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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 134 63 it is the complementary color RGB 13 121 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 134 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 134 63 shade: RGB 247 134 58, RGB 255 152 77, RGB 255 170 96, RGB 255 188 115 and RGB 255 206 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 134 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 134 63 shade: RGB 242 134 63, RGB 225 116 44, RGB 208 98 25, RGB 191 80 6 and RGB 174 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 134 63 shade: RGB 241 134 64, RGB 241 86 64 and RGB 241 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 134 63 shade: RGB 241 134 64, RGB 241 182 64, RGB 241 230 64, RGB 205 241 64 and RGB 157 241 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 134 63 shade matches the following richer shades: RGB 241 134 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 134 63 shade: RGB 241 134 64, RGB 225 138 80, RGB 208 141 97, RGB 192 144 113 and RGB 175 148 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 134 63 shade: RGB 241 64 90, RGB 241 84 64, RGB 241 132 64, RGB 241 179 64 and RGB 241 226 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 134 63 shade: RGB 208 91 14, RGB 239 110 25, RGB 241 134 64, RGB 244 158 102 and RGB 247 183 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 134 63 shade: RGB 242 134 63, RGB 138 241 64 and RGB 64 67 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 134 63 shade: RGB 242 134 63, RGB 64 241 132 and RGB 132 64 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 134 63 shade: RGB 242 134 63, RGB 138 241 64, RGB 64 173 241 and RGB 167 64 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 134 63 shade: RGB 242 134 63, RGB 84 241 64, RGB 64 173 241 and RGB 221 64 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 74 / 5

HEX #F2863F

RGB 242 134 63

HSL 23.8, 0.87%, 0.6%

LAB 66.74, 36.05, 54.64

 

Complementary color

CMYK 93 / 37 / 0 / 25

HEX #0D79C0

RGB 13 121 192

HSL 203.8, 0.87%, 0.4%

LAB 48.97, -1, -44.71

 

CMYK 0 / 46 / 77 / 3

HEX #F7863A

RGB 247 134 58

HSL 24.13, 0.92%, 0.6%

LAB 67.37, 37.82, 57.74

 

CMYK 0 / 40 / 70 / 0

HEX #FF984D

RGB 255 152 77

HSL 25.28, 1%, 0.65%

LAB 72.4, 32.6, 54.62

 

CMYK 0 / 33 / 62 / 0

HEX #FFAA60

RGB 255 170 96

HSL 27.92, 1%, 0.69%

LAB 76.59, 24.33, 50.2

 

CMYK 0 / 26 / 55 / 0

HEX #FFBC73

RGB 255 188 115

HSL 31.29, 1%, 0.73%

LAB 81, 16.28, 46.05

 

CMYK 0 / 19 / 47 / 0

HEX #FFCE86

RGB 255 206 134

HSL 35.7, 1%, 0.76%

LAB 85.57, 8.56, 42.22

 

CMYK 0 / 45 / 74 / 5

HEX #F2863F

RGB 242 134 63

HSL 23.8, 0.87%, 0.6%

LAB 66.74, 36.05, 54.64

 

CMYK 0 / 48 / 80 / 12

HEX #E1742C

RGB 225 116 44

HSL 23.87, 0.75%, 0.53%

LAB 60.5, 37.8, 56.09

 

CMYK 0 / 53 / 88 / 18

HEX #D06219

RGB 208 98 25

HSL 23.93, 0.79%, 0.46%

LAB 54.25, 39.7, 56.95

 

CMYK 0 / 58 / 97 / 25

HEX #BF5006

RGB 191 80 6

HSL 24, 0.94%, 0.39%

LAB 48.04, 41.68, 56.49

 

CMYK 0 / 64 / 100 / 32

HEX #AE3E00

RGB 174 62 0

HSL 21.38, 1%, 0.34%

LAB 41.91, 43.64, 53.09

 

CMYK 0 / 44 / 73 / 5

HEX #F18640

RGB 241 134 64

HSL 23.73, 0.86%, 0.6%

LAB 66.61, 35.69, 54

 

CMYK 0 / 64 / 73 / 5

HEX #F15640

RGB 241 86 64

HSL 7.46, 0.86%, 0.6%

LAB 57.78, 58.34, 44.57

 

CMYK 0 / 73 / 73 / 5

HEX #F14040

RGB 241 64 64

HSL 0, 0.86%, 0.6%

LAB 54.8, 66.48, 41.26

 

CMYK 0 / 44 / 73 / 5

HEX #F18640

RGB 241 134 64

HSL 23.73, 0.86%, 0.6%

LAB 66.61, 35.69, 54

 

CMYK 0 / 24 / 73 / 5

HEX #F1B640

RGB 241 182 64

HSL 40, 0.86%, 0.6%

LAB 77.59, 10.51, 65.09

 

CMYK 0 / 5 / 73 / 5

HEX #F1E640

RGB 241 230 64

HSL 56.27, 0.86%, 0.6%

LAB 89.7, -13.98, 76.7

 

CMYK 15 / 0 / 73 / 5

HEX #CDF140

RGB 205 241 64

HSL 72.2, 0.86%, 0.6%

LAB 89.98, -33.79, 76.02

 

CMYK 35 / 0 / 73 / 5

HEX #9DF140

RGB 157 241 64

HSL 88.47, 0.86%, 0.6%

LAB 87.22, -51.53, 72.4

 

CMYK 0 / 44 / 73 / 5

HEX #F18640

RGB 241 134 64

HSL 23.73, 0.86%, 0.6%

LAB 66.61, 35.69, 54

 

CMYK 0 / 44 / 73 / 5

HEX #F18640

RGB 241 134 64

HSL 23.73, 0.86%, 0.6%

LAB 66.61, 35.69, 54

 

