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Color name
RGB 243 123 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 123 154 it is the complementary color RGB 12 132 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 123 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 123 154 shade: RGB 248 123 149, RGB 255 141 168, RGB 255 159 187, RGB 255 177 206 and RGB 255 195 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 123 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 123 154 shade: RGB 243 123 154, RGB 226 105 135, RGB 209 87 116, RGB 192 69 97 and RGB 175 51 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 123 154 shade: RGB 242 124 154 and RGB 242 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 123 154 shade: RGB 242 124 154, RGB 242 124 186, RGB 242 124 218, RGB 234 124 242 and RGB 202 124 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 123 154 shade matches the following richer shades: RGB 242 124 154 and RGB 254 112 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 123 154 shade: RGB 242 124 154, RGB 231 135 160, RGB 219 147 166, RGB 208 158 171 and RGB 196 170 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 123 154 shade: RGB 242 124 219, RGB 242 124 187, RGB 242 124 155, RGB 242 124 124 and RGB 242 155 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 123 154 shade: RGB 235 48 97, RGB 239 86 126, RGB 242 124 154, RGB 246 162 183 and RGB 249 199 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 123 154 shade: RGB 243 123 154, RGB 242 234 124 and RGB 124 203 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 123 154 shade: RGB 243 123 154, RGB 155 242 124 and RGB 124 155 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 123 154 shade: RGB 243 123 154, RGB 242 234 124, RGB 124 242 211 and RGB 124 132 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 123 154 shade: RGB 243 123 154, RGB 215 242 124, RGB 124 242 211 and RGB 151 124 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 37 / 5

HEX #F37B9A

RGB 243 123 154

HSL 344.5, 0.83%, 0.72%

LAB 66.18, 49.08, 4.94

 

Complementary color

CMYK 91 / 0 / 23 / 48

HEX #0C8465

RGB 12 132 101

HSL 164.5, 0.83%, 0.28%

LAB 48.91, -37.96, 8.33

 

CMYK 0 / 50 / 40 / 3

HEX #F87B95

RGB 248 123 149

HSL 347.52, 0.9%, 0.73%

LAB 66.74, 50.23, 8.67

 

CMYK 0 / 45 / 34 / 0

HEX #FF8DA8

RGB 255 141 168

HSL 345.79, 1%, 0.78%

LAB 71.65, 45.9, 5.16

 

CMYK 0 / 38 / 27 / 0

HEX #FF9FBB

RGB 255 159 187

HSL 342.5, 1%, 0.81%

LAB 75.85, 39.14, 0.74

 

CMYK 0 / 31 / 19 / 0

HEX #FFB1CE

RGB 255 177 206

HSL 337.69, 1%, 0.85%

LAB 80.27, 32.46, -3.14

 

CMYK 0 / 24 / 12 / 0

HEX #FFC3E1

RGB 255 195 225

HSL 330, 1%, 0.88%

LAB 84.86, 25.96, -6.58

 

CMYK 0 / 49 / 37 / 5

HEX #F37B9A

RGB 243 123 154

HSL 344.5, 0.83%, 0.72%

LAB 66.18, 49.08, 4.94

 

CMYK 0 / 54 / 40 / 11

HEX #E26987

RGB 226 105 135

HSL 345.12, 0.68%, 0.65%

LAB 59.91, 49.95, 6.51

 

CMYK 0 / 58 / 44 / 18

HEX #D15774

RGB 209 87 116

HSL 345.74, 0.57%, 0.58%

LAB 53.64, 50.76, 8.36

 

CMYK 0 / 64 / 49 / 25

HEX #C04561

RGB 192 69 97

HSL 346.34, 0.49%, 0.51%

LAB 47.4, 51.4, 10.6

 

CMYK 0 / 71 / 55 / 31

HEX #AF334E

RGB 175 51 78

HSL 346.94, 0.55%, 0.44%

LAB 41.27, 51.73, 13.38

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9A

RGB 242 124 154

HSL 344.75, 0.82%, 0.72%

LAB 66.23, 48.25, 5

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9A

RGB 242 124 154

HSL 344.75, 0.82%, 0.72%

LAB 66.23, 48.25, 5

 

CMYK 0 / 49 / 23 / 5

HEX #F27CBA

RGB 242 124 186

HSL 328.47, 0.82%, 0.72%

LAB 67.16, 52.31, -11.74

 

CMYK 0 / 49 / 10 / 5

HEX #F27CDA

RGB 242 124 218

HSL 312.2, 0.82%, 0.72%

LAB 68.28, 57.08, -27.92

 

CMYK 3 / 49 / 0 / 5

HEX #EA7CF2

RGB 234 124 242

HSL 295.93, 0.82%, 0.72%

LAB 68.25, 58.89, -41.3

 

CMYK 17 / 49 / 0 / 5

HEX #CA7CF2

RGB 202 124 242

HSL 279.66, 0.82%, 0.72%

LAB 64.47, 50.19, -47.51

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9A

RGB 242 124 154

HSL 344.75, 0.82%, 0.72%

LAB 66.23, 48.25, 5

 

CMYK 0 / 56 / 41 / 0

HEX #FE7095

RGB 254 112 149

HSL 344.37, 0.99%, 0.72%

LAB 65.62, 57.39, 7.18

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9A

RGB 242 124 154

HSL 344.75, 0.82%, 0.72%

LAB 66.23, 48.25, 5

 

