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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 134 153 it is the complementary color RGB 14 121 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 134 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 134 153 shade: RGB 246 134 148, RGB 255 152 167, RGB 255 170 186, RGB 255 188 205 and RGB 255 206 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 134 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 134 153 shade: RGB 241 134 153, RGB 224 116 134, RGB 207 98 115, RGB 190 80 96 and RGB 173 62 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 134 153 shade: RGB 241 136 154 and RGB 241 136 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 134 153 shade: RGB 241 136 154, RGB 241 136 183, RGB 241 136 211, RGB 241 136 239 and RGB 214 136 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 134 153 shade matches the following richer shades: RGB 241 136 154 and RGB 251 125 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 134 153 shade: RGB 241 136 154, RGB 230 147 161, RGB 219 157 168, RGB 208 168 175 and RGB 198 179 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 134 153 shade: RGB 241 136 211, RGB 241 136 183, RGB 241 136 155, RGB 241 145 136 and RGB 241 172 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 134 153 shade: RGB 232 62 92, RGB 236 99 123, RGB 241 136 154, RGB 245 173 186 and RGB 249 210 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 134 153 shade: RGB 241 134 153, RGB 239 241 136 and RGB 136 197 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 134 153 shade: RGB 241 134 153, RGB 155 241 136 and RGB 136 155 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 134 153 shade: RGB 241 134 153, RGB 239 241 136, RGB 136 241 221 and RGB 138 136 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 134 153 shade: RGB 241 134 153, RGB 207 241 136, RGB 136 241 221 and RGB 169 136 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 37 / 5

HEX #F18699

RGB 241 134 153

HSL 349.35, 0.79%, 0.74%

LAB 68.06, 42.78, 8.16

 

Complementary color

CMYK 88 / 0 / 16 / 53

HEX #0E7966

RGB 14 121 102

HSL 169.35, 0.79%, 0.26%

LAB 45.26, -32.68, 2.52

 

CMYK 0 / 46 / 40 / 4

HEX #F68694

RGB 246 134 148

HSL 352.5, 0.86%, 0.75%

LAB 68.59, 43.99, 11.82

 

CMYK 0 / 40 / 35 / 0

HEX #FF98A7

RGB 255 152 167

HSL 351.26, 1%, 0.8%

LAB 73.87, 40.2, 8.9

 

CMYK 0 / 33 / 27 / 0

HEX #FFAABA

RGB 255 170 186

HSL 348.71, 1%, 0.83%

LAB 78.2, 33.29, 4.7

 

CMYK 0 / 26 / 20 / 0

HEX #FFBCCD

RGB 255 188 205

HSL 344.78, 1%, 0.87%

LAB 82.72, 26.54, 0.98

 

CMYK 0 / 19 / 12 / 0

HEX #FFCEE0

RGB 255 206 224

HSL 337.96, 1%, 0.9%

LAB 87.38, 20.03, -2.33

 

CMYK 0 / 44 / 37 / 5

HEX #F18699

RGB 241 134 153

HSL 349.35, 0.79%, 0.74%

LAB 68.06, 42.78, 8.16

 

CMYK 0 / 48 / 40 / 12

HEX #E07486

RGB 224 116 134

HSL 350, 0.64%, 0.67%

LAB 61.71, 43.74, 9.61

 

CMYK 0 / 53 / 44 / 19

HEX #CF6273

RGB 207 98 115

HSL 350.64, 0.53%, 0.6%

LAB 55.32, 44.71, 11.29

 

CMYK 0 / 58 / 49 / 25

HEX #BE5060

RGB 190 80 96

HSL 351.27, 0.46%, 0.53%

LAB 48.92, 45.64, 13.28

 

CMYK 0 / 64 / 55 / 32

HEX #AD3E4D

RGB 173 62 77

HSL 351.89, 0.47%, 0.46%

LAB 42.56, 46.44, 15.71

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 44 / 44 / 5

HEX #F18888

RGB 241 136 136

HSL 0, 0.79%, 0.74%

LAB 68.08, 39.91, 17.74

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 44 / 24 / 5

HEX #F188B7

RGB 241 136 183

HSL 333.14, 0.79%, 0.74%

LAB 69.28, 45.59, -6.9

 

CMYK 0 / 44 / 12 / 5

HEX #F188D3

RGB 241 136 211

HSL 317.14, 0.79%, 0.74%

LAB 70.18, 49.76, -21.14

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 11 / 44 / 0 / 5

HEX #D688F1

RGB 214 136 241

HSL 284.57, 0.79%, 0.74%

LAB 68.21, 47.05, -41

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 50 / 41 / 2

HEX #FB7D93

RGB 251 125 147

HSL 349.52, 0.94%, 0.74%

LAB 67.49, 50.08, 10.92

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 36 / 30 / 10

HEX #E693A1

RGB 230 147 161

HSL 349.88, 0.62%, 0.74%

LAB 69.66, 33.07, 5.79

 

CMYK 0 / 28 / 23 / 14

HEX #DB9DA8

RGB 219 157 168

HSL 349.35, 0.46%, 0.74%

LAB 70.87, 24.66, 3.49

 

