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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 199 160 it is the complementary color RGB 13 56 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 199 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 199 160 shade: RGB 247 199 155, RGB 255 217 174, RGB 255 235 193, RGB 255 253 212 and RGB 255 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 199 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 225 181 141, RGB 208 163 122, RGB 191 145 103 and RGB 174 127 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 242 177 160 and RGB 242 160 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 242 221 160, RGB 240 242 160, RGB 218 242 160 and RGB 197 242 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 199 160 shade matches the following richer shades: RGB 242 199 160 and RGB 250 199 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 233 199 169, RGB 224 200 178, RGB 216 200 186 and RGB 207 201 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 199 160 shade: RGB 242 160 166, RGB 242 177 160, RGB 242 198 160, RGB 242 220 160 and RGB 242 242 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 199 160 shade: RGB 232 156 88, RGB 237 178 124, RGB 242 199 160, RGB 247 220 197 and RGB 252 242 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 187 242 160 and RGB 166 160 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 160 242 198 and RGB 198 160 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 187 242 160, RGB 160 204 242 and RGB 215 160 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 199 160 shade: RGB 242 199 160, RGB 163 242 160, RGB 160 204 242 and RGB 239 160 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

Complementary color

CMYK 86 / 41 / 0 / 63

HEX #0D385F

RGB 13 56 95

HSL 208.54, 0.76%, 0.21%

LAB 22.79, 1.41, -27.26

 

CMYK 0 / 19 / 37 / 3

HEX #F7C79B

RGB 247 199 155

HSL 28.7, 0.85%, 0.79%

LAB 83.44, 11.23, 28.49

 

CMYK 0 / 15 / 32 / 0

HEX #FFD9AE

RGB 255 217 174

HSL 31.85, 1%, 0.84%

LAB 88.89, 7.2, 26.11

 

CMYK 0 / 8 / 24 / 0

HEX #FFEBC1

RGB 255 235 193

HSL 40.65, 1%, 0.88%

LAB 93.68, 0.46, 22.87

 

CMYK 0 / 1 / 17 / 0

HEX #FFFDD4

RGB 255 253 212

HSL 57.21, 1%, 0.92%

LAB 98.54, -5.91, 19.9

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 0 / 20 / 37 / 12

HEX #E1B58D

RGB 225 181 141

HSL 28.57, 0.58%, 0.72%

LAB 76.67, 10.52, 26.41

 

CMYK 0 / 22 / 41 / 18

HEX #D0A37A

RGB 208 163 122

HSL 28.6, 0.48%, 0.65%

LAB 70.18, 11.23, 27.64

 

CMYK 0 / 24 / 46 / 25

HEX #BF9167

RGB 191 145 103

HSL 28.64, 0.41%, 0.58%

LAB 63.6, 12.06, 28.97

 

CMYK 0 / 27 / 52 / 32

HEX #AE7F54

RGB 174 127 84

HSL 28.67, 0.36%, 0.51%

LAB 56.9, 13.03, 30.4

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 0 / 27 / 34 / 5

HEX #F2B1A0

RGB 242 177 160

HSL 12.44, 0.76%, 0.79%

LAB 77.79, 21.49, 18.03

 

CMYK 0 / 34 / 34 / 5

HEX #F2A0A0

RGB 242 160 160

HSL 0, 0.76%, 0.79%

LAB 73.91, 30.48, 12.59

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 0 / 9 / 34 / 5

HEX #F2DDA0

RGB 242 221 160

HSL 44.63, 0.76%, 0.79%

LAB 88.51, -1.49, 32.61

 

CMYK 1 / 0 / 34 / 5

HEX #F0F2A0

RGB 240 242 160

HSL 61.46, 0.76%, 0.79%

LAB 93.7, -12.79, 39.41

 

CMYK 10 / 0 / 34 / 5

HEX #DAF2A0

RGB 218 242 160

HSL 77.56, 0.76%, 0.79%

LAB 92.11, -20.97, 37.03

 

CMYK 19 / 0 / 34 / 5

HEX #C5F2A0

RGB 197 242 160

HSL 92.93, 0.76%, 0.79%

LAB 90.74, -28.51, 34.98

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 0 / 20 / 39 / 2

HEX #FAC798

RGB 250 199 152

HSL 28.78, 0.91%, 0.79%

LAB 83.67, 12.06, 30.43

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 0 / 15 / 27 / 9

HEX #E9C7A9

RGB 233 199 169

HSL 28.13, 0.59%, 0.79%

LAB 82.4, 7.61, 19.48

 

