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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 201 200 it is the complementary color RGB 9 54 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 201 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 201 200 shade: RGB 251 201 195, RGB 255 219 214, RGB 255 237 233 and RGB 255 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 201 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 201 200 shade: RGB 246 201 200, RGB 229 183 181, RGB 212 165 162, RGB 195 147 143 and RGB 178 129 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 201 200 shade: RGB 245 199 197 and RGB 245 197 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 201 200 shade: RGB 245 199 197, RGB 245 211 197, RGB 245 224 197, RGB 245 237 197 and RGB 240 245 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 201 200 shade matches the following richer shades: RGB 245 199 197 and RGB 251 193 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 201 200 shade: RGB 245 199 197, RGB 240 204 203, RGB 234 209 208, RGB 229 214 214 and RGB 224 219 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 201 200 shade: RGB 245 197 222, RGB 245 197 209, RGB 245 198 197, RGB 245 211 197 and RGB 245 224 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 201 200 shade: RGB 234 129 127, RGB 239 164 162, RGB 245 199 197 and RGB 251 233 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 201 200 shade: RGB 246 201 200, RGB 235 245 197 and RGB 197 216 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 201 200 shade: RGB 246 201 200, RGB 197 245 198 and RGB 198 197 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 201 200 shade: RGB 246 201 200, RGB 235 245 197, RGB 197 244 245 and RGB 208 197 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 201 200 shade: RGB 246 201 200, RGB 221 245 197, RGB 197 244 245 and RGB 222 197 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 19 / 4

HEX #F6C9C8

RGB 246 201 200

HSL 1.3, 0.72%, 0.87%

LAB 84.76, 15.75, 6.5

 

Complementary color

CMYK 84 / 2 / 0 / 78

HEX #093637

RGB 9 54 55

HSL 181.3, 0.72%, 0.13%

LAB 19.93, -14.1, -4.95

 

CMYK 0 / 20 / 22 / 2

HEX #FBC9C3

RGB 251 201 195

HSL 6.43, 0.88%, 0.87%

LAB 85.11, 16.83, 9.73

 

CMYK 0 / 14 / 16 / 0

HEX #FFDBD6

RGB 255 219 214

HSL 7.32, 1%, 0.92%

LAB 90.22, 11.69, 7.07

 

CMYK 0 / 7 / 9 / 0

HEX #FFEDE9

RGB 255 237 233

HSL 10.91, 1%, 0.96%

LAB 95.04, 5.42, 4.12

 

CMYK 0 / 18 / 19 / 4

HEX #F6C9C8

RGB 246 201 200

HSL 1.3, 0.72%, 0.87%

LAB 84.76, 15.75, 6.5

 

CMYK 0 / 20 / 21 / 10

HEX #E5B7B5

RGB 229 183 181

HSL 2.5, 0.48%, 0.8%

LAB 78.38, 16.28, 7.32

 

CMYK 0 / 22 / 24 / 17

HEX #D4A5A2

RGB 212 165 162

HSL 3.6, 0.37%, 0.73%

LAB 71.9, 16.85, 8.2

 

CMYK 0 / 25 / 27 / 24

HEX #C3938F

RGB 195 147 143

HSL 4.62, 0.3%, 0.66%

LAB 65.32, 17.49, 9.15

 

CMYK 0 / 28 / 30 / 30

HEX #B2817C

RGB 178 129 124

HSL 5.56, 0.26%, 0.59%

LAB 58.62, 18.21, 10.18

 

CMYK 0 / 19 / 20 / 4

HEX #F5C7C5

RGB 245 199 197

HSL 2.5, 0.71%, 0.87%

LAB 84.12, 16, 7.17

 

CMYK 0 / 20 / 20 / 4

HEX #F5C5C5

RGB 245 197 197

HSL 0, 0.71%, 0.87%

LAB 83.64, 17.05, 6.48

 

CMYK 0 / 19 / 20 / 4

HEX #F5C7C5

RGB 245 199 197

HSL 2.5, 0.71%, 0.87%

LAB 84.12, 16, 7.17

 

CMYK 0 / 14 / 20 / 4

HEX #F5D3C5

RGB 245 211 197

HSL 17.5, 0.71%, 0.87%

LAB 87.01, 9.71, 11.31

 

CMYK 0 / 9 / 20 / 4

HEX #F5E0C5

RGB 245 224 197

HSL 33.75, 0.71%, 0.87%

LAB 90.21, 2.99, 15.83

 

CMYK 0 / 3 / 20 / 4

HEX #F5EDC5

RGB 245 237 197

HSL 50, 0.71%, 0.87%

LAB 93.46, -3.64, 20.38

 

CMYK 2 / 0 / 20 / 4

HEX #F0F5C5

RGB 240 245 197

HSL 66.25, 0.71%, 0.87%

LAB 95.1, -9.44, 22.61

 

CMYK 0 / 19 / 20 / 4

HEX #F5C7C5

RGB 245 199 197

HSL 2.5, 0.71%, 0.87%

LAB 84.12, 16, 7.17

 

CMYK 0 / 23 / 24 / 2

HEX #FBC1C0

RGB 251 193 192

HSL 1.02, 0.88%, 0.87%

LAB 83.15, 20.61, 8.53

 

CMYK 0 / 19 / 20 / 4

HEX #F5C7C5

RGB 245 199 197

HSL 2.5, 0.71%, 0.87%

LAB 84.12, 16, 7.17

 

