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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 126 180 it is the complementary color RGB 10 129 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 126 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 126 180 shade: RGB 250 126 175, RGB 255 144 194, RGB 255 162 213, RGB 255 180 232 and RGB 255 198 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 126 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 228 108 161, RGB 211 90 142, RGB 194 72 123 and RGB 177 54 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 245 126 148 and RGB 245 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 245 126 212, RGB 245 126 244, RGB 214 126 245 and RGB 182 126 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 126 180 shade matches the following richer shades: RGB 245 126 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 234 138 181, RGB 223 149 182, RGB 211 160 183 and RGB 200 171 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 126 180 shade: RGB 245 126 245, RGB 245 126 213, RGB 245 126 182, RGB 245 126 150 and RGB 245 134 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 126 180 shade: RGB 239 50 136, RGB 242 88 158, RGB 245 126 180, RGB 248 165 202 and RGB 251 203 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 245 213 126 and RGB 126 229 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 182 245 126 and RGB 126 182 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 245 213 126, RGB 126 245 190 and RGB 126 158 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 126 180 shade: RGB 245 126 180, RGB 241 245 126, RGB 126 245 190 and RGB 130 126 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

Complementary color

CMYK 92 / 0 / 42 / 49

HEX #0A814B

RGB 10 129 75

HSL 152.77, 0.86%, 0.27%

LAB 47.33, -43.03, 21.08

 

CMYK 0 / 50 / 30 / 2

HEX #FA7EAF

RGB 250 126 175

HSL 336.29, 0.93%, 0.74%

LAB 68.27, 52.46, -3.77

 

CMYK 0 / 44 / 24 / 0

HEX #FF90C2

RGB 255 144 194

HSL 332.97, 1%, 0.78%

LAB 72.96, 47.73, -7.37

 

CMYK 0 / 36 / 16 / 0

HEX #FFA2D5

RGB 255 162 213

HSL 327.1, 1%, 0.82%

LAB 77.22, 41.32, -11.46

 

CMYK 0 / 29 / 9 / 0

HEX #FFB4E8

RGB 255 180 232

HSL 318.4, 1%, 0.85%

LAB 81.69, 34.98, -15.05

 

CMYK 0 / 22 / 2 / 0

HEX #FFC6FB

RGB 255 198 251

HSL 304.21, 1%, 0.89%

LAB 86.31, 28.81, -18.24

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 53 / 29 / 11

HEX #E46CA1

RGB 228 108 161

HSL 333.5, 0.69%, 0.66%

LAB 61.47, 52.23, -6.19

 

CMYK 0 / 57 / 33 / 17

HEX #D35A8E

RGB 211 90 142

HSL 334.21, 0.58%, 0.59%

LAB 55.19, 52.9, -4.72

 

CMYK 0 / 63 / 37 / 24

HEX #C2487B

RGB 194 72 123

HSL 334.92, 0.5%, 0.52%

LAB 48.93, 53.39, -2.95

 

CMYK 0 / 69 / 41 / 31

HEX #B13668

RGB 177 54 104

HSL 335.61, 0.53%, 0.45%

LAB 42.74, 53.57, -0.73

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 49 / 40 / 4

HEX #F57E94

RGB 245 126 148

HSL 348.91, 0.86%, 0.73%

LAB 66.88, 47.63, 9.38

 

CMYK 0 / 49 / 49 / 4

HEX #F57E7E

RGB 245 126 126

HSL 0, 0.86%, 0.73%

LAB 66.4, 45.44, 21.12

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 49 / 13 / 4

HEX #F57ED4

RGB 245 126 212

HSL 316.64, 0.86%, 0.73%

LAB 68.81, 56.07, -23.73

 

CMYK 0 / 49 / 0 / 4

HEX #F57EF4

RGB 245 126 244

HSL 300.5, 0.86%, 0.73%

LAB 70.08, 61.29, -39.44

 

CMYK 13 / 49 / 0 / 4

HEX #D67EF5

RGB 214 126 245

HSL 284.37, 0.86%, 0.73%

LAB 66.37, 53.02, -46.07

 

CMYK 26 / 49 / 0 / 4

HEX #B67EF5

RGB 182 126 245

HSL 268.24, 0.86%, 0.73%

LAB 62.89, 44.47, -51.8

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 41 / 23 / 8

HEX #EA8AB5

RGB 234 138 181

HSL 333.13, 0.7%, 0.73%

LAB 68.76, 41.93, -6.65

 

