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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 194 231 it is the complementary color RGB 11 61 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 194 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 194 231 shade: RGB 249 194 226, RGB 255 212 245, RGB 255 230 255 and RGB 255 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 194 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 194 231 shade: RGB 244 194 231, RGB 227 176 212, RGB 210 158 193, RGB 193 140 174 and RGB 176 122 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 194 231 shade: RGB 243 194 231, RGB 243 194 217, RGB 243 194 204 and RGB 243 194 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 194 231 shade: RGB 243 194 231, RGB 243 194 243, RGB 230 194 243, RGB 216 194 243 and RGB 203 194 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 194 231 shade matches the following richer shades: RGB 243 194 231 and RGB 249 188 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 194 231 shade: RGB 243 194 231, RGB 238 200 228, RGB 232 206 225, RGB 226 211 222 and RGB 220 217 220

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 194 231 shade: RGB 229 194 243, RGB 243 194 243, RGB 243 194 231, RGB 243 194 218 and RGB 243 194 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 194 231 shade: RGB 231 124 203, RGB 237 159 217, RGB 243 194 231 and RGB 250 229 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 194 231 shade: RGB 244 194 231, RGB 243 216 194 and RGB 194 243 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 194 231 shade: RGB 244 194 231, RGB 231 243 194 and RGB 194 231 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 194 231 shade: RGB 244 194 231, RGB 243 216 194, RGB 194 243 206 and RGB 194 221 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 194 231 shade: RGB 244 194 231, RGB 243 231 194, RGB 194 243 206 and RGB 194 206 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 5 / 4

HEX #F4C2E7

RGB 244 194 231

HSL 315.6, 0.69%, 0.86%

LAB 83.75, 23.77, -11.54

 

Complementary color

CMYK 82 / 0 / 61 / 76

HEX #0B3D18

RGB 11 61 24

HSL 135.6, 0.69%, 0.14%

LAB 21.85, -25.77, 18.07

 

CMYK 0 / 22 / 9 / 2

HEX #F9C2E2

RGB 249 194 226

HSL 325.09, 0.82%, 0.87%

LAB 84.08, 24.61, -8.33

 

CMYK 0 / 17 / 4 / 0

HEX #FFD4F5

RGB 255 212 245

HSL 313.95, 1%, 0.92%

LAB 89.36, 20.4, -10.49

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 20 / 5 / 4

HEX #F4C2E7

RGB 244 194 231

HSL 315.6, 0.69%, 0.86%

LAB 83.75, 23.77, -11.54

 

CMYK 0 / 22 / 7 / 11

HEX #E3B0D4

RGB 227 176 212

HSL 317.65, 0.48%, 0.79%

LAB 77.36, 24.31, -11.02

 

CMYK 0 / 25 / 8 / 18

HEX #D29EC1

RGB 210 158 193

HSL 319.62, 0.37%, 0.72%

LAB 70.87, 24.9, -10.46

 

CMYK 0 / 27 / 10 / 24

HEX #C18CAE

RGB 193 140 174

HSL 321.51, 0.3%, 0.65%

LAB 64.28, 25.54, -9.88

 

CMYK 0 / 31 / 12 / 31

HEX #B07A9B

RGB 176 122 155

HSL 323.33, 0.25%, 0.58%

LAB 57.57, 26.23, -9.25

 

CMYK 0 / 20 / 5 / 5

HEX #F3C2E7

RGB 243 194 231

HSL 314.69, 0.67%, 0.86%

LAB 83.66, 23.43, -11.69

 

CMYK 0 / 20 / 11 / 5

HEX #F3C2D9

RGB 243 194 217

HSL 331.84, 0.67%, 0.86%

LAB 83.26, 21.06, -4.8

 

CMYK 0 / 20 / 16 / 5

HEX #F3C2CC

RGB 243 194 204

HSL 347.76, 0.67%, 0.86%

LAB 82.91, 18.98, 1.66

 

CMYK 0 / 20 / 20 / 5

HEX #F3C2C2

RGB 243 194 194

HSL 0, 0.67%, 0.86%

LAB 82.66, 17.47, 6.66

RGB 243 194 194

CMYK 0 / 20 / 5 / 5

HEX #F3C2E7

RGB 243 194 231

HSL 314.69, 0.67%, 0.86%

LAB 83.66, 23.43, -11.69

 

CMYK 0 / 20 / 0 / 5

HEX #F3C2F3

RGB 243 194 243

HSL 300, 0.67%, 0.86%

LAB 84.02, 25.57, -17.55

 

CMYK 5 / 20 / 0 / 5

HEX #E6C2F3

RGB 230 194 243

HSL 284.08, 0.67%, 0.86%

LAB 82.85, 21.35, -19.43

 

CMYK 11 / 20 / 0 / 5

HEX #D8C2F3

RGB 216 194 243

HSL 266.94, 0.67%, 0.86%

LAB 81.65, 16.86, -21.36

 

CMYK 16 / 20 / 0 / 5

HEX #CBC2F3

RGB 203 194 243

HSL 251.02, 0.67%, 0.86%

LAB 80.6, 12.77, -23.05

 

CMYK 0 / 20 / 5 / 5

HEX #F3C2E7

RGB 243 194 231

HSL 314.69, 0.67%, 0.86%

LAB 83.66, 23.43, -11.69

 

CMYK 0 / 24 / 6 / 2

HEX #F9BCE9

RGB 249 188 233

HSL 315.74, 0.84%, 0.86%

LAB 82.91, 28.96, -13.82

 

