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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 27 192 it is the complementary color RGB 13 228 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 27 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 27 192 shade: RGB 247 27 187, RGB 255 45 206, RGB 255 63 225, RGB 255 81 244 and RGB 255 99 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 27 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 27 192 shade: RGB 242 27 192, RGB 225 9 173, RGB 208 0 154, RGB 191 0 135 and RGB 174 0 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 27 192 shade: RGB 241 28 192, RGB 241 28 134, RGB 241 28 77 and RGB 241 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 27 192 shade: RGB 241 28 192, RGB 233 28 241, RGB 176 28 241, RGB 118 28 241 and RGB 61 28 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 27 192 shade matches the following richer shades: RGB 241 28 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 27 192 shade: RGB 241 28 192, RGB 222 47 181, RGB 203 67 171, RGB 183 86 161 and RGB 164 106 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 27 192 shade: RGB 174 28 241, RGB 231 28 241, RGB 241 28 195, RGB 241 28 138 and RGB 241 28 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 27 192 shade: RGB 177 10 138, RGB 216 12 169, RGB 241 28 192, RGB 244 67 203 and RGB 246 106 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 27 192 shade: RGB 242 27 192, RGB 241 117 28 and RGB 28 241 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 27 192 shade: RGB 242 27 192, RGB 195 241 28 and RGB 28 195 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 27 192 shade: RGB 242 27 192, RGB 241 117 28, RGB 28 241 74 and RGB 28 152 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 27 192 shade: RGB 242 27 192, RGB 241 181 28, RGB 28 241 74 and RGB 28 88 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 21 / 5

HEX #F21BC0

RGB 242 27 192

HSL 313.95, 0.89%, 0.53%

LAB 55.55, 85.64, -32.92

 

Complementary color

CMYK 94 / 0 / 72 / 11

HEX #0DE43F

RGB 13 228 63

HSL 133.95, 0.89%, 0.47%

LAB 79.57, -76.1, 63.89

 

CMYK 0 / 89 / 24 / 3

HEX #F71BBB

RGB 247 27 187

HSL 316.36, 0.93%, 0.54%

LAB 56.23, 86.04, -28.89

 

CMYK 0 / 82 / 19 / 0

HEX #FF2DCE

RGB 255 45 206

HSL 314, 1%, 0.59%

LAB 59.52, 86.85, -34.59

 

CMYK 0 / 75 / 12 / 0

HEX #FF3FE1

RGB 255 63 225

HSL 309.38, 1%, 0.62%

LAB 61.87, 85.03, -41.65

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F4

RGB 255 81 244

HSL 303.79, 1%, 0.66%

LAB 64.7, 82.27, -47.78

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 89 / 21 / 5

HEX #F21BC0

RGB 242 27 192

HSL 313.95, 0.89%, 0.53%

LAB 55.55, 85.64, -32.92

 

CMYK 0 / 96 / 23 / 12

HEX #E109AD

RGB 225 9 173

HSL 314.44, 0.92%, 0.46%

LAB 50.94, 82.01, -29.24

 

CMYK 0 / 100 / 26 / 18

HEX #D0009A

RGB 208 0 154

HSL 315.58, 1%, 0.41%

LAB 46.64, 77.29, -24.89

 

CMYK 0 / 100 / 29 / 25

HEX #BF0087

RGB 191 0 135

HSL 317.59, 1%, 0.37%

LAB 42.5, 71.83, -20.01

 

CMYK 0 / 100 / 33 / 32

HEX #AE0074

RGB 174 0 116

HSL 320, 1%, 0.34%

LAB 38.3, 66.31, -14.94

 

CMYK 0 / 88 / 20 / 5

HEX #F11CC0

RGB 241 28 192

HSL 313.8, 0.88%, 0.53%

LAB 55.42, 85.31, -33.13

 

CMYK 0 / 88 / 44 / 5

HEX #F11C86

RGB 241 28 134

HSL 330.14, 0.88%, 0.53%

LAB 53.22, 79.39, -2.29

 

CMYK 0 / 88 / 68 / 5

HEX #F11C4D

RGB 241 28 77

HSL 346.2, 0.88%, 0.53%

LAB 51.91, 75.71, 30.33

 

CMYK 0 / 88 / 88 / 5

HEX #F11C1C

RGB 241 28 28

HSL 0, 0.88%, 0.53%

LAB 51.4, 74.24, 56.21

 

CMYK 0 / 88 / 20 / 5

HEX #F11CC0

RGB 241 28 192

HSL 313.8, 0.88%, 0.53%

LAB 55.42, 85.31, -33.13

 

CMYK 3 / 88 / 0 / 5

HEX #E91CF1

RGB 233 28 241

HSL 297.75, 0.88%, 0.53%

LAB 56.59, 90.46, -59.23

 

CMYK 27 / 88 / 0 / 5

HEX #B01CF1

RGB 176 28 241

HSL 281.69, 0.88%, 0.53%

LAB 47.51, 81.87, -74.35

 

CMYK 51 / 88 / 0 / 5

HEX #761CF1

RGB 118 28 241

HSL 265.35, 0.88%, 0.53%

LAB 39.64, 75.18, -87.58

 

CMYK 75 / 88 / 0 / 5

HEX #3D1CF1

RGB 61 28 241

HSL 249.3, 0.88%, 0.53%

LAB 34.34, 71.29, -96.51

 

CMYK 0 / 88 / 20 / 5

HEX #F11CC0

RGB 241 28 192

HSL 313.8, 0.88%, 0.53%

LAB 55.42, 85.31, -33.13

 

CMYK 0 / 88 / 20 / 5

HEX #F11CC0

RGB 241 28 192

HSL 313.8, 0.88%, 0.53%

LAB 55.42, 85.31, -33.13

 