CMYK 0 / 11 / 21 / 12

HEX #E0C8B2

RGB 224 200 178

HSL 28.7, 0.43%, 0.79%

LAB 82.04, 4.98, 14.08

 

CMYK 0 / 7 / 14 / 15

HEX #D8C8BA

RGB 216 200 186

HSL 28, 0.28%, 0.79%

LAB 81.54, 3.27, 9.01

 

CMYK 0 / 3 / 6 / 19

HEX #CFC9C3

RGB 207 201 195

HSL 30, 0.11%, 0.79%

LAB 81.28, 1.02, 3.72

 

CMYK 0 / 34 / 31 / 5

HEX #F2A0A6

RGB 242 160 166

HSL 355.61, 0.76%, 0.79%

LAB 74.04, 31.23, 9.49

 

CMYK 0 / 27 / 34 / 5

HEX #F2B1A0

RGB 242 177 160

HSL 12.44, 0.76%, 0.79%

LAB 77.79, 21.49, 18.03

 

CMYK 0 / 18 / 34 / 5

HEX #F2C6A0

RGB 242 198 160

HSL 27.8, 0.76%, 0.79%

LAB 82.81, 10.41, 24.94

 

CMYK 0 / 9 / 34 / 5

HEX #F2DCA0

RGB 242 220 160

HSL 43.9, 0.76%, 0.79%

LAB 88.26, -0.98, 32.27

 

CMYK 0 / 0 / 34 / 5

HEX #F2F2A0

RGB 242 242 160

HSL 60, 0.76%, 0.79%

LAB 93.85, -12.03, 39.64

 

CMYK 0 / 33 / 62 / 9

HEX #E89C58

RGB 232 156 88

HSL 28.33, 0.76%, 0.63%

LAB 70.62, 21.82, 46.52

 

CMYK 0 / 25 / 48 / 7

HEX #EDB27C

RGB 237 178 124

HSL 28.67, 0.76%, 0.71%

LAB 76.86, 15.09, 35.87

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 0 / 11 / 20 / 3

HEX #F7DCC5

RGB 247 220 197

HSL 27.6, 0.76%, 0.87%

LAB 89.39, 5.77, 14.7

 

CMYK 0 / 4 / 8 / 1

HEX #FCF2E9

RGB 252 242 233

HSL 28.42, 0.76%, 0.95%

LAB 96.03, 1.84, 5.52

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 23 / 0 / 34 / 5

HEX #BBF2A0

RGB 187 242 160

HSL 100.24, 0.76%, 0.79%

LAB 90.14, -31.97, 34.07

 

CMYK 31 / 34 / 0 / 5

HEX #A6A0F2

RGB 166 160 242

HSL 244.39, 0.76%, 0.79%

LAB 69.23, 20.38, -40.28

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 34 / 0 / 18 / 5

HEX #A0F2C6

RGB 160 242 198

HSL 147.8, 0.76%, 0.79%

LAB 89.42, -34.12, 13.41

 

CMYK 18 / 34 / 0 / 5

HEX #C6A0F2

RGB 198 160 242

HSL 267.8, 0.76%, 0.79%

LAB 71.93, 29.62, -35.87

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 23 / 0 / 34 / 5

HEX #BBF2A0

RGB 187 242 160

HSL 100.24, 0.76%, 0.79%

LAB 90.14, -31.97, 34.07

 

CMYK 34 / 16 / 0 / 5

HEX #A0CCF2

RGB 160 204 242

HSL 207.8, 0.76%, 0.79%

LAB 80.22, -5.49, -23.37

 

CMYK 11 / 34 / 0 / 5

HEX #D7A0F2

RGB 215 160 242

HSL 280.24, 0.76%, 0.79%

LAB 73.55, 34.74, -33.24

 

CMYK 0 / 18 / 34 / 5

HEX #F2C7A0

RGB 242 199 160

HSL 28.54, 0.76%, 0.79%

LAB 83.05, 9.89, 25.27

 

CMYK 33 / 0 / 34 / 5

HEX #A3F2A0

RGB 163 242 160

HSL 117.8, 0.76%, 0.79%

LAB 88.84, -39.84, 32.11

 

CMYK 34 / 16 / 0 / 5

HEX #A0CCF2

RGB 160 204 242

HSL 207.8, 0.76%, 0.79%

LAB 80.22, -5.49, -23.37

 

CMYK 1 / 34 / 0 / 5

HEX #EFA0F2

RGB 239 160 242

HSL 297.8, 0.76%, 0.79%

LAB 76.01, 42.09, -29.24

 

Description

Color code: RGB 242 199 160 | qconv.com Color code: RGB 242 199 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 199 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 199 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 34% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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