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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 180 218 it is the complementary color RGB 12 75 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 180 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 180 218 shade: RGB 248 180 213, RGB 255 198 232, RGB 255 216 251, RGB 255 234 255 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 180 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 180 218 shade: RGB 243 180 218, RGB 226 162 199, RGB 209 144 180, RGB 192 126 161 and RGB 175 108 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 180 218 shade: RGB 242 180 218, RGB 242 180 201, RGB 242 180 184 and RGB 242 180 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 180 218 shade: RGB 242 180 218, RGB 242 180 234, RGB 233 180 242, RGB 217 180 242 and RGB 200 180 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 180 218 shade matches the following richer shades: RGB 242 180 218 and RGB 249 173 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 180 218 shade: RGB 242 180 218, RGB 235 187 216, RGB 228 194 215, RGB 221 201 213 and RGB 214 208 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 180 218 shade: RGB 233 180 242, RGB 242 180 235, RGB 242 180 218, RGB 242 180 202 and RGB 242 180 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 180 218 shade: RGB 231 109 182, RGB 237 144 200, RGB 242 180 218, RGB 248 215 235 and RGB 254 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 180 218 shade: RGB 243 180 218, RGB 242 216 180 and RGB 180 242 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 180 218 shade: RGB 243 180 218, RGB 218 242 180 and RGB 180 218 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 180 218 shade: RGB 243 180 218, RGB 242 216 180, RGB 180 242 204 and RGB 180 206 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 180 218 shade: RGB 243 180 218, RGB 242 235 180, RGB 180 242 204 and RGB 180 187 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 10 / 5

HEX #F3B4DA

RGB 243 180 218

HSL 323.81, 0.72%, 0.83%

LAB 80.04, 28.64, -10.1

 

Complementary color

CMYK 84 / 0 / 51 / 71

HEX #0C4B25

RGB 12 75 37

HSL 143.81, 0.72%, 0.17%

LAB 27.42, -29.11, 17.24

 

CMYK 0 / 27 / 14 / 3

HEX #F8B4D5

RGB 248 180 213

HSL 330.88, 0.83%, 0.84%

LAB 80.41, 29.54, -6.8

 

CMYK 0 / 22 / 9 / 0

HEX #FFC6E8

RGB 255 198 232

HSL 324.21, 1%, 0.89%

LAB 85.74, 25.53, -9

 

CMYK 0 / 15 / 2 / 0

HEX #FFD8FB

RGB 255 216 251

HSL 306.15, 1%, 0.92%

LAB 90.48, 19.36, -11.99

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 26 / 10 / 5

HEX #F3B4DA

RGB 243 180 218

HSL 323.81, 0.72%, 0.83%

LAB 80.04, 28.64, -10.1

 

CMYK 0 / 28 / 12 / 11

HEX #E2A2C7

RGB 226 162 199

HSL 325.31, 0.52%, 0.76%

LAB 73.63, 29.28, -9.49

 

CMYK 0 / 31 / 14 / 18

HEX #D190B4

RGB 209 144 180

HSL 326.77, 0.41%, 0.69%

LAB 67.12, 29.97, -8.83

 

CMYK 0 / 34 / 16 / 25

HEX #C07EA1

RGB 192 126 161

HSL 328.18, 0.34%, 0.62%

LAB 60.52, 30.71, -8.12

 

CMYK 0 / 38 / 19 / 31

HEX #AF6C8E

RGB 175 108 142

HSL 329.55, 0.3%, 0.55%

LAB 53.81, 31.51, -7.32

 

CMYK 0 / 26 / 10 / 5

HEX #F2B4DA

RGB 242 180 218

HSL 323.23, 0.7%, 0.83%

LAB 79.94, 28.3, -10.26

 

CMYK 0 / 26 / 17 / 5

HEX #F2B4C9

RGB 242 180 201

HSL 339.68, 0.7%, 0.83%

LAB 79.46, 25.58, -1.77

 

CMYK 0 / 26 / 24 / 5

HEX #F2B4B8

RGB 242 180 184

HSL 356.13, 0.7%, 0.83%

LAB 79.03, 23.06, 6.8

 

CMYK 0 / 26 / 26 / 5

HEX #F2B4B4

RGB 242 180 180

HSL 0, 0.7%, 0.83%

LAB 78.93, 22.5, 8.83

 

CMYK 0 / 26 / 10 / 5

HEX #F2B4DA

RGB 242 180 218

HSL 323.23, 0.7%, 0.83%

LAB 79.94, 28.3, -10.26

 

CMYK 0 / 26 / 3 / 5

HEX #F2B4EA

RGB 242 180 234

HSL 307.74, 0.7%, 0.83%

LAB 80.44, 31.05, -18.14

 

CMYK 4 / 26 / 0 / 5

HEX #E9B4F2

RGB 233 180 242

HSL 291.29, 0.7%, 0.83%

LAB 79.83, 29.61, -23.45

 

CMYK 10 / 26 / 0 / 5

HEX #D9B4F2

RGB 217 180 242

HSL 275.81, 0.7%, 0.83%

LAB 78.35, 24.53, -25.84

 

CMYK 17 / 26 / 0 / 5

HEX #C8B4F2

RGB 200 180 242

HSL 259.35, 0.7%, 0.83%

LAB 76.88, 19.24, -28.22

 

CMYK 0 / 26 / 10 / 5

HEX #F2B4DA

RGB 242 180 218

HSL 323.23, 0.7%, 0.83%

LAB 79.94, 28.3, -10.26

 

CMYK 0 / 31 / 12 / 2

HEX #F9ADDB

RGB 249 173 219

HSL 323.68, 0.86%, 0.83%

LAB 79.12, 34.53, -11.95

 

