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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 80 219 it is the complementary color RGB 10 175 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 80 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 80 219 shade: RGB 250 80 214, RGB 255 98 233, RGB 255 116 252, RGB 255 134 255 and RGB 255 152 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 80 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 80 219 shade: RGB 245 80 219, RGB 228 62 200, RGB 211 44 181, RGB 194 26 162 and RGB 177 8 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 80 219 shade: RGB 244 81 219, RGB 244 81 175, RGB 244 81 131, RGB 244 81 86 and RGB 244 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 80 219 shade: RGB 244 81 219, RGB 226 81 244, RGB 182 81 244, RGB 138 81 244 and RGB 94 81 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 80 219 shade matches the following richer shades: RGB 244 81 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 80 219 shade: RGB 244 81 219, RGB 230 96 208, RGB 215 111 198, RGB 200 126 188 and RGB 185 140 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 80 219 shade: RGB 182 81 244, RGB 225 81 244, RGB 244 81 220, RGB 244 81 176 and RGB 244 81 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 80 219 shade: RGB 230 13 196, RGB 242 42 211, RGB 244 81 219, RGB 247 120 227 and RGB 249 159 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 80 219 shade: RGB 245 80 219, RGB 244 138 81 and RGB 81 244 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 80 219 shade: RGB 245 80 219, RGB 220 244 81 and RGB 81 220 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 80 219 shade: RGB 245 80 219, RGB 244 138 81, RGB 81 244 106 and RGB 81 187 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 80 219 shade: RGB 245 80 219, RGB 244 187 81, RGB 81 244 106 and RGB 81 138 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 11 / 4

HEX #F550DB

RGB 245 80 219

HSL 309.45, 0.89%, 0.64%

LAB 61.88, 76.65, -38.38

 

Complementary color

CMYK 94 / 0 / 79 / 31

HEX #0AAF24

RGB 10 175 36

HSL 129.45, 0.89%, 0.36%

LAB 62.38, -63.09, 55.82

 

CMYK 0 / 68 / 14 / 2

HEX #FA50D6

RGB 250 80 214

HSL 312.71, 0.94%, 0.65%

LAB 62.44, 77.12, -34.64

 

CMYK 0 / 62 / 9 / 0

HEX #FF62E9

RGB 255 98 233

HSL 308.41, 1%, 0.69%

LAB 66.43, 74.38, -38.98

 

CMYK 0 / 55 / 1 / 0

HEX #FF74FC

RGB 255 116 252

HSL 301.29, 1%, 0.73%

LAB 70.02, 69.86, -43.82

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 67 / 11 / 4

HEX #F550DB

RGB 245 80 219

HSL 309.45, 0.89%, 0.64%

LAB 61.88, 76.65, -38.38

 

CMYK 0 / 73 / 12 / 11

HEX #E43EC8

RGB 228 62 200

HSL 310.12, 0.75%, 0.57%

LAB 56.2, 76.01, -36.68

 

CMYK 0 / 79 / 14 / 17

HEX #D32CB5

RGB 211 44 181

HSL 310.78, 0.65%, 0.5%

LAB 50.67, 74.74, -34.55

 

CMYK 0 / 87 / 16 / 24

HEX #C21AA2

RGB 194 26 162

HSL 311.43, 0.76%, 0.43%

LAB 45.38, 72.57, -31.83

 

CMYK 0 / 95 / 19 / 31

HEX #B1088F

RGB 177 8 143

HSL 312.07, 0.91%, 0.36%

LAB 40.42, 69.2, -28.36

 

CMYK 0 / 67 / 10 / 4

HEX #F451DB

RGB 244 81 219

HSL 309.2, 0.88%, 0.64%

LAB 61.85, 76.06, -38.43

 

CMYK 0 / 67 / 28 / 4

HEX #F451AF

RGB 244 81 175

HSL 325.4, 0.88%, 0.64%

LAB 60.08, 70.21, -16.1

 

CMYK 0 / 67 / 46 / 4

HEX #F45183

RGB 244 81 131

HSL 341.6, 0.88%, 0.64%

LAB 58.75, 65.61, 7.56

 

CMYK 0 / 67 / 65 / 4

HEX #F45156

RGB 244 81 86

HSL 358.16, 0.88%, 0.64%

LAB 57.84, 62.36, 32.57

 

CMYK 0 / 67 / 67 / 4

HEX #F45151

RGB 244 81 81

HSL 0, 0.88%, 0.64%

LAB 57.76, 62.1, 35.32

 

CMYK 0 / 67 / 10 / 4

HEX #F451DB

RGB 244 81 219

HSL 309.2, 0.88%, 0.64%

LAB 61.85, 76.06, -38.43

 

CMYK 7 / 67 / 0 / 4

HEX #E251F4

RGB 226 81 244

HSL 293.37, 0.88%, 0.64%

LAB 60.41, 75.96, -54.86

 

CMYK 25 / 67 / 0 / 4

HEX #B651F4

RGB 182 81 244

HSL 277.18, 0.88%, 0.64%

LAB 54.41, 66.67, -64.81

 

CMYK 43 / 67 / 0 / 4

HEX #8A51F4

RGB 138 81 244

HSL 260.98, 0.88%, 0.64%

LAB 49.28, 58.13, -73.37

 

CMYK 61 / 67 / 0 / 4

HEX #5E51F4

RGB 94 81 244

HSL 244.79, 0.88%, 0.64%

LAB 45.35, 51.08, -79.94

 

