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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 238 176 it is the complementary color RGB 14 17 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 238 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 238 176 shade: RGB 246 238 171, RGB 255 255 190, RGB 255 255 209, RGB 255 255 228 and RGB 255 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 238 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 224 220 157, RGB 207 202 138, RGB 190 184 119 and RGB 173 166 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 241 220 176, RGB 241 203 176, RGB 241 186 176 and RGB 241 176 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 226 241 176, RGB 209 241 176, RGB 192 241 176 and RGB 176 241 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 238 176 shade matches the following richer shades: RGB 241 238 176 and RGB 248 245 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 233 231 184, RGB 226 224 191, RGB 218 218 199 and RGB 211 211 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 238 176 shade: RGB 241 203 176, RGB 241 220 176, RGB 241 238 176, RGB 227 241 176 and RGB 210 241 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 238 176 shade: RGB 228 223 106, RGB 235 230 141, RGB 241 238 176, RGB 247 245 212 and RGB 253 253 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 176 241 186 and RGB 212 176 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 176 241 238 and RGB 238 176 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 176 241 186, RGB 176 180 241 and RGB 241 176 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 238 176 shade: RGB 241 238 176, RGB 176 241 205, RGB 176 180 241 and RGB 241 176 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

Complementary color

CMYK 82 / 78 / 0 / 69

HEX #0E114F

RGB 14 17 79

HSL 237.23, 0.7%, 0.18%

LAB 9.47, 23.31, -38.09

 

CMYK 0 / 3 / 30 / 4

HEX #F6EEAB

RGB 246 238 171

HSL 53.6, 0.81%, 0.82%

LAB 93.31, -7.23, 33.47

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 0 / 2 / 30 / 12

HEX #E0DC9D

RGB 224 220 157

HSL 56.42, 0.52%, 0.75%

LAB 86.74, -8.22, 31.52

 

CMYK 0 / 2 / 33 / 19

HEX #CFCA8A

RGB 207 202 138

HSL 55.65, 0.42%, 0.68%

LAB 80.37, -7.93, 32.63

 

CMYK 0 / 3 / 37 / 25

HEX #BEB877

RGB 190 184 119

HSL 54.93, 0.35%, 0.61%

LAB 73.91, -7.59, 33.8

 

CMYK 0 / 4 / 42 / 32

HEX #ADA664

RGB 173 166 100

HSL 54.25, 0.31%, 0.54%

LAB 67.33, -7.18, 35.01

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 0 / 9 / 27 / 5

HEX #F1DCB0

RGB 241 220 176

HSL 40.62, 0.7%, 0.82%

LAB 88.46, 0.65, 24.28

 

CMYK 0 / 16 / 27 / 5

HEX #F1CBB0

RGB 241 203 176

HSL 24.92, 0.7%, 0.82%

LAB 84.25, 9.46, 18.46

 

CMYK 0 / 23 / 27 / 5

HEX #F1BAB0

RGB 241 186 176

HSL 9.23, 0.7%, 0.82%

LAB 80.15, 18.41, 12.71

 

CMYK 0 / 27 / 27 / 5

HEX #F1B0B0

RGB 241 176 176

HSL 0, 0.7%, 0.82%

LAB 77.81, 23.71, 9.38

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 6 / 0 / 27 / 5

HEX #E2F1B0

RGB 226 241 176

HSL 73.85, 0.7%, 0.82%

LAB 92.67, -15.46, 29.82

 

CMYK 13 / 0 / 27 / 5

HEX #D1F1B0

RGB 209 241 176

HSL 89.54, 0.7%, 0.82%

LAB 91.51, -21.55, 28.05

 

CMYK 20 / 0 / 27 / 5

HEX #C0F1B0

RGB 192 241 176

HSL 105.23, 0.7%, 0.82%

LAB 90.44, -27.42, 26.42

 

CMYK 27 / 0 / 26 / 5

HEX #B0F1B3

RGB 176 241 179

HSL 122.77, 0.7%, 0.82%

LAB 89.58, -32.21, 23.55

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 0 / 1 / 32 / 3

HEX #F8F5A9

RGB 248 245 169

HSL 57.72, 0.85%, 0.82%

LAB 95.21, -10.2, 37.03

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 0 / 1 / 21 / 9

HEX #E9E7B8

RGB 233 231 184

HSL 57.55, 0.53%, 0.82%

LAB 90.75, -6.82, 23.19

 