CMYK 0 / 20 / 5 / 5

HEX #F3C2E7

RGB 243 194 231

HSL 314.69, 0.67%, 0.86%

LAB 83.66, 23.43, -11.69

 

CMYK 0 / 16 / 4 / 7

HEX #EEC8E4

RGB 238 200 228

HSL 315.79, 0.53%, 0.86%

LAB 84.53, 18.04, -8.84

 

CMYK 0 / 11 / 3 / 9

HEX #E8CEE1

RGB 232 206 225

HSL 316.15, 0.36%, 0.86%

LAB 85.37, 12.31, -6.06

 

CMYK 0 / 7 / 2 / 11

HEX #E2D3DE

RGB 226 211 222

HSL 316, 0.21%, 0.86%

LAB 86.02, 7.1, -3.56

 

CMYK 0 / 1 / 0 / 14

HEX #DCD9DC

RGB 220 217 220

HSL 300, 0.04%, 0.86%

LAB 87, 1.56, -1.12

 

CMYK 6 / 20 / 0 / 5

HEX #E5C2F3

RGB 229 194 243

HSL 282.86, 0.67%, 0.86%

LAB 82.76, 21.02, -19.57

 

CMYK 0 / 20 / 0 / 5

HEX #F3C2F3

RGB 243 194 243

HSL 300, 0.67%, 0.86%

LAB 84.02, 25.57, -17.55

 

CMYK 0 / 20 / 5 / 5

HEX #F3C2E7

RGB 243 194 231

HSL 314.69, 0.67%, 0.86%

LAB 83.66, 23.43, -11.69

 

CMYK 0 / 20 / 10 / 5

HEX #F3C2DA

RGB 243 194 218

HSL 330.61, 0.67%, 0.86%

LAB 83.28, 21.22, -5.29

 

CMYK 0 / 20 / 16 / 5

HEX #F3C2CD

RGB 243 194 205

HSL 346.53, 0.67%, 0.86%

LAB 82.94, 19.14, 1.16

 

CMYK 0 / 46 / 12 / 9

HEX #E77CCB

RGB 231 124 203

HSL 315.7, 0.69%, 0.7%

LAB 66.3, 51.4, -22.71

 

CMYK 0 / 33 / 8 / 7

HEX #ED9FD9

RGB 237 159 217

HSL 315.38, 0.68%, 0.78%

LAB 74.71, 37.58, -17.63

 

CMYK 0 / 20 / 5 / 5

HEX #F3C2E7

RGB 243 194 231

HSL 314.69, 0.67%, 0.86%

LAB 83.66, 23.43, -11.69

 

CMYK 0 / 8 / 2 / 2

HEX #FAE5F4

RGB 250 229 244

HSL 317.14, 0.68%, 0.94%

LAB 92.97, 9.7, -4.68

 

CMYK 0 / 20 / 5 / 4

HEX #F4C2E7

RGB 244 194 231

HSL 315.6, 0.69%, 0.86%

LAB 83.75, 23.77, -11.54

 

CMYK 0 / 11 / 20 / 5

HEX #F3D8C2

RGB 243 216 194

HSL 26.94, 0.67%, 0.86%

LAB 88, 5.95, 14.26

 

CMYK 20 / 0 / 3 / 5

HEX #C2F3EC

RGB 194 243 236

HSL 171.43, 0.67%, 0.86%

LAB 92.41, -16.96, -1.79

 

CMYK 0 / 20 / 5 / 4

HEX #F4C2E7

RGB 244 194 231

HSL 315.6, 0.69%, 0.86%

LAB 83.75, 23.77, -11.54

 

CMYK 5 / 0 / 20 / 5

HEX #E7F3C2

RGB 231 243 194

HSL 74.69, 0.67%, 0.86%

LAB 93.88, -12.1, 22.34

 

CMYK 20 / 5 / 0 / 5

HEX #C2E7F3

RGB 194 231 243

HSL 194.69, 0.67%, 0.86%

LAB 89.44, -9.47, -9.83

 

CMYK 0 / 20 / 5 / 4

HEX #F4C2E7

RGB 244 194 231

HSL 315.6, 0.69%, 0.86%

LAB 83.75, 23.77, -11.54

 

CMYK 0 / 11 / 20 / 5

HEX #F3D8C2

RGB 243 216 194

HSL 26.94, 0.67%, 0.86%

LAB 88, 5.95, 14.26

 

CMYK 20 / 0 / 15 / 5

HEX #C2F3CE

RGB 194 243 206

HSL 134.69, 0.67%, 0.86%

LAB 91.7, -22.7, 12.75

 

CMYK 20 / 9 / 0 / 5

HEX #C2DDF3

RGB 194 221 243

HSL 206.94, 0.67%, 0.86%

LAB 86.83, -4.33, -13.72

 

CMYK 0 / 20 / 5 / 4

HEX #F4C2E7

RGB 244 194 231

HSL 315.6, 0.69%, 0.86%

LAB 83.75, 23.77, -11.54

 

CMYK 0 / 5 / 20 / 5

HEX #F3E7C2

RGB 243 231 194

HSL 45.31, 0.67%, 0.86%

LAB 91.73, -1.75, 19.5

 

CMYK 20 / 0 / 15 / 5

HEX #C2F3CE

RGB 194 243 206

HSL 134.69, 0.67%, 0.86%

LAB 91.7, -22.7, 12.75

 

CMYK 20 / 15 / 0 / 5

HEX #C2CEF3

RGB 194 206 243

HSL 225.31, 0.67%, 0.86%

LAB 82.96, 3.56, -19.54

 

Description

Color code: RGB 244 194 231 | qconv.com Color code: RGB 244 194 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 194 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 194 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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