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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 163 232 it is the complementary color RGB 11 92 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 163 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 163 232 shade: RGB 249 163 227, RGB 255 181 246, RGB 255 199 255, RGB 255 217 255 and RGB 255 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 163 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 227 145 213, RGB 210 127 194, RGB 193 109 175 and RGB 176 91 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 244 163 210, RGB 244 163 188, RGB 244 163 167 and RGB 244 163 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 234 163 244, RGB 212 163 244, RGB 191 163 244 and RGB 169 163 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 163 232 shade matches the following richer shades: RGB 244 163 232 and RGB 252 155 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 236 171 226, RGB 227 180 220, RGB 219 188 214 and RGB 211 196 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 163 232 shade: RGB 212 163 244, RGB 233 163 244, RGB 244 163 233, RGB 244 163 212 and RGB 244 163 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 163 232 shade: RGB 235 89 214, RGB 239 126 223, RGB 244 163 232, RGB 248 200 241 and RGB 252 237 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 244 190 163 and RGB 163 244 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 233 244 163 and RGB 163 233 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 244 190 163, RGB 163 244 174 and RGB 163 217 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 163 232 shade: RGB 244 163 232, RGB 244 214 163, RGB 163 244 174 and RGB 163 193 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

Complementary color

CMYK 88 / 0 / 75 / 64

HEX #0B5C17

RGB 11 92 23

HSL 128.89, 0.79%, 0.2%

LAB 33.54, -37.88, 31.8

 

CMYK 0 / 35 / 9 / 2

HEX #F9A3E3

RGB 249 163 227

HSL 315.35, 0.88%, 0.81%

LAB 77.21, 41.07, -19.17

 

CMYK 0 / 29 / 4 / 0

HEX #FFB5F6

RGB 255 181 246

HSL 307.3, 1%, 0.85%

LAB 82.36, 36.84, -21.55

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 36 / 6 / 11

HEX #E391D5

RGB 227 145 213

HSL 310.24, 0.59%, 0.73%

LAB 70.45, 41.03, -22

 

CMYK 0 / 40 / 8 / 18

HEX #D27FC2

RGB 210 127 194

HSL 311.57, 0.48%, 0.66%

LAB 63.98, 41.78, -21.44

 

CMYK 0 / 44 / 9 / 24

HEX #C16DAF

RGB 193 109 175

HSL 312.86, 0.4%, 0.59%

LAB 57.43, 42.53, -20.8

 

CMYK 0 / 48 / 11 / 31

HEX #B05B9C

RGB 176 91 156

HSL 314.12, 0.35%, 0.52%

LAB 50.82, 43.27, -20.06

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 33 / 14 / 4

HEX #F4A3D2

RGB 244 163 210

HSL 325.19, 0.79%, 0.8%

LAB 76.12, 36.66, -11.6

 

CMYK 0 / 33 / 23 / 4

HEX #F4A3BC

RGB 244 163 188

HSL 341.48, 0.79%, 0.8%

LAB 75.49, 33.34, -0.49

 

CMYK 0 / 33 / 32 / 4

HEX #F4A3A7

RGB 244 163 167

HSL 357.04, 0.79%, 0.8%

LAB 74.96, 30.51, 10.28

 

CMYK 0 / 33 / 33 / 4

HEX #F4A3A3

RGB 244 163 163

HSL 0, 0.79%, 0.8%

LAB 74.87, 30.01, 12.34

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 4 / 33 / 0 / 4

HEX #EAA3F4

RGB 234 163 244

HSL 292.59, 0.79%, 0.8%

LAB 76.2, 39.35, -30.07

 

CMYK 13 / 33 / 0 / 4

HEX #D4A3F4

RGB 212 163 244

HSL 276.3, 0.79%, 0.8%

LAB 74.01, 32.62, -33.63

 

CMYK 22 / 33 / 0 / 4

HEX #BFA3F4

RGB 191 163 244

HSL 260.74, 0.79%, 0.8%

LAB 72.1, 26.34, -36.75

 

CMYK 31 / 33 / 0 / 4

HEX #A9A3F4

RGB 169 163 244

HSL 244.44, 0.79%, 0.8%

LAB 70.29, 20.03, -39.7

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 38 / 6 / 1

HEX #FC9BEE

RGB 252 155 238

HSL 308.66, 0.94%, 0.8%

LAB 76.26, 47.98, -26.56

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 28 / 4 / 7

HEX #ECABE2

RGB 236 171 226

HSL 309.23, 0.63%, 0.8%

LAB 77.55, 32.45, -18.24

 

