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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 115 252 it is the complementary color RGB 12 140 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 115 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 115 252 shade: RGB 248 115 247, RGB 255 133 255, RGB 255 151 255, RGB 255 169 255 and RGB 255 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 115 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 226 97 233, RGB 209 79 214, RGB 192 61 195 and RGB 175 43 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 252 115 224, RGB 252 115 187, RGB 252 115 150 and RGB 252 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 206 115 252, RGB 169 115 252, RGB 132 115 252 and RGB 115 115 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 115 252 shade matches the following richer shades: RGB 243 115 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 233 126 240, RGB 223 138 229, RGB 213 149 217 and RGB 203 161 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 115 252 shade: RGB 169 115 252, RGB 206 115 252, RGB 243 115 252, RGB 252 115 224 and RGB 252 115 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 115 252 shade: RGB 236 34 250, RGB 239 74 251, RGB 243 115 252, RGB 246 155 252 and RGB 249 195 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 252 133 115 and RGB 115 252 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 252 243 115 and RGB 115 252 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 252 133 115, RGB 124 252 115 and RGB 115 233 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 115 252 shade: RGB 243 115 252, RGB 252 174 115, RGB 124 252 115 and RGB 115 192 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

Complementary color

CMYK 91 / 0 / 98 / 45

HEX #0C8C03

RGB 12 140 3

HSL 116.06, 0.96%, 0.28%

LAB 50.5, -54.22, 52.81

 

CMYK 0 / 54 / 0 / 3

HEX #F873F7

RGB 248 115 247

HSL 300.45, 0.9%, 0.71%

LAB 68.7, 67.67, -43.22

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 3 / 58 / 0 / 9

HEX #E261E9

RGB 226 97 233

HSL 296.91, 0.76%, 0.65%

LAB 62.17, 67.62, -45.95

 

CMYK 2 / 63 / 0 / 16

HEX #D14FD6

RGB 209 79 214

HSL 297.78, 0.62%, 0.57%

LAB 56.09, 67.76, -45.04

 

CMYK 2 / 69 / 0 / 24

HEX #C03DC3

RGB 192 61 195

HSL 298.66, 0.53%, 0.5%

LAB 50.08, 67.51, -43.84

 

CMYK 1 / 76 / 0 / 31

HEX #AF2BB0

RGB 175 43 176

HSL 299.55, 0.61%, 0.43%

LAB 44.2, 66.67, -42.24

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 0 / 54 / 11 / 1

HEX #FC73E0

RGB 252 115 224

HSL 312.26, 0.96%, 0.72%

LAB 68.27, 65.04, -31.16

 

CMYK 0 / 54 / 26 / 1

HEX #FC73BB

RGB 252 115 187

HSL 328.47, 0.96%, 0.72%

LAB 66.93, 59.8, -12.49

 

CMYK 0 / 54 / 40 / 1

HEX #FC7396

RGB 252 115 150

HSL 344.67, 0.96%, 0.72%

LAB 65.87, 55.47, 6.94

 

CMYK 0 / 54 / 54 / 1

HEX #FC7373

RGB 252 115 115

HSL 0, 0.96%, 0.72%

LAB 65.12, 52.28, 25.76

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 18 / 54 / 0 / 1

HEX #CE73FC

RGB 206 115 252

HSL 279.85, 0.96%, 0.72%

LAB 63.68, 57.89, -54.24

 

CMYK 33 / 54 / 0 / 1

HEX #A973FC

RGB 169 115 252

HSL 263.65, 0.96%, 0.72%

LAB 59.64, 48.86, -60.92

 

CMYK 48 / 54 / 0 / 1

HEX #8473FC

RGB 132 115 252

HSL 247.45, 0.96%, 0.72%

LAB 56.28, 40.63, -66.49

 

CMYK 54 / 54 / 0 / 1

HEX #7373FC

RGB 115 115 252

HSL 240, 0.96%, 0.72%

LAB 55, 37.27, -68.62

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 3 / 48 / 0 / 6

HEX #E97EF0

RGB 233 126 240

HSL 296.32, 0.79%, 0.72%

LAB 68.41, 57.28, -39.96

 

CMYK 3 / 40 / 0 / 10

HEX #DF8AE5

RGB 223 138 229

HSL 296.04, 0.64%, 0.72%

LAB 69.13, 46.32, -32.89

 