CMYK 0 / 67 / 10 / 4

HEX #F451DB

RGB 244 81 219

HSL 309.2, 0.88%, 0.64%

LAB 61.85, 76.06, -38.43

 

CMYK 0 / 67 / 10 / 4

HEX #F451DB

RGB 244 81 219

HSL 309.2, 0.88%, 0.64%

LAB 61.85, 76.06, -38.43

 

CMYK 0 / 58 / 10 / 10

HEX #E660D0

RGB 230 96 208

HSL 309.85, 0.73%, 0.64%

LAB 61.43, 64.97, -33.04

 

CMYK 0 / 48 / 8 / 16

HEX #D76FC6

RGB 215 111 198

HSL 309.81, 0.57%, 0.64%

LAB 61.56, 52.18, -27.35

 

CMYK 0 / 37 / 6 / 22

HEX #C87EBC

RGB 200 126 188

HSL 309.73, 0.4%, 0.64%

LAB 62.37, 38.02, -20.62

 

CMYK 0 / 24 / 4 / 27

HEX #B98CB2

RGB 185 140 178

HSL 309.33, 0.24%, 0.64%

LAB 63.58, 23.46, -13.28

 

CMYK 25 / 67 / 0 / 4

HEX #B651F4

RGB 182 81 244

HSL 277.18, 0.88%, 0.64%

LAB 54.41, 66.67, -64.81

 

CMYK 8 / 67 / 0 / 4

HEX #E151F4

RGB 225 81 244

HSL 293.01, 0.88%, 0.64%

LAB 60.27, 75.74, -55.09

 

CMYK 0 / 67 / 10 / 4

HEX #F451DC

RGB 244 81 220

HSL 308.83, 0.88%, 0.64%

LAB 61.9, 76.21, -38.92

 

CMYK 0 / 67 / 28 / 4

HEX #F451B0

RGB 244 81 176

HSL 325.03, 0.88%, 0.64%

LAB 60.12, 70.33, -16.62

 

CMYK 0 / 67 / 45 / 4

HEX #F45185

RGB 244 81 133

HSL 340.86, 0.88%, 0.64%

LAB 58.8, 65.79, 6.46

 

CMYK 0 / 94 / 15 / 10

HEX #E60DC4

RGB 230 13 196

HSL 309.4, 0.89%, 0.48%

LAB 53.05, 85.41, -39.29

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

CMYK 0 / 67 / 10 / 4

HEX #F451DB

RGB 244 81 219

HSL 309.2, 0.88%, 0.64%

LAB 61.85, 76.06, -38.43

 

CMYK 0 / 51 / 8 / 3

HEX #F778E3

RGB 247 120 227

HSL 309.45, 0.89%, 0.72%

LAB 68.57, 61.84, -32.41

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 0 / 67 / 11 / 4

HEX #F550DB

RGB 245 80 219

HSL 309.45, 0.89%, 0.64%

LAB 61.88, 76.65, -38.38

 

CMYK 0 / 43 / 67 / 4

HEX #F48A51

RGB 244 138 81

HSL 20.98, 0.88%, 0.64%

LAB 68.02, 35.67, 47.42

 

CMYK 67 / 0 / 16 / 4

HEX #51F4CC

RGB 81 244 204

HSL 165.28, 0.88%, 0.64%

LAB 87.39, -51.27, 7.03

 

CMYK 0 / 67 / 11 / 4

HEX #F550DB

RGB 245 80 219

HSL 309.45, 0.89%, 0.64%

LAB 61.88, 76.65, -38.38

 

CMYK 10 / 0 / 67 / 4

HEX #DCF451

RGB 220 244 81

HSL 68.83, 0.88%, 0.64%

LAB 91.91, -28.39, 72.4

 

CMYK 67 / 10 / 0 / 4

HEX #51DCF4

RGB 81 220 244

HSL 188.83, 0.88%, 0.64%

LAB 81.55, -29.86, -22.71

 

CMYK 0 / 67 / 11 / 4

HEX #F550DB

RGB 245 80 219

HSL 309.45, 0.89%, 0.64%

LAB 61.88, 76.65, -38.38

 

CMYK 0 / 43 / 67 / 4

HEX #F48A51

RGB 244 138 81

HSL 20.98, 0.88%, 0.64%

LAB 68.02, 35.67, 47.42

 

CMYK 67 / 0 / 57 / 4

HEX #51F46A

RGB 81 244 106

HSL 129.2, 0.88%, 0.64%

LAB 85.75, -69.13, 53.55

 

CMYK 67 / 23 / 0 / 4

HEX #51BBF4

RGB 81 187 244

HSL 200.98, 0.88%, 0.64%

LAB 72.11, -13.08, -37.21

 

CMYK 0 / 67 / 11 / 4

HEX #F550DB

RGB 245 80 219

HSL 309.45, 0.89%, 0.64%

LAB 61.88, 76.65, -38.38

 

CMYK 0 / 23 / 67 / 4

HEX #F4BB51

RGB 244 187 81

HSL 39.02, 0.88%, 0.64%

LAB 79.25, 10, 59.82

 

CMYK 67 / 0 / 57 / 4

HEX #51F46A

RGB 81 244 106

HSL 129.2, 0.88%, 0.64%

LAB 85.75, -69.13, 53.55

 

CMYK 67 / 43 / 0 / 4

HEX #518AF4

RGB 81 138 244

HSL 219.02, 0.88%, 0.64%

LAB 58.47, 14.89, -58.73

 

Description

Color code: RGB 245 80 219 | qconv.com Color code: RGB 245 80 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 80 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 80 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 11 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 11% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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