CMYK 0 / 79 / 18 / 13

HEX #DE2FB5

RGB 222 47 181

HSL 314.06, 0.73%, 0.53%

LAB 52.84, 76.35, -31.02

 

CMYK 0 / 67 / 16 / 20

HEX #CB43AB

RGB 203 67 171

HSL 314.12, 0.57%, 0.53%

LAB 51.44, 64.2, -27.59

 

CMYK 0 / 53 / 12 / 28

HEX #B756A1

RGB 183 86 161

HSL 313.61, 0.4%, 0.53%

LAB 51.03, 48.79, -22.59

 

CMYK 0 / 35 / 9 / 36

HEX #A46A96

RGB 164 106 150

HSL 314.48, 0.24%, 0.53%

LAB 52.29, 30.09, -14.43

 

CMYK 28 / 88 / 0 / 5

HEX #AE1CF1

RGB 174 28 241

HSL 281.13, 0.88%, 0.53%

LAB 47.21, 81.6, -74.86

 

CMYK 4 / 88 / 0 / 5

HEX #E71CF1

RGB 231 28 241

HSL 297.18, 0.88%, 0.53%

LAB 56.26, 90.14, -59.78

 

CMYK 0 / 88 / 19 / 5

HEX #F11CC3

RGB 241 28 195

HSL 312.96, 0.88%, 0.53%

LAB 55.55, 85.67, -34.65

 

CMYK 0 / 88 / 43 / 5

HEX #F11C8A

RGB 241 28 138

HSL 329.01, 0.88%, 0.53%

LAB 53.35, 79.73, -4.5

 

CMYK 0 / 88 / 66 / 5

HEX #F11C51

RGB 241 28 81

HSL 345.07, 0.88%, 0.53%

LAB 51.98, 75.9, 28.01

 

CMYK 0 / 94 / 22 / 31

HEX #B10A8A

RGB 177 10 138

HSL 314.01, 0.89%, 0.37%

LAB 40.24, 68.36, -25.56

 

CMYK 0 / 94 / 22 / 15

HEX #D80CA9

RGB 216 12 169

HSL 313.82, 0.89%, 0.45%

LAB 49.16, 79.59, -29.78

 

CMYK 0 / 88 / 20 / 5

HEX #F11CC0

RGB 241 28 192

HSL 313.8, 0.88%, 0.53%

LAB 55.42, 85.31, -33.13

 

CMYK 0 / 73 / 17 / 4

HEX #F443CB

RGB 244 67 203

HSL 313.9, 0.89%, 0.61%

LAB 59.49, 78.5, -33.06

 

CMYK 0 / 57 / 13 / 4

HEX #F66AD5

RGB 246 106 213

HSL 314.14, 0.89%, 0.69%

LAB 65.52, 65.71, -29.34

 

CMYK 0 / 89 / 21 / 5

HEX #F21BC0

RGB 242 27 192

HSL 313.95, 0.89%, 0.53%

LAB 55.55, 85.64, -32.92

 

CMYK 0 / 51 / 88 / 5

HEX #F1751C

RGB 241 117 28

HSL 25.07, 0.88%, 0.53%

LAB 62.93, 43.15, 64.85

 

CMYK 88 / 0 / 16 / 5

HEX #1CF1CA

RGB 28 241 202

HSL 169.01, 0.88%, 0.53%

LAB 85.72, -55.81, 5.56

 

CMYK 0 / 89 / 21 / 5

HEX #F21BC0

RGB 242 27 192

HSL 313.95, 0.89%, 0.53%

LAB 55.55, 85.64, -32.92

 

CMYK 19 / 0 / 88 / 5

HEX #C3F11C

RGB 195 241 28

HSL 72.96, 0.88%, 0.53%

LAB 89.2, -38.91, 83.82

 

CMYK 88 / 19 / 0 / 5

HEX #1CC3F1

RGB 28 195 241

HSL 192.96, 0.88%, 0.53%

LAB 73.3, -23.6, -33.82

 

CMYK 0 / 89 / 21 / 5

HEX #F21BC0

RGB 242 27 192

HSL 313.95, 0.89%, 0.53%

LAB 55.55, 85.64, -32.92

 

CMYK 0 / 51 / 88 / 5

HEX #F1751C

RGB 241 117 28

HSL 25.07, 0.88%, 0.53%

LAB 62.93, 43.15, 64.85

 

CMYK 88 / 0 / 69 / 5

HEX #1CF14A

RGB 28 241 74

HSL 132.96, 0.88%, 0.53%

LAB 83.78, -78.08, 64.31

 

CMYK 88 / 37 / 0 / 5

HEX #1C98F1

RGB 28 152 241

HSL 205.07, 0.88%, 0.53%

LAB 60.83, -0.12, -53.39

 

CMYK 0 / 89 / 21 / 5

HEX #F21BC0

RGB 242 27 192

HSL 313.95, 0.89%, 0.53%

LAB 55.55, 85.64, -32.92

 

CMYK 0 / 25 / 88 / 5

HEX #F1B51C

RGB 241 181 28

HSL 43.1, 0.88%, 0.53%

LAB 77.18, 9.93, 75.82

 

CMYK 88 / 0 / 69 / 5

HEX #1CF14A

RGB 28 241 74

HSL 132.96, 0.88%, 0.53%

LAB 83.78, -78.08, 64.31

 

CMYK 88 / 63 / 0 / 5

HEX #1C58F1

RGB 28 88 241

HSL 223.1, 0.88%, 0.53%

LAB 43.62, 39.64, -81.21

 

Description

Color code: RGB 242 27 192 | qconv.com Color code: RGB 242 27 192 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 27 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 27 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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