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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 113 182 it is the complementary color RGB 12 142 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 113 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 113 182 shade: RGB 248 113 177, RGB 255 131 196, RGB 255 149 215, RGB 255 167 234 and RGB 255 185 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 113 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 113 182 shade: RGB 243 113 182, RGB 226 95 163, RGB 209 77 144, RGB 192 59 125 and RGB 175 41 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 113 182 shade: RGB 242 114 182, RGB 242 114 147 and RGB 242 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 113 182 shade: RGB 242 114 182, RGB 242 114 217, RGB 233 114 242, RGB 199 114 242 and RGB 164 114 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 113 182 shade matches the following richer shades: RGB 242 114 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 113 182 shade: RGB 242 114 182, RGB 230 126 181, RGB 218 138 180, RGB 205 151 180 and RGB 193 163 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 113 182 shade: RGB 234 114 242, RGB 242 114 217, RGB 242 114 182, RGB 242 114 148 and RGB 242 114 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 113 182 shade: RGB 236 38 143, RGB 239 76 162, RGB 242 114 182, RGB 246 152 202 and RGB 249 190 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 113 182 shade: RGB 243 113 182, RGB 242 199 114 and RGB 114 234 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 113 182 shade: RGB 243 113 182, RGB 182 242 114 and RGB 114 182 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 113 182 shade: RGB 243 113 182, RGB 242 199 114, RGB 114 242 174 and RGB 114 157 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 113 182 shade: RGB 243 113 182, RGB 242 238 114, RGB 114 242 174 and RGB 114 118 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 25 / 5

HEX #F371B6

RGB 243 113 182

HSL 328.15, 0.84%, 0.7%

LAB 65.15, 57.32, -12.46

 

Complementary color

CMYK 92 / 0 / 49 / 44

HEX #0C8E49

RGB 12 142 73

HSL 148.15, 0.84%, 0.3%

LAB 51.73, -48.08, 27.87

 

CMYK 0 / 54 / 29 / 3

HEX #F871B1

RGB 248 113 177

HSL 331.56, 0.91%, 0.71%

LAB 65.7, 58.21, -8.73

 

CMYK 0 / 49 / 23 / 0

HEX #FF83C4

RGB 255 131 196

HSL 328.55, 1%, 0.76%

LAB 70.51, 54.41, -12.13

 

CMYK 0 / 42 / 16 / 0

HEX #FF95D7

RGB 255 149 215

HSL 322.64, 1%, 0.79%

LAB 74.61, 48.26, -16.47

 

CMYK 0 / 35 / 8 / 0

HEX #FFA7EA

RGB 255 167 234

HSL 314.32, 1%, 0.83%

LAB 78.95, 42.08, -20.27

 

CMYK 0 / 27 / 1 / 0

HEX #FFB9FD

RGB 255 185 253

HSL 301.71, 1%, 0.86%

LAB 83.47, 35.99, -23.6

 

CMYK 0 / 53 / 25 / 5

HEX #F371B6

RGB 243 113 182

HSL 328.15, 0.84%, 0.7%

LAB 65.15, 57.32, -12.46

 

CMYK 0 / 58 / 28 / 11

HEX #E25FA3

RGB 226 95 163

HSL 328.85, 0.69%, 0.63%

LAB 58.97, 57.89, -11.11

 

CMYK 0 / 63 / 31 / 18

HEX #D14D90

RGB 209 77 144

HSL 329.55, 0.59%, 0.56%

LAB 52.81, 58.26, -9.48

 

CMYK 0 / 69 / 35 / 25

HEX #C03B7D

RGB 192 59 125

HSL 330.23, 0.53%, 0.49%

LAB 46.73, 58.31, -7.45

 

CMYK 0 / 77 / 39 / 31

HEX #AF296A

RGB 175 41 106

HSL 330.9, 0.62%, 0.42%

LAB 40.8, 57.79, -4.88

 

CMYK 0 / 53 / 25 / 5

HEX #F272B6

RGB 242 114 182

HSL 328.13, 0.83%, 0.7%

LAB 65.19, 56.55, -12.42

 

CMYK 0 / 53 / 39 / 5

HEX #F27293

RGB 242 114 147

HSL 344.53, 0.83%, 0.7%

LAB 64.18, 52.31, 6.03

 

CMYK 0 / 53 / 53 / 5

HEX #F27272

RGB 242 114 114

HSL 0, 0.83%, 0.7%

LAB 63.45, 49.18, 23.83

 

CMYK 0 / 53 / 25 / 5

HEX #F272B6

RGB 242 114 182

HSL 328.13, 0.83%, 0.7%

LAB 65.19, 56.55, -12.42

 

CMYK 0 / 53 / 10 / 5

HEX #F272D9

RGB 242 114 217

HSL 311.72, 0.83%, 0.7%

LAB 66.46, 61.63, -30.17

 

CMYK 4 / 53 / 0 / 5

HEX #E972F2

RGB 233 114 242

HSL 295.78, 0.83%, 0.7%

LAB 66.34, 63.36, -44.31

 

CMYK 18 / 53 / 0 / 5

HEX #C772F2

RGB 199 114 242

HSL 279.84, 0.83%, 0.7%

LAB 62.16, 54.53, -51.19

 

CMYK 32 / 53 / 0 / 5

HEX #A472F2

RGB 164 114 242

HSL 263.44, 0.83%, 0.7%

LAB 58.36, 45.74, -57.47

 

CMYK 0 / 53 / 25 / 5

HEX #F272B6

RGB 242 114 182

HSL 328.13, 0.83%, 0.7%

LAB 65.19, 56.55, -12.42

 

CMYK 0 / 53 / 25 / 5

HEX #F272B6

RGB 242 114 182

HSL 328.13, 0.83%, 0.7%

LAB 65.19, 56.55, -12.42

 