CMYK 0 / 1 / 15 / 11

HEX #E2E0BF

RGB 226 224 191

HSL 56.57, 0.38%, 0.82%

LAB 88.56, -4.78, 16.43

 

CMYK 0 / 0 / 9 / 15

HEX #DADAC7

RGB 218 218 199

HSL 60, 0.2%, 0.82%

LAB 86.59, -3.28, 9.35

 

CMYK 0 / 0 / 2 / 17

HEX #D3D3CE

RGB 211 211 206

HSL 60, 0.05%, 0.82%

LAB 84.43, -0.89, 2.46

 

CMYK 0 / 16 / 27 / 5

HEX #F1CBB0

RGB 241 203 176

HSL 24.92, 0.7%, 0.82%

LAB 84.25, 9.46, 18.46

 

CMYK 0 / 9 / 27 / 5

HEX #F1DCB0

RGB 241 220 176

HSL 40.62, 0.7%, 0.82%

LAB 88.46, 0.65, 24.28

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 6 / 0 / 27 / 5

HEX #E3F1B0

RGB 227 241 176

HSL 72.92, 0.7%, 0.82%

LAB 92.74, -15.1, 29.93

 

CMYK 13 / 0 / 27 / 5

HEX #D2F1B0

RGB 210 241 176

HSL 88.62, 0.7%, 0.82%

LAB 91.57, -21.2, 28.15

 

CMYK 0 / 2 / 54 / 11

HEX #E4DF6A

RGB 228 223 106

HSL 57.54, 0.69%, 0.65%

LAB 87.15, -13.36, 57.04

 

CMYK 0 / 2 / 40 / 8

HEX #EBE68D

RGB 235 230 141

HSL 56.81, 0.7%, 0.74%

LAB 89.94, -10.85, 43.91

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 0 / 1 / 14 / 3

HEX #F7F5D4

RGB 247 245 212

HSL 56.57, 0.69%, 0.9%

LAB 95.93, -4.73, 16.15

 

CMYK 0 / 0 / 2 / 1

HEX #FDFDF7

RGB 253 253 247

HSL 60, 0.6%, 0.98%

LAB 99.16, -1.03, 2.85

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 27 / 0 / 23 / 5

HEX #B0F1BA

RGB 176 241 186

HSL 129.23, 0.7%, 0.82%

LAB 89.71, -31.02, 20.14

 

CMYK 12 / 27 / 0 / 5

HEX #D4B0F1

RGB 212 176 241

HSL 273.23, 0.7%, 0.82%

LAB 76.92, 24.93, -27.53

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 27 / 0 / 1 / 5

HEX #B0F1EE

RGB 176 241 238

HSL 177.23, 0.7%, 0.82%

LAB 90.92, -20.83, -5.13

 

CMYK 1 / 27 / 0 / 5

HEX #EEB0F1

RGB 238 176 241

HSL 297.23, 0.7%, 0.82%

LAB 79.37, 33.15, -23.56

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 27 / 0 / 23 / 5

HEX #B0F1BA

RGB 176 241 186

HSL 129.23, 0.7%, 0.82%

LAB 89.71, -31.02, 20.14

 

CMYK 27 / 25 / 0 / 5

HEX #B0B4F1

RGB 176 180 241

HSL 236.31, 0.7%, 0.82%

LAB 74.97, 11.81, -30.78

 

CMYK 0 / 27 / 4 / 5

HEX #F1B0E7

RGB 241 176 231

HSL 309.23, 0.7%, 0.82%

LAB 79.34, 32.32, -18.19

 

CMYK 0 / 1 / 27 / 5

HEX #F1EEB0

RGB 241 238 176

HSL 57.23, 0.7%, 0.82%

LAB 93.01, -8.47, 30.46

 

CMYK 27 / 0 / 15 / 5

HEX #B0F1CD

RGB 176 241 205

HSL 146.77, 0.7%, 0.82%

LAB 90.11, -27.57, 10.88

 

CMYK 27 / 25 / 0 / 5

HEX #B0B4F1

RGB 176 180 241

HSL 236.31, 0.7%, 0.82%

LAB 74.97, 11.81, -30.78

 

CMYK 0 / 27 / 12 / 5

HEX #F1B0D4

RGB 241 176 212

HSL 326.77, 0.7%, 0.82%

LAB 78.76, 29.1, -8.79

 

Description

Color code: RGB 241 238 176 | qconv.com Color code: RGB 241 238 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 238 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 238 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 27 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 27% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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