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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 62 195 it is the complementary color RGB 12 193 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 62 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 62 195 shade: RGB 248 62 190, RGB 255 80 209, RGB 255 98 228, RGB 255 116 247 and RGB 255 134 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 62 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 62 195 shade: RGB 243 62 195, RGB 226 44 176, RGB 209 26 157, RGB 192 8 138 and RGB 175 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 62 195 shade: RGB 242 63 195, RGB 242 63 146, RGB 242 63 98 and RGB 242 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 62 195 shade: RGB 242 63 195, RGB 241 63 242, RGB 193 63 242, RGB 145 63 242 and RGB 96 63 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 62 195 shade matches the following richer shades: RGB 242 63 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 62 195 shade: RGB 242 63 195, RGB 226 79 187, RGB 209 96 179, RGB 193 112 171 and RGB 176 129 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 62 195 shade: RGB 191 63 242, RGB 239 63 242, RGB 242 63 197, RGB 242 63 150 and RGB 242 63 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 62 195 shade: RGB 210 13 157, RGB 240 24 183, RGB 242 63 195, RGB 245 102 207 and RGB 247 140 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 62 195 shade: RGB 243 62 195, RGB 242 144 63 and RGB 63 242 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 62 195 shade: RGB 243 62 195, RGB 197 242 63 and RGB 63 197 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 62 195 shade: RGB 243 62 195, RGB 242 144 63, RGB 63 242 108 and RGB 63 161 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 62 195 shade: RGB 243 62 195, RGB 242 197 63, RGB 63 242 108 and RGB 63 108 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 20 / 5

HEX #F33EC3

RGB 243 62 195

HSL 315.91, 0.88%, 0.6%

LAB 58.45, 78.73, -30.11

 

Complementary color

CMYK 94 / 0 / 69 / 24

HEX #0CC13C

RGB 12 193 60

HSL 135.91, 0.88%, 0.4%

LAB 68.42, -66.3, 53.38

 

CMYK 0 / 75 / 23 / 3

HEX #F83EBE

RGB 248 62 190

HSL 318.71, 0.93%, 0.61%

LAB 59.08, 79.25, -26.2

 

CMYK 0 / 69 / 18 / 0

HEX #FF50D1

RGB 255 80 209

HSL 315.77, 1%, 0.66%

LAB 63.01, 77.64, -30.86

 

CMYK 0 / 62 / 11 / 0

HEX #FF62E4

RGB 255 98 228

HSL 310.32, 1%, 0.69%

LAB 66.21, 73.63, -36.54

 

CMYK 0 / 55 / 3 / 0

HEX #FF74F7

RGB 255 116 247

HSL 303.45, 1%, 0.73%

LAB 69.8, 69.04, -41.43

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 74 / 20 / 5

HEX #F33EC3

RGB 243 62 195

HSL 315.91, 0.88%, 0.6%

LAB 58.45, 78.73, -30.11

 

CMYK 0 / 81 / 22 / 11

HEX #E22CB0

RGB 226 44 176

HSL 316.48, 0.76%, 0.53%

LAB 53.06, 77.32, -27.7

 

CMYK 0 / 88 / 25 / 18

HEX #D11A9D

RGB 209 26 157

HSL 317.05, 0.78%, 0.46%

LAB 47.92, 75.03, -24.68

 

CMYK 0 / 96 / 28 / 25

HEX #C0088A

RGB 192 8 138

HSL 317.61, 0.92%, 0.39%

LAB 43.09, 71.6, -20.93

 

CMYK 0 / 100 / 32 / 31

HEX #AF0077

RGB 175 0 119

HSL 319.2, 1%, 0.34%

LAB 38.63, 66.84, -16.3

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC3

RGB 242 63 195

HSL 315.75, 0.87%, 0.6%

LAB 58.39, 78.21, -30.23

 

CMYK 0 / 74 / 40 / 5

HEX #F23F92

RGB 242 63 146

HSL 332.18, 0.87%, 0.6%

LAB 56.59, 72.67, -4.44

 

CMYK 0 / 74 / 60 / 5

HEX #F23F62

RGB 242 63 98

HSL 348.27, 0.87%, 0.6%

LAB 55.39, 68.82, 22.35

 

CMYK 0 / 74 / 74 / 5

HEX #F23F3F

RGB 242 63 63

HSL 0, 0.87%, 0.6%

LAB 54.86, 67.06, 41.93

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC3

RGB 242 63 195

HSL 315.75, 0.87%, 0.6%

LAB 58.39, 78.21, -30.23

 

CMYK 0 / 74 / 0 / 5

HEX #F13FF2

RGB 241 63 242

HSL 299.66, 0.87%, 0.6%

LAB 60.49, 84.64, -53.49

 

CMYK 20 / 74 / 0 / 5

HEX #C13FF2

RGB 193 63 242

HSL 283.58, 0.87%, 0.6%

LAB 53.28, 75.44, -65.44

 

CMYK 40 / 74 / 0 / 5

HEX #913FF2

RGB 145 63 242

HSL 267.49, 0.87%, 0.6%

LAB 46.96, 67.1, -76

 

CMYK 60 / 74 / 0 / 5

HEX #603FF2

RGB 96 63 242

HSL 251.06, 0.87%, 0.6%

LAB 41.93, 60.21, -84.44

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC3

RGB 242 63 195

HSL 315.75, 0.87%, 0.6%

LAB 58.39, 78.21, -30.23

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC3

RGB 242 63 195

HSL 315.75, 0.87%, 0.6%

LAB 58.39, 78.21, -30.23

 