CMYK 0 / 21 / 3 / 11

HEX #E3B4DC

RGB 227 180 220

HSL 308.94, 0.46%, 0.8%

LAB 78.54, 23.58, -13.58

 

CMYK 0 / 14 / 2 / 14

HEX #DBBCD6

RGB 219 188 214

HSL 309.68, 0.3%, 0.8%

LAB 79.55, 15.49, -8.92

 

CMYK 0 / 7 / 1 / 17

HEX #D3C4D1

RGB 211 196 209

HSL 308, 0.15%, 0.8%

LAB 80.7, 7.56, -4.6

 

CMYK 13 / 33 / 0 / 4

HEX #D4A3F4

RGB 212 163 244

HSL 276.3, 0.79%, 0.8%

LAB 74.01, 32.62, -33.63

 

CMYK 5 / 33 / 0 / 4

HEX #E9A3F4

RGB 233 163 244

HSL 291.85, 0.79%, 0.8%

LAB 76.1, 39.04, -30.23

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E9

RGB 244 163 233

HSL 308.15, 0.79%, 0.8%

LAB 76.87, 40.48, -23

 

CMYK 0 / 33 / 13 / 4

HEX #F4A3D4

RGB 244 163 212

HSL 323.7, 0.79%, 0.8%

LAB 76.18, 36.98, -12.6

 

CMYK 0 / 33 / 22 / 4

HEX #F4A3BE

RGB 244 163 190

HSL 340, 0.79%, 0.8%

LAB 75.54, 33.63, -1.5

 

CMYK 0 / 62 / 9 / 8

HEX #EB59D6

RGB 235 89 214

HSL 308.63, 0.78%, 0.64%

LAB 61.36, 70.09, -36.48

 

CMYK 0 / 47 / 7 / 6

HEX #EF7EDF

RGB 239 126 223

HSL 308.5, 0.78%, 0.72%

LAB 68.46, 56.05, -30.45

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 19 / 3 / 3

HEX #F8C8F1

RGB 248 200 241

HSL 308.75, 0.77%, 0.88%

LAB 85.81, 23.68, -13.74

 

CMYK 0 / 6 / 1 / 1

HEX #FCEDFA

RGB 252 237 250

HSL 308, 0.71%, 0.96%

LAB 95.23, 7.3, -4.45

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 22 / 33 / 4

HEX #F4BEA3

RGB 244 190 163

HSL 20, 0.79%, 0.8%

LAB 81.13, 15.75, 21.08

 

CMYK 33 / 0 / 9 / 4

HEX #A3F4DE

RGB 163 244 222

HSL 163.7, 0.79%, 0.8%

LAB 90.67, -29.35, 2.76

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 5 / 0 / 33 / 4

HEX #E9F4A3

RGB 233 244 163

HSL 68.15, 0.79%, 0.8%

LAB 93.74, -16.03, 37.88

 

CMYK 33 / 5 / 0 / 4

HEX #A3E9F4

RGB 163 233 244

HSL 188.15, 0.79%, 0.8%

LAB 88.25, -19.1, -12.3

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 22 / 33 / 4

HEX #F4BEA3

RGB 244 190 163

HSL 20, 0.79%, 0.8%

LAB 81.13, 15.75, 21.08

 

CMYK 33 / 0 / 29 / 4

HEX #A3F4AE

RGB 163 244 174

HSL 128.15, 0.79%, 0.8%

LAB 89.65, -38.48, 26.1

 

CMYK 33 / 11 / 0 / 4

HEX #A3D9F4

RGB 163 217 244

HSL 200, 0.79%, 0.8%

LAB 83.94, -10.98, -18.78

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E8

RGB 244 163 232

HSL 308.89, 0.79%, 0.8%

LAB 76.83, 40.31, -22.51

 

CMYK 0 / 12 / 33 / 4

HEX #F4D6A3

RGB 244 214 163

HSL 37.78, 0.79%, 0.8%

LAB 86.98, 3.23, 29.05

 

CMYK 33 / 0 / 29 / 4

HEX #A3F4AE

RGB 163 244 174

HSL 128.15, 0.79%, 0.8%

LAB 89.65, -38.48, 26.1

 

CMYK 33 / 21 / 0 / 4

HEX #A3C1F4

RGB 163 193 244

HSL 217.78, 0.79%, 0.8%

LAB 77.55, 1.73, -28.49

 

Description

Color code: RGB 244 163 232 | qconv.com Color code: RGB 244 163 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 163 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 163 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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