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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 91 190 it is the complementary color RGB 12 164 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 91 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 91 190 shade: RGB 248 91 185, RGB 255 109 204, RGB 255 127 223, RGB 255 145 242 and RGB 255 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 91 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 91 190 shade: RGB 243 91 190, RGB 226 73 171, RGB 209 55 152, RGB 192 37 133 and RGB 175 19 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 91 190 shade: RGB 242 88 188, RGB 242 88 147, RGB 242 88 106 and RGB 242 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 91 190 shade: RGB 242 88 188, RGB 242 88 230, RGB 213 88 242, RGB 171 88 242 and RGB 130 88 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 91 190 shade matches the following richer shades: RGB 242 88 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 91 190 shade: RGB 242 88 188, RGB 228 103 184, RGB 213 117 180, RGB 199 132 175 and RGB 184 146 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 91 190 shade: RGB 211 88 242, RGB 242 88 232, RGB 242 88 191, RGB 242 88 150 and RGB 242 88 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 91 190 shade: RGB 231 17 156, RGB 239 50 173, RGB 242 88 188, RGB 245 127 204 and RGB 248 165 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 91 190 shade: RGB 243 91 190, RGB 242 170 88 and RGB 88 242 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 91 190 shade: RGB 243 91 190, RGB 191 242 88 and RGB 88 191 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 91 190 shade: RGB 243 91 190, RGB 242 170 88, RGB 88 242 140 and RGB 88 160 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 91 190 shade: RGB 243 91 190, RGB 242 216 88, RGB 88 242 140 and RGB 88 114 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 22 / 5

HEX #F35BBE

RGB 243 91 190

HSL 320.92, 0.86%, 0.65%

LAB 61.87, 67.96, -21.99

 

Complementary color

CMYK 93 / 0 / 60 / 36

HEX #0CA441

RGB 12 164 65

HSL 140.92, 0.86%, 0.35%

LAB 58.98, -56.77, 40.71

 

CMYK 0 / 63 / 25 / 3

HEX #F85BB9

RGB 248 91 185

HSL 324.08, 0.92%, 0.66%

LAB 62.46, 68.67, -18.17

 

CMYK 0 / 57 / 20 / 0

HEX #FF6DCC

RGB 255 109 204

HSL 320.96, 1%, 0.71%

LAB 66.94, 65.63, -22

 

CMYK 0 / 50 / 13 / 0

HEX #FF7FDF

RGB 255 127 223

HSL 315, 1%, 0.75%

LAB 70.71, 60.23, -26.81

 

CMYK 0 / 43 / 5 / 0

HEX #FF91F2

RGB 255 145 242

HSL 307.09, 1%, 0.78%

LAB 74.78, 54.58, -30.98

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 63 / 22 / 5

HEX #F35BBE

RGB 243 91 190

HSL 320.92, 0.86%, 0.65%

LAB 61.87, 67.96, -21.99

 

CMYK 0 / 68 / 24 / 11

HEX #E249AB

RGB 226 73 171

HSL 321.57, 0.73%, 0.59%

LAB 55.96, 67.91, -20.32

 

CMYK 0 / 74 / 27 / 18

HEX #D13798

RGB 209 55 152

HSL 322.21, 0.63%, 0.52%

LAB 50.16, 67.4, -18.25

 

CMYK 0 / 81 / 31 / 25

HEX #C02585

RGB 192 37 133

HSL 322.84, 0.68%, 0.45%

LAB 44.55, 66.19, -15.62

 

CMYK 0 / 89 / 35 / 31

HEX #AF1372

RGB 175 19 114

HSL 323.46, 0.8%, 0.38%

LAB 39.23, 63.96, -12.25

 

CMYK 0 / 64 / 22 / 5

HEX #F258BC

RGB 242 88 188

HSL 321.04, 0.86%, 0.65%

LAB 61.21, 68.62, -21.87

 

CMYK 0 / 64 / 39 / 5

HEX #F25893

RGB 242 88 147

HSL 337.01, 0.86%, 0.65%

LAB 59.86, 63.81, -0.23

 

CMYK 0 / 64 / 56 / 5

HEX #F2586A

RGB 242 88 106

HSL 352.99, 0.86%, 0.65%

LAB 58.88, 60.21, 22.31

 

CMYK 0 / 64 / 64 / 5

HEX #F25858

RGB 242 88 88

HSL 0, 0.86%, 0.65%

LAB 58.57, 59.04, 32.27

 

CMYK 0 / 64 / 22 / 5

HEX #F258BC

RGB 242 88 188

HSL 321.04, 0.86%, 0.65%

LAB 61.21, 68.62, -21.87

 

CMYK 0 / 64 / 5 / 5

HEX #F258E6

RGB 242 88 230

HSL 304.68, 0.86%, 0.65%

LAB 62.99, 74.66, -42.84

 

CMYK 12 / 64 / 0 / 5

HEX #D558F2

RGB 213 88 242

HSL 288.7, 0.86%, 0.65%

LAB 59.47, 69.98, -55.36

 

CMYK 29 / 64 / 0 / 5

HEX #AB58F2

RGB 171 88 242

HSL 272.34, 0.86%, 0.65%

LAB 54.08, 60.74, -64.3

 

CMYK 46 / 64 / 0 / 5

HEX #8258F2

RGB 130 88 242

HSL 256.36, 0.86%, 0.65%

LAB 49.66, 52.51, -71.66

 

CMYK 0 / 64 / 22 / 5

HEX #F258BC

RGB 242 88 188

HSL 321.04, 0.86%, 0.65%

LAB 61.21, 68.62, -21.87

 

CMYK 0 / 64 / 22 / 5

HEX #F258BC

RGB 242 88 188

HSL 321.04, 0.86%, 0.65%

LAB 61.21, 68.62, -21.87

 

