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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 217 124 it is the complementary color RGB 13 38 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 217 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 217 124 shade: RGB 247 217 119, RGB 255 235 138, RGB 255 253 157, RGB 255 255 176 and RGB 255 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 217 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 217 124 shade: RGB 242 217 124, RGB 225 199 105, RGB 208 181 86, RGB 191 163 67 and RGB 174 145 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 217 124 shade: RGB 242 217 125, RGB 242 185 125, RGB 242 154 125 and RGB 242 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 217 124 shade: RGB 242 217 125, RGB 235 242 125, RGB 203 242 125, RGB 172 242 125 and RGB 140 242 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 217 124 shade matches the following richer shades: RGB 242 217 125 and RGB 253 224 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 217 124 shade: RGB 242 217 125, RGB 230 210 136, RGB 219 204 148, RGB 207 197 159 and RGB 195 190 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 217 124 shade: RGB 242 154 125, RGB 242 185 125, RGB 242 216 125, RGB 236 242 125 and RGB 205 242 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 217 124 shade: RGB 234 195 49, RGB 238 206 87, RGB 242 217 125, RGB 245 228 162 and RGB 249 239 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 217 124 shade: RGB 242 217 124, RGB 127 242 125 and RGB 169 125 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 217 124 shade: RGB 242 217 124, RGB 125 242 216 and RGB 216 125 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 217 124 shade: RGB 242 217 124, RGB 127 242 125, RGB 125 150 242 and RGB 240 125 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 217 124 shade: RGB 242 217 124, RGB 125 242 158, RGB 125 150 242 and RGB 242 125 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 49 / 5

HEX #F2D97C

RGB 242 217 124

HSL 47.29, 0.82%, 0.72%

LAB 86.98, -3.19, 48.66

 

Complementary color

CMYK 90 / 71 / 0 / 49

HEX #0D2683

RGB 13 38 131

HSL 227.29, 0.82%, 0.28%

LAB 20.48, 29.55, -54.13

 

CMYK 0 / 12 / 52 / 3

HEX #F7D977

RGB 247 217 119

HSL 45.94, 0.89%, 0.72%

LAB 87.35, -1.61, 51.62

 

CMYK 0 / 8 / 46 / 0

HEX #FFEB8A

RGB 255 235 138

HSL 49.74, 1%, 0.77%

LAB 92.8, -5.83, 49.3

 

CMYK 0 / 1 / 38 / 0

HEX #FFFD9D

RGB 255 253 157

HSL 58.78, 1%, 0.81%

LAB 97.61, -12.84, 46.15

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 10 / 49 / 5

HEX #F2D97C

RGB 242 217 124

HSL 47.29, 0.82%, 0.72%

LAB 86.98, -3.19, 48.66

 

CMYK 0 / 12 / 53 / 12

HEX #E1C769

RGB 225 199 105

HSL 47, 0.67%, 0.65%

LAB 80.67, -2.5, 49.87

 

CMYK 0 / 13 / 59 / 18

HEX #D0B556

RGB 208 181 86

HSL 46.72, 0.56%, 0.58%

LAB 74.27, -1.68, 51.06

 

CMYK 0 / 15 / 65 / 25

HEX #BFA343

RGB 191 163 67

HSL 46.45, 0.49%, 0.51%

LAB 67.78, -0.72, 52.14

 

CMYK 0 / 17 / 72 / 32

HEX #AE9130

RGB 174 145 48

HSL 46.19, 0.57%, 0.44%

LAB 61.19, 0.44, 52.96

 

CMYK 0 / 10 / 48 / 5

HEX #F2D97D

RGB 242 217 125

HSL 47.18, 0.82%, 0.72%

LAB 86.99, -3.1, 48.19

 

CMYK 0 / 24 / 48 / 5

HEX #F2B97D

RGB 242 185 125

HSL 30.77, 0.82%, 0.72%

LAB 79.07, 13.49, 38.29

 

CMYK 0 / 36 / 48 / 5

HEX #F29A7D

RGB 242 154 125

HSL 14.87, 0.82%, 0.72%

LAB 71.87, 29.85, 28.94

 

CMYK 0 / 48 / 48 / 5

HEX #F27D7D

RGB 242 125 125

HSL 0, 0.82%, 0.72%

LAB 65.77, 44.76, 20.76

 

CMYK 0 / 10 / 48 / 5

HEX #F2D97D

RGB 242 217 125

HSL 47.18, 0.82%, 0.72%

LAB 86.99, -3.1, 48.19

 

CMYK 3 / 0 / 48 / 5

HEX #EBF27D

RGB 235 242 125

HSL 63.59, 0.82%, 0.72%

LAB 92.86, -18.3, 55.16

 

CMYK 16 / 0 / 48 / 5

HEX #CBF27D

RGB 203 242 125

HSL 80, 0.82%, 0.72%

LAB 90.63, -30.52, 51.96

 

CMYK 29 / 0 / 48 / 5

HEX #ACF27D

RGB 172 242 125

HSL 95.9, 0.82%, 0.72%

LAB 88.81, -41.59, 49.31

 

CMYK 42 / 0 / 48 / 5

HEX #8CF27D

RGB 140 242 125

HSL 112.31, 0.82%, 0.72%

LAB 87.27, -51.81, 47.07

 

CMYK 0 / 10 / 48 / 5

HEX #F2D97D

RGB 242 217 125

HSL 47.18, 0.82%, 0.72%

LAB 86.99, -3.1, 48.19

 

CMYK 0 / 11 / 55 / 1

HEX #FDE071

RGB 253 224 113

HSL 47.57, 0.97%, 0.72%

LAB 89.57, -3.22, 57.19

 