CMYK 0 / 45 / 21 / 10

HEX #E67EB5

RGB 230 126 181

HSL 328.27, 0.68%, 0.7%

LAB 65.81, 46.73, -11.09

 

CMYK 0 / 37 / 17 / 15

HEX #DA8AB4

RGB 218 138 180

HSL 328.5, 0.52%, 0.7%

LAB 66.81, 36.32, -9.19

 

CMYK 0 / 26 / 12 / 20

HEX #CD97B4

RGB 205 151 180

HSL 327.78, 0.35%, 0.7%

LAB 68.32, 24.75, -7.1

 

CMYK 0 / 16 / 7 / 24

HEX #C1A3B3

RGB 193 163 179

HSL 328, 0.19%, 0.7%

LAB 70.03, 13.71, -4.15

 

CMYK 3 / 53 / 0 / 5

HEX #EA72F2

RGB 234 114 242

HSL 296.25, 0.83%, 0.7%

LAB 66.47, 63.62, -44.1

 

CMYK 0 / 53 / 10 / 5

HEX #F272D9

RGB 242 114 217

HSL 311.72, 0.83%, 0.7%

LAB 66.46, 61.63, -30.17

 

CMYK 0 / 53 / 25 / 5

HEX #F272B6

RGB 242 114 182

HSL 328.13, 0.83%, 0.7%

LAB 65.19, 56.55, -12.42

 

CMYK 0 / 53 / 39 / 5

HEX #F27294

RGB 242 114 148

HSL 344.06, 0.83%, 0.7%

LAB 64.2, 52.42, 5.49

 

CMYK 0 / 53 / 53 / 5

HEX #F27272

RGB 242 114 114

HSL 0, 0.83%, 0.7%

LAB 63.45, 49.18, 23.83

 

CMYK 0 / 84 / 39 / 7

HEX #EC268F

RGB 236 38 143

HSL 328.18, 0.84%, 0.54%

LAB 53.17, 77.3, -7.86

 

CMYK 0 / 68 / 32 / 6

HEX #EF4CA2

RGB 239 76 162

HSL 328.34, 0.84%, 0.62%

LAB 58.16, 69.19, -11.54

 

CMYK 0 / 53 / 25 / 5

HEX #F272B6

RGB 242 114 182

HSL 328.13, 0.83%, 0.7%

LAB 65.19, 56.55, -12.42

 

CMYK 0 / 38 / 18 / 4

HEX #F698CA

RGB 246 152 202

HSL 328.09, 0.84%, 0.78%

LAB 73.75, 41.82, -10.73

 

CMYK 0 / 24 / 11 / 2

HEX #F9BEDD

RGB 249 190 221

HSL 328.47, 0.83%, 0.86%

LAB 83.01, 25.89, -7.24

 

CMYK 0 / 53 / 25 / 5

HEX #F371B6

RGB 243 113 182

HSL 328.15, 0.84%, 0.7%

LAB 65.15, 57.32, -12.46

 

CMYK 0 / 18 / 53 / 5

HEX #F2C772

RGB 242 199 114

HSL 39.84, 0.83%, 0.7%

LAB 82.35, 5.2, 47.89

 

CMYK 53 / 3 / 0 / 5

HEX #72EAF2

RGB 114 234 242

HSL 183.75, 0.83%, 0.7%

LAB 86.42, -31.52, -14.21

 

CMYK 0 / 53 / 25 / 5

HEX #F371B6

RGB 243 113 182

HSL 328.15, 0.84%, 0.7%

LAB 65.15, 57.32, -12.46

 

CMYK 25 / 0 / 53 / 5

HEX #B6F272

RGB 182 242 114

HSL 88.13, 0.83%, 0.7%

LAB 89.24, -39.28, 55.05

 

CMYK 53 / 25 / 0 / 5

HEX #72B6F2

RGB 114 182 242

HSL 208.13, 0.83%, 0.7%

LAB 71.86, -4.95, -36.43

 

CMYK 0 / 53 / 25 / 5

HEX #F371B6

RGB 243 113 182

HSL 328.15, 0.84%, 0.7%

LAB 65.15, 57.32, -12.46

 

CMYK 0 / 18 / 53 / 5

HEX #F2C772

RGB 242 199 114

HSL 39.84, 0.83%, 0.7%

LAB 82.35, 5.2, 47.89

 

CMYK 53 / 0 / 28 / 5

HEX #72F2AE

RGB 114 242 174

HSL 148.13, 0.83%, 0.7%

LAB 87.06, -50.74, 22.23

 

CMYK 53 / 35 / 0 / 5

HEX #729DF2

RGB 114 157 242

HSL 219.84, 0.83%, 0.7%

LAB 65.04, 9.14, -47.09

 

CMYK 0 / 53 / 25 / 5

HEX #F371B6

RGB 243 113 182

HSL 328.15, 0.84%, 0.7%

LAB 65.15, 57.32, -12.46

 

CMYK 0 / 2 / 53 / 5

HEX #F2EE72

RGB 242 238 114

HSL 58.13, 0.83%, 0.7%

LAB 92.24, -14.52, 59.59

 

CMYK 53 / 0 / 28 / 5

HEX #72F2AE

RGB 114 242 174

HSL 148.13, 0.83%, 0.7%

LAB 87.06, -50.74, 22.23

 

CMYK 53 / 51 / 0 / 5

HEX #7276F2

RGB 114 118 242

HSL 238.13, 0.83%, 0.7%

LAB 55.02, 32.22, -63.06

 

Description

Color code: RGB 243 113 182 | qconv.com Color code: RGB 243 113 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 113 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 113 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 25 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 25% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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