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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 144 151 it is the complementary color RGB 13 111 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 144 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 144 151 shade: RGB 247 144 146, RGB 255 162 165, RGB 255 180 184, RGB 255 198 203 and RGB 255 216 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 144 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 144 151 shade: RGB 242 144 151, RGB 225 126 132, RGB 208 108 113, RGB 191 90 94 and RGB 174 72 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 144 151 shade: RGB 242 145 152 and RGB 242 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 144 151 shade: RGB 242 145 152, RGB 242 145 178, RGB 242 145 204, RGB 242 145 230 and RGB 227 145 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 144 151 shade matches the following richer shades: RGB 242 145 152 and RGB 252 135 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 144 151 shade: RGB 242 145 152, RGB 232 155 160, RGB 222 165 169, RGB 212 175 177 and RGB 202 185 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 144 151 shade: RGB 242 145 205, RGB 242 145 179, RGB 242 145 153, RGB 242 163 145 and RGB 242 188 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 144 151 shade: RGB 233 71 83, RGB 237 108 117, RGB 242 145 152, RGB 246 182 186 and RGB 250 219 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 144 151 shade: RGB 242 144 151, RGB 230 242 145 and RGB 145 192 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 144 151 shade: RGB 242 144 151, RGB 153 242 145 and RGB 145 153 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 144 151 shade: RGB 242 144 151, RGB 230 242 145, RGB 145 242 234 and RGB 156 145 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 144 151 shade: RGB 242 144 151, RGB 201 242 145, RGB 145 242 234 and RGB 185 145 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 38 / 5

HEX #F29097

RGB 242 144 151

HSL 355.71, 0.79%, 0.76%

LAB 70.22, 37.78, 12.36

 

Complementary color

CMYK 88 / 0 / 6 / 56

HEX #0D6F68

RGB 13 111 104

HSL 175.71, 0.79%, 0.24%

LAB 41.93, -27.43, -3.56

 

CMYK 0 / 42 / 41 / 3

HEX #F79092

RGB 247 144 146

HSL 358.83, 0.87%, 0.77%

LAB 70.73, 39.05, 15.95

 

CMYK 0 / 36 / 35 / 0

HEX #FFA2A5

RGB 255 162 165

HSL 358.06, 1%, 0.82%

LAB 75.96, 34.81, 12.96

 

CMYK 0 / 29 / 28 / 0

HEX #FFB4B8

RGB 255 180 184

HSL 356.8, 1%, 0.85%

LAB 80.38, 27.79, 8.92

 

CMYK 0 / 22 / 20 / 0

HEX #FFC6CB

RGB 255 198 203

HSL 354.74, 1%, 0.89%

LAB 84.98, 21, 5.33

 

CMYK 0 / 15 / 13 / 0

HEX #FFD8DE

RGB 255 216 222

HSL 350.77, 1%, 0.92%

LAB 89.69, 14.49, 2.1

 

CMYK 0 / 40 / 38 / 5

HEX #F29097

RGB 242 144 151

HSL 355.71, 0.79%, 0.76%

LAB 70.22, 37.78, 12.36

 

CMYK 0 / 44 / 41 / 12

HEX #E17E84

RGB 225 126 132

HSL 356.36, 0.62%, 0.69%

LAB 63.83, 38.77, 13.77

 

CMYK 0 / 48 / 46 / 18

HEX #D06C71

RGB 208 108 113

HSL 357, 0.52%, 0.62%

LAB 57.39, 39.82, 15.37

 

CMYK 0 / 53 / 51 / 25

HEX #BF5A5E

RGB 191 90 94

HSL 357.62, 0.44%, 0.55%

LAB 50.92, 40.91, 17.24

 

CMYK 0 / 59 / 57 / 32

HEX #AE484B

RGB 174 72 75

HSL 358.24, 0.41%, 0.48%

LAB 44.44, 41.98, 19.48

 

CMYK 0 / 40 / 37 / 5

HEX #F29198

RGB 242 145 152

HSL 355.67, 0.79%, 0.76%

LAB 70.45, 37.38, 12.14

 

CMYK 0 / 40 / 40 / 5

HEX #F29191

RGB 242 145 145

HSL 0, 0.79%, 0.76%

LAB 70.3, 36.59, 15.81

 

CMYK 0 / 40 / 37 / 5

HEX #F29198

RGB 242 145 152

HSL 355.67, 0.79%, 0.76%

LAB 70.45, 37.38, 12.14

 

CMYK 0 / 40 / 26 / 5

HEX #F291B2

RGB 242 145 178

HSL 339.59, 0.79%, 0.76%

LAB 71.11, 40.64, -1.4

 

CMYK 0 / 40 / 16 / 5

HEX #F291CC

RGB 242 145 204

HSL 323.51, 0.79%, 0.76%

LAB 71.88, 44.41, -14.67

 

CMYK 0 / 40 / 5 / 5

HEX #F291E6

RGB 242 145 230

HSL 307.42, 0.79%, 0.76%

LAB 72.79, 48.65, -27.62

 

CMYK 6 / 40 / 0 / 5

HEX #E391F2

RGB 227 145 242

HSL 290.72, 0.79%, 0.76%

LAB 71.55, 46.32, -36.23

 

CMYK 0 / 40 / 37 / 5

HEX #F29198

RGB 242 145 152

HSL 355.67, 0.79%, 0.76%

LAB 70.45, 37.38, 12.14

 

CMYK 0 / 46 / 43 / 1

HEX #FC878F

RGB 252 135 143

HSL 355.9, 0.95%, 0.76%

LAB 69.47, 45.1, 15.97

 

CMYK 0 / 40 / 37 / 5

HEX #F29198

RGB 242 145 152

HSL 355.67, 0.79%, 0.76%

LAB 70.45, 37.38, 12.14

 