CMYK 0 / 55 / 19 / 11

HEX #E467B8

RGB 228 103 184

HSL 321.12, 0.7%, 0.65%

LAB 61.36, 57.7, -19.55

 

CMYK 0 / 45 / 15 / 16

HEX #D575B4

RGB 213 117 180

HSL 320.63, 0.53%, 0.65%

LAB 61.8, 45.63, -16.79

 

CMYK 0 / 34 / 12 / 22

HEX #C784AF

RGB 199 132 175

HSL 321.49, 0.37%, 0.65%

LAB 63.13, 32.19, -12.11

 

CMYK 0 / 21 / 7 / 28

HEX #B892AB

RGB 184 146 171

HSL 320.53, 0.21%, 0.65%

LAB 64.71, 18.48, -7.64

 

CMYK 13 / 64 / 0 / 5

HEX #D358F2

RGB 211 88 242

HSL 287.92, 0.86%, 0.65%

LAB 59.2, 69.53, -55.81

 

CMYK 0 / 64 / 4 / 5

HEX #F258E8

RGB 242 88 232

HSL 303.9, 0.86%, 0.65%

LAB 63.08, 74.97, -43.81

 

CMYK 0 / 64 / 21 / 5

HEX #F258BF

RGB 242 88 191

HSL 319.87, 0.86%, 0.65%

LAB 61.32, 69.02, -23.41

 

CMYK 0 / 64 / 38 / 5

HEX #F25896

RGB 242 88 150

HSL 335.84, 0.86%, 0.65%

LAB 59.94, 64.12, -1.85

 

CMYK 0 / 64 / 55 / 5

HEX #F2586D

RGB 242 88 109

HSL 351.82, 0.86%, 0.65%

LAB 58.94, 60.43, 20.64

 

CMYK 0 / 93 / 32 / 9

HEX #E7119C

RGB 231 17 156

HSL 321.03, 0.86%, 0.49%

LAB 51.6, 80.67, -18.08

 

CMYK 0 / 79 / 28 / 6

HEX #EF32AD

RGB 239 50 173

HSL 320.95, 0.86%, 0.57%

LAB 55.73, 78.41, -21.64

 

CMYK 0 / 64 / 22 / 5

HEX #F258BC

RGB 242 88 188

HSL 321.04, 0.86%, 0.65%

LAB 61.21, 68.62, -21.87

 

CMYK 0 / 48 / 17 / 4

HEX #F57FCC

RGB 245 127 204

HSL 320.85, 0.86%, 0.73%

LAB 68.72, 54.37, -19.43

 

CMYK 0 / 33 / 12 / 3

HEX #F8A5DB

RGB 248 165 219

HSL 320.96, 0.86%, 0.81%

LAB 77.27, 38.39, -14.74

 

CMYK 0 / 63 / 22 / 5

HEX #F35BBE

RGB 243 91 190

HSL 320.92, 0.86%, 0.65%

LAB 61.87, 67.96, -21.99

 

CMYK 0 / 30 / 64 / 5

HEX #F2AA58

RGB 242 170 88

HSL 31.95, 0.86%, 0.65%

LAB 75.03, 18.52, 51.9

 

CMYK 64 / 0 / 4 / 5

HEX #58F2E8

RGB 88 242 232

HSL 176.1, 0.86%, 0.65%

LAB 87.68, -42.36, -7.16

 

CMYK 0 / 63 / 22 / 5

HEX #F35BBE

RGB 243 91 190

HSL 320.92, 0.86%, 0.65%

LAB 61.87, 67.96, -21.99

 

CMYK 21 / 0 / 64 / 5

HEX #BFF258

RGB 191 242 88

HSL 79.87, 0.86%, 0.65%

LAB 89.53, -38.2, 66.64

 

CMYK 64 / 21 / 0 / 5

HEX #58BFF2

RGB 88 191 242

HSL 199.87, 0.86%, 0.65%

LAB 73.38, -14.73, -34.14

 

CMYK 0 / 63 / 22 / 5

HEX #F35BBE

RGB 243 91 190

HSL 320.92, 0.86%, 0.65%

LAB 61.87, 67.96, -21.99

 

CMYK 0 / 30 / 64 / 5

HEX #F2AA58

RGB 242 170 88

HSL 31.95, 0.86%, 0.65%

LAB 75.03, 18.52, 51.9

 

CMYK 64 / 0 / 42 / 5

HEX #58F28C

RGB 88 242 140

HSL 140.26, 0.86%, 0.65%

LAB 85.74, -62.26, 37.51

 

CMYK 64 / 34 / 0 / 5

HEX #58A0F2

RGB 88 160 242

HSL 211.95, 0.86%, 0.65%

LAB 64.67, 2.38, -47.76

 

CMYK 0 / 63 / 22 / 5

HEX #F35BBE

RGB 243 91 190

HSL 320.92, 0.86%, 0.65%

LAB 61.87, 67.96, -21.99

 

CMYK 0 / 11 / 64 / 5

HEX #F2D858

RGB 242 216 88

HSL 49.87, 0.86%, 0.65%

LAB 86.35, -5.37, 64.37

 

CMYK 64 / 0 / 42 / 5

HEX #58F28C

RGB 88 242 140

HSL 140.26, 0.86%, 0.65%

LAB 85.74, -62.26, 37.51

 

CMYK 64 / 53 / 0 / 5

HEX #5872F2

RGB 88 114 242

HSL 229.87, 0.86%, 0.65%

LAB 52.42, 29.95, -67.33

 

Description

Color code: RGB 243 91 190 | qconv.com Color code: RGB 243 91 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 91 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 91 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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