CMYK 0 / 65 / 17 / 11

HEX #E24FBB

RGB 226 79 187

HSL 315.92, 0.72%, 0.6%

LAB 57.41, 67.78, -27.35

 

CMYK 0 / 54 / 14 / 18

HEX #D160B3

RGB 209 96 179

HSL 315.93, 0.55%, 0.6%

LAB 57.25, 54.6, -23.21

 

CMYK 0 / 42 / 11 / 24

HEX #C170AB

RGB 193 112 171

HSL 316.3, 0.4%, 0.6%

LAB 57.91, 40.27, -17.77

 

CMYK 0 / 27 / 7 / 31

HEX #B081A4

RGB 176 129 164

HSL 315.32, 0.23%, 0.6%

LAB 59.54, 23.89, -11.49

 

CMYK 21 / 74 / 0 / 5

HEX #BF3FF2

RGB 191 63 242

HSL 282.91, 0.87%, 0.6%

LAB 53, 75.07, -65.91

 

CMYK 1 / 74 / 0 / 5

HEX #EF3FF2

RGB 239 63 242

HSL 298.99, 0.87%, 0.6%

LAB 60.17, 84.24, -54.01

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC5

RGB 242 63 197

HSL 315.08, 0.87%, 0.6%

LAB 58.47, 78.47, -31.24

 

CMYK 0 / 74 / 38 / 5

HEX #F23F96

RGB 242 63 150

HSL 330.84, 0.87%, 0.6%

LAB 56.72, 73.06, -6.61

 

CMYK 0 / 74 / 58 / 5

HEX #F23F66

RGB 242 63 102

HSL 346.93, 0.87%, 0.6%

LAB 55.47, 69.08, 20.08

 

CMYK 0 / 94 / 25 / 18

HEX #D20D9D

RGB 210 13 157

HSL 316.14, 0.88%, 0.44%

LAB 47.53, 76.92, -25.27

 

CMYK 0 / 90 / 24 / 6

HEX #F018B7

RGB 240 24 183

HSL 315.83, 0.88%, 0.52%

LAB 54.66, 84.6, -29.12

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC3

RGB 242 63 195

HSL 315.75, 0.87%, 0.6%

LAB 58.39, 78.21, -30.23

 

CMYK 0 / 58 / 16 / 4

HEX #F566CF

RGB 245 102 207

HSL 315.94, 0.88%, 0.68%

LAB 64.5, 66.29, -27.56

 

CMYK 0 / 43 / 11 / 3

HEX #F78CDB

RGB 247 140 219

HSL 315.7, 0.87%, 0.76%

LAB 71.99, 50.89, -22.74

 

CMYK 0 / 74 / 20 / 5

HEX #F33EC3

RGB 243 62 195

HSL 315.91, 0.88%, 0.6%

LAB 58.45, 78.73, -30.11

 

CMYK 0 / 40 / 74 / 5

HEX #F2903F

RGB 242 144 63

HSL 27.15, 0.87%, 0.6%

LAB 68.88, 30.88, 56.83

 

CMYK 74 / 0 / 11 / 5

HEX #3FF2D7

RGB 63 242 215

HSL 170.95, 0.87%, 0.6%

LAB 86.73, -50.07, 0.29

 

CMYK 0 / 74 / 20 / 5

HEX #F33EC3

RGB 243 62 195

HSL 315.91, 0.88%, 0.6%

LAB 58.45, 78.73, -30.11

 

CMYK 19 / 0 / 74 / 5

HEX #C5F23F

RGB 197 242 63

HSL 75.08, 0.87%, 0.6%

LAB 89.74, -37.4, 75.92

 

CMYK 74 / 19 / 0 / 5

HEX #3FC5F2

RGB 63 197 242

HSL 195.08, 0.87%, 0.6%

LAB 74.44, -21.37, -32.55

 

CMYK 0 / 74 / 20 / 5

HEX #F33EC3

RGB 243 62 195

HSL 315.91, 0.88%, 0.6%

LAB 58.45, 78.73, -30.11

 

CMYK 0 / 40 / 74 / 5

HEX #F2903F

RGB 242 144 63

HSL 27.15, 0.87%, 0.6%

LAB 68.88, 30.88, 56.83

 

CMYK 74 / 0 / 55 / 5

HEX #3FF26C

RGB 63 242 108

HSL 135.08, 0.87%, 0.6%

LAB 84.81, -71.08, 51.46

 

CMYK 74 / 33 / 0 / 5

HEX #3FA1F2

RGB 63 161 242

HSL 207.15, 0.87%, 0.6%

LAB 64.13, -1.86, -48.67

 

CMYK 0 / 74 / 20 / 5

HEX #F33EC3

RGB 243 62 195

HSL 315.91, 0.88%, 0.6%

LAB 58.45, 78.73, -30.11

 

CMYK 0 / 19 / 74 / 5

HEX #F2C53F

RGB 242 197 63

HSL 44.92, 0.87%, 0.6%

LAB 81.38, 3.07, 69.19

 

CMYK 74 / 0 / 55 / 5

HEX #3FF26C

RGB 63 242 108

HSL 135.08, 0.87%, 0.6%

LAB 84.81, -71.08, 51.46

 

CMYK 74 / 55 / 0 / 5

HEX #3F6CF2

RGB 63 108 242

HSL 224.92, 0.87%, 0.6%

LAB 49.73, 30.24, -71.75

 

Description

Color code: RGB 243 62 195 | qconv.com Color code: RGB 243 62 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 62 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 62 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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