / 26 / 4

HEX #F57FB6

RGB 245 127 182

HSL 332.03, 0.86%, 0.73%

LAB 68, 51.26, -8.19

 

CMYK 0 / 79 / 43 / 6

HEX #F0328A

RGB 240 50 138

HSL 332.21, 0.86%, 0.57%

LAB 54.7, 75.07, -2.53

 

CMYK 0 / 21 / 79 / 6

HEX #EFBD33

RGB 239 189 51

HSL 44.04, 0.85%, 0.57%

LAB 79.03, 5.49, 71.05

 

CMYK 79 / 10 / 0 / 6

HEX #33D6EF

RGB 51 214 239

HSL 187.98, 0.85%, 0.57%

LAB 79.06, -31.97, -23.89

 

CMYK 0 / 79 / 43 / 6

HEX #F0328A

RGB 240 50 138

HSL 332.21, 0.86%, 0.57%

LAB 54.7, 75.07, -2.53

 

CMYK 42 / 0 / 79 / 6

HEX #8BEF33

RGB 139 239 51

HSL 91.91, 0.85%, 0.57%

LAB 85.74, -57.34, 74.62

 

CMYK 79 / 42 / 0 / 6

HEX #338BEF

RGB 51 139 239

HSL 211.91, 0.85%, 0.57%

LAB 57.46, 8.66, -57.63

 

CMYK 0 / 79 / 43 / 6

HEX #F0328A

RGB 240 50 138

HSL 332.21, 0.86%, 0.57%

LAB 54.7, 75.07, -2.53

 

CMYK 0 / 21 / 79 / 6

HEX #EFBD33

RGB 239 189 51

HSL 44.04, 0.85%, 0.57%

LAB 79.03, 5.49, 71.05

 

CMYK 79 / 0 / 37 / 6

HEX #33EF97

RGB 51 239 151

HSL 151.91, 0.85%, 0.57%

LAB 84.31, -64.64, 29.99

 

CMYK 79 / 58 / 0 / 6

HEX #3365EF

RGB 51 101 239

HSL 224.04, 0.85%, 0.57%

LAB 47.29, 32.31, -74.06

 

CMYK 0 / 79 / 43 / 6

HEX #F0328A

RGB 240 50 138

HSL 332.21, 0.86%, 0.57%

LAB 54.7, 75.07, -2.53

 

CMYK 3 / 0 / 79 / 6

HEX #E9EF33

RGB 233 239 51

HSL 61.91, 0.85%, 0.57%

LAB 91.37, -22.12, 81.8

 

CMYK 79 / 0 / 37 / 6

HEX #33EF97

RGB 51 239 151

HSL 151.91, 0.85%, 0.57%

LAB 84.31, -64.64, 29.99

 

CMYK 76 / 79 / 0 / 6

HEX #3933EF

RGB 57 51 239

HSL 241.91, 0.85%, 0.57%

LAB 36.87, 61.61, -91.18

 

Description

Color code: RGB 240 50 138 | qconv.com Color code: RGB 240 50 138 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 50 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 50 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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