CMYK 0 / 33 / 31 / 9

HEX #E89BA0

RGB 232 155 160

HSL 356.1, 0.63%, 0.76%

LAB 71.65, 29.42, 9.23

 

CMYK 0 / 26 / 24 / 13

HEX #DEA5A9

RGB 222 165 169

HSL 355.79, 0.46%, 0.76%

LAB 73.09, 21.59, 6.19

 

CMYK 0 / 17 / 17 / 17

HEX #D4AFB1

RGB 212 175 177

HSL 356.76, 0.3%, 0.76%

LAB 74.72, 13.72, 4.02

 

CMYK 0 / 8 / 8 / 21

HEX #CAB9BA

RGB 202 185 186

HSL 356.47, 0.14%, 0.76%

LAB 76.56, 6.2, 1.67

 

CMYK 0 / 40 / 15 / 5

HEX #F291CD

RGB 242 145 205

HSL 322.89, 0.79%, 0.76%

LAB 71.92, 44.57, -15.18

 

CMYK 0 / 40 / 26 / 5

HEX #F291B3

RGB 242 145 179

HSL 338.97, 0.79%, 0.76%

LAB 71.13, 40.78, -1.92

 

CMYK 0 / 40 / 37 / 5

HEX #F29199

RGB 242 145 153

HSL 355.05, 0.79%, 0.76%

LAB 70.47, 37.49, 11.61

 

CMYK 0 / 33 / 40 / 5

HEX #F2A391

RGB 242 163 145

HSL 11.13, 0.79%, 0.76%

LAB 74.26, 27.15, 21.29

 

CMYK 0 / 22 / 40 / 5

HEX #F2BC91

RGB 242 188 145

HSL 26.6, 0.79%, 0.76%

LAB 80.12, 13.94, 29.21

 

CMYK 0 / 70 / 64 / 9

HEX #E94753

RGB 233 71 83

HSL 355.56, 0.79%, 0.6%

LAB 54.51, 62.55, 29.71

 

CMYK 0 / 54 / 51 / 7

HEX #ED6C75

RGB 237 108 117

HSL 355.81, 0.78%, 0.68%

LAB 61.67, 50.55, 19.6

 

CMYK 0 / 40 / 37 / 5

HEX #F29198

RGB 242 145 152

HSL 355.67, 0.79%, 0.76%

LAB 70.45, 37.38, 12.14

 

CMYK 0 / 26 / 24 / 4

HEX #F6B6BA

RGB 246 182 186

HSL 356.25, 0.78%, 0.84%

LAB 79.95, 23.74, 7.1

 

CMYK 0 / 12 / 12 / 2

HEX #FADBDD

RGB 250 219 221

HSL 356.13, 0.76%, 0.92%

LAB 89.96, 11.03, 2.95

 

CMYK 0 / 40 / 38 / 5

HEX #F29097

RGB 242 144 151

HSL 355.71, 0.79%, 0.76%

LAB 70.22, 37.78, 12.36

 

CMYK 5 / 0 / 40 / 5

HEX #E6F291

RGB 230 242 145

HSL 67.42, 0.79%, 0.76%

LAB 92.74, -18.25, 45.41

 

CMYK 40 / 21 / 0 / 5

HEX #91C0F2

RGB 145 192 242

HSL 210.93, 0.79%, 0.76%

LAB 76.15, -3.06, -29.67

 

CMYK 0 / 40 / 38 / 5

HEX #F29097

RGB 242 144 151

HSL 355.71, 0.79%, 0.76%

LAB 70.22, 37.78, 12.36

 

CMYK 37 / 0 / 40 / 5

HEX #99F291

RGB 153 242 145

HSL 115.05, 0.79%, 0.76%

LAB 88.12, -45.18, 38.57

 

CMYK 40 / 37 / 0 / 5

HEX #9199F2

RGB 145 153 242

HSL 235.05, 0.79%, 0.76%

LAB 65.91, 18.77, -45.59

 

CMYK 0 / 40 / 38 / 5

HEX #F29097

RGB 242 144 151

HSL 355.71, 0.79%, 0.76%

LAB 70.22, 37.78, 12.36

 

CMYK 5 / 0 / 40 / 5

HEX #E6F291

RGB 230 242 145

HSL 67.42, 0.79%, 0.76%

LAB 92.74, -18.25, 45.41

 

CMYK 40 / 0 / 3 / 5

HEX #91F2EA

RGB 145 242 234

HSL 175.05, 0.79%, 0.76%

LAB 89.61, -30.44, -5.15

 

CMYK 36 / 40 / 0 / 5

HEX #9C91F2

RGB 156 145 242

HSL 246.8, 0.79%, 0.76%

LAB 64.75, 26.22, -47.37

 

CMYK 0 / 40 / 38 / 5

HEX #F29097

RGB 242 144 151

HSL 355.71, 0.79%, 0.76%

LAB 70.22, 37.78, 12.36

 

CMYK 17 / 0 / 40 / 5

HEX #C9F291

RGB 201 242 145

HSL 85.36, 0.79%, 0.76%

LAB 90.76, -29.02, 42.5

 

CMYK 40 / 0 / 3 / 5

HEX #91F2EA

RGB 145 242 234

HSL 175.05, 0.79%, 0.76%

LAB 89.61, -30.44, -5.15

 

CMYK 24 / 40 / 0 / 5

HEX #B991F2

RGB 185 145 242

HSL 264.74, 0.79%, 0.76%

LAB 67.26, 34.14, -43.25

 

Description

Color code: RGB 242 144 151 | qconv.com Color code: RGB 242 144 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 144 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 144 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 38% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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