CMYK 2 / 31 / 0 / 15

HEX #D595D9

RGB 213 149 217

HSL 296.47, 0.47%, 0.72%

LAB 69.93, 35.14, -25.13

 

CMYK 1 / 21 / 0 / 20

HEX #CBA1CD

RGB 203 161 205

HSL 297.27, 0.31%, 0.72%

LAB 71.28, 23.06, -16.55

 

CMYK 33 / 54 / 0 / 1

HEX #A973FC

RGB 169 115 252

HSL 263.65, 0.96%, 0.72%

LAB 59.64, 48.86, -60.92

 

CMYK 18 / 54 / 0 / 1

HEX #CE73FC

RGB 206 115 252

HSL 279.85, 0.96%, 0.72%

LAB 63.68, 57.89, -54.24

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 0 / 54 / 11 / 1

HEX #FC73E0

RGB 252 115 224

HSL 312.26, 0.96%, 0.72%

LAB 68.27, 65.04, -31.16

 

CMYK 0 / 54 / 25 / 1

HEX #FC73BC

RGB 252 115 188

HSL 328.03, 0.96%, 0.72%

LAB 66.97, 59.93, -13.01

 

CMYK 6 / 86 / 0 / 2

HEX #EC22FA

RGB 236 34 250

HSL 296.11, 0.96%, 0.56%

LAB 57.92, 91.41, -62.09

 

CMYK 5 / 71 / 0 / 2

HEX #EF4AFB

RGB 239 74 251

HSL 295.93, 0.96%, 0.64%

LAB 61.84, 82.3, -56.35

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 2 / 38 / 0 / 1

HEX #F69BFC

RGB 246 155 252

HSL 296.29, 0.94%, 0.8%

LAB 76.11, 48.63, -34.43

 

CMYK 2 / 23 / 0 / 1

HEX #F9C3FD

RGB 249 195 253

HSL 295.86, 0.94%, 0.88%

LAB 85.13, 28.81, -21.14

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 0 / 47 / 54 / 1

HEX #FC8573

RGB 252 133 115

HSL 7.88, 0.96%, 0.72%

LAB 68.54, 43.56, 30.26

 

CMYK 54 / 0 / 25 / 1

HEX #73FCBC

RGB 115 252 188

HSL 151.97, 0.96%, 0.72%

LAB 90.27, -51.89, 19.51

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 0 / 4 / 54 / 1

HEX #FCF373

RGB 252 243 115

HSL 56.06, 0.96%, 0.72%

LAB 94.33, -12.92, 61.75

 

CMYK 54 / 0 / 4 / 1

HEX #73FCF3

RGB 115 252 243

HSL 176.06, 0.96%, 0.72%

LAB 91.57, -39.41, -7.07

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 0 / 47 / 54 / 1

HEX #FC8573

RGB 252 133 115

HSL 7.88, 0.96%, 0.72%

LAB 68.54, 43.56, 30.26

 

CMYK 51 / 0 / 54 / 1

HEX #7CFC73

RGB 124 252 115

HSL 116.06, 0.96%, 0.72%

LAB 89.46, -61.39, 54.21

 

CMYK 54 / 8 / 0 / 1

HEX #73E9FC

RGB 115 233 252

HSL 188.32, 0.96%, 0.72%

LAB 86.48, -28.17, -19.37

 

CMYK 4 / 54 / 0 / 1

HEX #F373FC

RGB 243 115 252

HSL 296.06, 0.96%, 0.72%

LAB 68.27, 67.24, -46.68

 

CMYK 0 / 31 / 54 / 1

HEX #FCAE73

RGB 252 174 115

HSL 25.84, 0.96%, 0.72%

LAB 77.4, 22.41, 41.55

 

CMYK 51 / 0 / 54 / 1

HEX #7CFC73

RGB 124 252 115

HSL 116.06, 0.96%, 0.72%

LAB 89.46, -61.39, 54.21

 

CMYK 54 / 24 / 0 / 1

HEX #73C0FC

RGB 115 192 252

HSL 206.28, 0.96%, 0.72%

LAB 75.06, -7.21, -36.85

 

Description

Color code: RGB 243 115 252 | qconv.com Color code: RGB 243 115 252 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 115 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 115 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 54 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 54% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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