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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 24 24 it is the complementary color RGB 10 231 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 24 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 24 24 shade: RGB 250 24 19, RGB 255 42 38, RGB 255 60 57, RGB 255 78 76 and RGB 255 96 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 24 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 228 6 5, RGB 211 0 0, RGB 194 0 0 and RGB 177 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 24 24 shade: RGB 245 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 245 84 24, RGB 245 143 24, RGB 245 203 24 and RGB 228 245 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 24 24 shade matches the following richer shades: RGB 245 24 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 226 44 44, RGB 206 63 63, RGB 187 83 83 and RGB 167 102 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 24 24 shade: RGB 245 24 142, RGB 245 24 83, RGB 245 24 24, RGB 245 83 24 and RGB 245 142 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 24 24 shade: RGB 180 7 7, RGB 219 9 9, RGB 245 24 24, RGB 247 64 64 and RGB 248 104 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 201 245 24 and RGB 24 113 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 24 245 24 and RGB 24 24 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 201 245 24, RGB 24 245 245 and RGB 68 24 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 24 24 shade: RGB 245 24 24, RGB 135 245 24, RGB 24 245 245 and RGB 135 24 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

Complementary color

CMYK 96 / 0 / 0 / 9

HEX #0AE7E7

RGB 10 231 231

HSL 180, 0.92%, 0.47%

LAB 83.43, -44.39, -13.07

 

CMYK 0 / 90 / 92 / 2

HEX #FA1813

RGB 250 24 19

HSL 1.3, 0.96%, 0.53%

LAB 52.98, 76.97, 61.53

 

CMYK 0 / 84 / 85 / 0

HEX #FF2A26

RGB 255 42 38

HSL 1.11, 1%, 0.57%

LAB 55.13, 75.5, 55.89

 

CMYK 0 / 76 / 78 / 0

HEX #FF3C39

RGB 255 60 57

HSL 0.91, 1%, 0.61%

LAB 56.87, 71.51, 48.04

 

CMYK 0 / 69 / 70 / 0

HEX #FF4E4C

RGB 255 78 76

HSL 0.67, 1%, 0.65%

LAB 59.19, 66.39, 40.29

 

CMYK 0 / 62 / 63 / 0

HEX #FF605F

RGB 255 96 95

HSL 0.37, 1%, 0.69%

LAB 62.04, 60.36, 33.13

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 97 / 98 / 11

HEX #E40605

RGB 228 6 5

HSL 0.27, 0.96%, 0.46%

LAB 47.8, 73.16, 60.37

 

CMYK 0 / 100 / 100 / 17

HEX #D30000

RGB 211 0 0

HSL 0, 1%, 0.41%

LAB 44.02, 69.44, 58.27

 

CMYK 0 / 100 / 100 / 24

HEX #C20000

RGB 194 0 0

HSL 0, 1%, 0.38%

LAB 40.36, 65.21, 54.72

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 66 / 90 / 4

HEX #F55418

RGB 245 84 24

HSL 16.29, 0.92%, 0.53%

LAB 57.86, 59.38, 62.65

 

CMYK 0 / 42 / 90 / 4

HEX #F58F18

RGB 245 143 24

HSL 32.31, 0.92%, 0.53%

LAB 68.84, 31.49, 70.57

 

CMYK 0 / 17 / 90 / 4

HEX #F5CB18

RGB 245 203 24

HSL 48.6, 0.92%, 0.53%

LAB 83.01, 0.16, 81.24

 

CMYK 7 / 0 / 90 / 4

HEX #E4F518

RGB 228 245 24

HSL 64.62, 0.92%, 0.53%

LAB 92.52, -27.65, 87.99

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 0 / 69 / 69 / 19

HEX #CE3F3F

RGB 206 63 63

HSL 0, 0.59%, 0.53%

LAB 48.3, 56.02, 32.67

 

