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Color name
RGB 242 162 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 162 112 it is the complementary color RGB 13 93 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 162 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 162 112 shade: RGB 247 162 107, RGB 255 180 126, RGB 255 198 145, RGB 255 216 164 and RGB 255 234 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 162 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 162 112 shade: RGB 242 162 112, RGB 225 144 93, RGB 208 126 74, RGB 191 108 55 and RGB 174 90 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 162 112 shade: RGB 241 160 110, RGB 241 125 110 and RGB 241 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 162 112 shade: RGB 241 160 110, RGB 241 196 110, RGB 241 231 110, RGB 216 241 110 and RGB 180 241 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 162 112 shade matches the following richer shades: RGB 241 160 110 and RGB 254 157 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 162 112 shade: RGB 241 160 110, RGB 228 163 123, RGB 215 166 135, RGB 203 169 148 and RGB 190 172 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 162 112 shade: RGB 241 110 130, RGB 241 125 110, RGB 241 160 110, RGB 241 195 110 and RGB 241 230 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 162 112 shade: RGB 234 111 34, RGB 238 136 72, RGB 241 160 110, RGB 245 185 148 and RGB 248 209 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 162 112 shade: RGB 242 162 112, RGB 165 241 110 and RGB 110 112 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 162 112 shade: RGB 242 162 112, RGB 110 241 160 and RGB 160 110 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 162 112 shade: RGB 242 162 112, RGB 165 241 110, RGB 110 191 241 and RGB 186 110 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 162 112 shade: RGB 242 162 112, RGB 125 241 110, RGB 110 191 241 and RGB 226 110 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 54 / 5

HEX #F2A270

RGB 242 162 112

HSL 23.08, 0.83%, 0.69%

LAB 73.47, 24.49, 37.94

 

Complementary color

CMYK 91 / 35 / 0 / 44

HEX #0D5D8F

RGB 13 93 143

HSL 203.08, 0.83%, 0.31%

LAB 37.66, -3.06, -33.79

 

CMYK 0 / 34 / 57 / 3

HEX #F7A26B

RGB 247 162 107

HSL 23.57, 0.9%, 0.69%

LAB 73.98, 26.09, 41.31

 

CMYK 0 / 29 / 51 / 0

HEX #FFB47E

RGB 255 180 126

HSL 25.12, 1%, 0.75%

LAB 79.28, 21.38, 38.31

 

CMYK 0 / 22 / 43 / 0

HEX #FFC691

RGB 255 198 145

HSL 28.91, 1%, 0.78%

LAB 83.81, 13.78, 34.33

 

CMYK 0 / 15 / 36 / 0

HEX #FFD8A4

RGB 255 216 164

HSL 34.29, 1%, 0.82%

LAB 88.47, 6.53, 30.71

 

CMYK 0 / 8 / 28 / 0

HEX #FFEAB7

RGB 255 234 183

HSL 42.5, 1%, 0.86%

LAB 93.24, -0.35, 27.4

 

CMYK 0 / 33 / 54 / 5

HEX #F2A270

RGB 242 162 112

HSL 23.08, 0.83%, 0.69%

LAB 73.47, 24.49, 37.94

 

CMYK 0 / 36 / 59 / 12

HEX #E1905D

RGB 225 144 93

HSL 23.18, 0.69%, 0.62%

LAB 67.08, 25.71, 39.54

 

CMYK 0 / 39 / 64 / 18

HEX #D07E4A

RGB 208 126 74

HSL 23.28, 0.59%, 0.55%

LAB 60.63, 27.1, 41.24

 

CMYK 0 / 43 / 71 / 25

HEX #BF6C37

RGB 191 108 55

HSL 23.38, 0.55%, 0.48%

LAB 54.11, 28.66, 43.02

 

CMYK 0 / 48 / 79 / 32

HEX #AE5A24

RGB 174 90 36

HSL 23.48, 0.66%, 0.41%

LAB 47.54, 30.42, 44.71

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06E

RGB 241 160 110

HSL 22.9, 0.82%, 0.69%

LAB 72.87, 24.98, 38.21

 

CMYK 0 / 48 / 54 / 5

HEX #F17D6E

RGB 241 125 110

HSL 6.87, 0.82%, 0.69%

LAB 65.35, 43.11, 28.57

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6E

RGB 241 110 110

HSL 0, 0.82%, 0.69%

LAB 62.49, 50.41, 24.8

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06E

RGB 241 160 110

HSL 22.9, 0.82%, 0.69%

LAB 72.87, 24.98, 38.21

 

CMYK 0 / 19 / 54 / 5

HEX #F1C46E

RGB 241 196 110

HSL 39.39, 0.82%, 0.69%

LAB 81.46, 6.03, 48.75

 

CMYK 0 / 4 / 54 / 5

HEX #F1E76E

RGB 241 231 110

HSL 55.42, 0.82%, 0.69%

LAB 90.31, -11.78, 59.15

 

CMYK 10 / 0 / 54 / 5

HEX #D8F16E

RGB 216 241 110

HSL 71.45, 0.82%, 0.69%

LAB 91.07, -26.5, 59.53

 

CMYK 25 / 0 / 54 / 5

HEX #B4F16E

RGB 180 241 110

HSL 87.94, 0.82%, 0.69%

LAB 88.8, -39.94, 56.31

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06E

RGB 241 160 110

HSL 22.9, 0.82%, 0.69%

LAB 72.87, 24.98, 38.21

 

CMYK 0 / 38 / 62 / 0

HEX #FE9D61

RGB 254 157 97

HSL 22.93, 0.99%, 0.69%

LAB 73.58, 30.77, 46.13

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06E

RGB 241 160 110

HSL 22.9, 0.82%, 0.69%

LAB 72.87, 24.98, 38.21

 