CMYK 0 / 42 / 31 / 9

HEX #E787A0

RGB 231 135 160

HSL 344.38, 0.67%, 0.72%

LAB 67.17, 39.59, 2.78

 

CMYK 0 / 33 / 24 / 14

HEX #DB93A6

RGB 219 147 166

HSL 344.17, 0.5%, 0.72%

LAB 68.52, 29.76, 1.19

 

CMYK 0 / 24 / 18 / 18

HEX #D09EAB

RGB 208 158 171

HSL 344.4, 0.35%, 0.72%

LAB 70.04, 20.54, 0.48

 

CMYK 0 / 13 / 10 / 23

HEX #C4AAB1

RGB 196 170 177

HSL 343.85, 0.18%, 0.72%

LAB 72, 10.6, -0.12

 

CMYK 0 / 49 / 10 / 5

HEX #F27CDB

RGB 242 124 219

HSL 311.69, 0.82%, 0.72%

LAB 68.32, 57.24, -28.42

 

CMYK 0 / 49 / 23 / 5

HEX #F27CBB

RGB 242 124 187

HSL 327.97, 0.82%, 0.72%

LAB 67.19, 52.45, -12.25

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9B

RGB 242 124 155

HSL 344.24, 0.82%, 0.72%

LAB 66.26, 48.37, 4.47

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 36 / 49 / 5

HEX #F29B7C

RGB 242 155 124

HSL 15.76, 0.82%, 0.72%

LAB 72.08, 29.23, 29.75

 

CMYK 0 / 80 / 59 / 8

HEX #EB3061

RGB 235 48 97

HSL 344.28, 0.82%, 0.55%

LAB 52.55, 71.16, 18.92

 

CMYK 0 / 64 / 47 / 6

HEX #EF567E

RGB 239 86 126

HSL 344.31, 0.83%, 0.64%

LAB 58.52, 61.7, 10.06

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9A

RGB 242 124 154

HSL 344.75, 0.82%, 0.72%

LAB 66.23, 48.25, 5

 

CMYK 0 / 34 / 26 / 4

HEX #F6A2B7

RGB 246 162 183

HSL 345, 0.82%, 0.8%

LAB 75.36, 33.87, 2.1

 

CMYK 0 / 20 / 15 / 2

HEX #F9C7D4

RGB 249 199 212

HSL 344.4, 0.81%, 0.88%

LAB 84.86, 19.71, 0.3

 

CMYK 0 / 49 / 37 / 5

HEX #F37B9A

RGB 243 123 154

HSL 344.5, 0.83%, 0.72%

LAB 66.18, 49.08, 4.94

 

CMYK 0 / 3 / 49 / 5

HEX #F2EA7C

RGB 242 234 124

HSL 55.93, 0.82%, 0.72%

LAB 91.31, -11.72, 53.91

 

CMYK 49 / 16 / 0 / 5

HEX #7CCBF2

RGB 124 203 242

HSL 199.83, 0.82%, 0.72%

LAB 78.12, -13.97, -26.74

 

CMYK 0 / 49 / 37 / 5

HEX #F37B9A

RGB 243 123 154

HSL 344.5, 0.83%, 0.72%

LAB 66.18, 49.08, 4.94

 

CMYK 36 / 0 / 49 / 5

HEX #9BF27C

RGB 155 242 124

HSL 104.24, 0.82%, 0.72%

LAB 87.93, -47.32, 48.52

 

CMYK 49 / 36 / 0 / 5

HEX #7C9BF2

RGB 124 155 242

HSL 224.24, 0.82%, 0.72%

LAB 65.07, 12.52, -47

 

CMYK 0 / 49 / 37 / 5

HEX #F37B9A

RGB 243 123 154

HSL 344.5, 0.83%, 0.72%

LAB 66.18, 49.08, 4.94

 

CMYK 0 / 3 / 49 / 5

HEX #F2EA7C

RGB 242 234 124

HSL 55.93, 0.82%, 0.72%

LAB 91.31, -11.72, 53.91

 

CMYK 49 / 0 / 13 / 5

HEX #7CF2D3

RGB 124 242 211

HSL 164.24, 0.82%, 0.72%

LAB 88.21, -40.69, 4.71

 

CMYK 49 / 45 / 0 / 5

HEX #7C84F2

RGB 124 132 242

HSL 235.93, 0.82%, 0.72%

LAB 59.16, 26.01, -56.39

 

CMYK 0 / 49 / 37 / 5

HEX #F37B9A

RGB 243 123 154

HSL 344.5, 0.83%, 0.72%

LAB 66.18, 49.08, 4.94

 

CMYK 11 / 0 / 49 / 5

HEX #D7F27C

RGB 215 242 124

HSL 73.73, 0.82%, 0.72%

LAB 91.42, -26.1, 53.56

 

CMYK 49 / 0 / 13 / 5

HEX #7CF2D3

RGB 124 242 211

HSL 164.24, 0.82%, 0.72%

LAB 88.21, -40.69, 4.71

 

CMYK 38 / 49 / 0 / 5

HEX #977CF2

RGB 151 124 242

HSL 253.73, 0.82%, 0.72%

LAB 59.35, 36.98, -55.96

 

Description

Color code: RGB 243 123 154 | qconv.com Color code: RGB 243 123 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 123 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 123 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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