CMYK 0 / 19 / 16 / 18

HEX #D0A8AF

RGB 208 168 175

HSL 349.5, 0.3%, 0.74%

LAB 72.57, 15.73, 1.95

 

CMYK 0 / 10 / 8 / 22

HEX #C6B3B6

RGB 198 179 182

HSL 350.53, 0.14%, 0.74%

LAB 74.59, 7.3, 0.94

 

CMYK 0 / 44 / 12 / 5

HEX #F188D3

RGB 241 136 211

HSL 317.14, 0.79%, 0.74%

LAB 70.18, 49.76, -21.14

 

CMYK 0 / 44 / 24 / 5

HEX #F188B7

RGB 241 136 183

HSL 333.14, 0.79%, 0.74%

LAB 69.28, 45.59, -6.9

 

CMYK 0 / 44 / 36 / 5

HEX #F1889B

RGB 241 136 155

HSL 349.14, 0.79%, 0.74%

LAB 68.52, 42, 7.69

 

CMYK 0 / 40 / 44 / 5

HEX #F19188

RGB 241 145 136

HSL 5.14, 0.79%, 0.74%

LAB 69.99, 35.26, 20.35

 

CMYK 0 / 29 / 44 / 5

HEX #F1AC88

RGB 241 172 136

HSL 20.57, 0.79%, 0.74%

LAB 76.06, 21.04, 28.56

 

CMYK 0 / 73 / 60 / 9

HEX #E83E5C

RGB 232 62 92

HSL 349.41, 0.79%, 0.58%

LAB 53.36, 65.91, 22.89

 

CMYK 0 / 58 / 48 / 7

HEX #EC637B

RGB 236 99 123

HSL 349.49, 0.78%, 0.66%

LAB 60.06, 54.9, 13.89

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 29 / 24 / 4

HEX #F5ADBA

RGB 245 173 186

HSL 349.17, 0.78%, 0.82%

LAB 77.78, 28.14, 3.96

 

CMYK 0 / 16 / 13 / 2

HEX #F9D2D9

RGB 249 210 217

HSL 349.23, 0.76%, 0.9%

LAB 87.6, 14.73, 1.63

 

CMYK 0 / 44 / 37 / 5

HEX #F18699

RGB 241 134 153

HSL 349.35, 0.79%, 0.74%

LAB 68.06, 42.78, 8.16

 

CMYK 1 / 0 / 44 / 5

HEX #EFF188

RGB 239 241 136

HSL 61.14, 0.79%, 0.74%

LAB 93.03, -15.24, 50.26

 

CMYK 44 / 18 / 0 / 5

HEX #88C5F1

RGB 136 197 241

HSL 205.14, 0.79%, 0.74%

LAB 76.99, -8.27, -27.88

 

CMYK 0 / 44 / 37 / 5

HEX #F18699

RGB 241 134 153

HSL 349.35, 0.79%, 0.74%

LAB 68.06, 42.78, 8.16

 

CMYK 36 / 0 / 44 / 5

HEX #9BF188

RGB 155 241 136

HSL 109.14, 0.79%, 0.74%

LAB 87.8, -45.38, 42.6

 

CMYK 44 / 36 / 0 / 5

HEX #889BF1

RGB 136 155 241

HSL 229.14, 0.79%, 0.74%

LAB 65.77, 15.08, -45.31

 

CMYK 0 / 44 / 37 / 5

HEX #F18699

RGB 241 134 153

HSL 349.35, 0.79%, 0.74%

LAB 68.06, 42.78, 8.16

 

CMYK 1 / 0 / 44 / 5

HEX #EFF188

RGB 239 241 136

HSL 61.14, 0.79%, 0.74%

LAB 93.03, -15.24, 50.26

 

CMYK 44 / 0 / 8 / 5

HEX #88F1DD

RGB 136 241 221

HSL 168.57, 0.79%, 0.74%

LAB 88.62, -35.16, 0.15

 

CMYK 43 / 44 / 0 / 5

HEX #8A88F1

RGB 138 136 241

HSL 241.14, 0.79%, 0.74%

LAB 61.1, 26.61, -52.68

 

CMYK 0 / 44 / 37 / 5

HEX #F18699

RGB 241 134 153

HSL 349.35, 0.79%, 0.74%

LAB 68.06, 42.78, 8.16

 

CMYK 14 / 0 / 44 / 5

HEX #CFF188

RGB 207 241 136

HSL 79.43, 0.79%, 0.74%

LAB 90.76, -27.4, 46.94

 

CMYK 44 / 0 / 8 / 5

HEX #88F1DD

RGB 136 241 221

HSL 168.57, 0.79%, 0.74%

LAB 88.62, -35.16, 0.15

 

CMYK 30 / 44 / 0 / 5

HEX #A988F1

RGB 169 136 241

HSL 258.86, 0.79%, 0.74%

LAB 63.67, 34.53, -48.45

 

Description

Color code: RGB 241 134 153 | qconv.com Color code: RGB 241 134 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 134 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 134 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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