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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 101 240 it is the complementary color RGB 10 154 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 101 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 101 240 shade: RGB 250 101 235, RGB 255 119 254, RGB 255 137 255, RGB 255 155 255 and RGB 255 173 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 101 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 228 83 221, RGB 211 65 202, RGB 194 47 183 and RGB 177 29 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 245 101 201, RGB 245 101 162, RGB 245 101 124 and RGB 245 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 211 101 245, RGB 172 101 245, RGB 134 101 245 and RGB 101 101 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 101 240 shade matches the following richer shades: RGB 245 101 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 232 114 227, RGB 218 127 215, RGB 205 141 203 and RGB 192 154 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 101 240 shade: RGB 173 101 245, RGB 211 101 245, RGB 245 101 240, RGB 245 101 202 and RGB 245 101 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 101 240 shade: RGB 240 24 232, RGB 242 62 236, RGB 245 101 240, RGB 247 140 243 and RGB 250 179 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 245 135 101 and RGB 101 245 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 240 245 101 and RGB 101 240 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 245 135 101, RGB 101 245 106 and RGB 101 211 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 101 240 shade: RGB 245 101 240, RGB 245 178 101, RGB 101 245 106 and RGB 101 168 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

Complementary color

CMYK 94 / 0 / 90 / 40

HEX #0A9A0F

RGB 10 154 15

HSL 122.08, 0.88%, 0.32%

LAB 55.29, -58.08, 54.74

 

CMYK 0 / 60 / 6 / 2

HEX #FA65EB

RGB 250 101 235

HSL 306.04, 0.94%, 0.69%

LAB 66.24, 72.23, -40.44

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FE

RGB 255 119 254

HSL 300.44, 1%, 0.73%

LAB 70.6, 68.87, -44.01

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 64 / 3 / 11

HEX #E453DD

RGB 228 83 221

HSL 302.9, 0.73%, 0.61%

LAB 59.8, 71.84, -42.95

 

CMYK 0 / 69 / 4 / 17

HEX #D341CA

RGB 211 65 202

HSL 303.7, 0.62%, 0.54%

LAB 53.91, 71.5, -41.61

 

CMYK 0 / 76 / 6 / 24

HEX #C22FB7

RGB 194 47 183

HSL 304.49, 0.61%, 0.47%

LAB 48.16, 70.6, -39.87

 

CMYK 0 / 84 / 7 / 31

HEX #B11DA4

RGB 177 29 164

HSL 305.27, 0.72%, 0.4%

LAB 42.62, 68.84, -37.58

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 59 / 18 / 4

HEX #F565C9

RGB 245 101 201

HSL 318.33, 0.88%, 0.68%

LAB 64.11, 65.86, -24.78

 

CMYK 0 / 59 / 34 / 4

HEX #F565A2

RGB 245 101 162

HSL 334.58, 0.88%, 0.68%

LAB 62.78, 60.87, -4.55

 

CMYK 0 / 59 / 49 / 4

HEX #F5657C

RGB 245 101 124

HSL 350.42, 0.88%, 0.68%

LAB 61.8, 57.05, 15.95

 

CMYK 0 / 59 / 59 / 4

HEX #F56565

RGB 245 101 101

HSL 0, 0.88%, 0.68%

LAB 61.36, 55.27, 28.54

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 14 / 59 / 0 / 4

HEX #D365F5

RGB 211 101 245

HSL 285.83, 0.88%, 0.68%

LAB 61.44, 64.39, -53.91

 

CMYK 30 / 59 / 0 / 4

HEX #AC65F5

RGB 172 101 245

HSL 269.58, 0.88%, 0.68%

LAB 56.75, 55.23, -61.66

 

CMYK 45 / 59 / 0 / 4

HEX #8665F5

RGB 134 101 245

HSL 253.75, 0.88%, 0.68%

LAB 52.91, 47, -68.04

 

CMYK 59 / 59 / 0 / 4

HEX #6565F5

RGB 101 101 245

HSL 240, 0.88%, 0.68%

LAB 50.29, 40.9, -72.41

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 51 / 2 / 9

HEX #E872E3

RGB 232 114 227

HSL 302.54, 0.72%, 0.68%

LAB 65.54, 60.48, -37.27

 