CMYK 0 / 33 / 18 / 13

HEX #DF95B6

RGB 223 149 182

HSL 333.24, 0.54%, 0.73%

LAB 69.87, 32.49, -5.71

 

CMYK 0 / 24 / 13 / 17

HEX #D3A0B7

RGB 211 160 183

HSL 332.94, 0.37%, 0.73%

LAB 71.15, 22.47, -4.51

 

CMYK 0 / 15 / 8 / 22

HEX #C8ABB8

RGB 200 171 184

HSL 333.1, 0.21%, 0.73%

LAB 72.8, 12.71, -2.75

 

CMYK 0 / 49 / 0 / 4

HEX #F57EF5

RGB 245 126 245

HSL 300, 0.86%, 0.73%

LAB 70.12, 61.47, -39.93

 

CMYK 0 / 49 / 13 / 4

HEX #F57ED5

RGB 245 126 213

HSL 316.13, 0.86%, 0.73%

LAB 68.85, 56.22, -24.23

 

CMYK 0 / 49 / 26 / 4

HEX #F57EB6

RGB 245 126 182

HSL 331.76, 0.86%, 0.73%

LAB 67.81, 51.75, -8.47

RGB 245 126 182

CMYK 0 / 49 / 39 / 4

HEX #F57E96

RGB 245 126 150

HSL 347.9, 0.86%, 0.73%

LAB 66.93, 47.85, 8.31

RGB 245 126 150

CMYK 0 / 45 / 49 / 4

HEX #F5867E

RGB 245 134 126

HSL 4.03, 0.86%, 0.73%

LAB 68, 41.43, 23.29

RGB 245 134 126

CMYK 0 / 79 / 43 / 6

HEX #EF3288

RGB 239 50 136

HSL 332.7, 0.86%, 0.57%

LAB 54.46, 74.64, -1.71

 

CMYK 0 / 64 / 35 / 5

HEX #F2589E

RGB 242 88 158

HSL 332.73, 0.86%, 0.65%

LAB 60.18, 64.99, -6.15

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 33 / 19 / 3

HEX #F8A5CA

RGB 248 165 202

HSL 333.25, 0.86%, 0.81%

LAB 76.76, 35.73, -6.23

 

CMYK 0 / 19 / 10 / 2

HEX #FBCBE1

RGB 251 203 225

HSL 332.5, 0.86%, 0.89%

LAB 86.33, 20.39, -4.44

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 13 / 49 / 4

HEX #F5D57E

RGB 245 213 126

HSL 43.87, 0.86%, 0.73%

LAB 86.26, 0.23, 46.86

 

CMYK 49 / 7 / 0 / 4

HEX #7EE5F5

RGB 126 229 245

HSL 188.07, 0.86%, 0.73%

LAB 85.54, -25.85, -17.07

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 26 / 0 / 49 / 4

HEX #B6F57E

RGB 182 245 126

HSL 91.76, 0.86%, 0.73%

LAB 90.21, -39.36, 50.68

 

CMYK 49 / 26 / 0 / 4

HEX #7EB6F5

RGB 126 182 245

HSL 211.76, 0.86%, 0.73%

LAB 72.55, -1.41, -36.93

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 13 / 49 / 4

HEX #F5D57E

RGB 245 213 126

HSL 43.87, 0.86%, 0.73%

LAB 86.26, 0.23, 46.86

 

CMYK 49 / 0 / 22 / 4

HEX #7EF5BE

RGB 126 245 190

HSL 152.27, 0.86%, 0.73%

LAB 88.67, -46.04, 16.28

 

CMYK 49 / 36 / 0 / 4

HEX #7E9EF5

RGB 126 158 245

HSL 223.87, 0.86%, 0.73%

LAB 66.12, 12.13, -46.98

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 2 / 0 / 49 / 4

HEX #F1F57E

RGB 241 245 126

HSL 62.02, 0.86%, 0.73%

LAB 94.1, -17.33, 56.29

 

CMYK 49 / 0 / 22 / 4

HEX #7EF5BE

RGB 126 245 190

HSL 152.27, 0.86%, 0.73%

LAB 88.67, -46.04, 16.28

 

CMYK 47 / 49 / 0 / 4

HEX #827EF5

RGB 130 126 245

HSL 242.02, 0.86%, 0.73%

LAB 58.28, 31.76, -59.42

 

Description

Color code: RGB 245 126 180 | qconv.com Color code: RGB 245 126 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 126 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 126 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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