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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 128 216 it is the complementary color RGB 12 127 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 128 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 128 216 shade: RGB 248 128 211, RGB 255 146 230, RGB 255 164 249, RGB 255 182 255 and RGB 255 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 128 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 128 216 shade: RGB 243 128 216, RGB 226 110 197, RGB 209 92 178, RGB 192 74 159 and RGB 175 56 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 128 216 shade: RGB 243 129 216, RGB 243 129 185, RGB 243 129 154 and RGB 243 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 128 216 shade: RGB 243 129 216, RGB 239 129 243, RGB 208 129 243, RGB 177 129 243 and RGB 146 129 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 128 216 shade matches the following richer shades: RGB 243 129 216 and RGB 254 117 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 128 216 shade: RGB 243 129 216, RGB 232 140 210, RGB 221 151 204, RGB 209 162 198 and RGB 198 173 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 128 216 shade: RGB 209 129 243, RGB 239 129 243, RGB 243 129 216, RGB 243 129 186 and RGB 243 129 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 128 216 shade: RGB 236 53 193, RGB 239 91 204, RGB 243 129 216, RGB 246 166 228 and RGB 250 204 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 128 216 shade: RGB 243 128 216, RGB 243 178 129 and RGB 129 243 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 128 216 shade: RGB 243 128 216, RGB 216 243 129 and RGB 129 216 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 128 216 shade: RGB 243 128 216, RGB 243 178 129, RGB 129 243 155 and RGB 129 193 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 128 216 shade: RGB 243 128 216, RGB 243 212 129, RGB 129 243 155 and RGB 129 159 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 11 / 5

HEX #F380D8

RGB 243 128 216

HSL 314.09, 0.83%, 0.73%

LAB 69.08, 55.12, -25.58

 

Complementary color

CMYK 91 / 0 / 69 / 50

HEX #0C7F27

RGB 12 127 39

HSL 134.09, 0.83%, 0.27%

LAB 46.18, -47.93, 38.24

 

CMYK 0 / 48 / 15 / 3

HEX #F880D3

RGB 248 128 211

HSL 318.5, 0.9%, 0.74%

LAB 69.54, 55.85, -22.04

 

CMYK 0 / 43 / 10 / 0

HEX #FF92E6

RGB 255 146 230

HSL 313.76, 1%, 0.79%

LAB 74.53, 52.11, -24.81

 

CMYK 0 / 36 / 2 / 0

HEX #FFA4F9

RGB 255 164 249

HSL 303.96, 1%, 0.82%

LAB 78.84, 46.19, -28.53

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 47 / 11 / 5

HEX #F380D8

RGB 243 128 216

HSL 314.09, 0.83%, 0.73%

LAB 69.08, 55.12, -25.58

 

CMYK 0 / 51 / 13 / 11

HEX #E26EC5

RGB 226 110 197

HSL 315, 0.67%, 0.66%

LAB 62.8, 55.77, -24.75

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB2

RGB 209 92 178

HSL 315.9, 0.56%, 0.59%

LAB 56.51, 56.31, -23.76

 

CMYK 0 / 61 / 17 / 25

HEX #C04A9F

RGB 192 74 159

HSL 316.78, 0.48%, 0.52%

LAB 50.22, 56.66, -22.55

 

CMYK 0 / 68 / 20 / 31

HEX #AF388C

RGB 175 56 140

HSL 317.65, 0.52%, 0.45%

LAB 44, 56.66, -21

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 0 / 47 / 24 / 5

HEX #F381B9

RGB 243 129 185

HSL 330.53, 0.83%, 0.73%

LAB 68.21, 50.04, -9.58

 

CMYK 0 / 47 / 37 / 5

HEX #F3819A

RGB 243 129 154

HSL 346.84, 0.83%, 0.73%

LAB 67.34, 46.12, 6.61

 

CMYK 0 / 47 / 47 / 5

HEX #F38181

RGB 243 129 129

HSL 0, 0.83%, 0.73%

LAB 66.78, 43.5, 19.91

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 2 / 47 / 0 / 5

HEX #EF81F3

RGB 239 129 243

HSL 297.89, 0.83%, 0.73%

LAB 69.84, 58.02, -39.33

 

CMYK 14 / 47 / 0 / 5

HEX #D081F3

RGB 208 129 243

HSL 281.58, 0.83%, 0.73%

LAB 66.2, 49.43, -45.29

 

CMYK 27 / 47 / 0 / 5

HEX #B181F3

RGB 177 129 243

HSL 265.26, 0.83%, 0.73%

LAB 62.94, 41.05, -50.65

 

CMYK 40 / 47 / 0 / 5

HEX #9281F3

RGB 146 129 243

HSL 248.95, 0.83%, 0.73%

LAB 60.14, 33.16, -55.27

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 0 / 54 / 13 / 0

HEX #FE75DE

RGB 254 117 222

HSL 314.01, 0.99%, 0.73%

LAB 68.8, 64.4, -29.21

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 0 / 40 / 9 / 9

HEX #E88CD2

RGB 232 140 210

HSL 314.35, 0.67%, 0.73%

LAB 69.87, 44.72, -21.16

 

