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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 134 11 it is the complementary color RGB 12 121 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 134 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 134 11 shade: RGB 248 134 6, RGB 255 152 25, RGB 255 170 44, RGB 255 188 63 and RGB 255 206 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 134 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 226 116 0, RGB 209 98 0, RGB 192 80 0 and RGB 175 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 243 71 11 and RGB 243 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 243 197 11, RGB 227 243 11, RGB 164 243 11 and RGB 102 243 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 134 11 shade matches the following richer shades: RGB 243 134 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 222 133 32, RGB 202 132 52, RGB 181 130 73 and RGB 161 129 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 134 11 shade: RGB 243 11 15, RGB 243 69 11, RGB 243 131 11, RGB 243 193 11 and RGB 231 243 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 134 11 shade: RGB 164 90 7, RGB 204 112 9, RGB 243 134 11, RGB 245 153 50 and RGB 247 173 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 77 243 11 and RGB 38 11 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 11 243 131 and RGB 131 11 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 77 243 11, RGB 11 123 243 and RGB 177 11 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 134 11 shade: RGB 243 134 11, RGB 11 243 15, RGB 11 123 243 and RGB 243 11 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

Complementary color

CMYK 95 / 50 / 0 / 4

HEX #0C79F4

RGB 12 121 244

HSL 211.81, 0.91%, 0.5%

LAB 52.16, 19.23, -68.98

 

CMYK 0 / 46 / 98 / 3

HEX #F88606

RGB 248 134 6

HSL 31.74, 0.95%, 0.5%

LAB 67.29, 37.12, 72.83

 

CMYK 0 / 40 / 90 / 0

HEX #FF9819

RGB 255 152 25

HSL 33.13, 1%, 0.55%

LAB 72.09, 30.94, 73.32

 

CMYK 0 / 33 / 83 / 0

HEX #FFAA2C

RGB 255 170 44

HSL 35.83, 1%, 0.59%

LAB 76.19, 21.98, 71.45

 

CMYK 0 / 26 / 75 / 0

HEX #FFBC3F

RGB 255 188 63

HSL 39.06, 1%, 0.62%

LAB 80.51, 13.22, 68.8

 

CMYK 0 / 19 / 68 / 0

HEX #FFCE52

RGB 255 206 82

HSL 43.01, 1%, 0.66%

LAB 85, 4.79, 65.8

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 0 / 49 / 100 / 11

HEX #E27400

RGB 226 116 0

HSL 30.8, 1%, 0.44%

LAB 60.48, 37.42, 67.97

 

CMYK 0 / 53 / 100 / 18

HEX #D16200

RGB 209 98 0

HSL 28.13, 1%, 0.41%

LAB 54.33, 39.75, 63.04

 

CMYK 0 / 58 / 100 / 25

HEX #C05000

RGB 192 80 0

HSL 25, 1%, 0.38%

LAB 48.19, 41.99, 58.13

 

CMYK 0 / 65 / 100 / 31

HEX #AF3E00

RGB 175 62 0

HSL 21.26, 1%, 0.34%

LAB 42.09, 44.01, 53.29

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 0 / 71 / 95 / 5

HEX #F3470B

RGB 243 71 11

HSL 15.52, 0.91%, 0.5%

LAB 55.67, 63.5, 64.54

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 0 / 19 / 95 / 5

HEX #F3C50B

RGB 243 197 11

HSL 48.1, 0.91%, 0.5%

LAB 81.3, 2.23, 81.6

 

CMYK 7 / 0 / 95 / 5

HEX #E3F30B

RGB 227 243 11

HSL 64.14, 0.91%, 0.5%

LAB 91.89, -27.28, 88.85

 

CMYK 33 / 0 / 95 / 5

HEX #A4F30B

RGB 164 243 11

HSL 80.43, 0.91%, 0.5%

LAB 87.98, -51.61, 84.14

 

CMYK 58 / 0 / 95 / 5

HEX #66F30B

RGB 102 243 11

HSL 96.47, 0.91%, 0.5%

LAB 85.48, -70.39, 81.09

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 0 / 40 / 86 / 13

HEX #DE8520

RGB 222 133 32

HSL 31.89, 0.75%, 0.5%

LAB 63.68, 27.38, 63.1

 

CMYK 0 / 35 / 74 / 21

HEX #CA8434

RGB 202 132 52

HSL 32, 0.59%, 0.5%

LAB 61.05, 20.11, 52.14

 

