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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 98 197 it is the complementary color RGB 10 157 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 98 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 98 197 shade: RGB 250 98 192, RGB 255 116 211, RGB 255 134 230, RGB 255 152 249 and RGB 255 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 98 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 98 197 shade: RGB 245 98 197, RGB 228 80 178, RGB 211 62 159, RGB 194 44 140 and RGB 177 26 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 98 197 shade: RGB 244 96 196, RGB 244 96 156, RGB 244 96 116 and RGB 244 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 98 197 shade: RGB 244 96 196, RGB 244 96 236, RGB 213 96 244, RGB 173 96 244 and RGB 133 96 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 98 197 shade matches the following richer shades: RGB 244 96 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 98 197 shade: RGB 244 96 196, RGB 231 110 191, RGB 217 124 187, RGB 204 137 182 and RGB 190 151 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 98 197 shade: RGB 212 96 244, RGB 244 96 237, RGB 244 96 198, RGB 244 96 158 and RGB 244 96 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 98 197 shade: RGB 239 19 167, RGB 242 58 182, RGB 244 96 196, RGB 247 135 210 and RGB 249 174 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 98 197 shade: RGB 245 98 197, RGB 244 173 96 and RGB 96 244 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 98 197 shade: RGB 245 98 197, RGB 198 244 96 and RGB 96 198 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 98 197 shade: RGB 245 98 197, RGB 244 173 96, RGB 96 244 143 and RGB 96 168 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 98 197 shade: RGB 245 98 197, RGB 244 217 96, RGB 96 244 143 and RGB 96 123 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 20 / 4

HEX #F562C5

RGB 245 98 197

HSL 319.59, 0.88%, 0.67%

LAB 63.49, 66.57, -23.46

 

Complementary color

CMYK 94 / 0 / 63 / 38

HEX #0A9D3A

RGB 10 157 58

HSL 139.59, 0.88%, 0.33%

LAB 56.57, -55.54, 41.19

 

CMYK 0 / 61 / 23 / 2

HEX #FA62C0

RGB 250 98 192

HSL 322.89, 0.94%, 0.68%

LAB 64.05, 67.29, -19.7

 

CMYK 0 / 55 / 17 / 0

HEX #FF74D3

RGB 255 116 211

HSL 318.99, 1%, 0.73%

LAB 68.35, 63.51, -23.76

 

CMYK 0 / 47 / 10 / 0

HEX #FF86E6

RGB 255 134 230

HSL 312.4, 1%, 0.76%

LAB 72.24, 57.99, -28.31

 

CMYK 0 / 40 / 2 / 0

HEX #FF98F9

RGB 255 152 249

HSL 303.5, 1%, 0.8%

LAB 76.41, 52.28, -32.26

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 60 / 20 / 4

HEX #F562C5

RGB 245 98 197

HSL 319.59, 0.88%, 0.67%

LAB 63.49, 66.57, -23.46

 

CMYK 0 / 65 / 22 / 11

HEX #E450B2

RGB 228 80 178

HSL 320.27, 0.73%, 0.6%

LAB 57.51, 66.7, -21.98

 

CMYK 0 / 71 / 25 / 17

HEX #D33E9F

RGB 211 62 159

HSL 320.94, 0.63%, 0.54%

LAB 51.61, 66.44, -20.16

 

CMYK 0 / 77 / 28 / 24

HEX #C22C8C

RGB 194 44 140

HSL 321.6, 0.63%, 0.47%

LAB 45.86, 65.6, -17.85

 

CMYK 0 / 85 / 32 / 31

HEX #B11A79

RGB 177 26 121

HSL 322.25, 0.74%, 0.4%

LAB 40.36, 63.86, -14.88

 

CMYK 0 / 61 / 20 / 4

HEX #F460C4

RGB 244 96 196

HSL 319.46, 0.87%, 0.67%

LAB 63, 67, -23.66

 

CMYK 0 / 61 / 36 / 4

HEX #F4609C

RGB 244 96 156

HSL 335.68, 0.87%, 0.67%

LAB 61.65, 62.05, -2.78

 

CMYK 0 / 61 / 52 / 4

HEX #F46074

RGB 244 96 116

HSL 351.89, 0.87%, 0.67%

LAB 60.66, 58.24, 18.97

 

CMYK 0 / 61 / 61 / 4

HEX #F46060

RGB 244 96 96

HSL 0, 0.87%, 0.67%

LAB 60.29, 56.8, 29.97

 

CMYK 0 / 61 / 20 / 4

HEX #F460C4

RGB 244 96 196

HSL 319.46, 0.87%, 0.67%

LAB 63, 67, -23.66

 

CMYK 0 / 61 / 3 / 4

HEX #F460EC

RGB 244 96 236

HSL 303.24, 0.87%, 0.67%

LAB 64.69, 72.94, -43.49

 

CMYK 13 / 61 / 0 / 4

HEX #D560F4

RGB 213 96 244

HSL 287.43, 0.87%, 0.67%

LAB 60.82, 66.92, -54.32

 

CMYK 29 / 61 / 0 / 4

HEX #AD60F4

RGB 173 96 244

HSL 271.22, 0.87%, 0.67%

LAB 55.87, 57.74, -62.52

 

CMYK 45 / 61 / 0 / 4

HEX #8560F4

RGB 133 96 244

HSL 255, 0.87%, 0.67%

LAB 51.71, 49.3, -69.45

 

CMYK 0 / 61 / 20 / 4

HEX #F460C4

RGB 244 96 196

HSL 319.46, 0.87%, 0.67%

LAB 63, 67, -23.66

 

CMYK 0 / 61 / 20 / 4

HEX #F460C4

RGB 244 96 196

HSL 319.46, 0.87%, 0.67%

LAB 63, 67, -23.66

 

