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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 69 255 it is the complementary color RGB 11 186 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 69 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 69 255 shade: RGB 249 69 250, RGB 255 87 255, RGB 255 105 255, RGB 255 123 255 and RGB 255 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 69 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 69 255 shade: RGB 244 69 255, RGB 227 51 236, RGB 210 33 217, RGB 193 15 198 and RGB 176 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 69 255 shade: RGB 244 71 255, RGB 255 71 216, RGB 255 71 166, RGB 255 71 117 and RGB 255 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 69 255 shade: RGB 244 71 255, RGB 194 71 255, RGB 145 71 255, RGB 95 71 255 and RGB 71 71 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 69 255 shade matches the following richer shades: RGB 244 71 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 69 255 shade: RGB 244 71 255, RGB 231 86 240, RGB 217 101 225, RGB 204 115 210 and RGB 191 130 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 69 255 shade: RGB 144 71 255, RGB 193 71 255, RGB 242 71 255, RGB 255 71 218 and RGB 255 71 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 69 255 shade: RGB 229 0 243, RGB 241 30 255, RGB 244 71 255, RGB 246 112 255 and RGB 249 153 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 69 255 shade: RGB 244 69 255, RGB 255 95 71 and RGB 71 255 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 69 255 shade: RGB 244 69 255, RGB 255 242 71 and RGB 71 255 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 69 255 shade: RGB 244 69 255, RGB 255 95 71, RGB 83 255 71 and RGB 71 230 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 69 255 shade: RGB 244 69 255, RGB 255 150 71, RGB 83 255 71 and RGB 71 175 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 73 / 0 / 0

HEX #F445FF

RGB 244 69 255

HSL 296.45, 1%, 0.64%

LAB 62.26, 85.51, -57.84

 

Complementary color

CMYK 94 / 0 / 100 / 27

HEX #0BBA00

RGB 11 186 0

HSL 116.45, 1%, 0.36%

LAB 65.9, -67.49, 65.69

 

CMYK 0 / 72 / 0 / 2

HEX #F945FA

RGB 249 69 250

HSL 299.67, 0.95%, 0.63%

LAB 62.76, 85.72, -54.24

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 4 / 73 / 0 / 0

HEX #F445FF

RGB 244 69 255

HSL 296.45, 1%, 0.64%

LAB 62.26, 85.51, -57.84

 

CMYK 4 / 78 / 0 / 7

HEX #E333EC

RGB 227 51 236

HSL 297.08, 0.83%, 0.56%

LAB 56.84, 84.23, -56.09

 

CMYK 3 / 85 / 0 / 15

HEX #D221D9

RGB 210 33 217

HSL 297.72, 0.74%, 0.49%

LAB 51.61, 82.17, -53.86

 

CMYK 3 / 92 / 0 / 22

HEX #C10FC6

RGB 193 15 198

HSL 298.36, 0.86%, 0.42%

LAB 46.65, 79.06, -51.03

 

CMYK 2 / 100 / 0 / 30

HEX #B000B3

RGB 176 0 179

HSL 298.99, 1%, 0.35%

LAB 41.98, 74.85, -47.55

 

CMYK 4 / 72 / 0 / 0

HEX #F447FF

RGB 244 71 255

HSL 296.41, 1%, 0.64%

LAB 62.47, 84.9, -57.5

 

CMYK 0 / 72 / 15 / 0

HEX #FF47D8

RGB 255 71 216

HSL 312.72, 1%, 0.64%

LAB 62.27, 81.5, -35.96

 

CMYK 0 / 72 / 35 / 0

HEX #FF47A6

RGB 255 71 166

HSL 329.02, 1%, 0.64%

LAB 60.36, 75.52, -10.3

 

CMYK 0 / 72 / 54 / 0

HEX #FF4775

RGB 255 71 117

HSL 345, 1%, 0.64%

LAB 59.02, 71.19, 16.44

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 4 / 72 / 0 / 0

HEX #F447FF

RGB 244 71 255

HSL 296.41, 1%, 0.64%

LAB 62.47, 84.9, -57.5

 

CMYK 24 / 72 / 0 / 0

HEX #C247FF

RGB 194 71 255

HSL 280.11, 1%, 0.64%

LAB 55.27, 75.28, -69.45

 

CMYK 43 / 72 / 0 / 0

HEX #9147FF

RGB 145 71 255

HSL 264.13, 1%, 0.64%

LAB 49.19, 66.79, -79.62

 

CMYK 63 / 72 / 0 / 0

HEX #5F47FF

RGB 95 71 255

HSL 247.83, 1%, 0.64%

LAB 44.46, 59.85, -87.55

 

CMYK 72 / 72 / 0 / 0

HEX #4747FF

RGB 71 71 255

HSL 240, 1%, 0.64%

LAB 42.86, 57.42, -90.24

 

CMYK 4 / 72 / 0 / 0

HEX #F447FF

RGB 244 71 255

HSL 296.41, 1%, 0.64%

LAB 62.47, 84.9, -57.5

 

CMYK 4 / 72 / 0 / 0

HEX #F447FF

RGB 244 71 255

HSL 296.41, 1%, 0.64%

LAB 62.47, 84.9, -57.5

 

CMYK 4 / 64 / 0 / 6

HEX #E756F0

RGB 231 86 240

HSL 296.49, 0.84%, 0.64%

LAB 61.6, 74.49, -50.71

 