CMYK 0 / 15 / 15 / 6

HEX #F0CCCB

RGB 240 204 203

HSL 1.62, 0.55%, 0.87%

LAB 85.01, 12.49, 5.2

 

CMYK 0 / 11 / 11 / 8

HEX #EAD1D0

RGB 234 209 208

HSL 2.31, 0.38%, 0.87%

LAB 85.83, 8.53, 3.66

 

CMYK 0 / 7 / 7 / 10

HEX #E5D6D6

RGB 229 214 214

HSL 0, 0.22%, 0.87%

LAB 86.8, 5.16, 1.85

 

CMYK 0 / 2 / 2 / 12

HEX #E0DBDB

RGB 224 219 219

HSL 0, 0.07%, 0.87%

LAB 87.79, 1.7, 0.59

 

CMYK 0 / 20 / 9 / 4

HEX #F5C5DE

RGB 245 197 222

HSL 328.75, 0.71%, 0.87%

LAB 84.29, 20.99, -5.93

 

CMYK 0 / 20 / 15 / 4

HEX #F5C5D1

RGB 245 197 209

HSL 345, 0.71%, 0.87%

LAB 83.94, 18.89, 0.5

 

CMYK 0 / 19 / 20 / 4

HEX #F5C6C5

RGB 245 198 197

HSL 1.25, 0.71%, 0.87%

LAB 83.88, 16.52, 6.82

 

CMYK 0 / 14 / 20 / 4

HEX #F5D3C5

RGB 245 211 197

HSL 17.5, 0.71%, 0.87%

LAB 87.01, 9.71, 11.31

 

CMYK 0 / 9 / 20 / 4

HEX #F5E0C5

RGB 245 224 197

HSL 33.75, 0.71%, 0.87%

LAB 90.21, 2.99, 15.83

 

CMYK 0 / 45 / 46 / 8

HEX #EA817F

RGB 234 129 127

HSL 1.12, 0.72%, 0.71%

LAB 65.53, 40.02, 19.13

 

CMYK 0 / 31 / 32 / 6

HEX #EFA4A2

RGB 239 164 162

HSL 1.56, 0.71%, 0.79%

LAB 74.51, 27.5, 12.31

 

CMYK 0 / 19 / 20 / 4

HEX #F5C7C5

RGB 245 199 197

HSL 2.5, 0.71%, 0.87%

LAB 84.12, 16, 7.17

 

CMYK 0 / 7 / 7 / 2

HEX #FBE9E9

RGB 251 233 233

HSL 0, 0.69%, 0.95%

LAB 93.74, 6.1, 2.19

 

CMYK 0 / 18 / 19 / 4

HEX #F6C9C8

RGB 246 201 200

HSL 1.3, 0.72%, 0.87%

LAB 84.76, 15.75, 6.5

 

CMYK 4 / 0 / 20 / 4

HEX #EBF5C5

RGB 235 245 197

HSL 72.5, 0.71%, 0.87%

LAB 94.74, -11.23, 22.04

 

CMYK 20 / 12 / 0 / 4

HEX #C5D8F5

RGB 197 216 245

HSL 216.25, 0.71%, 0.87%

LAB 85.79, -0.37, -16.31

 

CMYK 0 / 18 / 19 / 4

HEX #F6C9C8

RGB 246 201 200

HSL 1.3, 0.72%, 0.87%

LAB 84.76, 15.75, 6.5

 

CMYK 20 / 0 / 19 / 4

HEX #C5F5C6

RGB 197 245 198

HSL 121.25, 0.71%, 0.87%

LAB 92.24, -24.09, 17.68

 

CMYK 19 / 20 / 0 / 4

HEX #C6C5F5

RGB 198 197 245

HSL 241.25, 0.71%, 0.87%

LAB 81.03, 10.04, -23.5

 

CMYK 0 / 18 / 19 / 4

HEX #F6C9C8

RGB 246 201 200

HSL 1.3, 0.72%, 0.87%

LAB 84.76, 15.75, 6.5

 

CMYK 4 / 0 / 20 / 4

HEX #EBF5C5

RGB 235 245 197

HSL 72.5, 0.71%, 0.87%

LAB 94.74, -11.23, 22.04

 

CMYK 20 / 0 / 0 / 4

HEX #C5F4F5

RGB 197 244 245

HSL 181.25, 0.71%, 0.87%

LAB 93.09, -14.71, -5.45

 

CMYK 15 / 20 / 0 / 4

HEX #D0C5F5

RGB 208 197 245

HSL 253.75, 0.71%, 0.87%

LAB 81.8, 13.14, -22.26

 

CMYK 0 / 18 / 19 / 4

HEX #F6C9C8

RGB 246 201 200

HSL 1.3, 0.72%, 0.87%

LAB 84.76, 15.75, 6.5

 

CMYK 10 / 0 / 20 / 4

HEX #DDF5C5

RGB 221 245 197

HSL 90, 0.71%, 0.87%

LAB 93.76, -16.14, 20.53

 

CMYK 20 / 0 / 0 / 4

HEX #C5F4F5

RGB 197 244 245

HSL 181.25, 0.71%, 0.87%

LAB 93.09, -14.71, -5.45

 

CMYK 9 / 20 / 0 / 4

HEX #DEC5F5

RGB 222 197 245

HSL 271.25, 0.71%, 0.87%

LAB 82.94, 17.56, -20.42

 

Description

Color code: RGB 246 201 200 | qconv.com Color code: RGB 246 201 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 201 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 201 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 19 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 19% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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