CMYK 0 / 52 / 17 / 9

HEX #E76EBF

RGB 231 110 191

HSL 319.83, 0.72%, 0.67%

LAB 63.26, 56.35, -20.59

 

CMYK 0 / 43 / 14 / 15

HEX #D97CBB

RGB 217 124 187

HSL 319.35, 0.55%, 0.67%

LAB 63.96, 44.43, -17.43

 

CMYK 0 / 33 / 11 / 20

HEX #CC89B6

RGB 204 137 182

HSL 319.7, 0.4%, 0.67%

LAB 65.05, 32.38, -13.12

 

CMYK 0 / 21 / 7 / 25

HEX #BE97B1

RGB 190 151 177

HSL 320, 0.23%, 0.67%

LAB 66.71, 18.91, -7.97

 

CMYK 13 / 61 / 0 / 4

HEX #D460F4

RGB 212 96 244

HSL 287.03, 0.87%, 0.67%

LAB 60.69, 66.69, -54.53

 

CMYK 0 / 61 / 3 / 4

HEX #F460ED

RGB 244 96 237

HSL 302.84, 0.87%, 0.67%

LAB 64.73, 73.1, -43.97

 

CMYK 0 / 61 / 19 / 4

HEX #F460C6

RGB 244 96 198

HSL 318.65, 0.87%, 0.67%

LAB 63.07, 67.27, -24.68

 

CMYK 0 / 61 / 35 / 4

HEX #F4609E

RGB 244 96 158

HSL 334.86, 0.87%, 0.67%

LAB 61.71, 62.27, -3.85

 

CMYK 0 / 61 / 51 / 4

HEX #F46077

RGB 244 96 119

HSL 350.68, 0.87%, 0.67%

LAB 60.72, 58.49, 17.32

 

CMYK 0 / 92 / 30 / 6

HEX #EF13A7

RGB 239 19 167

HSL 319.64, 0.87%, 0.51%

LAB 53.61, 83.22, -21.38

 

CMYK 0 / 76 / 25 / 5

HEX #F23AB6

RGB 242 58 182

HSL 319.57, 0.88%, 0.59%

LAB 57.35, 78.04, -24.35

 

CMYK 0 / 61 / 20 / 4

HEX #F460C4

RGB 244 96 196

HSL 319.46, 0.87%, 0.67%

LAB 63, 67, -23.66

 

CMYK 0 / 45 / 15 / 3

HEX #F787D2

RGB 247 135 210

HSL 319.82, 0.88%, 0.75%

LAB 70.7, 51.97, -19.72

 

CMYK 0 / 30 / 10 / 2

HEX #F9AEE1

RGB 249 174 225

HSL 319.2, 0.86%, 0.83%

LAB 79.53, 34.98, -14.59

 

CMYK 0 / 60 / 20 / 4

HEX #F562C5

RGB 245 98 197

HSL 319.59, 0.88%, 0.67%

LAB 63.49, 66.57, -23.46

 

CMYK 0 / 29 / 61 / 4

HEX #F4AD60

RGB 244 173 96

HSL 31.22, 0.87%, 0.67%

LAB 76.05, 18.28, 49.25

 

CMYK 61 / 0 / 5 / 4

HEX #60F4E8

RGB 96 244 232

HSL 175.14, 0.87%, 0.67%

LAB 88.45, -41.98, -6

 

CMYK 0 / 60 / 20 / 4

HEX #F562C5

RGB 245 98 197

HSL 319.59, 0.88%, 0.67%

LAB 63.49, 66.57, -23.46

 

CMYK 19 / 0 / 61 / 4

HEX #C6F460

RGB 198 244 96

HSL 78.65, 0.87%, 0.67%

LAB 90.57, -35.88, 64.65

 

CMYK 61 / 19 / 0 / 4

HEX #60C6F4

RGB 96 198 244

HSL 198.65, 0.87%, 0.67%

LAB 75.7, -16.42, -31.61

 

CMYK 0 / 60 / 20 / 4

HEX #F562C5

RGB 245 98 197

HSL 319.59, 0.88%, 0.67%

LAB 63.49, 66.57, -23.46

 

CMYK 0 / 29 / 61 / 4

HEX #F4AD60

RGB 244 173 96

HSL 31.22, 0.87%, 0.67%

LAB 76.05, 18.28, 49.25

 

CMYK 61 / 0 / 41 / 4

HEX #60F48F

RGB 96 244 143

HSL 139.05, 0.87%, 0.67%

LAB 86.59, -60.96, 37.16

 

CMYK 61 / 31 / 0 / 4

HEX #60A8F4

RGB 96 168 244

HSL 210.81, 0.87%, 0.67%

LAB 67.29, -0.12, -44.7

 

CMYK 0 / 60 / 20 / 4

HEX #F562C5

RGB 245 98 197

HSL 319.59, 0.88%, 0.67%

LAB 63.49, 66.57, -23.46

 

CMYK 0 / 11 / 61 / 4

HEX #F4D960

RGB 244 217 96

HSL 49.05, 0.87%, 0.67%

LAB 86.85, -4.55, 61.53

 

CMYK 61 / 0 / 41 / 4

HEX #60F48F

RGB 96 244 143

HSL 139.05, 0.87%, 0.67%

LAB 86.59, -60.96, 37.16

 

CMYK 61 / 50 / 0 / 4

HEX #607BF4

RGB 96 123 244

HSL 229.05, 0.87%, 0.67%

LAB 55.26, 26.46, -63.84

 

Description

Color code: RGB 245 98 197 | qconv.com Color code: RGB 245 98 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 98 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 98 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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