CMYK 0 / 29 / 46 / 11

HEX #E4A37B

RGB 228 163 123

HSL 22.86, 0.66%, 0.69%

LAB 72.31, 19.37, 30.3

 

CMYK 0 / 23 / 37 / 16

HEX #D7A687

RGB 215 166 135

HSL 23.25, 0.5%, 0.69%

LAB 71.87, 13.9, 22.99

 

CMYK 0 / 17 / 27 / 20

HEX #CBA994

RGB 203 169 148

HSL 22.91, 0.35%, 0.69%

LAB 71.7, 9.26, 15.48

 

CMYK 0 / 9 / 15 / 25

HEX #BEACA1

RGB 190 172 161

HSL 22.76, 0.18%, 0.69%

LAB 71.57, 4.64, 8

 

CMYK 0 / 54 / 46 / 5

HEX #F16E82

RGB 241 110 130

HSL 350.84, 0.82%, 0.69%

LAB 62.9, 52.15, 13.93

 

CMYK 0 / 48 / 54 / 5

HEX #F17D6E

RGB 241 125 110

HSL 6.87, 0.82%, 0.69%

LAB 65.35, 43.11, 28.57

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06E

RGB 241 160 110

HSL 22.9, 0.82%, 0.69%

LAB 72.87, 24.98, 38.21

 

CMYK 0 / 19 / 54 / 5

HEX #F1C36E

RGB 241 195 110

HSL 38.93, 0.82%, 0.69%

LAB 81.21, 6.55, 48.46

 

CMYK 0 / 5 / 54 / 5

HEX #F1E66E

RGB 241 230 110

HSL 54.96, 0.82%, 0.69%

LAB 90.05, -11.29, 58.85

 

CMYK 0 / 53 / 85 / 8

HEX #EA6F22

RGB 234 111 34

HSL 23.1, 0.83%, 0.53%

LAB 60.76, 43.53, 60.71

 

CMYK 0 / 43 / 70 / 7

HEX #EE8848

RGB 238 136 72

HSL 23.13, 0.83%, 0.61%

LAB 66.71, 33.85, 50.19

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06E

RGB 241 160 110

HSL 22.9, 0.82%, 0.69%

LAB 72.87, 24.98, 38.21

 

CMYK 0 / 24 / 40 / 4

HEX #F5B994

RGB 245 185 148

HSL 22.89, 0.83%, 0.77%

LAB 79.76, 17.01, 27.19

 

CMYK 0 / 16 / 25 / 3

HEX #F8D1B9

RGB 248 209 185

HSL 22.86, 0.82%, 0.85%

LAB 86.53, 10.15, 17

 

CMYK 0 / 33 / 54 / 5

HEX #F2A270

RGB 242 162 112

HSL 23.08, 0.83%, 0.69%

LAB 73.47, 24.49, 37.94

 

CMYK 32 / 0 / 54 / 5

HEX #A5F16E

RGB 165 241 110

HSL 94.81, 0.82%, 0.69%

LAB 87.99, -45.16, 55.15

 

CMYK 54 / 54 / 0 / 5

HEX #6E70F1

RGB 110 112 241

HSL 239.08, 0.82%, 0.69%

LAB 53.23, 34.7, -65.4

 

CMYK 0 / 33 / 54 / 5

HEX #F2A270

RGB 242 162 112

HSL 23.08, 0.83%, 0.69%

LAB 73.47, 24.49, 37.94

 

CMYK 54 / 0 / 34 / 5

HEX #6EF1A0

RGB 110 241 160

HSL 142.9, 0.82%, 0.69%

LAB 86.39, -53.86, 28.44

 

CMYK 34 / 54 / 0 / 5

HEX #A06EF1

RGB 160 110 241

HSL 262.9, 0.82%, 0.69%

LAB 57.05, 46.72, -59.03

 

CMYK 0 / 33 / 54 / 5

HEX #F2A270

RGB 242 162 112

HSL 23.08, 0.83%, 0.69%

LAB 73.47, 24.49, 37.94

 

CMYK 32 / 0 / 54 / 5

HEX #A5F16E

RGB 165 241 110

HSL 94.81, 0.82%, 0.69%

LAB 87.99, -45.16, 55.15

 

CMYK 54 / 21 / 0 / 5

HEX #6EBFF1

RGB 110 191 241

HSL 202.9, 0.82%, 0.69%

LAB 74.14, -10.95, -32.36

 

CMYK 23 / 54 / 0 / 5

HEX #BA6EF1

RGB 186 110 241

HSL 274.81, 0.82%, 0.69%

LAB 59.84, 53.06, -54.42

 

CMYK 0 / 33 / 54 / 5

HEX #F2A270

RGB 242 162 112

HSL 23.08, 0.83%, 0.69%

LAB 73.47, 24.49, 37.94

 

CMYK 48 / 0 / 54 / 5

HEX #7DF16E

RGB 125 241 110

HSL 113.13, 0.82%, 0.69%

LAB 86.2, -57.51, 52.61

 

CMYK 54 / 21 / 0 / 5

HEX #6EBFF1

RGB 110 191 241

HSL 202.9, 0.82%, 0.69%

LAB 74.14, -10.95, -32.36

 

CMYK 6 / 54 / 0 / 5

HEX #E26EF1

RGB 226 110 241

HSL 293.13, 0.82%, 0.69%

LAB 64.7, 63.22, -46.4

 

Description

Color code: RGB 242 162 112 | qconv.com Color code: RGB 242 162 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 162 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 162 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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