CMYK 4 / 55 / 0 / 12

HEX #D965E1

RGB 217 101 225

HSL 296.13, 0.67%, 0.64%

LAB 61.22, 62.16, -43.07

 

CMYK 3 / 45 / 0 / 18

HEX #CC73D2

RGB 204 115 210

HSL 296.21, 0.51%, 0.64%

LAB 61.44, 49.05, -34.42

 

CMYK 2 / 33 / 0 / 24

HEX #BF82C3

RGB 191 130 195

HSL 296.31, 0.35%, 0.64%

LAB 62.49, 34.23, -24.47

 

CMYK 44 / 72 / 0 / 0

HEX #9047FF

RGB 144 71 255

HSL 263.8, 1%, 0.64%

LAB 49.08, 66.63, -79.8

 

CMYK 24 / 72 / 0 / 0

HEX #C147FF

RGB 193 71 255

HSL 279.78, 1%, 0.64%

LAB 55.14, 75.1, -69.68

 

CMYK 5 / 72 / 0 / 0

HEX #F247FF

RGB 242 71 255

HSL 295.76, 1%, 0.64%

LAB 62.17, 84.51, -58

 

CMYK 0 / 72 / 15 / 0

HEX #FF47DA

RGB 255 71 218

HSL 312.07, 1%, 0.64%

LAB 62.36, 81.77, -36.95

 

CMYK 0 / 72 / 34 / 0

HEX #FF47A9

RGB 255 71 169

HSL 328.04, 1%, 0.64%

LAB 60.45, 75.84, -11.89

 

CMYK 6 / 100 / 0 / 5

HEX #E500F3

RGB 229 0 243

HSL 296.54, 1%, 0.48%

LAB 55.21, 92.61, -62.61

 

CMYK 5 / 88 / 0 / 0

HEX #F11EFF

RGB 241 30 255

HSL 296.27, 1%, 0.56%

LAB 58.83, 93.56, -63.35

 

CMYK 4 / 72 / 0 / 0

HEX #F447FF

RGB 244 71 255

HSL 296.41, 1%, 0.64%

LAB 62.47, 84.9, -57.5

 

CMYK 4 / 56 / 0 / 0

HEX #F670FF

RGB 246 112 255

HSL 296.22, 1%, 0.72%

LAB 68.32, 69.85, -48.23

 

CMYK 2 / 40 / 0 / 0

HEX #F999FF

RGB 249 153 255

HSL 296.47, 1%, 0.8%

LAB 76.16, 51.08, -35.95

 

CMYK 4 / 73 / 0 / 0

HEX #F445FF

RGB 244 69 255

HSL 296.45, 1%, 0.64%

LAB 62.26, 85.51, -57.84

 

CMYK 0 / 63 / 72 / 0

HEX #FF5F47

RGB 255 95 71

HSL 7.83, 1%, 0.64%

LAB 61.57, 59.55, 45.71

 

CMYK 72 / 0 / 34 / 0

HEX #47FFA9

RGB 71 255 169

HSL 151.96, 1%, 0.64%

LAB 89.73, -64.54, 28.25

 

CMYK 4 / 73 / 0 / 0

HEX #F445FF

RGB 244 69 255

HSL 296.45, 1%, 0.64%

LAB 62.26, 85.51, -57.84

 

CMYK 0 / 5 / 72 / 0

HEX #FFF247

RGB 255 242 71

HSL 55.76, 1%, 0.64%

LAB 93.98, -13.8, 78.84

 

CMYK 72 / 0 / 5 / 0

HEX #47FFF2

RGB 71 255 242

HSL 175.76, 1%, 0.64%

LAB 91.36, -47.64, -6.97

 

CMYK 4 / 73 / 0 / 0

HEX #F445FF

RGB 244 69 255

HSL 296.45, 1%, 0.64%

LAB 62.26, 85.51, -57.84

 

CMYK 0 / 63 / 72 / 0

HEX #FF5F47

RGB 255 95 71

HSL 7.83, 1%, 0.64%

LAB 61.57, 59.55, 45.71

 

CMYK 67 / 0 / 72 / 0

HEX #53FF47

RGB 83 255 71

HSL 116.09, 1%, 0.64%

LAB 88.83, -75.73, 70.83

 

CMYK 72 / 10 / 0 / 0

HEX #47E6FF

RGB 71 230 255

HSL 188.15, 1%, 0.64%

LAB 84.56, -32.69, -23.96

 

CMYK 4 / 73 / 0 / 0

HEX #F445FF

RGB 244 69 255

HSL 296.45, 1%, 0.64%

LAB 62.26, 85.51, -57.84

 

CMYK 0 / 41 / 72 / 0

HEX #FF9647

RGB 255 150 71

HSL 25.76, 1%, 0.64%

LAB 71.91, 33.35, 56.88

 

CMYK 67 / 0 / 72 / 0

HEX #53FF47

RGB 83 255 71

HSL 116.09, 1%, 0.64%

LAB 88.83, -75.73, 70.83

 

CMYK 72 / 31 / 0 / 0

HEX #47AFFF

RGB 71 175 255

HSL 206.09, 1%, 0.64%

LAB 68.91, -4.3, -48.19

 

Description

Color code: RGB 244 69 255 | qconv.com Color code: RGB 244 69 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 69 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 69 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 73 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 73% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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