CMYK 0 / 39 / 64 / 12

HEX #E18A50

RGB 225 138 80

HSL 24, 0.71%, 0.6%

LAB 65.56, 28.02, 44.45

 

CMYK 0 / 32 / 53 / 18

HEX #D08D61

RGB 208 141 97

HSL 23.78, 0.54%, 0.6%

LAB 64.42, 20.71, 33.66

 

CMYK 0 / 25 / 41 / 25

HEX #C09071

RGB 192 144 113

HSL 23.54, 0.39%, 0.6%

LAB 63.63, 14.11, 23.53

 

CMYK 0 / 15 / 26 / 31

HEX #AF9482

RGB 175 148 130

HSL 24, 0.22%, 0.6%

LAB 63.26, 7.26, 13.26

 

CMYK 0 / 73 / 63 / 5

HEX #F1405A

RGB 241 64 90

HSL 351.19, 0.86%, 0.6%

LAB 55.18, 67.74, 26.77

 

CMYK 0 / 65 / 73 / 5

HEX #F15440

RGB 241 84 64

HSL 6.78, 0.86%, 0.6%

LAB 57.47, 59.15, 44.23

 

CMYK 0 / 45 / 73 / 5

HEX #F18440

RGB 241 132 64

HSL 23.05, 0.86%, 0.6%

LAB 66.19, 36.72, 53.57

 

CMYK 0 / 26 / 73 / 5

HEX #F1B340

RGB 241 179 64

HSL 38.98, 0.86%, 0.6%

LAB 76.87, 12.08, 64.38

 

CMYK 0 / 6 / 73 / 5

HEX #F1E240

RGB 241 226 64

HSL 54.92, 0.86%, 0.6%

LAB 88.67, -12.01, 75.73

 

CMYK 0 / 56 / 93 / 18

HEX #D05B0E

RGB 208 91 14

HSL 23.81, 0.87%, 0.44%

LAB 52.87, 42.96, 59.13

 

CMYK 0 / 54 / 90 / 6

HEX #EF6E19

RGB 239 110 25

HSL 23.83, 0.87%, 0.52%

LAB 61.28, 45.74, 64.36

 

CMYK 0 / 44 / 73 / 5

HEX #F18640

RGB 241 134 64

HSL 23.73, 0.86%, 0.6%

LAB 66.61, 35.69, 54

 

CMYK 0 / 35 / 58 / 4

HEX #F49E66

RGB 244 158 102

HSL 23.66, 0.87%, 0.68%

LAB 72.66, 26.62, 42.18

 

CMYK 0 / 26 / 43 / 3

HEX #F7B78D

RGB 247 183 141

HSL 23.77, 0.87%, 0.76%

LAB 79.37, 18.1, 30.41

 

CMYK 0 / 45 / 74 / 5

HEX #F2863F

RGB 242 134 63

HSL 23.8, 0.87%, 0.6%

LAB 66.74, 36.05, 54.64

 

CMYK 43 / 0 / 73 / 5

HEX #8AF140

RGB 138 241 64

HSL 94.92, 0.86%, 0.6%

LAB 86.35, -57.73, 71.25

 

CMYK 73 / 72 / 0 / 5

HEX #4043F1

RGB 64 67 241

HSL 238.98, 0.86%, 0.6%

LAB 40.34, 54.56, -86.57

 

CMYK 0 / 45 / 74 / 5

HEX #F2863F

RGB 242 134 63

HSL 23.8, 0.87%, 0.6%

LAB 66.74, 36.05, 54.64

 

CMYK 73 / 0 / 45 / 5

HEX #40F184

RGB 64 241 132

HSL 143.05, 0.86%, 0.6%

LAB 84.83, -67.11, 40.16

 

CMYK 45 / 73 / 0 / 5

HEX #8440F1

RGB 132 64 241

HSL 263.05, 0.86%, 0.6%

LAB 45.53, 64.39, -77.83

 

CMYK 0 / 45 / 74 / 5

HEX #F2863F

RGB 242 134 63

HSL 23.8, 0.87%, 0.6%

LAB 66.74, 36.05, 54.64

 

CMYK 43 / 0 / 73 / 5

HEX #8AF140

RGB 138 241 64

HSL 94.92, 0.86%, 0.6%

LAB 86.35, -57.73, 71.25

 

CMYK 73 / 28 / 0 / 5

HEX #40ADF1

RGB 64 173 241

HSL 203.05, 0.86%, 0.6%

LAB 67.52, -8.82, -42.78

 

CMYK 31 / 73 / 0 / 5

HEX #A740F1

RGB 167 64 241

HSL 274.92, 0.86%, 0.6%

LAB 49.78, 70.18, -70.72

 

CMYK 0 / 45 / 74 / 5

HEX #F2863F

RGB 242 134 63

HSL 23.8, 0.87%, 0.6%

LAB 66.74, 36.05, 54.64

 

CMYK 65 / 0 / 73 / 5

HEX #54F140

RGB 84 241 64

HSL 113.22, 0.86%, 0.6%

LAB 84.57, -71.6, 68.9

 

CMYK 73 / 28 / 0 / 5

HEX #40ADF1

RGB 64 173 241

HSL 203.05, 0.86%, 0.6%

LAB 67.52, -8.82, -42.78

 

CMYK 8 / 73 / 0 / 5

HEX #DD40F1

RGB 221 64 241

HSL 293.22, 0.86%, 0.6%

LAB 57.45, 80.26, -57.95

 

Description

Color code: RGB 242 134 63 | qconv.com Color code: RGB 242 134 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 134 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 134 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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