CMYK 0 / 26 / 10 / 5

HEX #F2B4DA

RGB 242 180 218

HSL 323.23, 0.7%, 0.83%

LAB 79.94, 28.3, -10.26

 

CMYK 0 / 20 / 8 / 8

HEX #EBBBD8

RGB 235 187 216

HSL 323.75, 0.55%, 0.83%

LAB 80.83, 21.85, -7.94

 

CMYK 0 / 15 / 6 / 11

HEX #E4C2D7

RGB 228 194 215

HSL 322.94, 0.39%, 0.83%

LAB 81.83, 15.54, -5.99

 

CMYK 0 / 9 / 4 / 13

HEX #DDC9D5

RGB 221 201 213

HSL 324, 0.23%, 0.83%

LAB 82.89, 9.06, -3.43

 

CMYK 0 / 3 / 1 / 16

HEX #D6D0D4

RGB 214 208 212

HSL 320, 0.07%, 0.83%

LAB 84.05, 2.78, -1.25

 

CMYK 4 / 26 / 0 / 5

HEX #E9B4F2

RGB 233 180 242

HSL 291.29, 0.7%, 0.83%

LAB 79.83, 29.61, -23.45

 

CMYK 0 / 26 / 3 / 5

HEX #F2B4EB

RGB 242 180 235

HSL 306.77, 0.7%, 0.83%

LAB 80.47, 31.23, -18.63

 

CMYK 0 / 26 / 10 / 5

HEX #F2B4DA

RGB 242 180 218

HSL 323.23, 0.7%, 0.83%

LAB 79.94, 28.3, -10.26

 

CMYK 0 / 26 / 17 / 5

HEX #F2B4CA

RGB 242 180 202

HSL 338.71, 0.7%, 0.83%

LAB 79.49, 25.73, -2.28

 

CMYK 0 / 26 / 24 / 5

HEX #F2B4B9

RGB 242 180 185

HSL 355.16, 0.7%, 0.83%

LAB 79.05, 23.21, 6.3

 

CMYK 0 / 53 / 21 / 9

HEX #E76DB6

RGB 231 109 182

HSL 324.1, 0.72%, 0.67%

LAB 62.76, 55.52, -16.23

 

CMYK 0 / 39 / 16 / 7

HEX #ED90C8

RGB 237 144 200

HSL 323.87, 0.72%, 0.75%

LAB 70.95, 42.67, -13.92

 

CMYK 0 / 26 / 10 / 5

HEX #F2B4DA

RGB 242 180 218

HSL 323.23, 0.7%, 0.83%

LAB 79.94, 28.3, -10.26

 

CMYK 0 / 13 / 5 / 3

HEX #F8D7EB

RGB 248 215 235

HSL 323.64, 0.7%, 0.91%

LAB 89.18, 14.75, -5.56

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 26 / 10 / 5

HEX #F3B4DA

RGB 243 180 218

HSL 323.81, 0.72%, 0.83%

LAB 80.04, 28.64, -10.1

 

CMYK 0 / 11 / 26 / 5

HEX #F2D8B4

RGB 242 216 180

HSL 34.84, 0.7%, 0.83%

LAB 87.62, 3.62, 21.06

 

CMYK 26 / 0 / 0 / 5

HEX #B4F2F1

RGB 180 242 241

HSL 179.03, 0.7%, 0.83%

LAB 91.49, -19.53, -5.84

 

CMYK 0 / 26 / 10 / 5

HEX #F3B4DA

RGB 243 180 218

HSL 323.81, 0.72%, 0.83%

LAB 80.04, 28.64, -10.1

 

CMYK 10 / 0 / 26 / 5

HEX #DAF2B4

RGB 218 242 180

HSL 83.23, 0.7%, 0.83%

LAB 92.44, -18.27, 27.38

 

CMYK 26 / 10 / 0 / 5

HEX #B4DAF2

RGB 180 218 242

HSL 203.23, 0.7%, 0.83%

LAB 85.13, -7.16, -15.83

 

CMYK 0 / 26 / 10 / 5

HEX #F3B4DA

RGB 243 180 218

HSL 323.81, 0.72%, 0.83%

LAB 80.04, 28.64, -10.1

 

CMYK 0 / 11 / 26 / 5

HEX #F2D8B4

RGB 242 216 180

HSL 34.84, 0.7%, 0.83%

LAB 87.62, 3.62, 21.06

 

CMYK 26 / 0 / 16 / 5

HEX #B4F2CC

RGB 180 242 204

HSL 143.23, 0.7%, 0.83%

LAB 90.58, -27, 12.09

 

CMYK 26 / 15 / 0 / 5

HEX #B4CEF2

RGB 180 206 242

HSL 214.84, 0.7%, 0.83%

LAB 81.98, -0.87, -20.58

 

CMYK 0 / 26 / 10 / 5

HEX #F3B4DA

RGB 243 180 218

HSL 323.81, 0.72%, 0.83%

LAB 80.04, 28.64, -10.1

 

CMYK 0 / 3 / 26 / 5

HEX #F2EBB4

RGB 242 235 180

HSL 53.23, 0.7%, 0.83%

LAB 92.39, -6.07, 27.61

 

CMYK 26 / 0 / 16 / 5

HEX #B4F2CC

RGB 180 242 204

HSL 143.23, 0.7%, 0.83%

LAB 90.58, -27, 12.09

 

CMYK 26 / 23 / 0 / 5

HEX #B4BBF2

RGB 180 187 242

HSL 233.23, 0.7%, 0.83%

LAB 77.07, 9.38, -28.06

 

Description

Color code: RGB 243 180 218 | qconv.com Color code: RGB 243 180 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 180 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 180 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 10 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 10% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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