CMYK 0 / 42 / 1 / 15

HEX #DA7FD7

RGB 218 127 215

HSL 301.98, 0.55%, 0.68%

LAB 65.74, 47.95, -30.42

 

CMYK 0 / 31 / 1 / 20

HEX #CD8DCB

RGB 205 141 203

HSL 301.88, 0.39%, 0.68%

LAB 66.78, 34.27, -22.26

 

CMYK 0 / 20 / 1 / 25

HEX #C09ABF

RGB 192 154 191

HSL 301.58, 0.23%, 0.68%

LAB 68.08, 20.53, -13.73

 

CMYK 29 / 59 / 0 / 4

HEX #AD65F5

RGB 173 101 245

HSL 270, 0.88%, 0.68%

LAB 56.86, 55.46, -61.47

 

CMYK 14 / 59 / 0 / 4

HEX #D365F5

RGB 211 101 245

HSL 285.83, 0.88%, 0.68%

LAB 61.44, 64.39, -53.91

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 59 / 18 / 4

HEX #F565CA

RGB 245 101 202

HSL 317.92, 0.88%, 0.68%

LAB 64.15, 66, -25.28

 

CMYK 0 / 59 / 33 / 4

HEX #F565A3

RGB 245 101 163

HSL 334.17, 0.88%, 0.68%

LAB 62.81, 60.99, -5.08

 

CMYK 0 / 90 / 3 / 6

HEX #F018E8

RGB 240 24 232

HSL 302.22, 0.88%, 0.52%

LAB 57.08, 90.84, -53.33

 

CMYK 0 / 74 / 2 / 5

HEX #F23EEC

RGB 242 62 236

HSL 302, 0.87%, 0.6%

LAB 60.23, 84.21, -50.54

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 43 / 2 / 3

HEX #F78CF3

RGB 247 140 243

HSL 302.24, 0.87%, 0.76%

LAB 72.89, 54.89, -34.51

 

CMYK 0 / 28 / 1 / 2

HEX #FAB3F7

RGB 250 179 247

HSL 302.54, 0.88%, 0.84%

LAB 81.45, 36.47, -23.52

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 45 / 59 / 4

HEX #F58765

RGB 245 135 101

HSL 14.17, 0.88%, 0.68%

LAB 67.78, 38.88, 36.72

 

CMYK 59 / 0 / 22 / 4

HEX #65F5C0

RGB 101 245 192

HSL 157.92, 0.88%, 0.68%

LAB 87.91, -51.01, 14.07

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 2 / 0 / 59 / 4

HEX #F0F565

RGB 240 245 101

HSL 62.08, 0.88%, 0.68%

LAB 93.78, -19.67, 66.92

 

CMYK 59 / 2 / 0 / 4

HEX #65F0F5

RGB 101 240 245

HSL 182.08, 0.88%, 0.68%

LAB 87.81, -35.91, -13.74

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 45 / 59 / 4

HEX #F58765

RGB 245 135 101

HSL 14.17, 0.88%, 0.68%

LAB 67.78, 38.88, 36.72

 

CMYK 59 / 0 / 57 / 4

HEX #65F56A

RGB 101 245 106

HSL 122.08, 0.88%, 0.68%

LAB 86.56, -65.44, 54.63

 

CMYK 59 / 14 / 0 / 4

HEX #65D3F5

RGB 101 211 245

HSL 194.17, 0.88%, 0.68%

LAB 79.58, -21.89, -26.18

 

CMYK 0 / 59 / 2 / 4

HEX #F565F0

RGB 245 101 240

HSL 302.08, 0.88%, 0.68%

LAB 65.76, 71.79, -44.01

 

CMYK 0 / 27 / 59 / 4

HEX #F5B265

RGB 245 178 101

HSL 32.08, 0.88%, 0.68%

LAB 77.4, 16.41, 48.41

 

CMYK 59 / 0 / 57 / 4

HEX #65F56A

RGB 101 245 106

HSL 122.08, 0.88%, 0.68%

LAB 86.56, -65.44, 54.63

 

CMYK 59 / 31 / 0 / 4

HEX #65A8F5

RGB 101 168 245

HSL 212.08, 0.88%, 0.68%

LAB 67.55, 1.14, -44.83

 

Description

Color code: RGB 245 101 240 | qconv.com Color code: RGB 245 101 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 101 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 101 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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