CMYK 0 / 56 / 56 / 27

HEX #BB5353

RGB 187 83 83

HSL 0, 0.43%, 0.53%

LAB 48.73, 41.98, 20.74

 

CMYK 0 / 39 / 39 / 35

HEX #A76666

RGB 167 102 102

HSL 0, 0.27%, 0.53%

LAB 50.31, 26.16, 11.12

 

CMYK 0 / 90 / 42 / 4

HEX #F5188E

RGB 245 24 142

HSL 327.96, 0.92%, 0.53%

LAB 54.05, 81.51, -5.78

 

CMYK 0 / 90 / 66 / 4

HEX #F51853

RGB 245 24 83

HSL 343.98, 0.92%, 0.53%

LAB 52.61, 77.54, 27.78

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 66 / 90 / 4

HEX #F55318

RGB 245 83 24

HSL 16.02, 0.92%, 0.53%

LAB 57.72, 59.78, 62.54

 

CMYK 0 / 42 / 90 / 4

HEX #F58E18

RGB 245 142 24

HSL 32.04, 0.92%, 0.53%

LAB 68.62, 32.01, 70.41

 

CMYK 0 / 96 / 96 / 29

HEX #B40707

RGB 180 7 7

HSL 0, 0.93%, 0.37%

LAB 37.61, 60.95, 49.09

 

CMYK 0 / 96 / 96 / 14

HEX #DB0909

RGB 219 9 9

HSL 0, 0.92%, 0.45%

LAB 46.01, 70.72, 57.33

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 74 / 74 / 3

HEX #F74040

RGB 247 64 64

HSL 0, 0.92%, 0.61%

LAB 55.9, 68.24, 42.79

 

CMYK 0 / 58 / 58 / 3

HEX #F86868

RGB 248 104 104

HSL 0, 0.91%, 0.69%

LAB 62.39, 55.15, 28.26

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 18 / 0 / 90 / 4

HEX #C9F518

RGB 201 245 24

HSL 71.95, 0.92%, 0.53%

LAB 90.68, -38.43, 85.76

 

CMYK 90 / 54 / 0 / 4

HEX #1871F5

RGB 24 113 245

HSL 215.84, 0.92%, 0.53%

LAB 50.21, 25.11, -72.68

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 90 / 0 / 90 / 4

HEX #18F518

RGB 24 245 24

HSL 120, 0.92%, 0.53%

LAB 84.77, -82.26, 78.48

 

CMYK 90 / 90 / 0 / 4

HEX #1818F5

RGB 24 24 245

HSL 240, 0.92%, 0.53%

LAB 32.79, 72.44, -101.41

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 18 / 0 / 90 / 4

HEX #C9F518

RGB 201 245 24

HSL 71.95, 0.92%, 0.53%

LAB 90.68, -38.43, 85.76

 

CMYK 90 / 0 / 0 / 4

HEX #18F5F5

RGB 24 245 245

HSL 180, 0.92%, 0.53%

LAB 88.01, -46.02, -13.57

 

CMYK 72 / 90 / 0 / 4

HEX #4418F5

RGB 68 24 245

HSL 251.95, 0.92%, 0.53%

LAB 34.95, 73.71, -97.75

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 45 / 0 / 90 / 4

HEX #87F518

RGB 135 245 24

HSL 89.86, 0.92%, 0.53%

LAB 87.25, -61.78, 81.55

 

CMYK 90 / 0 / 0 / 4

HEX #18F5F5

RGB 24 245 245

HSL 180, 0.92%, 0.53%

LAB 88.01, -46.02, -13.57

 

CMYK 45 / 90 / 0 / 4

HEX #8718F5

RGB 135 24 245

HSL 270.14, 0.92%, 0.53%

LAB 41.84, 78.56, -86.12

 

Description

Color code: RGB 245 24 24 | qconv.com Color code: RGB 245 24 24 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 24 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 24 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 90 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 90% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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