CMYK 0 / 32 / 8 / 13

HEX #DD97CC

RGB 221 151 204

HSL 314.57, 0.51%, 0.73%

LAB 70.78, 34.33, -16.58

 

CMYK 0 / 22 / 5 / 18

HEX #D1A2C6

RGB 209 162 198

HSL 314.04, 0.34%, 0.73%

LAB 71.87, 23.26, -11.74

 

CMYK 0 / 13 / 3 / 22

HEX #C6ADC0

RGB 198 173 192

HSL 314.4, 0.18%, 0.73%

LAB 73.35, 12.34, -6.35

 

CMYK 14 / 47 / 0 / 5

HEX #D181F3

RGB 209 129 243

HSL 282.11, 0.83%, 0.73%

LAB 66.31, 49.71, -45.11

 

CMYK 2 / 47 / 0 / 5

HEX #EF81F3

RGB 239 129 243

HSL 297.89, 0.83%, 0.73%

LAB 69.84, 58.02, -39.33

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 0 / 47 / 23 / 5

HEX #F381BA

RGB 243 129 186

HSL 330, 0.83%, 0.73%

LAB 68.24, 50.17, -10.1

 

CMYK 0 / 47 / 36 / 5

HEX #F3819B

RGB 243 129 155

HSL 346.32, 0.83%, 0.73%

LAB 67.37, 46.23, 6.08

 

CMYK 0 / 78 / 18 / 7

HEX #EC35C1

RGB 236 53 193

HSL 314.1, 0.83%, 0.57%

LAB 56.32, 79.4, -32.38

 

CMYK 0 / 62 / 15 / 6

HEX #EF5BCC

RGB 239 91 204

HSL 314.19, 0.82%, 0.65%

LAB 61.82, 68.83, -30.08

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 0 / 33 / 7 / 4

HEX #F6A6E4

RGB 246 166 228

HSL 313.5, 0.82%, 0.81%

LAB 77.56, 38.7, -19.21

 

CMYK 0 / 18 / 4 / 2

HEX #FACCEF

RGB 250 204 239

HSL 314.35, 0.82%, 0.89%

LAB 86.87, 21.89, -11.09

 

CMYK 0 / 47 / 11 / 5

HEX #F380D8

RGB 243 128 216

HSL 314.09, 0.83%, 0.73%

LAB 69.08, 55.12, -25.58

 

CMYK 0 / 27 / 47 / 5

HEX #F3B281

RGB 243 178 129

HSL 25.79, 0.83%, 0.73%

LAB 77.57, 17.96, 34.29

 

CMYK 47 / 0 / 8 / 5

HEX #81F3E0

RGB 129 243 224

HSL 170, 0.83%, 0.73%

LAB 88.99, -37.02, -0.91

 

CMYK 0 / 47 / 11 / 5

HEX #F380D8

RGB 243 128 216

HSL 314.09, 0.83%, 0.73%

LAB 69.08, 55.12, -25.58

 

CMYK 11 / 0 / 47 / 5

HEX #D8F381

RGB 216 243 129

HSL 74.21, 0.83%, 0.73%

LAB 91.81, -25.71, 51.71

 

CMYK 47 / 11 / 0 / 5

HEX #81D8F3

RGB 129 216 243

HSL 194.21, 0.83%, 0.73%

LAB 81.97, -19.25, -21.38

 

CMYK 0 / 47 / 11 / 5

HEX #F380D8

RGB 243 128 216

HSL 314.09, 0.83%, 0.73%

LAB 69.08, 55.12, -25.58

 

CMYK 0 / 27 / 47 / 5

HEX #F3B281

RGB 243 178 129

HSL 25.79, 0.83%, 0.73%

LAB 77.57, 17.96, 34.29

 

CMYK 47 / 0 / 36 / 5

HEX #81F39B

RGB 129 243 155

HSL 133.68, 0.83%, 0.73%

LAB 87.55, -50.89, 32.64

 

CMYK 47 / 21 / 0 / 5

HEX #81C1F3

RGB 129 193 243

HSL 206.32, 0.83%, 0.73%

LAB 75.62, -7.26, -31.08

 

CMYK 0 / 47 / 11 / 5

HEX #F380D8

RGB 243 128 216

HSL 314.09, 0.83%, 0.73%

LAB 69.08, 55.12, -25.58

 

CMYK 0 / 13 / 47 / 5

HEX #F3D481

RGB 243 212 129

HSL 43.68, 0.83%, 0.73%

LAB 85.87, 0.22, 44.86

 

CMYK 47 / 0 / 36 / 5

HEX #81F39B

RGB 129 243 155

HSL 133.68, 0.83%, 0.73%

LAB 87.55, -50.89, 32.64

 

CMYK 47 / 35 / 0 / 5

HEX #819FF3

RGB 129 159 243

HSL 224.21, 0.83%, 0.73%

LAB 66.47, 11.67, -45.33

 

Description

Color code: RGB 243 128 216 | qconv.com Color code: RGB 243 128 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 128 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 128 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 11 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 11% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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