CMYK 0 / 10 / 48 / 5

HEX #F2D97D

RGB 242 217 125

HSL 47.18, 0.82%, 0.72%

LAB 86.99, -3.1, 48.19

 

CMYK 0 / 9 / 41 / 10

HEX #E6D288

RGB 230 210 136

HSL 47.23, 0.65%, 0.72%

LAB 84.33, -3.23, 39.16

 

CMYK 0 / 7 / 32 / 14

HEX #DBCC94

RGB 219 204 148

HSL 47.32, 0.5%, 0.72%

LAB 82.05, -3.07, 29.84

 

CMYK 0 / 5 / 23 / 19

HEX #CFC59F

RGB 207 197 159

HSL 47.5, 0.33%, 0.72%

LAB 79.44, -2.57, 20.35

 

CMYK 0 / 3 / 12 / 24

HEX #C3BEAB

RGB 195 190 171

HSL 47.5, 0.17%, 0.72%

LAB 76.9, -1.52, 10.22

 

CMYK 0 / 36 / 48 / 5

HEX #F29A7D

RGB 242 154 125

HSL 14.87, 0.82%, 0.72%

LAB 71.87, 29.85, 28.94

 

CMYK 0 / 24 / 48 / 5

HEX #F2B97D

RGB 242 185 125

HSL 30.77, 0.82%, 0.72%

LAB 79.07, 13.49, 38.29

 

CMYK 0 / 11 / 48 / 5

HEX #F2D87D

RGB 242 216 125

HSL 46.67, 0.82%, 0.72%

LAB 86.74, -2.59, 47.87

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 15 / 0 / 48 / 5

HEX #CDF27D

RGB 205 242 125

HSL 78.97, 0.82%, 0.72%

LAB 90.76, -29.77, 52.14

 

CMYK 0 / 17 / 79 / 8

HEX #EAC331

RGB 234 195 49

HSL 47.35, 0.81%, 0.55%

LAB 80.04, 0.17, 72.4

 

CMYK 0 / 13 / 63 / 7

HEX #EECE57

RGB 238 206 87

HSL 47.28, 0.82%, 0.64%

LAB 83.45, -2, 61.56

 

CMYK 0 / 10 / 48 / 5

HEX #F2D97D

RGB 242 217 125

HSL 47.18, 0.82%, 0.72%

LAB 86.99, -3.1, 48.19

 

CMYK 0 / 7 / 34 / 4

HEX #F5E4A2

RGB 245 228 162

HSL 47.71, 0.81%, 0.8%

LAB 90.55, -3.66, 34.35

 

CMYK 0 / 4 / 20 / 2

HEX #F9EFC8

RGB 249 239 200

HSL 47.76, 0.8%, 0.88%

LAB 94.33, -2.77, 20.1

 

CMYK 0 / 10 / 49 / 5

HEX #F2D97C

RGB 242 217 124

HSL 47.29, 0.82%, 0.72%

LAB 86.98, -3.19, 48.66

 

CMYK 48 / 0 / 48 / 5

HEX #7FF27D

RGB 127 242 125

HSL 118.97, 0.82%, 0.72%

LAB 86.75, -55.49, 46.31

 

CMYK 30 / 48 / 0 / 5

HEX #A97DF2

RGB 169 125 242

HSL 262.56, 0.82%, 0.72%

LAB 61.23, 40.93, -52.86

 

CMYK 0 / 10 / 49 / 5

HEX #F2D97C

RGB 242 217 124

HSL 47.29, 0.82%, 0.72%

LAB 86.98, -3.19, 48.66

 

CMYK 48 / 0 / 11 / 5

HEX #7DF2D8

RGB 125 242 216

HSL 166.67, 0.82%, 0.72%

LAB 88.36, -39.32, 2.33

 

CMYK 11 / 48 / 0 / 5

HEX #D87DF2

RGB 216 125 242

HSL 286.67, 0.82%, 0.72%

LAB 66.27, 53.47, -44.57

 

CMYK 0 / 10 / 49 / 5

HEX #F2D97C

RGB 242 217 124

HSL 47.29, 0.82%, 0.72%

LAB 86.98, -3.19, 48.66

 

CMYK 48 / 0 / 48 / 5

HEX #7FF27D

RGB 127 242 125

HSL 118.97, 0.82%, 0.72%

LAB 86.75, -55.49, 46.31

 

CMYK 48 / 38 / 0 / 5

HEX #7D96F2

RGB 125 150 242

HSL 227.18, 0.82%, 0.72%

LAB 63.82, 15.65, -48.97

 

CMYK 1 / 48 / 0 / 5

HEX #F07DF2

RGB 240 125 242

HSL 298.97, 0.82%, 0.72%

LAB 69.19, 60.05, -39.79

 

CMYK 0 / 10 / 49 / 5

HEX #F2D97C

RGB 242 217 124

HSL 47.29, 0.82%, 0.72%

LAB 86.98, -3.19, 48.66

 

CMYK 48 / 0 / 35 / 5

HEX #7DF29E

RGB 125 242 158

HSL 136.92, 0.82%, 0.72%

LAB 87.16, -51.01, 30.58

 

CMYK 48 / 38 / 0 / 5

HEX #7D96F2

RGB 125 150 242

HSL 227.18, 0.82%, 0.72%

LAB 63.82, 15.65, -48.97

 

CMYK 0 / 48 / 14 / 5

HEX #F27DD0

RGB 242 125 208

HSL 317.44, 0.82%, 0.72%

LAB 68.09, 55.03, -22.64

 

Description

Color code: RGB 242 217 124 | qconv.com Color code: RGB 242 217 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 217 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 217 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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