CMYK 0 / 28 / 60 / 29

HEX #B58249

RGB 181 130 73

HSL 31.67, 0.43%, 0.5%

LAB 58.29, 13.42, 38.2

 

CMYK 0 / 20 / 42 / 37

HEX #A1815D

RGB 161 129 93

HSL 31.76, 0.27%, 0.5%

LAB 56.16, 7.3, 24.17

 

CMYK 0 / 95 / 94 / 5

HEX #F30B0F

RGB 243 11 15

HSL 358.97, 0.91%, 0.5%

LAB 51.07, 76.54, 60.97

 

CMYK 0 / 72 / 95 / 5

HEX #F3450B

RGB 243 69 11

HSL 15, 0.91%, 0.5%

LAB 55.42, 64.2, 64.4

 

CMYK 0 / 46 / 95 / 5

HEX #F3830B

RGB 243 131 11

HSL 31.03, 0.91%, 0.5%

LAB 65.99, 36.69, 70.94

 

CMYK 0 / 21 / 95 / 5

HEX #F3C10B

RGB 243 193 11

HSL 47.07, 0.91%, 0.5%

LAB 80.3, 4.3, 80.88

 

CMYK 5 / 0 / 95 / 5

HEX #E7F30B

RGB 231 243 11

HSL 63.1, 0.91%, 0.5%

LAB 92.18, -25.64, 89.2

 

CMYK 0 / 45 / 96 / 36

HEX #A45A07

RGB 164 90 7

HSL 31.72, 0.92%, 0.34%

LAB 45.93, 25.42, 52.83

 

CMYK 0 / 45 / 96 / 20

HEX #CC7009

RGB 204 112 9

HSL 31.69, 0.92%, 0.42%

LAB 56.53, 30.59, 62.34

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 0 / 38 / 80 / 4

HEX #F59932

RGB 245 153 50

HSL 31.69, 0.91%, 0.58%

LAB 71.16, 26.91, 64.5

 

CMYK 0 / 30 / 64 / 3

HEX #F7AD5A

RGB 247 173 90

HSL 31.72, 0.91%, 0.66%

LAB 76.31, 19.12, 52.55

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 68 / 0 / 95 / 5

HEX #4DF30B

RGB 77 243 11

HSL 102.93, 0.91%, 0.5%

LAB 84.84, -75.71, 80.32

 

CMYK 84 / 95 / 0 / 5

HEX #260BF3

RGB 38 11 243

HSL 246.98, 0.91%, 0.5%

LAB 32.08, 74.99, -101.44

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 95 / 0 / 46 / 5

HEX #0BF383

RGB 11 243 131

HSL 151.03, 0.91%, 0.5%

LAB 84.9, -72.2, 40.63

 

CMYK 46 / 95 / 0 / 5

HEX #830BF3

RGB 131 11 243

HSL 271.03, 0.91%, 0.5%

LAB 40.47, 79.74, -87.28

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 68 / 0 / 95 / 5

HEX #4DF30B

RGB 77 243 11

HSL 102.93, 0.91%, 0.5%

LAB 84.84, -75.71, 80.32

 

CMYK 95 / 49 / 0 / 5

HEX #0B7BF3

RGB 11 123 243

HSL 211.03, 0.91%, 0.5%

LAB 52.63, 17.55, -67.66

 

CMYK 27 / 95 / 0 / 5

HEX #B10BF3

RGB 177 11 243

HSL 282.93, 0.91%, 0.5%

LAB 47.05, 84.66, -76.22

 

CMYK 0 / 45 / 95 / 5

HEX #F3860B

RGB 243 134 11

HSL 31.81, 0.91%, 0.5%

LAB 66.62, 35.16, 71.36

 

CMYK 95 / 0 / 94 / 5

HEX #0BF30F

RGB 11 243 15

HSL 121.03, 0.91%, 0.5%

LAB 84.07, -82.52, 78.99

 

CMYK 95 / 49 / 0 / 5

HEX #0B7BF3

RGB 11 123 243

HSL 211.03, 0.91%, 0.5%

LAB 52.63, 17.55, -67.66

 

CMYK 0 / 95 / 2 / 5

HEX #F30BEF

RGB 243 11 239

HSL 301.03, 0.91%, 0.5%

LAB 57.58, 93.49, -56.42

 

Description

Color code: RGB 243 134 11 | qconv.com Color code: RGB 243 134 11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 134 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 134 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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